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Music
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is a new publication. Music marked "New!" in teal type is
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WW034: Duos Concertants for Flute or Oboe and Clarinet
1st Series compiled,
transcribed, and revised by Albert J. Andraud.
Southern Music Company, 1935, SS, 23 pages (two copies). All duets are
in score format. This book contains six duets from the works of Bach,
three from Handel and three from Mozart. For good high school players
or better. WW035: Duos Concertants for Flute or Oboe and Clarinet 2nd Series compiled, transcribed, and revised by Albert J. Andraud. Southern Music Company, 1946, SS, 40 pages (two copies). This book has two duos concertants by G. Kummer (not in score format, all the rest are), and Symphony Concertante by Mozart KV 364 for violin, viola and orchestra or piano (accompaniment not included) transcribed, and shorter works by Bach, Handel, and Krebs. Some of the material in this book is more difficult than the first book. WW036: Duos Concertants for Flute or Oboe and Clarinet 3rd Series compiled, transcribed, and revised by Albert J. Andraud. Southern Music Company, 1946, SS, 40 pages (two copies). This book has three duos concertants by J.B. Gambaro (not in score format, all the rest are), 12 duets for 2 basset horns by Mozart (not transposed), an extended duet by J. Sellner, and shorter works by Bach, Handel, Lacome, and Rameu. A mix of difficulty levels similar to the second book. |
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WW171: Fantasy for flute and clarinet by
Malcolm Arnold.
Queen's Temple Publications, 2003, SS, 2 pages (score format). A
miniature (duration 1:30) Arnold wrote for his children to play
together. Opens and closes with the flute playing a melody over
arpeggios in the clarinet and has a contrasting interlude in between.
Some pleasing dissonance in spots. Early high school level.![]() (Except other items with free shipping.) |
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WW125: Le Calme de la Mer Trio for Flute, Clarinet and Piano by Tony Aubin. Alphonse Leduc, 1964, SS, (includes parts and piano score). A suggested piece for this combination. It is at an unhurried tempo (Lento, ma non troppo) and should be playable by many high school students although the flute part goes up to C7. | |
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WW071: Duo Op. 25 Oboe
and Clarinet
by Marion Bauer. C.F. Peters, 1953,
SS, 9 pages (score format). Marion Bauer (1892-1955) was a composer,
critic, author, lecturer and teacher. She was also the first American
student of Boulanger in Paris. This is a suite of four duets: Prelude
(Allegretto Con Moto), Improvisation (Andante Expressivo e rubato),
Pastoral (Allegretto), and Dance (Allegro Giocoso). Early college
level.![]() (Except other items with free shipping.) |
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WW152: Three Duets WoO 27 for Clarinet and Bassoon
by Ludwig van Beethoven edited by Jerry Kirkbride and Jane Taylor.
International Music Co., 1979, SS, 13 pages for each part (no score).
While there is some doubt that Beethoven wrote these pieces, they are
popular nonetheless. I. Allegro commodo, Larghetto sostenuto, Rondo
(Allegretto); II. Allegro affecttuoso, Aria (Larghetto), Rondo (Allegro
moderato); and III. Allegro sostenuto, Andantino con moto, Allegro
assai. |
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WW195: Lluna for flute,
clarinet and piano by Daniel Bimbi. Emerson Edition, 2008, SS,
(includes parts and piano score). Daniel Bimbi (1971-) was born in
Carcassonne in
Southern France. He studied clarinet with Guy Deplus and more recently
has been studying composition with Jan Van der Roost. Lluna was
originally intended to be the theme of a Children's Opera based upon
"The Child and the Moon." The themes are very sultry and nostalgic in a
Latin, Mediterranean style, finished with a brilliant pyrotechnical
finale, both humorous and exciting. College level with a duration of
about 7 minutes.![]() |
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WW113: Contrastes III for Clarinet and Bassoon by Eugene Bozza. Alphonse Leduc, 1977, SS, 12 pages. Includes two copies of the parts in score format. There are eight short movements in this piece. Early college level. | |
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WW042: Trois Mouvements (Three Movements) for Flute
and
Clarinet in B-flat
by Eugene Bozza. Alphonse Leduc, 1974. Includes two copies of the parts
in score format. The three movements are Allegretto; Moderato,
espressivo; and Allegro giocoso. Suitable for college or professional
recitals.![]() |
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WW069: Trio in D minor for
Oboe (Clarinet), Bassoon (Viola/Bass Clarinet/Basset Horn) and Piano
by Alexander Brent-Smith. Rosewood, 2003, (includes piano score and all
parts). Alexander Brent-Smith (1889-1950) was a British composer,
author, and teacher. This work was first performed in 1943. It is in
three movements I. Allegro Moderato, II. Andante, and III. Allegretto.
It should be playable by those at the early college level (and adult
amateurs). |
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C986: Klezmer Music for Clarinet, Viola and Piano by Elissa Brill. Arsis Press, 1994, (includes piano score and parts). Klezmer Music is not a traditional Klezmer piece, but was inspired by and owes much of its structure to this Yiddish folk form. In one movement with alternating slow and fast sections and includes a cadenza played independently and simultaneously by all players. An advanced work with a duration of about 9 minutes. | |
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WW132: Shadows Duo for Flute and Clarinet by Jane Brockman. Arsis Press, 1985, SS, 7 pages (score format). The tradition of imitation which has historically inspired two-voice music can be likened to an object and its shadow, continually evident in this composition. At times, the instrumental identities become obscured, and one is not certain which instrument is playing which line. Also, the musical language of Richard Wagner still has much relevance for this composer. It is his shadow which is 'felt' throughout the work as the leitmotiv of Kundry (from Parsifal) is employed melodically, but without its characteristic rhythm--and in a new context. A college level work with a duration of about 6 minutes. | |
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WW143:
Four Pieces for Flute and Clarinet
by Newel Kay Brown. Tenuto Publications, 1968, SS, two copies in score
format each 7 pages. The four pieces are: I. Adagio, II. Allegretto,
III. Adagietto, and IV. Allegro con brio. Better high school level and
up. Duration 5:35.(Except other items with free shipping.) |
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C1026: Double Concerto Op. 88 for Clarinet (or
Violin), Viola and
Piano
by Max Bruch. Simrock, 1977. This is a piano reduction of this very
popular Bruch work for clarinet in A, viola and orchestra. In three
movements: I. Andante con moto, II. Allegro moderato, III. Allegro
molto. The violin part is included.![]() ![]() |
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C707: Eight
Pieces Op 83 Vol. 1 for Clarinet,
Viola and Piano (or Violin, Violoncello and Piano)
by Max Bruch. Masters Music, SS.
This volume contains the first four pieces: I. Andante, II. Allegro con
moto, III Andante con moto/Andante, and IV.Allegro agitato. The first
three are for clarinet in A and the fourth for clarinet in B-flat.
Includes parts for all instruments including alternates.![]() ![]()
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C708: Eight
Pieces Op 83 Vol. 2 for Clarinet,
Viola and Piano (or Violin, Violoncello and Piano)
by Max Bruch. Masters Music, SS.
This volume contains the second four pieces: V. Rumänische Melodi
(Andante), VI. Nachgesang (Andante con moto), VII. Allegro vivace, ma
non troppo and VIII. Moderato. Number VII is for A clarinet and the
rest are for B-flat clarinet. Includes parts for all instruments
including alternates.![]() ![]()
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WW219:
Sonatine for Flute and Clarinet
by Jean Cartan. Heugel, 1931, SS, each part is 6 pages. Both the flute
and clarinet parts include the part for the other
instrument in small print. In three movements: Pastorale (Sans
lenteur), Berceuse (Andante), and Rondeau (Vif). College level. |
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C660: Prelude,
Allegro, and Pastoral for B-flat Clarinet and Viola
by Rebecca Clarke.
Oxford University Press, 2000, SS, 16 pages. Clarke who was born in
England in 1886 and died in New York 1979, was one of the finest viola
players of her day and also an excellent composer who studied with
Stanford. This piece was composed in 1941 and this is the first
publication. It is in score format. College level.![]() (Except other items with free shipping.) |
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WW197:
Duo Suite on Mexican
Themes for Flute and Clarinet
by Mike Curtis.
Advance Music, 1997, SS, 15 pages in score format. There are six
pieces: I. Plaza del Baratillo, II. El Burro Viejo, III. La Banda del
Estado, IV. Dulcinea, V. Sancho Danza, and VI. La Rana Loca. Better
high school players and up. |
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WW227: Woodwind Friends, 25
Intermediate Duets
by Mike Curtis.
MSS Publishing, 2010, SB, 73 pages in score format. This book has 25
intermediate duets with parts in C, B-flat, E-flat, and bass clef. The
composer has computed that there are more than 50 possible combinations
of woodwind instruments that can play them. These duets are
progressive. They gradually build the student's experience of time
signatures, articulations, tempi, dynamics, keys, styles and rhythmic
complexity. They were written to be short and fun. Click on the cover
image to see a sample page. Use your browser's Back button to return. |
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WW031: Sinfonia Concertante for Flute, Clarinet and Orchestra Op. 41 by Franz Danzi edited by John P. Newhill. Music Rara, 1982, PB, 57 + 9 + 10 pages. Piano reduction. In three movements: Allegro Moderato, Larghetto, and Allegretto polonaise. Includes extensive notes by the editor. | |
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WW204: Petite Suite arranged
for
Flute, Clarinet in A and Piano by Claude Debussy arranged by
Michael
Webster. International Music, 2009, SS. A wonderful arrangement of a
wonderful piece (originally for piano four hands). Four movements: I.
En Bateau, II. Cortège, III. Menuet, and IV. Ballet. Generally
college level. The duration is about 12:30.![]() |
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WW138: Prélude à l'après-midi
d'un faune
(Prelude to the Afternoon of a Faun) arranged for
Flute, Clarinet and Piano by Claude Debussy arranged by Michael
Webster. International Music, 1994, SS. This piece is one of the most
popular flute solos in the repertoire, but as the arranger writes,
adapting it for flute and piano has not been very successful because
there is too much music to be covered by two instruments. Adding the
clarinet produces a more satisfactory result. Both A and B-flat
clarinet parts are included. The duration is about 9:20.![]() |
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WW228: Trio in B minor Op.
27
for Oboe, Clarinet (in A) and Piano
by Edouard Destenay. Lauren Publications, SS, includes parts and piano
score. Recently reprinted from a 1906 Hamelle edition. Edouard Destenay
(1850-1924) was a French composer and organist who was born in Algiers.
In three
movements: Allegro vivace, Andante non troppo, and Presto. College
level. |
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WW141: Four Little Duos for
Flute
and Clarinet
by Robert Dickow. Manduca Music, 1997, SS, 8 pages. In score
format with two copies. Robert Dickow (1949-) is an American composer
who teaches horn, composition, and theory at the University of Idaho.
These four duets are at the advanced college level and feature mixed
meter. The publisher describes them as "Really nice recital
material for good players. Stravinskyesque technique and textures." The
duration is 8:30. |
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WW145:
Andante Con Variazioni for Flute and Clarinet
by Daniel Dorff. Tenuto Publications, 1986, SS, two copies in score
format each 7 pages. The Andante is followed by five variations.
The odd meters (7/16 and 5/8) in variation II make this an early
college level piece.
Duration about 4:30.(Except other items with free shipping.) |
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WW144:
Dances and Canons for Flute and Clarinet
by Daniel Dorff. Tenuto Publications, 1988, SS, two copies in score
format each 7 pages. There are nine short pieces which are: 1. Waltz
(Tempo di valse), 2. Canon (Allegro), 3. Ballad (Andante cantabile), 4.
Canon (Presto), 5. Invention (Maestoso), 6. Dance (Con spirito), 7.
Nocturne (Largo amorosa), 8. Canon, (Leggiero), and 9. Dance
(Allegro con brio). For better high school students and up. The
duration is about 7 minutes.(Except other items with free shipping.) |
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WW232: Old New Borrowed
Blue, A
collection of fun duets for Flute and B-flat Clarinet
by Daniel Dorff. Tenuto Publications, 2010, SS, 23 pages. In score
format. The duets are in three groups: Dances and Canons which has 9
pieces and a duration of 7 minutes, Three Little Waltzes with a
duration of 6 minutes, and finally, Andante con Variazioni which has a
short Andante and five variations with a total duration of 4:30. Most
of these pieces are at the advanced intermediate level and will
probably be of most interest to better high school students and adult
amateurs. |
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WW124: Three Romances for
Flute
and B-flat Clarinet
by Daniel Dorff. Tenuto Publications, 2007, SS, 8 pages. In score
format with two copies. The three
romances are: 1. Languid (Allegro pastorale), 2. Sultry (Tango
drammatico), and 3. Frisky (Brisk allegro). The music is lyrical,
tonal, and rhythmic. It was premeried by flutist Gary Schocker with
the composer on clarinet at the 2007 National Flute Association's
annual convention. Early college level. Duration about 8 minutes. |
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WW158: Two Cats for
Flute and B-flat Clarinet
by Daniel Dorff. Tenuto Publications, 2008, SS, 8 pages. In score
format with two copies. Close on the heels (paws?) of his already
popular Three Romances,
composer Daniel Dorff has presented us with another flute and clarinet
duet. The composer's program notes are as follows: "Being quite fond of
my flutist-partner's two cats, I chose this opportunity to make musical
portraits of Hootie, a handsome and elegant 20-pound tuxedo cat, and
Tiki, a petite bengal princess. Hootie's music is generally in a slow
pulse with lyrical 16ths flowing, just as Hootie is pensive and
outwardly still, while clearly being very busy inside. The final phrase
is marked snoozendo poco a poco. The final measures of the Hootie
movement are identical to the beginning of the Tiki movement, just as
in reality one cat's end is sometimes notably close to the other's
beginning. After a 'peacefully lurking' introduction, Tiki's remarkable
showcat grace and playful lightness are set as an effervescent scherzo,
including some double-tonguing (after all, her name is ti-ki), a bit of
fluttertonguing as Tiki can sound herself, and with a regally strutted
circus march in the middle of the scherzo." College level with a
duration of about 8:15. |
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WW049: Trio
Pathétique for Clarinet, Bassoon (Violoncello) and Piano
by Michail Glinka. Music Rara, 1957, SS. In four
movements: Allegro Moderato, Scherzo, Largo and Allegro con spirito.
This is a major work that brings out the best qualities of each
instrument. The clarinet and bassoon parts are not especially difficult
but it requires an excellent pianist. |
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C503: Benny's
Gig, 8 Duos for Clarinet and Double Bass by
Morton Gould. G. Schirmer, 1980, SS, 20 pages. These eight duos were
written for Benny Goodman by the composer. The first is marked
(1962) Celebrating Benny's 1962 Russian Tour while the last is for
Benny's 70th Birthday May 1979. Larry Comb's recording is recommended. |
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WW075: Waltz and Interlude Duet for Flute and
B-flat Clarinet
with Piano Accompaniment by Clare Grundman. Boosey & Hawkes,
1964, SS, (includes piano score and individual parts). This is an
intermediate duet with an easy piano part. It is in three sections: a
waltz (Moderato con moto), then the interlude in 4/4 (Meno), followed
by a return to the waltz in the original tempo. The flute part goes to
a high G while the clarinet part does not go higher than a B above the
staff and is frequently in the lower register. (Except other items with free shipping.) |
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WW170: Five Waltzes for Flute, Clarinet and Piano
by Paul Harris. Queen's Temple Publications, 1998, SS, 24 + 3 + 3
pages. The five waltzes are: I. Allegro, II Allegro grazioso, III.
Moderato, IV. Allegretto, and V. Allegro con moto. High school level
and the piano part is easy. |
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G102: Serenade
Op. 24
for Clarinet in A and B-flat (Violin), Cello (Viola/Basset Horn) and
Piano
by Emil Hartmann. Rosewood, 1998, SB, (includes all parts and piano
score). Hartmann (1836-1898) was a Danish church musician, conductor,
and composer of German descent. Three movements: 1. Idylle (Andante),
2. Romance (Andante/Allegretto Scherzando), and 3. Rondo-Finale
(Allegro). This is a fairly long work with the parts running 9 pages
and the piano score 50. Probably early college level in difficulty. |
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C1122: Musikalisches Blumengärtlein und Leyptziger Allerley (Musical Flower Garden with Leyptziger Assortment) for Clarinet and Double Bass (or Cello) by Paul Hindemith. Schott, 1995, SS, 12 pages (in score format). Hindemith, an excellent clarinetist, composed this work in January 1927 for himself and his wife Getrude who was trained as an actress, singer and cellist, and who could also play double bass. The private nature of these compositions is underlined by the fact that all the dynamic and tempi markings are missing. There are nine short pieces: 1. Untitled, 2. Priere d'une vierge dans la Tonart mixolydique (A virgin's prayer in the mixolydian mode), 3. Untitled, 4. Kanon zum Schiessen (Canon for shooting), 5. Broken melody, 6. Marsch der Lowenreichswehr - Oberst W. gewidmet (March of the Lion King's artillery dedicated to Colonel W.), 7. Lied (song), 8. Die Gebetsmuhle im Schwarzwald, Charakterstuck (Prayer wheel in the Black Forest, character piece), 9. Ein Tanzlein (A little dance). Duration about 10 minutes. | |
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WW168: Dialogues Op. 158
for Flute and Clarinet
by Michael Kibbe. Michael Kibbe, 2006, SB, (includes score and parts).
This work is in three movements: I. Allegretto, II. Andante, and III.
Vivo. Duration about 8:30 minutes. Early college level. |
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WW167: Duo Op. 73
for Clarinet and Bassoon
by Michael Kibbe. Michael Kibbe, 2007, SB, (includes score and parts).
Premiered in 1983, this revised edtion was published in late 2007. The
work is in three movements: I. Briskly, II. Quietly Moving, and III.
Very fast. Duration about 8 minutes. Early college level. |
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C1158: Pink Flamingos Tango for Clarinet and Bass
Clarinet (or
Bassoon)
by Michael Kibbe. Michael Kibbe, 2006, (includes all parts).
Originally written for wind quintet, the composer has adapted this
piece for two players. At an Allegro sensuoso tempo, this should be
playable by good high school/adult amateur performers and beyond. (Except other items with free shipping.) |
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WW163: Sonatina for Flute and Clarinet Op. 92/2b
by Ernst Krenek. Baerenreiter, 1960, SS, 5 pages (in score format).
Ernst Krenek
(1900-1991) was an Austrian born composer (of Czech heritage) who lived
in the United States from 1938 on. In three movements: I. Allegretto
comodo, II. Adagio, and III. Vivace. This piece, which as written in
1942, looks like a good piece for a college recital. The duration is
about 8 minutes.![]() (Except other items with free shipping.) |
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WW052: Barn Dances for Flute, Clarinet and Piano
by Libby Larsen. Oxford University Press/Goodmusic, 2004. SS, 24 + 8 +
8 pages.
The composer wrote: "Barn Dances is a set of four abstract
pieces. . . Each pieces draws from the name
of a particular dance step used in cowboy dances. Taking the name of
the step as a point of departure, my idea was to take a flight of fancy
in each movement and to create the musical equivalent of a character
drawing." The movements are: Forward Six and Fall Back Eight, Divide
the Ring, Varsouvianna (a simple dream waltz), and Rattlesnake Twist.
Upper college level. |
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C658: Black Birds, Red Hills
for B-flat Clarinet, Viola, and Piano
by Libby Larsen.
Oxford University Press, 2005, SS. This piece was inspired by six
Georgia O'Keeffe paintings of the red hills of New Mexico. It is in
four movements with a brief epilogue. They are: 1. Pedernal Hills
(extremely legato), 2. Black Rock (deliberately), 3. Red Hills and Sky
(gently), 4. A Black Bird with Snow-Covered Red Hills, and 5. Looking.
Includes full score with piano part and individual clarinet and viola
parts. College level.![]() |
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C1536:
Corker for B-flat
Clarinet and Percussion by
Libby Larsen. ECS Publishing (E.C. Schirmer), 2001, SS, includes parts
and score. Corker was commissioned by Robert Spring, Professor of
Clarinet at Arizona State University and was performed at the
International Clarinet Society Convention in July, 1991. The composer
inspiration for the work is drawn from 1940’s popular musical language,
which she loves, because the performers are spectacular musicians and
because it speaks the rhythms and harmonic language of contemporary
American English. The percussion part is for one player (who will be
busy) playing marimba, vibraphone, suspended cymbal, tom-toms (high,
medium, low), snare drum (sticks and wire brushes), and high-hat
cymbal.
An advanced piece with a duration of 6:40. Two corrections to the
clarinet part are listed here.
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C661: Slang for Clarinet in B-flat, Violin, and Piano by Libby Larsen. Oxford University Press, 1998, SS. This piece was commissioned by the Verdehr Trio. "Slang is a one movement work in three sections. The title refers to the use of both jazz and boogie slang and twentieth century 'new music' slang throughout the composition." A work for advanced performers. Includes full score with piano part and individual clarinet and violin parts. This is no longer available to us from Oxford. Oxford has a series of publishers in the UK it uses for the music it no longer finds profitable. You can order it directly from this one here: Goodmusic Publishing. | |
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WW139: Caribbean Sketches for Flute and
Clarinet by Gordon Lewin. Boosey & Hawkes, 1962, SS, (includes
parts and score). Gordon Lewin (1921-2008) was a British
composer, clarinetist, and saxophonist, who studied at the Royal
College of Music and performed on more than 100 film scores. This
piece has two movements: 1. Palm Tree Song (1:30) and 2. Cuban
Calypso (2:10). The first could probably be performed by many good high
school duos, while the second, which is mostly in 5/4 at Allegro
giocoso con ritmo (mm=160-168), will require a somewhat higher skill
level. (Except other items with free shipping.) |
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WW136:
Three Latin-American
Impressions for Flute and
Clarinet by Gordon Lewin. Boosey & Hawkes, 1955, SS, 8 pages in
score format. Another Gordon Lewin piece that looks like a lot of fun
and has finally been received (in August 2010) after a lengthy wait.
The three pieces are: 1. La Chica (Allegro, Valse Creole), 2. El Burro
Pequeño (Tempo di Samba), and 3. Bailecito Mexicano (Allegro,
Jarabe). Early college level (some high school level musicians will be
able to play this) with the first and last pieces easier than the
middle one.(Except other items with free shipping.) |
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WW130: Duo Flute and Clarinet by David Liptak. MMB Music, 1992, SB, 9 pages. David Liptak (1949-) is an American composer and music educator. This piece was commissioned for the 1979 Rock Mountain Chamber Festival and was first perform by Doriot Anthony Dwyer flute and David Harman clarinet at Fort Collins, Colorado the same year. It was revised by the composer in 1992. It is in four movements: Andante con moto, Con forza, Andante languido, and Presto. It is in score format (11 x 17 size) with a copy for each performer. This is an advanced work with a duration of about 9 minutes. | |
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WW126: Music for the Middle of the Day for Flute, Clarinet in B-flat, and Piano by Joseph Makholm. Billaudot, 2006, SS. This piece was written for the Webster trio. Michael Webster describes it as "Sophisticated jazz. Joe has written everything out to sound natural, almost improvised at times, with lush chord changes and inventive melodies and rhythms. It is an outstanding example of its genre." In four movements: 1. Late One Afternoon (At a lazy, but regular, pace), 2. Dolores' Kitchen (Up-tempo bossa), 3. December (Molto rubato), and 4. You Think You Know, But You Don't (Up-tempo swing). The first and last movements should be swung. College level with a duration of about 9 minutes. | |
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WW037: Duos for Flute and Clarinet Op. 24
by Robert Muczynski. G. Schirmer, 1991, SS, 13 pages. Includes two
copies of the six duets which are in score format. Probably early
college level but might be attempted by younger players if the flutist
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C1242: Five Bagatelles for Clarinet and Mallet Percussion by Philip Parker. Southern Music, 1987, SS, 15 + 4 pages. The Five Bagatelles are I. Intrada (With spirit), II. Nocturne (Quietly), III. Waltz (Allegretto), IV. Song (Andante/Moderato), and V. Reel (Lively). Bagatelle II is for vibraphone while the rest are for marimba. The clarinet part is early college level at most. The percussion part is for four mallets. A good piece for a joint recital. | |
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WW038: Sonata for Clarinet and Bassoon by
Francis
Poulenc. Chester Music, 1924, SS, 12 pages. The music is in score
format. Somewhat similar in style to Sonata for Two Clarinets, it has
three movements: Allegro, Romance, and Final. While the bassoonist
faces some endurance issues in the second and third movements, this is
excellent recital repertoire.![]() (Except other items with free shipping.) |
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WW046: Jazzy
Duets Flute & Clarinet
by James Rae. Universal Edition, 1991, 11 pages. This book has
five original duets in score format. They are intended for young
players (about third or fourth year or so). |
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WW051: Three American Miniatures For Flute and
Clarinet in B-flat
by
John Rutter. Oxford, 1981, SS, 8 pages. One of the foremost living
composers and conductors of choral music, John Rutter has also written
orchestral and instrumental music. This piece for unaccompanied flute
and clarinet is in three movements: Fanfare and Proclamation (Vivace),
Blues (Andante expressivo), and Rag (Allegretto). Early college
level. Score format. ![]() (Except other items with free shipping.) |
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WW121: Tarentelle Op. 6
for Flute, Clarinet in A and Piano
by Camille Saint-Saëns. Kalmus, SS, (includes parts and
piano score). Originally with orchestral accompaniment, this is one of
Saint-Saëns earlier adult works. While traditional in many
respects it includes a surprising Prestissimo conclusion in 2/4.
College level with a duration of about 6 minutes. |
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WW122: Sonatine en
Trio Op. 85
for Flute, Clarinet in A and Harpsichord or Piano
by Florent Schmitt. Durand, 1935, SS. This is one of the more popular
pieces for this combination. It is in four movements: I. Assez
animé, II. Assez vif, III. Très lent, and IV.
Animé. The flute and clarinet parts generally move together in
harmony. College level with a duration of about 8 minutes. |
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C1095: Love Letters for Clarinet and Cello by
Ruth Schonthal.
Sisra (Arsis Press), 1988, SS, 16 pages (score format). Ruth Schonthal
(1924-2006) was born in Germany and lived in Sweden, USSR, Mexico, and
finally in the US where she studied with Hindemith at Yale graduating
in 1948. This work was written in 1979 and contains nine pieces.
Excellent for college and professional recitals. For Clarinet in A.
Duration about 11:30. |
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C1153: Prelude, Blues and Finale for Two Clarinets in A (or Clarinet in A and Viola) and Piano by Elie Siegmeister. Carl Fischer, SS. Elie Siegmeister (1909-1991) was an American composer, educator and author. This is a challenging and exciting piece that was composed for Stanley and Naomi Drucker and Blanche Abram and premiered by them in 1984. This edition was copied from a manuscript which appears to have had a number of corrections (cut and paste) especially in the first few pages. It is supplied with a piano score, and a part with the first and second clarinet part and another with the first clarinet and viola part, so when played by two clarinetists they each have their own part. Duration about 16 minutes. | |
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WW123: Four Waltzes for Flute, Clarinet, and Piano
by Dmitri Shostakovich arranged by Levon Atovmian. Sikorski, 1958, SS,
includes parts and piano score. A somewhat unusual arrangement in that
the first waltz is for clarinet and piano and the second is for flute
and piano with only the last two for all three instruments. The waltzes
are I. Spring Waltz, II. Waltz Joke, III, Waltz, and IV. Barrel-Organ
Waltz (piccolo instead of flute). Early college level. |
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WW202: Concerto in B-flat for
Clarinet, Bassoon and Orchestra (Piano
Reduction)
by Karl Stamitz edited by Johannes Wojciechowski. Sikorski, 1954, 28 +
8 + 8 pages (includes both parts and piano score). In three movements:
I. Allegro moderato, II. Andante moderato, and III. Rondo. The parts
are well laid out with
excellent page turns. Cues are often provided before entrances and the
other solo part is provided for the two joint cadenzas. The 1954
publication of this work was the first time it had been published. ![]() |
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WW133: Three Duets for Flute and Clarinet by Don Stewart. Trillenium Music, 1999, SS, 8 pages (two parts in score format). Don Stewart (1935-) is an American composer and woodwind performer. This piece was written in 1959 and is one of his earliest compositions. The first duet is a perfect canon but with contrasting sections. The second which the composer originally regarded as "flamenco" in derivation, alternates an intensive melody with a brittle rhythmic background. The third is short and formally simple but polytonal. Early college level. | |
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WW043: Duet-Concertino for Clarinet and Bassoon with String Orchestra and Harp (Piano Reduction) by Richard Strauss. Boosey & Hawkes, 1949, SS. Includes two copies of duet parts and the piano reduction in score format. The Concertino is in three movements: Allegro moderato, Rondo, and Tempo primo. | |
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WW108: Duo for Flute and
Clarinet
by Antoni Szalowski. Chester, 1948, SS, 14 pages. Szalowski (1907-1973)
was a Polish born composer who studied in Warsaw and Paris (with
Boulanger). While most of his work was written for strings it is his
pieces for winds that are most popular today. He has been described as
a neo-classicist, favoring established forms, clear musical content,
and contrapuntal writing. This is one of the more popular
(advanced college level) flute and clarinet duets. It is in three
movements: I. Allegro, II. Andante, and III. Allegro. It is in score
format and has been printed without regard for page turns, so some
preparation will be required for performance. Duration is about 8
minutes. ![]() (Except other items with free shipping.) |
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WW218:
Choros No. 2 for Flute
and Clarinet in A by Heitor Villa-Lobos.
Eschig, 1927, SS, 4 pages (two parts in score format). This is one of
14 numbered choros that Villa-Lobos wrote between 1920 and 1929 for a
variety of instruments and combinations of instruments including
orchestra. The tempo is Pouco movido (mm=88 with some slower spots).
College level with a duration of about 2:30. ![]() (Except other items with free shipping.) |
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WW017: 78 Duets for Flute and Clarinet Vol. 1 (1-55)
Easy-Medium by Himie Voxman. Rubank, 1960, SS, 72 pages.
Adapted from the works of the Bachs, the Mozarts, Boismortier,
Dietter, Handel and others.
WW018: 78 Duets for Flute and Clarinet Vol. 2 (56-78)
Advanced by Himie Voxman. Rubank, 1960, SS, 72 pages.
Adapted from the works of Bach, Mozart, Geminiani, Muffat, Quantz,
Rameau, and C. Stamitz. |
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G101: Trio in D for clarinet in A (violin), horn (viola/bassoon/basset horn/bass clarinet) and piano by Richard Walthew. Rosewood, 2000. Richard Walthew (1872-1951) was a British composer with a special affinity for chamber music. This piece is of intermediate length and in three movements: I. Allegro Moderato, II. Allegretto, and III. Lento/Allegro non troppo. Early college level. | |
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WW156: Suite for Flute, Clarinet, and Piano by
Alec Wilder.
Margun Music, 1980, SS, (includes parts and piano score). American
composer Alec Wilder's (1907-1980) music combined elements of the jazz,
popular, and classical realms. This is a college level work in four
movements. |
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WW058:
Three Short Stories
for Clarinet and Bassoon
by Gernot Wolfgang. Doblinger, 2003, SS, (includes parts and score).
Gernot Wolfgang (1957-) is an Austrian born composer who lives in Los
Angeles. He received his musical education in Austria and the United
States. He has written chamber and orchestral music as well as for the
film and TV industries. The three stories are: 1. Uncle Bebop (very
fast with straight eighth notes), 2. Rays of Light (Rubato,
expressive), 3. Latin Dance (also very fast with straight eighth
notes). |
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C908: Trio in D Minor Op. 3 for
clarinet (or violin), cello, and piano by Alexander von
Zemlinsky. Simrock, 1897, SS. Alexander von Zemlinsky (1871-1942) was
an Austrian composer, conductor, and teacher. This is one of Zemlinsky
earlier works and was published by Simrock at the recommendation of
Brahms. The clarinet part requires both B-flat and A clarinets. In
three movements: Allegro ma non troppo, Andante, and Allegro. This is
an extended work with a duration of about 28 minutes. |
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ABRSM Music Medals. This
is a series of five books from the Associated Board of the Royal
Schools of Music featuring carefully graded duets, trios and quartets
for beginning and intermediate clarinetists. While they were developed
as part of the ABRSM Music Medals program, they can be used in any
setting where interesting and pedagogically sound ensemble pieces are
needed. Each book contains pieces which have parts from other levels
above and/or below the current one. They feature pieces (original and
an occasional arrangement) by composer such as Paul Harvey, James Rae,
Paul Harris, and many more. C319: Copper Clarinet Ensemble Pieces. ABRSM, 2004, SS, 16 pages. This beginner level book has 7 duets, 5 trios, and 4 quartets. All in the lower register. C320: Bronze Clarinet Ensemble Pieces. ABRSM, 2004, SS, 16 pages. The next beginner level book has 6 duets, 5 trios, and 4 quartets. Faster and more eight notes than the previous book, but still in the lower register. C321: Silver Clarinet Ensemble Pieces. ABRSM, 2004, SS, 24 pages. This middle book in the series is still at a beginner level with all parts that are "silver" or below in the lower register. Dotted eighth-sixteenth rhythms are frequently used in these pieces. It has 6 duets, 4 trios, and 4 quartets. C322: Gold Clarinet Ensemble Pieces. ABRSM, 2004, SS, 24 pages. The upper register finally makes its appearance in this book. This is at an intermediate level with many pieces that are significantly more complex than the previous volume. The quartets in particular may be useful for middle school and even beginning high school quartets. There are 6 duets, 4 trios, and 4 quartets. C323: Platinum Clarinet Ensemble Pieces. ABRSM, 2004, SS, 36 pages. The final book in the series is similar to the previous book at a slightly more difficult level and the same comments apply. There are 6 duets, 4 trios, and 5 quartets. |
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C1508:
Six Early 20th Century Duets for Clarinet transcribed
by
Valentine C. Anzalone. Shall-u-mo Publications, 1981, 10 pages. These
pieces are all from piano works written between 1900 and 1912. The are:
Erik Satie Voice from Within and Cynical Idyl (both from Preludes
Flasques), Bela Bartok Bagatell (from 14 Bagatelles Op. 6), Albert
Roussel Danse au bord de'leau Op. 5, Alexander Scriabin Prelude No. 2
Op. 13 and Prelude No. 4 Op. 13. The first piece is very easy, but they
are progressively more difficult to the early college level. Here is an
audio file
of the last duet.![]() (Except other items with free shipping.) |
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C1228: Divertimento Op. 135
for 2 clarinets by Malcolm Arnold.
Queen's Temple Publications, 2000, SS, 11 pages (score format). Six
contrasting movements that series editor Paul Harris says "combine wit
and lyrical melody with moments of darker and more serious
writing." Early college level. Duration about 8 minutes.![]() (Except other items with free shipping.) |
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C551: J.S. Bach 15 Two-Part Inventions arranged by Gunther Joppig. Zimmermann, 1994, SS, 33 pages. This book contains 15 two-part inventions, BWV 772-786 by Johann Sebastian Bach. They have been arranged to place them in a suitable key for the clarinet (the original keys are indicated). They can be played by any like clarinets and in a few cases include basset notes (below low E) in the lower part for those with basset clarinets, basset horns, or low C bass clarinets. Alternative notes are also given. Score format. Upper intermediate level. | |
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C1345: Contrapunctus XII (from Art of Fugue) Clarinet and Bass Clarinet Duet by Johann Sebastian Bach arranged by William Schmidt edited by Sharon Davis. Western International Music, 1996, SS, (includes score and parts). Allegro con spiritoso in 9/16. | |
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C1302: Contrapunctus XIII (from Art of Fugue) Clarinet
and Bass
Clarinet Duet by Johann Sebastian Bach arranged by William
Schmidt. Western International Music, 2001, SS, (includes score and
parts). A Bach fugue nicely arranged for clarinet and bass clarinet.
The publisher rates this at grade 3, I might suggest it is grade 3+. (Except other items with free shipping.) |
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C1346: Contrapunctus XV (from Art of Fugue) Clarinet
and Bass
Clarinet Duet by Johann Sebastian Bach arranged by William
Schmidt edited by Sharon Davis. Western International Music, 2001, SS,
(includes score and parts). Sharon Davis writes that this piece by
Bach contains a "puzzle."
(Except other items with free shipping.) |
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C424: J.S. Bach Clarinet Duos adapted by Gustave Langenus. Carl Fischer, SS, 32 pages. Twenty-one duets selected from Bach's piano, violin, and flute works. The duets are in score format, are predominately equal, and are at the upper intermediate and lower advanced levels. | |
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C1347: Three Inventions (Vol. 1) Clarinet and Bass Clarinet Duet by Johann Sebastian Bach arranged by William Schmidt edited by Sharon Davis. Western International Music, 1994, SS, (includes score and parts). Includes: Invention IV (Allegro ma non troppo), Invention IX (Andantino), and Invention VIII (Allegro vivo). There are a few low Ds (with alternative note) in the bass clarinet part. | |
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C1348: Four Inventions (Vol. 2) Clarinet and Bass
Clarinet Duet by Johann Sebastian Bach arranged by William
Schmidt edited by Sharon Davis. Western International Music, 1999, SS,
(includes score and parts). Includes: Invention XIII (Allegro),
Invention II (Moderato), Invention VI (Allegretto), and Invention I
(Allegro). There are a few low Ds (with alternative note) in the bass
clarinet
part. (Except other items with free shipping.) |
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C1349: Four Inventions (Vol. 3) Clarinet and Bass Clarinet Duet by Johann Sebastian Bach arranged by William Schmidt edited by Sharon Davis. Western International Music, 2003, SS, (includes score and parts). Includes: Invention III (Allegretto), Invention V (Allegro ma non troppo), Invention VII (Andante con moto), and Invention X (Allegro). | |
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C1366:
Duetti per due clarinetti by Johann Georg
Heinrich Backofen edited by Edgar Eichstädter. Hofmeister, 1996,
SS,
17 pages (score format). Heinrich Backofen (1768-1839) was a German
clarinet and basset horn player (he also played harp and flute) who was
also a composer, teacher, and instrument manufacturer. This publication
contains three multimovement duets generally at the advanced high
school/early college level.
(Except other items with free shipping.) |
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C545: Duo Concertant Op. 33 for Two Clarinets and Piano by Carl Baermann edited by John Newhill. Musica Rara, 2000, SS, 22 + 7 + 7 pages. This piece follows the usual pattern of nineteenth-century short concert pieces. A slow introduction is followed by theme and variations with the work concluding with a Rondo.Early college level. | |
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C1392: Music for Youth
for two clarinets by Christopher Ball. Emerson Edition, 2008, SS,
11 pages (includes two copies of the parts in score format).
Christopher Ball (1936-)
is a British composer
who began his career as an orchestral clarinetist and also served as a
conductor in the United Kingdom and Canada. In four movements: 1.
Syncopations (Allegro), 2. Helter-Skelter (Allegro), 3. Dialog (Tempo
Rubato), and 4. Reed-Pipers' Jig (Allegro Moderato). Advanced high
school or early college level with a duration of about 8 minutes. You
can listen to the beginning of Syncopations here.![]() |
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C100: Barret Four Sonatas edited by David Hite. Southern Music Company, SS, 64 pages. A.M.R. Barret Four Sonatas for the Refinement of Musicianship with the accompaniment of a second clarinet (most of the second parts are easier), Delphin Alard Five Melodious Etudes, and Scales in Thirds by David Hite. | |
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C247: Conversations for Two Clarinets by
Richard Rodney
Bennett. Universal Edition, 1965, SS, 7 pages. In score format.
Should be within the capabilities of many high school clarinetists. (Except other items with free shipping.) |
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C248: Crosstalk by Richard Rodney Bennett.
Universal
Edition,
1967, SS, 7 pages. For two clarinets in B-flat. In score format.
Frequent meter changes make this piece more difficult than Conversations
for Two Clarinets.![]()
(Except other items with free shipping.) |
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C672: Trio Op 23 for
clarinet, cello and piano
by
Adolphe Blanc. Rosewood, 1999. With alternate parts for violin in place
of clarinet and bass clarinet,
basset horn
or viola in place of cello.
Adolphe Blanc (1828-1885) was a French composer who was an especially
prolific composer of chamber music. It is in three movements: I.
Allegro ma non troppo, II. Scherzo (Vivace), and III.
Andante/Moderato. In the bass clarinet version, there are a very
few notes that fall in the extended range but this shouldn't be a
problem with a low E-flat instrument. The basset horn part,
however, will be a real test of extended range skills. |
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C1101: A Melodic Tour for Two
Clarinets
by
Allan Blank. International Opus, 1998, SS, 32 pages. Two copies in
score format. This books of clarinet duets is based on tunes from
around the world which are set against an invented counterpoint or
harmony. The difficulty ranges from early to late intermediate with
some pieces having equal parts while on others one of the parts
(usually the second part) is more difficult. Suggested for students
(and teachers). |
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C688: Canons and Hockets
Concert Duet for Clarinet and Bass Clarinet
by
Jerry L. Bowder. Manduca Music, 1996, SS. One extended movement of what
looks like a fun piece. A low C bass clarinet is called for, but there
aren't many notes in the extended range. Separate parts in score format
with the other part in small print. Probably early college, but might
be attempted by a high school duo with an outstanding bass clarinetist. (Except other items with free shipping.) |
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C951: Brahms Hungarian Dances (1, 5, & 6) arranged
for
two clarinets and piano by József Balogh. EditionDarok, 1993,
SS, (includes individual parts and piano score). At tempo these will be
a challenge for advanced high school or early college players as all
the hard bits are in the clarinet parts. |
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![]() C1436: Timeless Classics for Two Clarinets, Volume 1 arranged by Roland Brom. Kendor Music, 2004, 12 pages in score format. Six equal duets at the intermediate level (publisher says US grades 2-3 although 3 is probably most accurate). They are: Shaker melody Gifts to Be Simple, Beethoven Minuet in G and Turkish March, Henri Lemoine Valse, Tchaikovsky German Song, and Muzio Clementi Rondo from Sonatina Op. 36 No. 6. C1437: Timeless Classics for Two Clarinets, Volume 2 arranged by Roland Brom. Kendor Music, 2004, 14 pages in score format. Seven equal duets at the intermediate level (publisher says US grades 4-5, but they are only slightly more difficult than the first volume). They are: Pachelbel Cannon in D; Mozart Viennese Sonata (Andante, Menuetto, and Rondo); Beethoven Fur Elise; Austrian carol Still, Still, Still; Holst Fantasia on the "Dargason;" Friedrich Kuhlau Sonatina; and Henri Lemoine French Dance. Both of these are a good value for intermediate students and adults at that level. (Except other items with free shipping.) |
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C1405:
Tibet 2 Clarinets by Charles Camilleri. Metropolis
Music, 1999, SS, 9 pages (score format). Charles Camilleri
(1931-2009) was a Maltese composer and is regarded as Malta's national
composer. From 1950 onward he lived in Australia (performing as a piano
player in Asia and the United States), London, and Canada before
returning to Malta in 1983. This piece was composed in 1998. It is
in three sections. 1) Libero (no time signature or measure lines. 2)
Vivace (in 2/4, this starts as a straight forward dance, but as it
develops the rhythms and the interplay between the parts becomes more
complicated. 3) Molto meno mosso (mostly long notes with a harmonic or
other contrast between the two parts such as vibrato on one part and
none on the other. Early college level. |
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C668: Hiyoku for two
clarinets
by
Elliott Carter. Hendon Music/Boosey & Hawkes, 2001. Printed in
score format on four somewhat oversized pages. The composer wrote, "Hiyoku
was written for the
clarinetists Ayako [Oshima] and Charles Neidich, whose performances
were so outstanding that I chose to write this piece in the fall of
2001 for them. I asked Ayako to suggest a title and she explained it:
'a very special poetic word originally used by the ancient Chinese
poet, Bai Juyi, and adopted by old Japanese authors, meaning two birds
flying together with the connotation of eternal love.'" An advanced
work. (Except other items with free shipping.) |
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C543: Three Grand Duets for 2 Clarinets by
Ernesto Cavallini edited by Himie Voxman. Musica Rara, 1986, SS, 21 +
23 pages.
These challenging duets were dedicated to Cavallini's friend Serverio
Mercandante.![]() |
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C1102: Two Cuban Dances
by
Ignacio Cervantes arranged for two clarinets by Paquito D'Rivera.
International Opus, 1996, 4 pages. Two copies in score format.
The two dances are Los Tres Golpes and Invitación. Upper
intermediate level. (Except other items with free shipping.) |
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C850: 8 Duette für
Klarinetten (Clarinets in B-flat, E-Flat, and Bass Clarinet)
by Christoph Cech. Musikverlag Alexander Mayer, 1997, SS, 14 pages.
Some of these duets by Austrian composer Cech (1960-) were on the Blues
for
Sabine CD (currently not available in the US) with the title
Jazz-Suite. The duets are: Intrada (Gemessen schreitend) for two B-flat
clarinets, No Limits (so schnell wie möglich, aggressiv) for
E-flat clarinet and bass clarinet, Gospel (gemächlich schwingend)
for B-flat clarinet and bass clarinet, Sweet + Punk (drängend) for
E-flat clarinet and B-flat clarinet, Blue Igor (extrem ruhig) for two
bass clarinets, No Sync (straight 16) for two bass clarinets, Soft
Singation (maximal beseelt) for two B-flat clarinets, and Perpetuum
(sehr gleichmäßig) for two B-flat clarinets. An advanced
work in score format.
(Except other items with free shipping.) |
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V34:
Ave Maria (Offertorium) for
Soprano, Clarinet (or Flute) and Piano; or for 2 Clarinets and Piano;
or Flute, Clarinet and Piano by Luigi Cherubini edited by Robin De
Smet. Fentone Music, 1979, SS. A very versatile edition of this piece.
The cover (but not the music) says "edited by Pamela Weston."(Except other items with free shipping.) |
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C1142: Suite for Two Clarinets Op. 10
by Randall Cunningham. Woodwindiana, 2005, 15 pages (score format). A
set of six separate duets (Waltz, Scherzo (ala Mendelssohn), Rag,
Shepherd's Dance, Intermezzo, and Jazz Caprice) which the publisher
describes as "perfect for the private studio with high school students
. . . [US] Grade IV." These are equal duets which may also be enjoyed
by adult amateurs. (Except other items with free shipping.) |
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C597: Three Progressive Clarinet Duets by Bernhard Henric Crusell. Edition Peters, 2005, SS, 19 + 19 pages. Crusell (1775-1838) wrote a number of works for clarinet. These duets are at the advanced end of the intermediate level and are only slightly progressive in difficulty. The clarinet parts are in individual booklets. They are of equal difficulty. The duets are No. 1 in F, No. 2 in D minor, and No. 3 in C. |
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C1434:
5 Huapangos for Clarinet and Bass Clarinet
by Mike Curtis. Advance Music, 2005, SS. 10 pages (score format).
Dedicated to Carol Robe, these five original dances in the huapango
style will be enjoyed by players (advanced high school, early college,
adult amateurs) and listeners alike. They are: 1. Santa Cruz, 2. Las
Islitas, 3. Miramar, 4. Ofelia, and 5. El Llano. |
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C1433:
5 Huapangos for Two Clarinets
by Mike Curtis. Advance Music, 2005, SS. 10 pages (score format).
Dedicated to Carol Robe, these five original dances in the huapango
style will be enjoyed by players (advanced high school, early college,
adult amateurs) and listeners alike. They are: 1. Santa Cruz, 2. Las
Islitas, 3. Miramar, 4. Ofelia, and 5. El Llano. |
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C1488:
Ten Klezmer Duos (Sephardic) for Two B-flat Clarinets
by Mike Curtis. Advance Music, 2007, SS. 10 pages (score format).
The ten duets are: Judería, Sephardic Waltz, Cadiz Terkische,
Las esuegras de agora, Sinagoga, La rosa se enfloresa, Filigree, Cuando
el Rey Nimrod, Sacromonte, and Samuel Levi. At least two of these would
be at the intermediate level with the rest being more difficult with
some time signatures like 7/8 and 10/8. |
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WW227: Woodwind Friends, 25
Intermediate Duets
by Mike Curtis.
MSS Publishing, 2010, SB, 73 pages in score format. This book has 25
intermediate duets with parts in C, B-flat, E-flat, and bass clef. The
composer has computed that there are more than 50 possible combinations
of woodwind instruments that can play them. These duets are
progressive. They gradually build the student's experience of time
signatures, articulations, tempi, dynamics, keys, styles and rhythmic
complexity. They were written to be short and fun. Click on the cover
image to see a sample page. Use your browser's Back button to return. |
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C385: 6 Duos for Two Clarinets by François Devienne edited by Béla Kovács. Edition Peters, 1974, SS 23 pages. Devienne (1759-1803) was a bassoonist and flutist who composed a large number of pieces for woodwind duets, trios, and quartets, as well as concertos and operas. These duets are at the intermediate level (with some variation in difficulty) and presented in score format. | |
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C1352:
Sonate for Two Clarinets by Giuseppe Donizetti edited
by Bernhard Päuler. Kunzelmann, 1971, SS, each part is 7 pages
long (two parts, no score). The sonata was written in 1821. It has
three movements: Allegro moderato, Adagio, and Rondo-Allegretto.
Advanced high school or early college level. |
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C1330:
Folksong Sonatina for Two Clarinets by
László Draskóczy. Editio Music Budapest, 1981, SS,
6 pages (score format). This Sonatina for two clarinets is by Hungarian
composer László Draskóczy (1905-1967) and was
composed in 1940. The movements are I. Allegro, II Tranquillo, III.
Allegro, and IV. Allegro vivace. While there is some mixed meter the
main challenge is the tempo. Better high school or early college level.
(Except other items with free shipping.) |
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C1475: Salon Pieces for Two
to
Four Clarinets arranged by Roland Erben. Kunzelmann, 2009, SS.
Includes parts and score. This book contains 20 clarinet duets (7),
trios (6), and quartets (7). They are at the intermediate level and
advanced intermediate level. The most difficult piece is an arrangement
of Scott Joplin's The Entertainer for clarinet quartet. Click on the cover image to view the pieces as
listed in the Table of Contents. Use your browser's Back
button to return. |
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C394: Duets by Norbert Goddaer. Woodwindiana, 2000, SS, 24 pages (score format). Belgian composer Goddaer (b. 1933) has composed these eight duets for two B-flat clarinets, each of which is an impression of daily life (Sunday Trip, Blue Note, Fuguette, Street Walk, Daily Exercise, Lazybones, Shepherd's Song, and A Day Off). They may be studied individually or performed together (ca. 13 minutes). Early college level. | |
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G102: Serenade
Op. 24
for Clarinet in A and B-flat (Violin), Cello (Viola/Basset Horn) and
Piano
by Emil Hartmann. Rosewood, 1998, SB, (includes all parts and piano
score). Hartmann (1836-1898) was a Danish church musician, conductor,
and composer of German descent. Three movements: 1. Idylle (Andante),
2. Romance (Andante/Allegretto Scherzando), and 3. Rondo-Finale
(Allegro). This is a fairly long work with the parts running 9 pages
and the piano score 50. Probably early college level in difficulty. |
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C1138: Seven Grand Concert Duets
selected and edited by David Hite. Southern Music, 1995, 95 pages
(score
format). The sources of the duets in this book are: Franz Joseph Haydn
String Quartet Hob. III: 40 (Po 33 No. 4) Movement IV from the
composer's transcription for violin duet. Wolfgang Amadeus Mozart Duet
K. 424 (originally for violin and viola) and Duet K. 423. Bernhard
Henrick Crusell Three Concert Duets Op. 6. Hyacinth Klose Duet No. 1
from Three Concert Duets Op. 8. Generally these are at the upper
intermediate level. A lot of music. |
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C996: Clarinet Album: Eleven
well-known pieces for
clarinet and piano or two clarinets arranged by Peter Hodgson.
Peters, 2007, 32 + 24 pages and play along CD.
This book is an unusual combination that includes both a second
clarinet part and a piano accompaniment (not intended to be used
together) plus a CD of the piano part. These pieces are at the
intermediate and upper intermediate level and some of the second parts
are more difficult than the melody part. The pieces are: Mendelssohn On
Wings of Song and Spring Song, Brahms Lullaby, Schuman "Chopin" from
Carnaval, Schubert Impromptu, Tchaikovsky Chanson Triste, Haydn
Serenade (from String Quartet in F), Dvorak Largo (from the "New World"
symphony), Boccherini Menuett (from the String Quartet), Mozart Menuett
(from Symphony No. 39), and MacDowell To a Wild Rose. C924: Clarinet Album: Eleven well-known pieces for clarinet and piano or two clarinets arranged by Peter Hodgson. Peters, 2007, 32 + 24 pages. Same book but without the play along CD. |
No CD
18.95 |
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C752: Puppets for Two
B-flat Clarinets by Clare Grundman. Boosey & Hawkes, 1969, 3
pages (includes two parts in score format). We're fond of Grundman's
work and we thought this intermediate level work for two equal
clarinets would be a good addition to our stock. Marked Allegro
moderato leggiero, it alternates between crisp choppy sections
(we can imagine those puppets bouncing on their strings) and legato
interludes. (Except other items with free shipping.) |
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C395: Serenade Op. 131 for 2 B-flat Clarinets by Michael Kibbe. Woodwindiana, 1999, SS, 21 pages (score format). Kibbe (b. 1945) composed this piece for Howard Klug. The seven brief movements are drawn from traditional forms from many cultures. They are: Prelude, March, Blues, Tango, Tarantella, Elegy, and Hora. The composer's intention was to provide a piece that was both fun to play and would make an immediate connection with the audience. | |
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C950: Greetings from the Balkan for
two clarinets and piano by Béla Kovács. EditionDarok,
2004,
SS, (includes individual parts and piano score). This piece has a
number of sections with with various tempos and time signatures (some
in 5/8 and 7/8). The clarinet parts are of equal difficulty and move
together.
Early college level. (Except other items with free shipping.) |
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C952: Hello from Graz - Polka for
two clarinets and piano by Béla Kovács. EditionDarok,
2005,
SS, (includes individual parts and piano score). Allegretto (mm=108).
The clarinet parts are of equal difficulty and move together.
Advanced high school or early college level. (Except other items with free shipping.) |
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C618: Concerto
for Two Clarinets and Orchestra in E flat major Op. 35 Piano
Reduction
by Franz Krommer edited by Hermann Dechant. Musica Rara, 1970, SS, 44 +
12 + 12 pages.
Includes four pages of notes (in English) on the editing. In three
movements: Allegro, Adagio, and Rondo. In a florid melodic style
similar to Mozart. Repertoire for college and professional level
performance. ![]() |
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C617: Concerto
for Two Clarinets and Orchestra in E flat major Op. 91 Piano
Reduction by
Franz Krommer edited by William Martin. Musica Rara, 1987, SS, 57 +
15 + 16 pages. In three
movements: Allegro, Adagio, and Alla Polacca. Parts are almost equal
with the last movement quite virtuosic for both. This is an excellent
work for advanced players.![]()
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![]() C662: Yellow Jersey for Two B-flat Clarinets by Libby Larsen. Oxford University Press/Goodmusic, 2005, SS. This piece was commissioned by the students of Dr Alan Woy as a gift upon his retirement from the Crane School of Music (Potsdam, New York). Inspired by Lance Armstrong's victories in the Tour de France, Yellow Jersey is a short wind sprint for two clarinets that depicts a bicycle race. Includes a score and parts for each clarinet. |
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C425: Clarinet Twosome, 33 Recreational Duets by Leon Lester. Carl Fischer, 1964, SS, 32 pages (score format). I am a big fan of Leon Lesters' music. This book contains 13 of his own compositions and 20 arrangements from the works of composers from Andre to Tchaikovsky. Suitable for second and third year students, with most of the pieces in easier keys. | |
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![]() C1001: Views of the Blues for Two Clarinets by Gordon Lewin. Boosey & Hawkes, 1986, SS, 8 pages (score format). Gordon Lewin (1921-2008) was a British composer, clarinetist, and saxophonist, who studied at the Royal College of Music and performed on more than 100 film scores. This piece has three movements: I. Slow blues tempo, II. Medium blues tempo, III. Introduction-Slow blues tempo/Fast swing tempo. This should be quite a bit of fun for both the performers and the audience. College level with a duration of about 6:45. ![]() (Except other items with free shipping.) |
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C1097: So What Elsa's New for two B-flat clarinets
by Eric P. Mandat. Cirrus Music, 1997, 6 pages (score format).
Dedicated to Gerry Errante and Elsa Verdehr, this contemporary duet
would be perfect for a senior, graduate or professional recital. It
includes contantantly changing meter and some quarter tones and one
multiphonic (fingerings provided). It is printed on six large
individual sheets in score format.![]() |
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C585: Concert
Piece for Clarinet, Basset Horn (two Clarinets) and Piano No. 1 in F
minor Op. 113
by
Felix Mendelssohn Bartholdy edited by Trio di Clarone. Breitkopf, 1993,
SS. Written by Mendelssohn for his good friends the Baermanns, father
and son. It has notes in German and English on the back ground of the
piece and the editing. Includes parts for basset horn and an alternate
second clarinet. We looked carefully to find an excellent edition of
this entertaining piece and hope this one will meet with your approval.![]() ![]() ![]() |
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C895: Concert
Piece for Two Clarinets or Clarinet and Bassoon (Cello) and Piano No. 1
in F
minor Op. 113
by
Felix Mendelssohn Bartholdy edited Eric Simon. International Music Co.,
1957,
SS. This edition does not have a basset horn part, but has parts for
two clarinets instead.![]() ![]() ![]() |
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C586: Concert
Piece for Clarinet, Basset Horn (two Clarinets) and Piano No. 2 in D
minor Op. 114
by
Felix Mendelssohn Bartholdy edited by Trio di Clarone. Breitkopf, 1997,
SS. Written by Mendelssohn for his good friends the Baermanns, father
and son. It has notes in German and English on the back ground of the
piece and the editing. Includes parts for basset horn and an alternate
second clarinet. We looked carefully to find an excellent edition of
this entertaining piece and hope this one will meet with your approval.![]() ![]() ![]() |
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C896: Concert
Piece for Two Clarinets or Clarinet and Bassoon (Cello) and Piano No. 2
in D minor Op. 114 by
Felix Mendelssohn Bartholdy edited Eric Simon. International Music Co.,
1957,
SS. This edition does not have a basset horn part, but has parts for
two clarinets instead.![]() ![]() ![]() |
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C1357: Mozart Clarinet
Concerto arranged for Clarinet Duet by
Christopher Zello. Roncorp, 2009, SS, 43 pages (one copy in score
format). This looks like fun. It includes the tutti portions of the
piece (marked in brackets) in the solo part so both clarinets are
playing throughout. |
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C880: Mozart-Album
for Two Clarinets
arranged by Peter Kolman. Universal Edition, 1990, SS, 21 pages. This
is a book of 14 duets from the works of Mozart at the intermediate and
upper intermediate level. It includes selections from dances,
divertimentos, The Magic Flute,
and other works. In score format. |
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C741: Twelve
Kegelduette KV 487/496a for 2 Basset
Horns or 2 Natural Horns
by Wolfgang Amadeus Mozart edited by Thomas Grass and Dietrich Demus
and with
dynamics and ornamentation by Wolfgang Meyer. Wintergarten
Publications, 2006, SB, 31 pages. These duets (three of which have
survived in autograph) were written when Mozart was very young
(1767/68) and are his first works for basset horn. However, there are
very few notes in the extended range and they can be played with few
problems on clarinet or bass clarinet. Each duet is printed twice, once
as published in 1802/03 and a second time with dynamics and
ornamentation suggested by Wolfgang Meyer. All are in score format. |
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C1325: Colombian Dances Clarinet
Duets by
Mauricio Murcia Bedoya. Woodwindiana, 2008, SB, 18 pages. Mauricio
Murcia Bedoya (1976-) was born in Colombia where he studied clarinet
and conducting and at the time this was written was studying for a
master's degree in clarinet performance in the United States. There are
four duets (in score format): Saturday (Latin Jazz), Sabroso (Good
taste, based on popular rhythms from the Caribbean part of Colombia,
Natalia (Pasillo, derived from the waltz of the Andina region of
Colombia), and Mauro's Latin (Latin Jazz). These duets are at the
college level but may also be enjoyed by good adult amateurs. |
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C198: Duets for Two Clarinets (No. 2) by Ignace Pleyel arranged and edited by David Glazer. Oxford University Press, 1969, 23 pages. These pieces are from the Duets for Violin, Op. 8, No. 4 and Op., 59 Nos. 4 and 1. These duets are probably suitable for third year students who can play in the altissimo (up to F). | |
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C524: Il
convegno Divertimento for Two Clarinets and Piano
by Amilcare Ponchielli edited by Gunther Joppig. Ricordi, 1989,
SS. Includes separate clarinet parts (with the cadenza shown in
score format). While the composer called this work a divertimento, he
dropped the form of separate movements and instead used connected
sections which resembles the form of a potpourri. Canitlenas with
operatic characteristics are interspersed with virtuoso passages. ![]() ![]() |
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C459: Sonata for Two Clarinets
by Francis
Poulenc. Chester Music, 1919, SS, 11 pages. The music is in score
format. This is an unaccompanied
duet is for one A and one B-flat clarinet. There are three movements:
Presto, Andante, and Vif. It is excellent ensemble material for good
college clarinetists and professional performers.![]() ![]() ![]()
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C439: Meeting Duo for B-flat Clarinet and Bass
Clarinet by
Alfred Prinz. Woodwindiana, 1999, SS, 11 pages (score
format). Written for and premiered by Ricardo Morales and Howard Klug,
this three-movement, highly-contrasting duet is an equal challenge for
both players. About 7 minutes. (Except other items with free shipping.) |
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C501: Easy
Jazzy Duets Clarinets by
James Rae. Universal Edition, 1994, 21 pages. The 10 original duets in
this book are the easiest of any of the duets by Rae listed here.
They are entirely in the chalumeau register and would be suitable for
an inexperienced student to play with their teacher. The parts are on
facing pages. (Note: if you are looking for a book which is a bit more
difficult and includes the clarion register, try Easy
Jazzy Duets Saxophones.) |
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C502: Jazzy Duets 2 Clarinets by James Rae. Universal Edition, 1991, 11 pages. This book has five original duets in score format. While intended for young players (about third year or so), they could also benefit more experience players who haven't been exposed to jazz. | |
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C523: Latin Clarinet Duets by James Rae. Universal Edition, 2001, SS, 13 pages. Five original duets in the "Latin American" idiom. Suitable for high school and recreational players. | |
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C1231: Screwball for
Clarinet Duet by
James Rae. Queen's Temple Publications, 2002, SS, 3 pages. A short
original duet by Rae in a Vivace 2/4 with a few bars of 3/8. Lots of
dynamic contrast. A bit above the middle of the intermediate level.
(Except other items with free shipping.) |
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C1362:
Vier Miniaturen for Two Clarinets in B-flat
by Johannes Reiche. Hofmeister, 1996, SS, 5 pages (in score format).
Johannes Reiche (1955-) is a German composer, conductor, teacher and
clarinetist. The
four miniatures are 1. Moderato, 2. Burlesco, 3. Cantabile, and 4. Con
moto. The first three are not at all difficult and can probably be
played by most second or third year students. The last piece is at the
intermediate level. The parts are of equal difficulty.(Except other items with free shipping.) |
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C574: Favourite
Pieces from Rossini Operas for Two Clarinets
edited by Pamela Weston. Universal Edition, 1988, SS, 34 pages. The
arranger of these nine duets, first published in 1819, is unfortunately
unknown. The pieces are from Il barbiere di Siviglia, Otello,
Elisabetta, Il turco in Italia, La gazza ladra, and Tancredi. Some of
these duets will be playable by good high school players with the rest
being more advanced. Score format. |
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C609: Sonata for Two Clarinets
and Piano
by Gary Schocker. Theodore Presser Co., 1998. SS. Composer and noted
flutist Gary Schocker won first prize with this piece at the
International Clarinet Association composition in 1996. It is in three
movements: I. Allegro moderato (with time signatures shifting between
6/8. 9/8 and 12/8), II. Adagio non troppo, and III. Allegro vivo (but
with many changes in tempo). College level.![]() |
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C799:
Non Solo... Sed Etiam for 2 clarinets by
Patrice Sciortino. International Music Diffusion, 1992, SS, 4 pages
with two copies of the parts in score format. Patrice Sciortino (1922-)
is a French
composer and music educator. The title appears to have been inspired by
the Latin phrase Non solum... sed etiam which means Not
only... but also.
There are two movements. One is Moderato dolce and features many time
signatures. The second is Vif and has an interesting array of
interactions between the parts. College level. (Except other items with free shipping.) |
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C795:
Sore for clarinet and bass clarinet duet by
Patrice Sciortino. International Music Diffusion, 1992, SS, 12 pages
with two copies of the parts in score format. This advanced duet
dedicated to Jean Mark
Volta would be perfect for a graduate recital. Features some high
altissimo in the both parts and notes in the extended range for the
bass clarinet. |
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C1153: Prelude, Blues and Finale for Two Clarinets
in A (or Clarinet in A and Viola) and Piano
by Elie Siegmeister. Carl Fischer, SS. Elie Siegmeister (1909-1991) was
an American composer, educator and author. This is a challenging and
exciting piece that was composed for Stanley and Naomi Drucker and
Blanche Abram and premiered by them in 1984. This edition was copied
from a manuscript which appears to have had a number of corrections
(cut and paste) especially in the first few pages. It is supplied with
a piano score, and a part with the first and second clarinet part and
another with the first clarinet and viola part, so when played by two
clarinetists they each have their own part. Duration about 16
minutes. When
we discovered
this piece (from the CD) is was a rental only. We have pestered Carl
Fischer/Presser sufficiently that they have decided to make it
available as a custom print. Sorry about the price. |
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C522: Jazz
Set for Two Clarinets by
William O. Smith. Universal Edition, 1986, SS, 12 pages. The composer
(who is also known as Bill Smith) wrote, "I
have written several Jazz Sets
for various instruments. They have in common a combination of jazz
rhythms with atonal melodic lines derived from 12-note sets. Although
they may be played by jazz players in a jazz style, they may be
performed equally well by players without jazz experience. I hope that
they are easy enough for any good clarinetist to perform and
enjoy." There are five original
duets in score format with some variation in difficulty. (Except other items with free shipping.) |
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C1367:
Duetto für Klarinetten Op. 8 by
Johann Sobeck edited by Edgar Eichstädter. Hofmeister, 2001, SS,
(includes score and individual parts). Johann
Sobeck (1831-1914) was a Czech (Bohemian) composer, clarinetist, and
teacher who was given many awards during his lifetime. In three
movements: Adagio/Allegro comodo, Intermezzo (Andante), and Alla
galoppo fuocoso. This is a relatively long work (each part is 8
pages) at the early college level. |
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C363: Easy Classics for Clarinet selected and arranged by Peter Spitzer with piano accompaniments by Jannette Spitzer and Laura Spitzer. Mel Bay, SS, 1997, 39 + 31 pages. This book of easy classical pieces may be used solo or duet playing with or without piano accompaniment. There are books for clarinet, flute, alto sax, tenor sax, trumpet, and they may be used together. The level is generally second year or early third year with no altissimo noted and some second parts entirely in the lowest register. Includes arrangements of pieces such as Hungarian Dance #5, Radetzky March, William Tell Overture, Sleeping Beauty Waltz, and 12 more. Click on the cover image to view the Table of Contents. Use your browser's Back button to return. | |
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C1019: Concerto in B-flat Major
for 2 Clarinets and Orchestra (Piano Reduction) by Carl Stamitz
edited by Walter Lebermann with piano reduction by Theo Mölich.
Edition Peters, 1968, SS, (there are 2 copies of the clarinet part
which
is in score format). This work is in three movements: Allegro (4/4),
Andante moderato (2/4) and Tempo di Minuetto (3/8). There are cadenzas
provided in the first two movements. This is a college level work with
the two clarinet parts generally moving together in thirds.![]() |
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C1487: 30 Melodious Duets
for
Two Clarinets arranged by Carl Strommen. Kendor Music, 2009, 54
pages, score format. A new collection of duets based on arrangements of
works by
Bach, Beethoven, Mozart, Hook, Tchaikovsky, Telemann, Correlli and
others along with 9 original duets by Strommen. Generally at the early
intermediate level with a few that are a bit more difficult. |
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C883:
Six Canonic Sonatas
for
Two Clarinets by George Philipp Telemann edited by Reginald Kell.
International Music Co., 1956 & 1959, SS, 17 pages (one copy). This
music was originally for flutes or violins. In each sonata the second
player starts from the beginning after the first player has reached a
marked point in the music one to three measures from the beginning.
Looks like fun and a good test of your powers of concentration. Upper
intermediate level. |
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C417: 65 Progressive Duets (Easy to Medium) for Two
Clarinets edited
and arranged by Himie Voxman. Southern Music
Co., 1968, SS, 64 pages. A variety of interesting duets from classical
works from late first year to third or fourth year difficulty level.
These mostly equal duets are in score format and range in length from a
few lines to four pages. An excellent value. |
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C572: From the Baroque Duets for Clarinet compiled and edited by Himie Voxman. Rubank, 2005, SS, 102 pages. This is the first new collection by Himie Voxman in many years. It is 38 duets from the works of Wilhelm Fiedemann Bach (selected movements from his flute duets), Jean-Marie Leclair (from violin duets), and Georg Phillip Telemann (from his flute duets). These are equal duets at about the same level as the Selected Duets for Clarinet Vol. 2 Advanced shown below. | |
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C166: Selected Duets for Clarinet Vol. 1 Easy-Medium compiled and edited by Himie Voxman. Rubank, 1947, SS. 72 pages. Equal parts. An excellent book of duets (as is the second volume). C167: Selected Duets for Clarinet Vol. 2 Advanced compiled and edited by Himie Voxman. Rubank, 1947, SS. 72 pages. Equal parts. |
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C936: Weber Grand Duo Concertant Op. 48 transcribed for two clarinets by Gustave Langenus. Carl Fischer, 1966, SS, 23 pages. A rather amazing feat, the transcription of this well known work by Carl Maria von Weber is a lot of fun to play. The parts are in score format and are of equal difficulty. | |
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C1517: Barbarito's Dance
for
two clarinets in B-flat and piano by Javier Zalba. Advance Music, 2009,
SS, (includes piano score, individual parts and CD). This piece is
dedicated to Barbarito Torres, a Cuban jazz musician of the Afro-Cuban
style. The tempo of this piece is Moderato (mm=100) and features a
middle section where the clarinets trade solos every 8 bars. The
changes for the solos are on the parts but there are also supplementary
sheets with the solos written out. The CD has both a complete
performance and a recording of the piano part only. High school
students may have fun with this piece but it would probably require
college level skills for performance. |
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C1554: "Baby Bach" Pieces
for Beginning Piano transcribed for Basset Horn Trio, Clarinet
Trio, Two
Clarinets and Bassoon, or Two Clarinets and Bass Clarinet by David
Glenn. Bassetti Paletti
Publications,
2009, SB/SS. Includes score and parts. These short pieces are from BWV
691, 899, 900, 927, 928, 931, 933, 939, 941, 943, 952, 953, and 988.
While the title make is sound as if these are easy pieces this is not
the case. They are at the upper intermediate level at a minimum. In
addition to the combinations listed above, they could also be played by
two clarinets in A and a basset clarinet in A. |
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Written in
1722-1727 by Bach for either a pedal harpsichord or an organ during his
last year at Cöthen and first years at Leipzig, these
“pre-classical” Italian instrumental-type form sonatas adapt well for
clarinet trio. Excellent recital literature for trio or clarinet choir
(doubling parts). C440: Bach Sonata I in E-flat Major BWV 525 arranged and edited by Howard Klug. Woodwindiana, 2002, SS, (includes score). This Bach Sonata has been arranged for two B-flat clarinets and bass clarinet with an alternate part for bassoon. Individual parts for all instruments. C710: Bach Sonata II in C Minor BWV 526 arranged and edited by Howard Klug. Woodwindiana, 2000, SS, (includes score). This Bach Sonata has been arranged for two B-flat clarinets and bass clarinet with alternate parts for E-flat clarinet and bassoon. Individual parts for all instruments. C441: Bach Sonata III in D Minor BWV 527 arranged and edited by Howard Klug. Woodwindiana, 2004, SS, (includes score). This Bach Sonata has been arranged for two B-flat clarinets and bass clarinet with an alternate part for bassoon. Individual parts for all instruments. |
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C442: Bach Sonata IV in E Minor BWV 528 arranged
and edited by Howard Klug. Woodwindiana,
2004, SS, (includes score). This Bach Sonata has been arranged for two
B-flat clarinets and bass clarinet with an alternate part for
bassoon. Individual parts for all instruments. C443: Bach Sonata V in C Major BWV 529 arranged and edited by Howard Klug. Woodwindiana, 2002, SS, (includes score). This Bach Sonata has been arranged for two B-flat clarinets and bass clarinet with an alternate part for bassoon. Individual parts for all instruments. C444: Bach Sonata VI in G Major BWV 530 arranged and edited by Howard Klug. Woodwindiana, 2004, SS. This Bach Sonata has been arranged for two B-flat clarinets and bass clarinet. Individual parts for each instruments. |
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C1551:
Three Part Invention (No. 7) by Johann Sebastian Bach
arranged for two clarinets and bass clarinet by Harry R. Gee. Cojarco
Music/Kendor Music, 2010, includes parts and score. The piece is in 3/4
time marked Andante espressivo (eighth note = 92). The parts are equal
and the duration is about 3 minutes. The publisher has this as (US)
grade 3 piece and it is probably on the upper end of that difficulty
level.(Except other items with free shipping.) |
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C1484:
The Ash Grove Trio
for Three B-flat Clarinets arranged by Arthur H. Brandenburg. Carl
Fischer, 1935. This short piece is a Welsh folk song. Probably suitable
for second
year students. The tempo is moderato con moto and the melody is mostly
quarter and eighth notes. The parts are equal and all have the melody
at some point. Includes parts and score.(Except other items with free shipping.) |
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C1144: Bachanale for Clarinet Trio by Zefir
Brezeanu.
Woodwindiana, 2005, (includes score and parts). This piece is for two
B-flat clarinets and bass clarinet (or bassoon). It is based on Bach's
Invention XIII, using a jazz approach to give the familiar melody a new
life. College level. Here
is a video of this piece being performed by the Mariinsky Clarinet Club.![]() |
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C1547:
Images for Three Clarinets by Charles Camilleri.
Roberton Publications/Goodmusic Publishing, 1978, SS, 9 pages in score
format. Charles Camilleri
(1931-2009) was a Maltese composer and is regarded as Malta's national
composer. This piece is different than most of his works for clarinet
and was apparently inspired by computer music. Something unusual for a
senior or graduate recital. Strong rhythmic and articulation skills are
required. (Except other items with free shipping.) |
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C829: Suite for Three Clarinets by Arnold
Cooke. Emerson
Edition, 1959/1989. SS. An enjoyable trio from English composer Cooke.
Four movements: I. Allegro con brio, II. Allegretto scherzando, III.
Andante pastorale, and IV. Allegro vivace. Early college/adult amateur
level. Duration about 9 minutes.![]() |
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C1489:
Habenera from Aires Tropicales for Clarinet Trio (E-flat,
B-flat Clarinet and Bass Clarinet) by Paquito D'Rivera.
InternationalOpus, 1994. A movement from the Aires Tropicales (Suite)
with challenging contrapuntal lines in a Latin style similar to the
Ravel Habanera.(Except other items with free shipping.) |
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C1475: Salon Pieces for Two
to
Four Clarinets arranged by Roland Erben. Kunzelmann, 2009, SS.
Includes parts and score. This book contains 20 clarinet duets (7),
trios (6), and quartets (7). They are at the intermediate level and
advanced intermediate level. The most difficult piece is an arrangement
of Scott Joplin's The Entertainer for clarinet quartet. Click on the cover image to view the pieces as
listed in the Table of Contents. Use your browser's Back
button to return. |
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C1260: Blues for Basset
Hounds for Basset Horn Trio, Clarinet Trio, Two
Clarinets and Bassoon, or Two Clarinets and Bass Clarinet by Peter
Geisler. Bassetti Paletti
Publications,
2008. Includes score and parts. A short blues in swing style with the
opportunity for
improvisation. (Except other items with free shipping.) |
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C1523:
Four Short Pieces for three Clarinets, Violins or other
Instruments by Werner Wolf Glaser. Nordiska Musikförlaget
Stockholm, 1970, SS. 5 pages (score format). Here are four trios at the
intermediate level with a range from A above the staff to the A two
octaves below. I. Non allegro, II. Allegro, III. Lento, and IV.
Andante.
(Except other items with free shipping.) |
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C999: Schabbes,
Schabbes-Yiddish Songs for Three Clarinets
arranged by Peter Godon. Baerenreiter (BA 8160), 1998, SS, 14 pages.
This book contains 11 Yiddish songs in score format and is at the lower
intermediate and intermediate level. The songs are: Darkecho Eloikeinu;
Schabbes, Schabbes, Schabbes; Papir is doch wayss; Hobn mir a nigendl;
As der Rebbe lacht; Das freyleche Schnayderl; Wu is doss gessele?;
Gassn-nign; Scherele; Asoj wayt awek fun mir; and Di nessi-e. (Except other items with free shipping.) |
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C324: Counterpoints on "come, sweet death" for
Clarinet Trio
by David Philip Hefti. Edition Kunzelmann, 2000, SS, 5 pages. In score
format.
For B-flat soprano clarinet, basset horn in F, and contrabass clarinet
in B-flat. Uses extended techniques. Click on
the cover
image for a detailed description from the composer's web site. You will
have to scroll down to find this piece. (Except other items with free shipping.) |
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C806: Trio in B-Flat Major for 3 Clarinets by Joseph Friedrich Hummel. Simrock, 1964, SS. The trio was written around 1885-1890 and is in one extended movement (quarter note = 126). It is at the advance intermediate level with nearly equal parts (looks like a good piece for adult amateurs). The format is a bit unusual with a first part that includes the score and separate second and third parts. | |
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C1257: Scott Joplin Ragtimes
Vol. 1
for Basset Horn Trio, Clarinet Trio, or Two Clarinets and Bassoon
edited and arranged by David Glenn. Bassetti Paletti Publications,
2007, SB. Includes score and parts. A bass clarinet part can be
downloaded from the publisher's web site (although the differences are
limited to occasional phrases up an octave). Volume 1 has Elite
Syncopations, Solace, Weeping Willow, and Rag Time Dance. |
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C1258: Scott Joplin Ragtimes
Vol. 2
for Basset Horn Trio, Clarinet Trio, or Two Clarinets and Bassoon
edited and arranged by David Glenn. Bassetti Paletti Publications,
2008, SB. Includes score and parts. A bass clarinet part can be
downloaded from the publisher's web site (although the differences are
limited to occasional phrases up an octave). Volume 2 has Peacherine
Rag, Reflection Rag, The Entertainer, and Maple Leaf Rag. |
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C445: Ebony
Suite Op. 116 by Michael Kibbe.
Woodwindiana,
1999, SS, (includes score). For E-flat, B-flat, and bass clarinet. A
compositionally conservative, four-movement piece (Prelude, Burlesque,
Elegy, and Finale) of attractive, stylistic variations, Kibbe's Suite
is an interesting challenge for the performers and a welcome,
accessible 20th century work for the audience. About 12 minutes. Here
is a video of this piece being performed by the Mariinsky Clarinet Club.![]() |
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C446: Shtetl
Tanzen for Clarinet Trio by
Michael Kibbe. Woodwindiana, 2003, SS, (includes score). For E-flat,
B-flat, and bass
clarinet. Capitalizing on the current wave of interest in the clarinet
world for all things Klezmer, Michael Kibbe has written a two-movement
collection of dances in this style. While utilizing no direct
quotations from the established Klezmer literature, Kibbe uses many of
the traditional dance types (Doina, Hora, Polka, Bulgar) as formal and
stylistic elements of structure. About 10 minutes. Here
is a video of this piece being performed by the Mariinsky Clarinet Club.![]() |
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C447: The
Phoenix for Clarinet Trio by
David Levin. Woodwindiana, 2002, SS, (includes score). For two B-flat
clarinets, and bass clarinet. Premiered at Indiana University in March,
2002 by Trio
Indiana, this one movement, sectional piece, utilizes lyrical and
technical chromaticism in an engaging and multi-textural way. About 8
minutes. |
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C448: Rucaneao
arranged by Jorge Montilla.
Woodwindiana, 1999, SS, (includes score). For two B-flat
clarinets and bass clarinet (with alternate bassoon part). As founder
and E-flat clarinetist of the Caracas Clarinet Quartet, Montilla has
produced an original, encore-type frolic through the South American
dance form, the rucaneao. Tempo di Meregue in 5/8 time. About 3
minutes. |
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Trio di Clarone
(Sabine Meyer, Wofgang Meyer, and Reiner
Wehle) have prepared editions of five diveritmentos, KV Anh. 229
(439b). While it isn't mentioned, these pieces
could
also be played by two clarinets and bass clarinet. C591: Divertimento No. 1 for three basset horns from KV Anh 229 (439b) by Wolfgang Amadeus Mozart edited by the Trio di Clarone. Breitkopf & Haertel, 1989, SS. For three basset horns, two clarinets and bassoon, or three clarinets. ![]() C592: Divertimento No. 2 for three basset horns from KV Anh 229 (439b) by Wolfgang Amadeus Mozart edited by the Trio di Clarone. Breitkopf & Haertel, 1987, SS. For three basset horns, two clarinets and bassoon, or three clarinets. |
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C593: Divertimento
No. 3 for three basset horns from
KV Anh 229 (439b)
by Wolfgang Amadeus Mozart edited by the Trio di Clarone. Breitkopf
& Haertel, 1991, SS. For three basset horns, two clarinets
and bassoon, or three clarinets. C594: Divertimento No. 4 for three basset horns from KV Anh 229 (439b) by Wolfgang Amadeus Mozart edited by the Trio di Clarone. Breitkopf & Haertel, 1990, SS. For three basset horns, two clarinets and bassoon, or three clarinets. C595: Divertimento No. 5 for three basset horns from KV Anh 229 (439b) by Wolfgang Amadeus Mozart edited by the Trio di Clarone. Breitkopf & Haertel, 1990, SS. For three basset horns, two clarinets and bassoon, or three clarinets. |
No. 3 21.95 16.95 No. 5 16.95 |
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C354: Modern Clarinet Practice (Trios) Book
1 by
Rudolf Jettel. Josef Weinberger, 1959. These books contain a total of
17
equal trios for three clarinets. Book 1 includes numbers 1 through 6.
There are separate parts for each player. The first clarinet part
includes the score with the other parts reduced in size and is cleverly
printed to avoid page turns. For better high school players and
beyond. C355: Modern Clarinet Practice (Trios) Book 2 by Rudolf Jettel. Josef Weinberger, 1959. Book 2 is in the same format as Book 1 and includes trios numbers 7 through 12. C356: Modern Clarinet Practice (Trios) Book 3 by Rudolf Jettel. Josef Weinberger, 1960. Book 3 is in the same format as Book 1 and includes trios numbers 13 through 17. |
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C449: Scherzo Fantastique B-flat Clarinet Trio by Alfred Prinz. Woodwindiana, 1999, SS, (includes score). A scampering, exciting and virtuosic romp for three B-flat clarinets in an attractive ABA package. Fun and challenging for all. About 5 minutes. | |
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C393: Trio (1997) by Alfred Prinz.
Woodwindiana,
1998, SS, (includes score). Dedicated to Trio Indiana. For E-flat,
B-flat, and bass clarinet. In three movements with sections in each.
For advanced players.![]() |
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C450: Hasana Tanz for Clarinet Trio by David Snow. Woodwindiana, 2002, SS, (includes score). For E-flat, B-flat, and bass clarinet. This klezmer-influenced work was the winning piece in the 1997/1998 Clarinet Trio Composition Contest at Indiana University. About 4 1/2 minutes. | |
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WW039: 18
Trios Vol. 1 by Anton Stadler. International
Music Diffusion, 1996. Originally written for basset horns, this
edition includes parts so that these trios can be played by 3 basset
horns; 3 clarinets; 2 clarinets and bass clarinet or bassoon; oboe or
flute, clarinet, and bassoon. Volume 1 has trios 1-5.
WW040: 18 Trios Vol. 2 by Anton Stadler. International Music Diffusion, 1996. Parts are the same as volume 1. Volume 2 has trios 6-18 |
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C1000: Tchaikovsky Nutcraker
Suite for Three Clarinets arranged by Michael Töpel.
Baerenreiter (BA 8158), 1996, SS, 15 pages. Here is something for trios
looking to add to their repertoire of holiday music. It is at the upper
intermediate level, for three B-flat clarinets, and in score format. It
includes: Ouverture miniature, Danses caractéistiques (Marche,
Dance of the Sugar Plum Fairy, Russian Dance, Arabian Dance, Chinese
Dance, Danse of the Reed Pipes) and concludes with Waltz of the Flowers. (Except other items with free shipping.) |
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C1259: Largo from the Opera
"Hermann von Unna" for Basset Horn Trio, Clarinet Trio, Two
Clarinets and Bassoon, or Two Clarinets and Bass Clarinet by Georg
Joseph "Abbé" Vogler edited by Peter Geisler. Bassetti Paletti
Publications,
2007. Includes score and parts. This piece is a new edition after two
historical sources. One of them is a contemporary opera score and the
other is a later arrangement from the beginning of the 19th century by
Giuseppe de Blumenthal (1782-1859). It has not been published before
and is well suited for teaching and/or concert use. (Except other items with free shipping.) |
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WW220:
Prelude and Fugue for Two
Clarinets and Bassoon (or Bass Clarinet) by Richard Walthew.
Rosewood Publications, 1997, SB. Includes parts and score. Richard
Walthew
(1872-1951) was a
British composer with a special affinity for chamber music. The Prelude
is Andante Moderato and the Fugue is Andante espressivo. There are a
few low Ds in the bass clarinet part. All of the parts are important
and challenging at the early college level. |
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C1501:
Second Grand Trio Concertante for Three
Clarinets by James Waterson edited by Pamela Weston. Chester,
1981/1997, SS. Includes parts and score. In her foreword Pamela Weston
said, "James Waterson (1834-1893) wrote quite prolifically for the
clarinet. His compositions include four quartets, three trios, numbers
duets, solos and studies. Many of these have the appellation 'Grand,'
and grand they are in technical structure and value for the clarinet
player. . ." In three movements: I. Allegretto scherzando, II. Andante
sostenuto, and III. Allegro maestoso. Early college level. |
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C1425:
Albinoni Adagio for Clarinet Quartet by Tommaso
Albinoni arranged by Balázs Horváth. EditionDarok, 2002,
SS. Includes parts and score. The famous Albinoni adagio arranged for
clarinet quartet (3 B-flat clarinets and bass clarinet).
(Except other items with free shipping.) |
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C1033: Album of Classics Vol. 1 transcribed and arranged by Valentine C. Anzalone. V.A. Music, 1996. This is for three B-flat clarinets and bass clarinet with an alternate fourth part for B-flat clarinet. They are generally at the upper intermediate level. There is a separate book for each player and a score. Volume 1 has: G. F. Handel Largo, Edward MacDowell To A Wild Rose, P. Mascagni Intermezzo ("Cavalleria Rusticana", E. Humperdinck Prayer ("Hansel and Gretel"), G. Rossini Cujus Animam ("Stabat Mater"), F. Chopin Military Polonaise (Op. 40, No. 1), Claude Debussy The Girl with Flaxen Hair, J. S. Bach Air (Suite in D Major), Maurice Ravel Pavane, and J. Weinberger Polka ("Schwanda the Bagpiper"). | |
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C1034: Album of Classics Vol. 2 transcribed and arranged by Valentine C. Anzalone. V.A. Music, 1996. This book is for three B-flat clarinets and bass clarinet with an alternate fourth part for B-flat clarinet. They are generally at the intermedite and upper intermediate level. There is a separate book for each player and a score. Volume 2 has: Zdenko Fibich Poem, E. Satie Gymnopedie No. 1, Georges Bizet Entr'acte ("Carmen"), Edvard Grieg Anitra'a Dance, M. Mussorgsky The Old Castle, Claude Debussy Golliwog's Cake Walk, V. Monti Czardas, J. S. Bach Bouree (Vln. Sonata No. 2,) G. F. Handel Allegro S (Fl. Sonata No. 5), and Frederic Chopin Two Chopin Preludes. | |
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C1035: Album of Classics Vol. 3 transcribed and arranged by Valentine C. Anzalone. V.A. Music, 1996. This book is for three B-flat clarinets and bass clarinet with an alternate fourth part for B-flat clarinet. They are generally at the intermedite and upper intermediate level. There is a separate book for each player and a score. Volume 3 has: Robert Schumann Traümerei, Scott Joplin Easy Winners (Rag,) J. S. Bach Sinfonia (Cantata 156), Gabriel-Marie La Cinquantine, Scott Joplin Kismet Rag, J. Brahms Hungarian Dance No. 5, G. Verdi Grand March ("Aida"), Claude Debussy Le Petit Negre, Gabriel Fauré Pavane, and J. S. Bach Brandenburg Concerto #3 (Excerpts). | |
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C1440:
Nola by Felix
Arndt arranged for clarinet quartet by James "Red" McLeod. Kendor
Music, 1998. Nola was a popular novelty ragtime tune written in 1915.
This cute arrangement is for four B-flat clarinets but it works fine
with a bass clarinet on the fourth part. Advanced high school/early
college level with a duration of 2:30.
(Except other items with free shipping.) |
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C790: Voyage by Michel
Brion. International Music Diffusion, 1992. This is for three B-flat
clarinets and bass clarinet but there are alternate parts for E-flat
clarinet and alto clarinet replacing the third B-flat clarinet. There
is an additional contra alto clarinet (or baritone saxophone)
that could be used to supplement or replace the bass clarinet and is
mostly an octave lower. This original piece is in two parts, a waltz
followed by a fairly rapid 4/4 section with a melody built on dotted
eighth-sixteenth figures. (Except other items with free shipping.) |
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C390: Clarinet Rhapsody by David Bennett. Carl
Fischer,
1937. For
clarinet quartet (two b-flats, alto, and bass). A very enjoyable
quartet with interest in all parts, although the first clarinet and
bass clarinet are prominent in the beginning section. (Except other items with free shipping.) |
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C1485:
Blue Rondo à la Turk by Dave Brubeck arranged
for clarinet quartet by Gilles Swierc. Fuzeau, 1989, SS. Includes parts
(3 B-flat and bass clarinet) and
score. This piece is primarily in 9/8 in a 2 + 2 + 2 + 3 pattern, but
other time signatures and patterns are interspersed. There are some two
measure sections with optional improvisation. The odd meters and the
tempo make this a (worthwhile) challenge. |
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C1435:
Bulgarian Bat Bite for Clarinet Quartet by Mike
Curtis.
Advance Music, 2004. Includes parts (3 B-flat and bass clarinet) and
score. Commissioned by the Quartetto Italiano di Clarinetti. This
challenging clarinet quartet in one movement was inspired by the
composer's 1992 klezmer tour to Eastern Europe. The difficulty lies in
the extensive mixed meter with rapid changes between 5/8, 2/4, 3/4,
8/8, 9/8/, 7/8, 6/8, etc. Here is a video of a
performance (from memory, no less). |
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C1438:
Klezmer Triptych Clarinet Quartet by Mike
Curtis.
Advance Music, 2002. Includes parts (2 B-flat, alto clarinet [alternate
B-flat], and bass clarinet) and
score. I. Lebedik un Freylach, II. Rebn's Tanz, and III. Freylacher
Bulgar. Mike passes the melody around so all the parts are interesting.
Advanced high school/early college level. Here is a video
performance. |
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C1432:
A Klezmer Wedding Edition for Clarinets by Mike
Curtis.
Advance Music, 1996. Includes parts (3 B-flat and bass clarinet) and
score. Fun for the performers and the audience. It begins with a Doina
with solos for each of the soprano clarinets. This is followed by a
Hora, Chusidl, and a Frylach. College level. |
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C941: French Suite for
Four B-flat Clarinets by Yvonne Desportes. Southern Music Co.,
1939,
SS. Includes parts and score. This quartet with relatively challenging
parts for all players may be Desportes' best. Six movements: 1.
Prélude, 2. Sarabande, 3. Gavotte, 4. Minuet, 5. Bourrée,
and Gigue.![]() |
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C1221: At the Seaside for Clarinet Quartet by Hans Dillo. Ardito, 1992, (includes parts and score). For three B-flat clarinets and bass clarinet. Somewhat easier than the quartet On the Beach (below). | |
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C1220: Flowers for Alice for Clarinet Quartet by Hans Dillo. Ardito, 1991, (includes parts and score). For three B-flat clarinets and bass clarinet. This is a rag which the composer says is based on Beethoven's Für Elise. All of the parts are interesting. | |
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C1222: On the Beach for Clarinet Quartet by
Hans Dillo.
Ardito, 1991, (includes parts and score). For three B-flat clarinets
and bass clarinet. This is described as introducing beginning quartets
to the sonata form. New to clarinet quartets perhaps, but this requires
a minimum of proficient high school level players.
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C889: Quatuor for
four clarinets in B-flat by Pierre Max Dubois. Alphonse Leduc,
1964, SS. Includes parts and score. In four movements: I. Allegretto,
II. Allegro, III.
Pastorale, and IV. Musette (Allegro). Early college level.![]() |
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C1496:
First Movement of the
String Quartet No. 12 "American" by Antonin Dvorak arranged
for clarinet quartet by Betrand Hainaut. Billaudot, 2008,
(includes parts and score). For three B-flat clarinets
and bass clarinet. The tempo is Allegro ma non troppo. The bass
clarinet has notes in the extended range. Early college level (the
publisher grades it as a 7 on their 9 level scale). Duration about 9
minutes. |
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C1475: Salon Pieces for Two
to
Four Clarinets arranged by Roland Erben. Kunzelmann, 2009, SS.
Includes parts and score. This book contains 20 clarinet duets (7),
trios (6), and quartets (7). They are at the intermediate level and
advanced intermediate level. The most difficult piece is an arrangement
of Scott Joplin's The Entertainer for clarinet quartet. Click on the cover image to view the pieces as
listed in the Table of Contents. Use your browser's Back
button to return. |
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C461: Early Hungarian Dances from the 17th Century for
clarinet quartet by
Ferenc Farkas. Editio Musica Budapest,
1988. This popular clarinet quartet is for E-flat, 2 B-flats, and bass
clarinet. The four dances are Intrada, Slow Dance, Shoulder-Blade
Dance, and Leaping Dance. Early college level, adult
amateurs, and up. Includes the score. Also available for saxophone quartet and woodwind quintet.![]() |
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C484: Scenes from Hungary by Ferenc Farkas. Editio Musica Budapest, 1989. Clarinet quartet for E-flat, 2 B-flats, and bass clarinet. While not as well known as Frakas's Early Hungarian Dances, this quartet is also excellent. The pieces are Toast, Play, The Fugitive's Song, The Shepherd, Funeral Bells, Wedding Song, Sorrow and Consolation, and Round. Requires a strong E-flat player. Early college level, adult amateurs, and up. Includes the score. | |
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C637: Clarinet Quartets for Beginners Vol. 1 edited by Ottó Fricsovsky, Éva Perényi, and Péter Perényi. Editio Musica Budapest, 2005, SS. Clarinet quartets for 4 B-flat clarinets and some for 3 B-flat clarinets and bass clarinet. Includes score and parts for first and second, and third and fourth (or bass) grouped together. It also includes an additional first and fourth part in the key of C for use by flute/oboe/violin and bassoon/cello. The "Beginners" in the title is not especially descriptive, as the difficulty ranges from a few pieces that are really for beginners to many that are at the high school/adult amateur level. The contents are in chronological order with Vol. 1 including works from the Renaissance to Beethoven, much of it dance music. Click on the cover image to view the Table of Contents. Use your browser's Back button to return. | |
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C638: Clarinet Quartets for Beginners Vol. 2 edited by Ottó Fricsovsky, Éva Perényi, and Péter Perényi. Editio Musica Budapest, 2005, SS. Clarinet quartets for 4 B-flat clarinets and some for 3 B-flat clarinets and bass clarinet. Includes score and parts for first and second, and third and fourth (or bass) grouped together. It also includes an additional first and fourth part in the key of C for use by flute/oboe/violin and bassoon/cello. The "Beginners" in the title is not especially descriptive, as the difficulty ranges from a few pieces that are really for beginners to many that are at the high school/adult amateur level. The contents are in chronological order with Vol. 2 including works from Weber to the present day, Composers represented include Kuhlau, Schubert, Schumann, Brahms, Tschaikovsky, Farkas, and more. Click on the cover image to view the Table of Contents. Use your browser's Back button to return. | |
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C1219: Liza for Clarinet Quartet by George
Gershwin
arranged by Art Marshall.
Ardito, 1990, (includes parts and score). For three B-flat clarinets
and bass clarinet. One of my favorite pieces in a good arrangement with
a short
waltz section in the middle. All parts are interesting and have their
moments to shine. |
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C1218: The Man I Love for Clarinet Quartet by
George Gershwin
arranged by Art Marshall.
Ardito, 1989, (includes parts and score). For three B-flat clarinets
and bass clarinet. A slow swing arrangement of this great song. Has a
section with a double time feel in the middle. All quartet members will
enjoy their parts.![]() (Except other items with free shipping.) |
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C1217: Oh, Lady Be Good
for Clarinet Quartet by George Gershwin arranged by Art Marshall.
Ardito, 1989, (includes parts and score). For three B-flat clarinets
and bass
clarinet. An entertaining swing arrangement of this classic Gershwin
tune. The first
part includes some written out solos.![]()
(Except other items with free shipping.) |
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C1223: Somebody Loves Me for Clarinet Quartet
by George
Gershwin arranged by Art Marshall.
Ardito, 1994, (includes parts and score). For three B-flat clarinets
and bass
clarinet. A swing arrangement with two short waltz sections.
Brief written out solos for the first and second clarinets. Another
winner.![]() (Except other items with free shipping.) |
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C451: Turbulences
for Clarinet Quartet by Norbert Goddaer. Woodwindiana,
2000, SS, (score included). For three B-flat clarinets and bass
clarinet. Dedicated to the Flanders Clarinet Quartet, Belgium. A
serious, angular work for an advanced quartet. Four movements
(Confusion, Tension, Reflection, and Conclusion) of contrasting
moods/characters, with real technical challenges for all parts. About
10 minutes. |
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C519: Bagatelle
for Four B-flat Clarinets by
Clare Grundman. Boosey and Hawkes, 1950. This an excellent
piece which is recommend for high school festival use for quartets with
four strong players but will be
enjoyed by more advanced players as well. Grundman is best known for
his many works for concert band including original compositions and
arrangements (especially Leonard Bernstein).![]() |
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C513: Caprice
for Clarinets
by
Clare Grundman. Boosey and Hawkes, 1961, SS. This piece may be played
by four B flat clarinets or two B flat clarinets, alto clarinet and
bass clarinet (or by a clarinet choir). This piece is also
recommended for festival use as it has some tempo changes to show off
the group's flexibility. It is somewhat easier than Bagatelle. Very
enjoyable. Here is a clarinet quartet performance of Caprice. (Except other items with free shipping.) |
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C1227: Colours for Clarinet
Quartet by Paul Harris. Queen's Temple Publications, 1998, SS,
(includes score). For four B-flat clarinets or three B-flat clarinets
and bass clarinet. Three movements: Magenta (Allegro molto), Indigo
(Andante expressivo), and Vermillion (Allegro moderato). High school
level with a duration of 5 minutes. |
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C1407:
3 Latin Dances No. 1 Charanga di Xiomara Reyes for
Clarinet
Quartet by Patrick Hiketick. Metropolis Music, 2003, SS,
(includes score). For three B-flat clarinets
and bass clarinet (in bass clef). Charanga is a Cuban musical form
while Xiomara Reyes is a Cuban ballet dancer who danced with the Royal
Ballet of Flanders in Belgium for seven years. Here is a recording on YouTube. |
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C1408:
3 Latin Dances No. 2 Merengue Sempre di Aychem Sunal for
Clarinet
Quartet by Patrick Hiketick. Metropolis Music, 2003, SS,
(includes score). For three B-flat clarinets
and bass clarinet (in bass clef). This merengue is probably easier than
most of Hiketick's other clarinet quartets although there is a
challenging section in the second clarinet part in the second half of
the piece. Here is a recording. |
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C1409:
3 Latin Dances No. 3 Dansa Latino di Maria del Real for
Clarinet
Quartet by Patrick Hiketick. Metropolis Music, 2003, SS,
(includes score). For three B-flat clarinets
and bass clarinet (in bass clef). This piece alternates between a 3/4
and 6/8 feel throughout and is the longest of the 3 Latin Dances. All of the players
are featured. |
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C1406:
Jiddische Sjlimmert for Clarinet
Quartet by Patrick Hiketick. Metropolis Music, 1997, SS,
(includes score). For three B-flat clarinets
and bass clarinet (in bass clef). A klezmer inspired piece with
increasing tempos throughout. The first part has most of the melody and
difficulty. Also available for clarinet
and piano. |
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C1410:
Tango for Clarinet
Quartet by Patrick Hiketick. Metropolis Music, 1997, SS,
(includes score). For three B-flat clarinets
and bass clarinet (in bass clef). An excellent tango for clarinet
quartet with an important third part which has the melody or counter
melody through much of the piece. Duration about 3:50. |
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C921: Die Kunst der Klarinette Variations on "Colonel Bogey" for three clarinets and bass clarinet by Ian Holloway. Ian Holloway Music, 2001, SS, (includes parts and score). This is a wonderful clarinet quartet by British born clarinetist and composer Holloway who has lived in South Africa for more than 25 years. This piece was written in 1975 and was recorded by the Thurston Clarinet Quartet in 1995. It begins with an Introduction (and statement of the theme) followed by five very distinct variations: Serenade, Sequence I, Fugue, Tango, and Rondo. There are quotations from clarinet works from Mozart and Weber and the final Rondo is clearly inspired by the last movement of the Gran Partita. Successfully performing this work in public will require a very good college or adult amateur quartet but groups not at this level will find enjoyment in playing it for themselves. A low C bass clarinet can be used but is not necessary. Duration 14+ minutes. | |
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C1273: Joie de Vivre for Clarinet Quartet by Laurie Holloway. Spartan Press, 2007, SS. For three clarinets and bass clarinet. Laurie Holloway is a British composer, musician (jazz piano) and musical director. This is a very enjoyable quartet with some tempo and key changes. All of the parts have the leading role at some point. For better high school, early college level, or adult amateur quartets. | |
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C374: Clarinet Symphony by G.E. Holmes. Rubank, 1938, SS, 24 pages. This book is very similar to the Ensemble Classics for Clarinet Quartet Book 1 (see below). It is for four B-flat clarinets and is printed in score form. The 15 pieces range from those playable by second year students (middle school) to four year students (early high school). Good for introducing the clarinet quartet and working on ensemble techniques. | |
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C1502: Idea in Latin Clarinet
Quartet
by Valentin Hude. Advance Music, 2009, SS. Includes parts (2
pages each) and score. For three
clarinets and
bass clarinet. This piece features basic Latin rhythms and should be
playable by better high school level quartets. |
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C1503: Klezmer Jam Clarinet
Quartet
by Valentin Hude. Advance Music, 2009, SS. Includes parts (2
or 3 pages each) and score. For three
clarinets and
bass clarinet. The first part is the most difficult (advanced high
school/early college) with the second part somewhat less difficult
while the third and bass parts should be no problem at all. Marked
Lightly at mm=152. |
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C750: Guisganderie for Clarinet Solo with Clarinet Quartet Accompaniment by Faustin and Maurice Jeanjean transcribed by Pierre Max Dubois. Billaudot, 1993, SS. This is a lesser known clarinet showpiece with a melody that is primarily eighth notes in cut time (Très vif et léger). Most suitable as an encore piece (duration 2:10) it features a three measure glissando at the end. The clarinet quartet parts are easy and the fourth part can be played by soprano or bass clarinet. (This is for five clarinets in all.) There is also an edition for clarinet and piano. | |
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C830: Scherzetto, Pavane & Gopak for Clarinet
Quartet by
Gordon Jacob. Emerson Edition, 1980, SS. An enjoyable quartet with
fast, slow, and fast movements from the well-known English composer.
Should be playable by better high school quartets and above and can
also be used with clarinet choir. The fourth part can be played on
soprano or bass clarinet. |
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![]() Classics for Clarinet Quartet Vol. 2 transcribed by Richard Johnston and edited by Alan Woy. Kendor, 2009. For three B-flat clarinets and bass clarinet. This is a collection of 13 classical pieces for grade 2-4 clarinet quartets but may also be useful for warm-ups for more experienced ensembles. The pieces are: Robert Schumann The Happy Farmer, Andante Con Moto (Op. 68, No. 26), Molto Lento (Op. 68, No. 3), and Little Fugue (Op. 68, No. 40); Felix Mendelssohn With Longing (Op. 7, No. 6), Piece for Kids (Op. 72, No. 5), and Tarantella (Op. 102, No. 3); Frederic Chopin Mazurka (Op. 67, No. 2); Johannes Brahms Waltz (Op. 39, No. 11); Claude Debussy Beau Soir; Franz Joseph Haydn Menuetto (Hob. III, No. 15); Edvard Grieg Last Sprint (Op. 34, No. 2); and Franz Schubert Allegretto (from String Quartet No. 15 , Op. 161). The score volume includes performance notes for each piece and a CD with performances by the Potsdam Clarinet Quartet. |
Clar. 3 5.50 5.50 10.95 30.95 |
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C1151: The Easy Winners for Clarinet Quartet by
Scott Joplin arranged by Terry Kenny. EditionDarok, SS. This is for 4
B-flat clarinets but the 4th part should work fine on bass clarinet. A
Joplin favorite. (Except other items with free shipping.) |
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C468: Tableaux de l'Enfance Vol. 1 by Aram Khatchaturian transcribed by Michel Gizard. International Music Diffusion, 1998. For clarinet quartet (E-flat, with alternate B-flat, 2 B-flats and bass). A multisection work. Can probably be managed by high school quartets with strong players on all parts. | |
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C1156: Clarinet
Quartet No. 1 Op. 7 by Michael Kibbe. Michael Kibbe,
2008, SB, (includes score and parts). For three B-flat clarinets and
bass
clarinet (low C desirable but not required. In three movements I.
Allegro moderato, II. Adagio, and III. Allegro. This is not as
difficult as some of the composers other clarinet music and should be
playable without any problem by college level quartets and adult
quartets (with strong first and bass players). Duration about 7:15.
(Our quartet loved it.) |
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C452: Clarinet
Quartet No. 2 Op. 63 by Michael Kibbe. Woodwindiana,
1999, SS, (score included). For three B-flat clarinets and bass
clarinet. The composer wrote: "The four movements of this work cover a
wide range of colors and musical ideas, from the fragmented
'mutterings' of the opening, through more lyrical linear writing. There
is also an occasional 'shrill' passage for contrast. Quartet No. 2;
was the first
prize winner in the competition for new clarinet works sponsored by the
University of Maryland in 1982, and has had numerous performances
since." About 14 minutes. Advanced college or professional level. |
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C1165: Klezmer Memories Op.
169 for Clarinet Quartet by
Michael Kibbe. Woodwindiana,
2008, SB, (score included). For three B-flat clarinets and bass
clarinet (there are a few notes in the extended range). The
composer wrote: "Klezmer Memories was
inspired by the sound and traditions of European Jewish folk music. . .
Although all the melodic materials are original, the rhythms, dance
styles and harmonic language derive from traditional forms of
music-making as were found in the villages of Eastern Europe." Early
college level or adult quartets. Duration about 6:45. |
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C1166: !VIVA! Op. 151 for Clarinet Quartet by Michael Kibbe. Woodwindiana, 2005, SS, (score included). For three B-flat clarinets and bass clarinet. Written for and premiered at the 75th birthday celebration of Alfred Prinz. The name suggests the style. Early college level with some quick tempos and a section of 5/8. Duration about 5:30. | |
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C953: Classic Evergreens for Clarinet Quartet arranged
by
Béla Kovács. EditionDarok, 1994, SS, (includes
parts and score). There are three pieces in this folio, all for three
B-flat
and bass clarinets. The
pieces are Romance by Wolfgang Amadeus Mozart, Träumerei by Robert
Schumann, and The Flight of the Bumblebee by Nikolai
Rimsky-Korsakov. Träumerei is intermediate level, the Mozart is a
little more difficult, and Flight of the Bumblebee is a challenge at
tempo. You can hear similar arrangements here on the Naxos web site (you
may need to register). (Träumerei)
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C1355:
Estampas Criollas by Beatriz Lockhart arranged for
clarinet quartet by Jorge Montilla. Woodwindiana, 2002, SS, (includes
parts and score. For three B-flat and bass clarinets. Beatriz Lockhart
(1944-) was born in Uruguay. She studied composition in Argentina and
Italy, and has been a music educator in Venezuela and her native
country. This piece (Venezuelan Country Sketches), originally written
for a chamber orchestra, was arranged by Jorge Montilla for the Caracas
Clarinet Quartet and it appeared on their first CD (out of print).
There are four movements: Merengue (Allegro), Bambuco (Andante), Valse
(Presto), and Joropo (Allegro). Early college level. This is an
excellent quartet and we are pleased that it is again available on a
CD. Here
is a video of this piece being performed by the Mariinsky Clarinet Club.![]() |
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C1303: Los Angeles Sketches
by Kenneth Lowman. Western Internatonal Music, 1967, SS, (score
included). For three B-flat clarinets and bass
clarinet. We found some dates for the composer (1916-2001) but haven't
found anything else about him. In three movements: Woodland
Hillbilly, Echo Park, and Olvera Street. For those not familiar with
Los Angeles, Woodland Hills is a community in the San Fernando Valley
of Los Angeles, northwest of Beverly Hills. Echo Park is a community in
Los Angeles which is northwest of downtown and west of the Dodger
Stadium area. It was the original location of film making before the
studios moved to Hollywood. Olvera Street the heart of the El Pueblo de
Los Angeles Historic Monument and is located to the west of Union
Station. In 1930, it was converted to a colorful Mexican marketplace
which is also the setting for Mexican style music and dancing and
holiday celebrations, such as Cinco de Mayo. Olvera Street is probably
the most engaging piece in this suite and can be performed by
itself. A link to a performance of Olvera
Street. |
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C388: Woodland Sketches Op. 51
by Edward MacDowell arranged by Clair W. Johnson. Rubank, 1954. For
clarinet quartet (b-flat) with optional fifth part for bass clarinet.
Four pieces (To a Wild Rose - At an
Old Trysting Place - To a Water Lily - From Uncle Remus) selected
from the original piano work by MacDowell. Intermediate level with the
first part the most difficult and the bass clarinet part very easy. |
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C1441:
The Pink Panther
by Henry Mancini arranged for Clarinet Quartet by James Christensen.
Kendor Music, 1964/1983, (includes parts and score). The popular theme
from the Pink Panther movies arranged for two B-flat clarinets, alto
clarinet, and bass clarinet. The publisher rates this as (US) grade 4. (Except other items with free shipping.) |
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C1224: El Compadre Merengue for Clarinet Quartet
traditional
arranged by Art Marshall.
Ardito, 1994, (includes parts and score). For three B-flat clarinets
and bass clarinet. An old traditional merengue, probably from the
Dominican Republic. (Except other items with free shipping.) |
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C954: Three Songs without Words (3 Lieder ohne Worte) by Felix Mendelssohn-Bartholdy arranged for clarinet quartet by Béla Kovács. EditionDarok, 1994, SS, (includes parts and score). Three very nice quartets for three B-flat clarinets and bass clarinet. Early college level and playable by most adult quartets. You can hear similar arrangements here on the Naxos web site (you may need to register). | |
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C399: Mendelssohn String Quartet No. 1 Op. 1 for Clarinet Quartet transcribed by Michael Bryant. Rosewood Publications, 1998. For three B-flat clarinets and bass clarinet (a low C instrument is desirable but not required). Includes a miniature score. Four movements: Adagio/Allegro, Cazonetta (Allegretto), Andante espressivo (Largo), and Molto Allegro. Strong players are needed on all parts. |
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C983: Four for Four Clarinet Quartet by
Jorge Montilla.
Woodwindiana, 2006, SB. Venezuelan Clarinetist and composer Jorge
Montilla has written this new clarinet quartet (for E-flat, 2 B-flat,
and bass clarinet) that has become quite popular and has received a
number of public performances. It is Latin American in
theme. The four movements are Joropo (3/4 with mm=200), Merengue (5/8
with dotted quarter note = 94), Son (2/4 with mm=120), and Finale (6/8
dotted quarter note = 110). College level. Here
is a video of this piece being performed by the Mariinsky Clarinet Club.![]() |
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C1552:
Rondo from Sonata in B-flat K. 570 by Wolfgang Amadeus Mozart
arranged for clarinet quartet by Harry R. Gee. Cojarco
Music/Kendor Music, 2010, includes parts and score. This is an
arrangement for three clarinets and bass clarinet of the final movement
(Allegretto) of Mozart's Piano Concerto No. 17. The publisher rates
this as (US) grade 4 but that would only apply to the first clarinet
part. The other clarinet parts are easier and the bass clarinet parts
even easier. Duration of about 5 minutes. (Except other items with free shipping.) |
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C1315: Serenade in B-flat Major by Wolfgang
Amadeus Mozart
arranged for 4
clarinets by John Neufeld edited by Mitchell Lurie. Western
International Music, 1965, SS, includes score and parts. Can be played
as a trio. Four movements: I. Andante, II Minuet and Trio, III. Adagio,
and IV. Minuet and Trio. Better high school quartets and up. |
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C1046: Quartet No. 1 for 4 B-flat Clarinets
by Sean Osborn.
Presser, 2000, SS. Former Met clarinetist Osborn composed this college
level quartet in 1995. In four movements: I. Moderate, II. Scherzo (As
fast as possible), III Freely, and IV. Dorian Dance (Allegro). Duration
about 13 minutes.![]() |
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C1462: 3 Tangos for
Clarinet Quartet by
Astor Piazzolla edited by Florent Héau. Billaudot, 2007, SS,
includes parts and score. These 3 short tangos (10 minutes in all) are
somewhat easier than the two listed below, probably early college
level. The tangos are: 1. Contrabajeando, 2. La misma pena, and 3.
Adios nonino. These are for 3 B-flat clarinets and bass clarinet. There
is an alternate E-flat clarinet part for the first part (not very
useful as the range is not high) and a basset horn part as an alternate
to the third part. A low C bass clarinet would be needed to play all
the notes in the second and third pieces.
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C665: Four
for Tango for Clarinet Quartet by
Astor Piazzolla adapted by Bruce Edwards from the transcription for
saxophone quartet by Claude Voirpy.
Editions Henry Lemoine, 1999, SS. This piece is in one extended
movement. Edwards has provided an
exceptionally large number of alternate parts: (first part for E-flat
or B-flat clarinet and third part of basset horn, alto clarinet, A
or B-flat soprano clarinet). A low C bass clarinet is desirable, but
the
extended range only appears in first eight measures. For advanced
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C664: Histoire
du Tango for Clarinet Quartet by
Astor Piazzolla adapted by Bruce Edwards from the transcription for
saxophone quartet by Claude Voirpy.
Editions Henry Lemoine, 1997, SS. This is a wonderful
and challenging piece which has been transcribed for a variety of
instruments and combinations of instruments. The four scenes portrayed
are: Bordel 1900, Café 1930, Night-club 1960, and Concert
d'aujourd'hui (Modern Day Concert). Edwards has provided an
exceptionally large number of alternate parts: (first part for E-flat
or B-flat clarinet and third part of basset horn, alto clarinet, or
B-flat
soprano clarinet). A low C bass clarinet is desirable, but only
the last movement uses the extended range.![]() |
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C453: Bloomington
Quartet by Alfred Prinz.
Woodwindiana, 1999, SS, (includes score). For four B-flat clarinets.
Premiered by Trio Indiana and Alfred Prinz in 1995, this four movement
work (I. Allegro aperto; II. Andante tranquillo; III. Prestissimo; and
IV. Trio, Allegretto, un poco stupido) demonstrates Prinz’s playful
humor, and is named for his new home in Indiana. About 10 1/2 minutes.![]() |
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C1233: Cinerama for
Clarinet Quartet by James Rae. Queen's Temple Publications, 2006,
SS, (includes score). For three B-flat clarinets and bass clarinet
(there are a few optional notes in the extended range). In two
delightful movements evoking a bygone era. The first is Organ Interlude
(Slowly and flexibly with molto vibrato quasi "Wurlitzer"). This
followed by Newsreel (Vivace). Early college level. |
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C1272: Joviality for
Clarinet Quartet by Jenny Rees. Queen's Temple Publications, 2004,
SS, (includes score). For four B-flat clarinets (we thought the fourth
part was ok on bass clarinet). A very pleasant quartet in one extended
movement at Vivace. There is some mixed meter but it is of the 4/4,
6/4, 3/4 variety. All parts are interesting. Suggested for advanced
high school, early college level, or adult amateur quartets. |
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C454: Five Drawings by Alfred Prinz. Woodwindiana, 1999, SS, (includes score). For E-flat, two B-flat, and bass clarinet. Written in 1995 for Trio Indiana, this work is a series of five short sketches, each with a distinct personality, trailing off at the end, one giving way to the next. About 9 minutes. | |
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C1411:
Clownery for Clarinets by Harry Stalpers. Metropolis
Music, 1997, SS,
(includes score). For three B-flat clarinets
and bass clarinet. This piece is similar to a version for 9 clarinets
written in 1984 by the Dutch composer Harry Stalpers (1926-2001) for
the Clarinet Choir Walter Boeykens. "The clown, his entry in the ring,
followed by an uninterrupted series of quickly changing movements and
emotions, from acrobatics to sill somersaults, from excessive joy to
childlike sorrow, beginning and ending with circus music, sometimes
interrupted by the laughter of the 'highly esteem audience.'" The is a
challenging quartet with mixed meter and an improvised blues solo that
can be played by any of the soprano clarinetists. Duration about 8:00. Here
is a video of this piece being performed by the Mariinsky Clarinet Club.![]() |
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C469: Annen - Polka by Johann Strauss
transcribed by
Michel Gizard.
International Music Diffusion, 1998. For clarinet quartet (3 B-flats
and bass, with alternate E-flat and basset horn parts). High school
level. (Except other items with free shipping.) |
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C1043: Pizzicato - Polka by
Johann and Josef Strauss
transcribed by
Jacques Lancelot.
Billaudot, 1991, SS, (includes score and 4 parts). The arrangement can
be played by a clarinet quartet (3 B-flats
and bass) or by a larger ensemble since the first three parts have
divisi. (Except other items with free shipping.) |
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C742: Serenade by Jeno
Takacs. Doblinger, 1992, SS, (includes parts and score). For clarinet
quartet (3 B-flats
and bass). This piece is based on old dances. The movements are:
Overture, Serenade, Kontratanz, Polka, Menuett, and Finale
(Dudelsack-Cornemuse). College level with all parts having challenging
sections (primarily tempo related). Alternate part for fourth
clarinet instead of bass. About 12 minutes duration. |
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C1067: Walzer Op. 48 by
Pyotr Il'yich Tchaikovsky transcribed by Ricardo Cirri. Billaudot,
2005, SS, (includes parts and score). This piece with a familiar waltz
melody has been transcribed from the original serenade for strings.
While the arrangement calls for 4 B-flat clarinets, using a bass
clarinet on the fourth part works fine. At the upper intermediate level
with the first part the most difficult, the other parts make a
satisfying contribution to the overall effect. |
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C928:
Bach Goes to Town by
Alec Templeton arranged for four clarinets by Henry Brant. Emerson
Edition, 2001, SS, (includes parts and score). Alec Templeton
(1909-1963) was born in Wales and
although blind from birth, studied piano and composition at the Royal
College of Music in London. He moved to the United States in 1935 and
was very successful as a pianist and entertainer. This piece, which was
first published in 1938 and is subtitled "Prelude and Fugue in
Swing," is typical of his compositions. Advanced high school/early
college level with a duration of 3:45. |
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C470: Travelling by Robert Truillard arranged
by
Alain Truillard.
International Music Diffusion, 1997. For clarinet quartet (3 B-flats
and bass). Better high school players could pull this off. First and
second parts are more difficult, while the bass part is important and
will need a solid player but is not hard. |
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C1229: Dulcamara for clarinet quartet by
Robert Tucker.
Queen's Temple Publications, 2001, includes score and parts. The name
of clarinet quartet (for 3 B-flat clarinets
and bass clarinet) is from the Latin dulcis - sweet and amara - bitter.
It is marked Allegro energico et ritmico. The publisher calls this an
exhilarating concert piece. Early college level with a duration of
about 4 minutes. (Except other items with free shipping.) |
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C1270: Echappée for clarinet quartet
by Robert
Tucker.
Queen's Temple Publications, 1998, includes score and parts. The name
of this clarinet quartet (for 3 B-flat clarinets
and bass clarinet) is a French word that means "Escaped note;" defined
as an ornamentation between notes proceeding in a step-wise fashion in
which the ornamental note will go the opposite way of the progression,
followed by the proper note in the progression. Although this is
dedicated to a clarinet quartet in the UK at a high school equivalent
school, the mixed meter (primarily 6/8, 4/8, and 5/8) and Allegro
energico tempo makes this brief piece more suitable for a college level
quartet. (Except other items with free shipping.) |
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C1271: Pipeworks for clarinet quartet by Kit
Turnbull.
Queen's Temple Publications, 2000, includes score and parts. For 3
B-flat clarinets
and bass clarinet (with a few low D's in the extended range). Kit
Turnbull is a British composer who studied with Martin Ellerby. This
piece has a circus theme as indicated on the cover and is in five
movements: I. The Chase, II. The Clown (After the show), III. Carousel,
IV. Harmonium, and V. Curtain Music. While the notes aren't
particularly difficult, the mixed meter, especially in the last
movement (4/4, 3/8, 5/8, 6/8, 4/8), will require some study from most
quartets. College level. |
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C712: Divertimento by Alfred Uhl.
Schott, 1956. A very popular and frequently recorded clarinet quartet
(3 B-flats
and bass). In three movements: I. Allegro, II. Andante sostenuto, molto
espress., and III. Allegro con brio. College level. The score is
available separately (catalog number C713).![]() ![]() ![]() |
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C1546:
Manege for 4
Clarinets in B-flat by Francois Vercken. Editions Musicales
Transatlantiques, 1983, SS, includes parts and score. The title of this
piece means carousel and the music, while not a literal depiction,
does have slower sections at the beginning and the end that may
represent starting up at the beginning and slowing down at the end of
the ride. The middle section has many overlapping phrases that suggest
what an observer might see and feel while watching a carousel from a
distance. |
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C175: Ensemble Classics for Clarinet Quartet Book
1 by Himie Voxman. Rubank, 1942, SS, 32 pages. Book 1 is
for four B-flat clarinets and is printed in score form. The pieces
range from those playable by second year students (middle school)
to four year students (early high school). Good for introducing the
clarinet quartet and working on ensemble techniques.
C176: Ensemble Classics for Clarinet Quartet Book
2 by Himie Voxman. Rubank, 1942, SS, 32 pages. Book 2 is
for two B-flat clarinets, alto clarinet, and bass clarinet and is
printed in score form. The content is different than book 1 but at
the same level. |
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WW176: Four Ebony For Clarinet Quartet (doubling
saxes) by
Jeffery J. Wilson. Camden Music, 1993, SS. For clarinet quartet (3
B-flats
and bass) with the doubling as expected with the exception of the third
part requiring E-flat clarinet and well as B-flat clarinet and tenor
sax. A substantial 16 minute work comprising music of the "dance" from
the 16th century to the 1920's. This would require a proficient quartet
to perform. |
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C956: Tango & Chant
d'Amour by Issac Albéniz arranged for clarinet
quintet by Béla Kovács. EditionDarok, 1994, SS, (includes
parts and score). These two pieces are quintets for four four B-flat
clarinets and bass clarinet. High school level and above.
Unfortunately, the great CD these pieces were on has been discontinued.
For the time being you can listen to the start of the these pieces here on the Naxos web site (you
may need to register). (Tango)(Except other items with free shipping.) |
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C1148: Op. 71 (Sextet) for Clarinet Quintet by Ludwig van Beethoven arranged by Béla Kovács. EditionDarok, 1999, SS. This is for 3 B-flat clarinets, alto clarinet, and bass clarinet. This is an arrangement of Beethoven's Sextet for Winds in E-flat major which is for 2 clarinets, 2 bassoon, and 2 horns. In three movements: I. Adagio/Allegro, II Adagio, III. Menuetto (Quasi allegretto), and IV. Rondo (Allegro). | |
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C471: Moulin A Cafe "by" Sidney Bechet
arranged by
Yves Bouchet.
International Music Diffusion, 1992. For clarinet sextet (but should
work for a larger ensemble). While this
music lists Bechet as the composer (and it was part of his repertoire),
this rag was actually composed in 1909 by
George Linus Cobb (1886-1942). The basic arrangement is for
four
B-flat clarinets, alto clarinet and bass clarinet, but there are
alternate parts for E-flat clarinet, B-flat clarinet replacing the alto
clarinet, and contra alto clarinet instead of bass clarinet.
There are two copies of most of the parts (although the alternates are
on the back). High
school level and up with only the melody in the first part and a few
altissimo notes in the second part presenting any challenge. |
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C982: Hungarian Dances for clarinet quintet by
János
Bihari arranged by
Daniel Dark. EditionDarok, 2006, SS. For four B-flat clarinets and bass
clarinet. János Bihari (1764-1827)
was a composer and virtuoso violinist who help raise "Gypsy Music" to a
higher form of art. There are two dances. The first is Maestoso (4/8)
and the second Allegro (2/4). At the upper intermediate level with the
first and second parts the most difficult. (Except other items with free shipping.) |
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C568: Hungarian
Dance No. 3 by Johannes Brahms arranged by
Yves Bouchet.
International Music Diffusion, 1992. For clarinet sextet (but should
work for a larger ensemble).
This is for four B-flat clarinets, alto clarinet and bass clarinet, but
there are
alternate parts for E-flat clarinet, B-flat clarinet replacing the alto
clarinet, and contra alto clarinet replacing bass clarinet. There are
two copies of most of the parts (although the alternates are on the
back). This could be played by high school students if strong players
are available for all the clarinet parts. The bass clarinet part is
less difficult and the alto clarinet part is easy. |
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C798:
Sextuor Lyrique for Clarinet Sextet by Marc
Eychenne. International Music Diffusion, 1992, SS, includes parts and
score. This is for E-flat clarinet, two B-flat clarinets, alto
clarinet, bass clarinet, and contrabass clarinet. This is a substantial
original work for clarinet sextet. It is in three movements: I.
Introduction Allegro (shade and light), II. Andante espressivo, and
III. Final (play and joy). College level with all parts challenging. |
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C1518:
Living Extra Large
by Brent Fischer. Advance Music, 2008, SS, (includes score and parts).
This for a small clarinet choir of four B-flat clarinets, alto
clarinet, two bass clarinets, E-flat contra alto clarinet, piano, bass
and drums. The cover of this piece describes it as "Hard driving big
band jazz for the clarinet family. Challenging lines for all (even bass
and contrabass clarinets) but still playable by college or advanced
high school musicians. [It uses] the augmented scale as the basis from
which to build diatonic or chromatic melodic structures and harmonic
motion in subtle ways." The piano and bass parts are partially
written out and have chord symbols in some of these sections and
elsewhere. There is a piano solo. |
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C455: Petillances by Norbert Goddaer. Woodwindiana, 1999, SS, (includes score). For five B-flat clarinets and bass clarinet. Dedicated to Vito and Leon Pascucci and first performed in Belgium at the ClarinetFest ‘99. It is a fun-filled and challenging, jazz-tinged, recital-quality work Early college level. About 5 minutes. | |
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C796:
Danse Espagnole No. 5 Andaluza by
Enrique Granados arranged for clarinet sextet by
René Marouzé. International Music Diffusion, 1993.
Includes
parts and score. Originally for piano, this arrangement is for a
clarinet sextet of E-flat clarinet, two B-flat clarinets, alto
clarinet, bass clarinet, and contrabass clarinet. There are alternate
parts for B-flat clarinet replacing the E-flat clarinet and B-flat
clarinet
replacing the alto
clarinet. The bass and contrabass parts are in bass clef. There are
some aspects of this piece including lots of sharps and the off beats
in the second and alto clarinet parts that make it more suitable for a
college level group. |
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C513: Caprice
for Clarinets
by
Clare Grundman. Boosey and Hawkes, 1961, SS. The suggested clarinet
choir ensemble for this piece would be six B flat clarinets, alto
clarinet and
bass clarinet. It is an excellent
piece which is recommend for high school festival use but will be
enjoyed by more advanced players as well. Grundman is best known for
his many works for concert band including original compositions and
arrangements (especially of Leonard Bernstein's music). (Except other items with free shipping.) |
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C1304: Suite Number One for
Mixed Clarinet Quintet
by Robert Harmon. Western International Music, 1970, SS. For three
B-flat clarinets, alto clarinet, and
bass
clarinet (includes score). In three movements: 1. Moving, 2. Slowly, 3.
Fast. College level. |
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C1006: Hungarian Folk Song
Suite No. 2 for clarinet quintet
by Frigyes Hidas arranged by
Tibor Dittrich. EditionDarok, 2007, SS. For four B-flat clarinets and
bass
clarinet. Frigyes Hidas (1928-2007) was a
Hungarian composer and musical director who was especially known for
his wind band music although he composed for many genre. This is a
sectional piece with many tempo changes (all clearly marked). At the
upper intermediate level with important second and bass clarinet
parts. |
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C750: Guisganderie for Clarinet Solo with Clarinet Quartet Accompaniment by Faustin and Maurice Jeanjean transcribed by Pierre Max Dubois. Billaudot, 1993, SS. This is a lesser known clarinet showpiece with a melody that is primarily eighth notes in cut time (Très vif et léger). Most suitable as an encore piece (duration 2:10) it features a three measure glissando at the end. The clarinet quartet parts are easy and the fourth part can be played by soprano or bass clarinet. (This is for five clarinets in all.) There is also an edition for clarinet and piano. | |
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C1150: Pine Apple Rag for Clarinet Quintet by
Scott Joplin arranged by
Béla Kovács. EditionDarok, 1999, SS. This is for 4
B-flat clarinets and bass clarinet (or bassoon). Another Scott
Joplin favorite. (Except other items with free shipping.) |
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C955: Classic Evergreens for 5 Clarinets arranged by Béla Kovács. EditionDarok, 1994, SS, (includes parts and score). There are three pieces in this folio, all for four B-flat clarinets (with an alternate basset horn part) and bass clarinet. The pieces are Minuetto (from the Septet) by Ludwig van Beethoven, Humoresque by Anton Dvorák, and Pizzacato-Polka by Johann Strauss (the younger). It should be playable by good high school quintets and above. Humoresque has only a basset horn part but it could be transposed for an alto or bass clarinet. Unfortunately, the great CD these pieces were on has been discontinued. For the time being you can listen to the start of the these pieces here on the Naxos web site (you may need to register). | |
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C1534: Sholem-alekhem, rov
Feidman! for
clarinet quintet by Béla Kovács. EditionDarok,
2010?,
SS, (includes parts and score). Here Béla Kovács' tribute
to the klezmer style of Giora Feidman (originally for clarinet and piano) has been
arranged for a clarinet quintet of three B-flat clarinets, basset horn,
and bass clarinet. The first clarinet has the solo part and the rest
are in an accompanying role. The basset horn part is probably easy
enough that most could sight transpose it for alto clarinet. Low C bass
is optional. |
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C1448:
The Clarinet Connection by
Rolf Kühn. Advance Music, 1998, SS, (includes
parts and score). This piece is for four B-flat clarinets and Bass
Clarinet. Rolf Kühn (1929-) is a German composer, jazz and big
band woodwind player who worked in the United States from 1956-62. This
piece was commissioned by the Trio di Clarone for the CD Blues for
Sabine featuring Sabine
Meyer and Eddie Daniels. It is in three movements: I. (unnamed), II.
Contacts, and III. Encounter. The first and second parts have
improvised solos but this publication includes separate pages with
written out solos as an alternative. An advanced work with a duration
of about 13 minutes. (There is a new version of this piece String Connection with Clarinet
for clarinet and string quartet.) |
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C1373:
Kaleidoscope
for 4 Clarinets and Bass Clarinet by
Rolf Thomas Lorenz. Hofmeister, 2003, SS, (includes
parts and score). A contemporary clarinet quintet with mixed
meter and some multiphonics in the first part (fingerings are given but
they are probably for German system clarinets). The bass clarinet
begins the piece with a cadenza and is important throughout. A low C
bass clarinet is needed. Sectional in a fast/slow/fast format. |
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C1442:
Baby Elephant Walk for Clarinet Choir by
Henry Mancini arranged by Frank J. Halferty. Kendor Music, 1962/2003,
(includes parts and score). This is a very catchy tune from the movie
Hatari!
(staring John Wayne) which was a big hit when the movie was released.
The parts are E-flat clarinet (optional piccolo), 3 B-flat
soprano clarinets, alto clarinet, bass clarinet, and B-flat contrabass
clarinet. |
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C787:
Contredanse by
Wolfgang Amadeus Mozart arranged by
Yves Bouchet. International Music Diffusion, 1990. Includes
parts and score. For clarinet sextet of four B-flat clarinets, alto
clarinet and bass clarinet, but
there are alternate parts for E-flat clarinet replacing the first
B-flat clarinet, B-flat clarinet replacing the alto
clarinet, and contra alto clarinet replacing bass clarinet. Early high
school level. |
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C1149: Fantasie KV 594 for Clarinet Quintet by Wolfgang Amadeus Mozart arranged by Béla Kovács. EditionDarok, 1996, SS. This is for 4 B-flat clarinets and bass clarinet. This piece was written for an organ automaton incorporated in a temple-like diorama with life-sized wax figures, to be shown by Count Deym 1791 in his art gallery. This was unsuccesful. In two movements: Adagio and Allegro. | |
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C797:
Yesterday by
Paul McCartney arranged by
Yves Gourhand. International Music Diffusion, 1990, SS. Includes
parts and score. For clarinet choir of E-flat clarinet, 5-7 B-flat
clarinets, alto clarinet and bass clarinet. There is an alternate part
B-flat clarinet
replacing the alto clarinet. The E-flat clarinet part and the "Clarinet
Solo" part are in
unison except for a few measures near the end of the piece. The third
and forth clarinet parts have divisi. The bass clarinet part is in bass
clef, but isn't very difficult. High school level. |
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C788:
Quadrille by
Wolfgang Amadeus Mozart arranged by
Yves Bouchet. International Music Diffusion, 1990. Includes
parts and score. For clarinet sextet of four B-flat clarinets, alto
clarinet and bass clarinet, but
there are alternate parts for E-flat clarinet replacing the first
B-flat clarinet, B-flat clarinet
replacing the alto
clarinet, and contra alto clarinet replacing bass clarinet. The first
portion of the alto clarinet part (and alternate) has
divisi, so it would take seven players to cover all the notes. High
school level. |
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C456: 1 a.m. Clarinet Choir by Bart Picqueur. Woodwindiana, 1999, SS, (includes score). This piece has two parts each for E-flat, B-flat 1-3, alto clarinet, bass & contra-bass clarinet, and contra alto clarinet. Each part except the E-flat has some divisi. The bass, contra alto, and contra bass parts are essentially the same. A young Flemish clarinetist/composer, Picqueur's first effort for the choir medium has resulted in a fun, jazz and funk-infused romp through a story of teenager infatuation. College level. About 8 minutes. | |
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C777: En Verdine by
Django Reinhardt arranged
by
Yves Bouchet. International Music Diffusion, 1990. For clarinet sextet
(but works fine for a quintet as well as there are only 5 notes of
divisi on the third clarinet part.)
This is for four B-flat clarinets, alto clarinet and bass clarinet, but
there are alternate parts for E-flat clarinet, B-flat clarinet
replacing the alto
clarinet, and contra alto clarinet replacing bass clarinet. This piece
is a catchy little swing melody that sounds familiar but I can't quite
place
it. |
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C789:
Exultrance by
Patrice Sciortino. International Music Diffusion, 1992. Includes
parts and score. Patrice Sciortino (1922-) is a French
composer and music educator. For a clarinet sextet consisting of E-flat
clarinet, two B-flat clarinets, alto clarinet, bass clarinet, and
contrabass clarinet. The is a challenging and relatively lengthy work
(the first B-flat part is six pages long). Advanced college level with
the difficulty extending through all parts. Sectional with a
fast/slow/fast format. |
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C1427: Perpetuum Mobile for
Clarinet Quintet
by Johann Strauss Jr. arranged by Béla Kovács.
EditionDarok, 2008, SS. Includes
parts and score. This familiar piece has been arranged for a quintet
made up of E-flat, 2 B-flat, alto and bass clarinets. |
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C1043: Pizzicato - Polka by
Johann and Josef Strauss transcribed by Jacques Lancelot.
Billaudot, 1991, SS, (includes score and 4 parts). The arrangement can
be played by a clarinet quartet (3 B-flats
and bass) or by a larger ensemble since the first three parts have
divisi. (Except other items with free shipping.) |
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C809: Rikudim (Four Israeli Folkdances) for
Clarinet Choir by
Jan Van der Roost arranged by Maarten Jense. De Haske, 1992, SS,
(includes score and parts). This is a very enjoyable composition by Jan
Van der Roost (1956-) the Belgian composer know especially for his
works for wind ensembles. It has parts for E-flat clarinet, 4 B-flat
parts (with divisi in each), alto clarinet, bass clarinet, and
contra-alto/contra-bass clarinet. Early college level (more for the
instrumentation than the difficulty). There is only one copy of each
part. |
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