Clarinet Duets and Trios

(Updated 16 August 2017)

This page has sheet music (scores) of duets for clarinet and another instrument (except strings including guitar, see the page Clarinet and Strings) clarinet duets and clarinet trios. It includes both collections and individual pieces and some include more than one member of the clarinet family. Trios and larger ensembles with clarinet(s) and another woodwind can be found on the Woodwind Music page. Items are in alphabetical order by composer or editor on this page.

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DuetsClarinet DuetsClarinet Trios

Music marked "New!" in gold type is a new publication. Music marked "New!" in teal type is new to our stock.


Duets (clarinet and another instrument with or without piano - except with a string instrument [including guitar] see Clarinet and Strings)

WW258: Five Dialogues for Flute and Clarinet by John Addison. Emerson Edition, 1992, SS, 13 pages in score format. John Addison (1920-1998) was a British composer (who studied both oboe and clarinet) best known for his film scores. This piece was part of a project by the publisher to commission works for these two instruments from composers whose writing for wind instruments was particularly skillful and imaginative. The dialogs are: I. Prelude al scherzo (Allegretto), II. Air (Andante), III. Caprice (Allegro moderato/Andante), IV. Entracte (Moderato), and V. Valse (Tempo di Valse). College level (although the slower movements are easier).
Barn Dances - The Scott/Garrison Duo
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16.95
WW257: Pit Band for Alto Saxophone, Bass Clarinet and Piano by William Albright. C.F. Peters, 1996, SS. (includes parts and piano score). This work, with its unusual ensemble of three haphazard instruments--a pick-up band--attemps to digest an evening-long musical comedy in a few minutes (8 to be precise). The program is: Tune-up and Introduction, Overture, Opening Number, Vamps and Screams ("Nessun dorma"), Love Song, Waltz, alla Marcia, Fox-trot and Shimmeys, and Finale. An advanced work with some high altissimo for both instruments, but without the nasty key changes found in most musicals.
20.75
WW034: Duos Concertants for Flute or Oboe and Clarinet 1st Series compiled, transcribed, and revised by Albert J. Andraud. Southern Music Company, 1935, SS, 23 pages (two copies). All duets are in score format. This book contains six duets from the works of Bach, three from Handel and three from Mozart. For good high school players or better.

WW035: Duos Concertants for Flute or Oboe and Clarinet 2nd Series compiled, transcribed, and revised by Albert J. Andraud. Southern Music Company, 1946, SS, 40 pages (two copies). This book has two duos concertants by G. Kummer (not in score format, all the rest are), and Symphony Concertante by Mozart KV 364 for violin, viola and orchestra or piano (accompaniment not included) transcribed, and shorter works by Bach, Handel, and Krebs. Some of the material in this book is more difficult than the first book.

WW036: Duos Concertants for Flute or Oboe and Clarinet 3rd Series compiled, transcribed, and revised by Albert J. Andraud. Southern Music Company, 1946, SS, 40 pages (two copies). This book has three duos concertants by J.B. Gambaro (not in score format, all the rest are), 12 duets for 2 basset horns by Mozart (not transposed), an extended duet by J. Sellner, and shorter works by Bach, Handel, Lacome, and Rameu. A mix of difficulty levels similar to the second book.
Series 1
12.50

Series 2
12.50


Series 3
9.95


WW171: Fantasy for flute and clarinet by Malcolm Arnold. Queen's Temple Publications, 2003, SS, 2 pages (score format). A miniature (duration 1:30) Arnold wrote for his children to play together. Opens and closes with the flute playing a melody over arpeggios in the clarinet and has a contrasting interlude in between. Some pleasing dissonance in spots. Early high school level.
Sir Malcolm Arnold: Wind Chamber Music
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7.95
WW255: Grand Fantasia for Flute, Clarinet (or Trumpet) and Piano by Malcolm Arnold. Queen's Temple Publications, 2004, SS, (includes parts and piano score). This piece was written in 1940 for flute, trumpet (played by the composer) and piano. It is not surprising that the clarinet is now listed first on the cover as the part would be more difficult on the trumpet than the clarinet. A sectional piece including a czardas, tango, blues, waltz and other elements. Early college level with a duration of 10 minutes.
Sir Malcolm Arnold: Wind Chamber Music
25.95
WW125: Le Calme de la Mer Trio for Flute, Clarinet and Piano by Tony Aubin. Alphonse Leduc, 1964, SS, (includes parts and piano score). A suggested piece for this combination. It is at an unhurried tempo (Lento, ma non troppo) and should be playable by many high school students although the flute part goes up to C7.
20.35
WW314: Johann Sebastian Bach for Flute and Clarinet Duo Volume I arranged by Joe Armstrong and Liz Leehey. Van Cott Information Services Inc., 2013, SB, 16 + 6 + 6 pages (includes score and parts). This volume has three duos. Adagio from Concerto in C minor BWV 1060: Originally for oboe and violin, this Adagio is an example of Bach's marvelous interweaving of exquisite lines. In this transcription the clarinet takes the oboe line while the flute takes the violin line. Frohe Hirten, eilt, ach eilet! from The Christmas Oratorio BWV 248: Bach's delightful tenor aria Frohe Hirten, eilt, ach eilet! (Joyous Shepherds Hasten!), transcribed for flute and clarinet duo with the clarinet taking the vocal line. The two parts interweave and then join in running roulades that challenge both fingers and breath. Ich will leiden, ich will schweigen from Cantata BWV 87: A tenor aria (translated as I would suffer, I would keep silent) transcribed for flute and clarinet duo. The clarinet takes the vocal line while the flute takes the violin line, in this poignant, pastorale-like aria that embraces both sorrow and comforting. Click on the cover image to view the score of the first page of each duo.
19.95
WW317: Johann Sebastian Bach for Flute and Clarinet Duo Volume II arranged by Joe Armstrong and Liz Leehey. Van Cott Information Services Inc., 2013, SB, 16 + 7 + 8 pages (includes score and parts). This volume has three duos. Schweigt, ihr Flöten, schweigt ihr Töne! from Cantata BWV 210: The clarinet takes the soprano vocal part. This is the second aria from Bach's wedding cantata O holder Tag, erwünschte Zeit! There is an alternate part for this piece for clarinet in A. Valet will ich dir gerben from Cantata BWV 95: Originally for solo soprano chorale with oboe d'amore obbligato, it has been transcribed for flute and clarinet duo. Was willst du dich mein Geist entsetzen? from Cantata BWV: This is the tenor aria from Cantata Liebster Gott. The flute takes the tenor line while the clarinet takes the oboe d'amore line. Click on the cover image to view the score of the first page of each duo.
19.95
WW071: Duo Op. 25 Oboe and Clarinet by Marion Bauer. C.F. Peters, 1953, SS, 9 pages (score format). Marion Bauer (1892-1955) was a composer, critic, author, lecturer and teacher. She was also the first American student of Boulanger in Paris. This is a suite of four duets: Prelude (Allegretto Con Moto), Improvisation (Andante Expressivo e rubato), Pastoral (Allegretto), and Dance (Allegro Giocoso). Early college level.
Marion Bauer: Orchestral and Chamber Works
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16.75
WW360: Serenade for Flute and Clarinet by Willy Burkhard. Baerenreiter, 1954, SS, 11 pages (score format). Willy Burkhard (1900-1955) was a Swiss composer, music educator and conductor. While he wrote orchestral and instrumental music he was especially known for his church music for voice. This piece is in four movements: 1. Dialog, 2. Cavatine, 3. Elegie, 4. Perpetuum Mobile, and 5. Marsch. Click on the cover image to view a sample page.
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17.95
WW152: Three Duets WoO 27 for Clarinet and Bassoon by Ludwig van Beethoven edited by Jerry Kirkbride and Jane Taylor. International Music Co., 1979, SS, 13 pages for each part (no score). While there is some doubt that Beethoven wrote these pieces, they are popular nonetheless. I. Allegro commodo, Larghetto sostenuto, Rondo (Allegretto); II. Allegro affecttuoso, Aria (Larghetto), Rondo (Allegro moderato); and III. Allegro sostenuto, Andantino con moto, Allegro assai.
15.50
WW185: Drei Duos (Three Duets) WoO 27 for Clarinet and Bassoon by Ludwig van Beethoven edited by Egon Voss. Henle, 2010, SS. This edition includes a score with the bassoon part and separate parts for clarinet in C (for the first two duets which were originally for that instrument) and parts for all three duets for clarinet in B-flat. The Preface (in German, French, and English) describes the problematic history of these duets while a Comments section at the end has notes on the editing. I. Allegro commodo, Larghetto sostenuto, and Rondo (Allegretto); II. Allegro affecttuoso, Aria (Larghetto), and Rondo (Allegro moderato); and III. Allegro sostenuto, Aria con Variazioni (Andantino con moto), and Allegro assai.
31.95

WW350: Blue Monkey for flute and clarinet by Lauren Bernofsky. Theodore Presser Co., 2015, 3 pages (score format). Lauren Bernofsky (1967-) is an American composer. This is a short (~2:30), jaunty duo, perfect for concert/recital programming. The main riff in swing eighths is repeated throughout, ensuring that it sticks in the mind of the audience. We also sell versions for clarinet and violin and 2 clarinets. Here is a video of the clarinet and violin version that will give you an idea how it goes.
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6.95
WW195: Lluna for flute, clarinet and piano by Daniel Bimbi. Emerson Edition, 2008, SS, (includes parts and piano score). Daniel Bimbi (1971-) was born in Carcassonne in Southern France. He studied clarinet with Guy Deplus and more recently has been studying composition with Jan Van der Roost. Lluna was originally intended to be the theme of a Children's Opera based upon "The Child and the Moon." The themes are very sultry and nostalgic in a Latin, Mediterranean style, finished with a brilliant pyrotechnical finale, both humorous and exciting. College level with a duration of about 7 minutes.
Expressions - Craven
21.95
WW113: Contrastes III for Clarinet and Bassoon by Eugene Bozza. Alphonse Leduc, 1977, SS, 12 pages. Includes two copies of the parts in score format. There are eight short movements in this piece. Early college level.
32.60
WW042: Trois Mouvements (Three Movements) for Flute and Clarinet in B-flat by Eugene Bozza. Alphonse Leduc, 1974. Includes two copies of the parts in score format. The three movements are Allegretto; Moderato, espressivo; and Allegro giocoso. Suitable for college or professional recitals.
32.60

WW069: Trio in D minor for Oboe (Clarinet), Bassoon (Viola/Bass Clarinet/Basset Horn) and Piano by Alexander Brent-Smith. Rosewood Publications, 2003, (includes piano score and all parts). Alexander Brent-Smith (1889-1950) was a British composer, author, and teacher. This work was first performed in 1943. It is in three movements I. Allegro Moderato, II. Andante, and III. Allegretto. It should be playable by those at the early college level (and adult amateurs).
23.95

WW132: Shadows Duo for Flute and Clarinet by Jane Brockman. Arsis Press, 1985, SS, 7 pages (score format). The tradition of imitation which has historically inspired two-voice music can be likened to an object and its shadow, continually evident in this composition. At times, the instrumental identities become obscured, and one is not certain which instrument is playing which line. Also, the musical language of Richard Wagner still has much relevance for this composer. It is his shadow which is 'felt' throughout the work as the leitmotiv of Kundry (from Parsifal) is employed melodically, but without its characteristic rhythm--and in a new context. A college level work with a duration of about 6 minutes.
6.95

WW143: Four Pieces for Flute and Clarinet by Newel Kay Brown. Tenuto Publications, 1968, SS, two copies in score format each 7 pages. The four pieces are: I. Adagio, II. Allegretto, III. Adagietto, and IV. Allegro con brio. Better high school level and up. Duration 5:35.
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8.95

WW335: Esprit Rude/Esprit Doux for Flute and Clarinet by Elliot Carter. Boosey & Hawkes, 1985, SS, 8 pages in score format. The title means Rough Breathing/Smooth Breathing. It was composed for Pierre Boulez's 60th birthday in 1985. The title refers to the pronunciation of classical Greek words beginning with a vowel or an R. There is an explanation of how this applies to the music in English, French and German. Advanced college level. Click on the cover image to view the first page.
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15.95

WW379: Rêverie Russe, Grand Duo for Flute, Clarinet and Piano by Ernesto Cavallini edited by Stephanie Jutt (flute part) and Alan Kay (clarinet part). International Music Company, 2017, SS, includes parts and piano score. Ernesto Cavallini (1807-1874) was an Italian clarinetist and composer who spent 15 years working in Russia. The piece consists of a gentle introduction followed by a simple theme, five variations, and a jaunty finale, after which the opening material returns briefly bringing this piece to its quiet finish. This is a relatively advanced work. There are some videos of this piece on YouTube but they predate this edition.
28.95

WW326: Three Bagatelles from China West Duet for Flute and Clarinet by Chen Yi. Theodore Presser Co., 2009/2014, SS, 10 pages in score format. This piece was originally written for flute and piano but seven additional versions have been created. The three bagatelles are I. Shan Ge (Lightly), II. Nai Guo Hou (Lively) and III. Dou Duo (Simply). As befits a piece originally for solo flute, the flute is the star and the clarinet is mostly in an accompanying role. In the first movement the flute is playing the melody (freely) while the clarinet has short rhythmic statements. In the second movement, the clarinet plays the melody. The flute enters after bar 23 with an obbligato part while the clarinet repeats the melody. In the third movement (which is the source of our example) the flute plays a melody while the clarinet plays a rhythmic accompaniment of 16the notes. College level. Click on the cover image to view a sample page from the third movement.
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15.95

G218: Compatible Duets for Winds for Clarinet, Trumpet or Tenor Saxophone in B-flat arranged or composed by Larry Clark. Carl Fischer, 2010, SS, 48 pages. This book, which is part of a series, contains 31 duets from the early intermediate to the mid-intermediate level that can be played by any combination of wind instruments. The duets in these books come in a variety of styles such as classical, folk music, and original compositions. Click on the cover image to view the Table of Contents.
11.95

G312: Compatible Duets for Winds Vol. II for Clarinet, Trumpet or Tenor Saxophone in B-flat arranged or composed by Larry Clark. Carl Fischer, 2017, SS, 48 pages. Continuing with the success of the popular Compatible series, Compatible Duets for Winds Volume 2 contains 29 duets in a variety of styles that can be played with any combination of two wind instruments. Students can develop their chamber-ensemble skills while playing with their friends, no matter what wind instruments they play. Typical difficulty (US) grade 3. Click on the cover image to view the Table of Contents and a sample page.
12.95
WW370: Techno-Parade for Flute, Clarinet and Piano by Guillaume Connesson. Billaudot, 2010, SS, includes parts and piano score. Guillaume Connesson (1970-) is a French composer who has written for a wide variety of ensembles. This is an advanced work which also exists in a version for 2 soprano saxophones and piano (it is here). The score contains some instructions for the pianist for manipulating the strings of the piano. The duration is 5 minutes. Here is a video of this version which is being played faster than the marked duration.
28.95

WW197: Duo Suite on Mexican Themes for Flute and Clarinet by Mike Curtis. Advance Music, 1997, SS, 15 pages in score format. There are six pieces: I. Plaza del Baratillo, II. El Burro Viejo, III. La Banda del Estado, IV. Dulcinea, V. Sancho Danza, and VI. La Rana Loca. Better high school players and up.
10.95

B166: 8 More Original Jazz Duos for Clarinet and Bassoon by Mike Curtis. MSS Publishing, 1993, SB, 31 pages (score format). These duets are in a variety of styles including swing, Latin, blues, etc. There are two pieces where part of the bassoon part is in tenor clef. Upper intermediate level and up. Click on the cover image to see a sample page. SALE Price, $5.00 off.
9.95

WW227: Woodwind Friends, 25 Intermediate Duets by Mike Curtis. MSS Publishing, 2010, SB, 73 pages in score format. This book has 25 intermediate duets with parts in C, B-flat, E-flat, and bass clef. The composer has computed that there are more than 50 possible combinations of woodwind instruments that can play them. These duets are progressive. They gradually build the student's experience of time signatures, articulations, tempi, dynamics, keys, styles and rhythmic complexity. They were written to be short and fun. Click on the cover image to see a sample page.
14.95

WW313: Conversations pour clarinette et basson by Jean-Michel Damase. Editions Henry Lemoine, 2000, SB, 20 pages in score format. Jean-Michel Damase (1928-2013) was a French pianist, conductor and composer. This suite for clarinet and bassoon has six "conversations" in a variety of tempos at the college level.  Click on the cover image to see the first page page.
18.95

WW031: Sinfonia Concertante for Flute, Clarinet and Orchestra Op. 41 by Franz Danzi edited by John P. Newhill. Music Rara, 1982, PB, 57 + 9 + 10 pages. Piano reduction. In three movements: Allegro Moderato, Larghetto, and Allegretto polonaise. Includes extensive notes by the editor.
39.95

WW204: Petite Suite arranged for Flute, Clarinet in A and Piano by Claude Debussy arranged by Michael Webster. International Music, 2009, SS. A wonderful arrangement of a wonderful piece (originally for piano four hands). Four movements: I. En Bateau, II. Cortège, III. Menuet, and IV. Ballet. Generally college level. The duration is about 12:30.
World Wide Webster - The Webster Trio
29.50

WW138: Prélude à l'après-midi d'un faune (Prelude to the Afternoon of a Faun) arranged for Flute, Clarinet and Piano by Claude Debussy arranged by Michael Webster. International Music, 1994, SS. This piece is one of the most popular flute solos in the repertoire, but as the arranger writes, adapting it for flute and piano has not been very successful because there is too much music to be covered by two instruments. Adding the clarinet produces a more satisfactory result. Both A and B-flat clarinet parts are included. The duration is about 9:20.
Tour de France - The Webster Trio
13.95

WW228: Trio in B minor Op. 27 for Oboe, Clarinet (in A) and Piano by Edouard Destenay. Lauren Publications, SS, includes parts and piano score. Recently reprinted from a 1906 Hamelle edition. Edouard Destenay (1850-1924) was a French composer and organist who was born in Algiers. In three movements: Allegro vivace, Andante non troppo, and Presto. College level.
26.75

WW141: Four Little Duos for Flute and Clarinet by Robert Dickow. Manduca Music, 1997, SS, 8 pages. In score format with two copies. Robert Dickow (1949-) is an American composer who teaches horn, composition, and theory at the University of Idaho. These four duets are at the advanced college level and feature mixed meter. The publisher describes them as "Really nice recital material for good players. Stravinskyesque technique and textures." The duration is 8:30.
Barn Dances - The Scott/Garrison Duo
11.95

WW145: Andante Con Variazioni for Flute and Clarinet by Daniel Dorff. Tenuto Publications, 1986, SS, two copies in score format each 7 pages. The Andante is followed by five variations. The odd meters (7/16 and 5/8) in variation II make this an early college level piece. Duration about 4:30.
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8.95

WW144: Dances and Canons for Flute and Clarinet by Daniel Dorff. Tenuto Publications, 1988, SS, two copies in score format each 7 pages. There are nine short pieces which are: 1. Waltz (Tempo di valse), 2. Canon (Allegro), 3. Ballad (Andante cantabile), 4. Canon (Presto), 5. Invention (Maestoso), 6. Dance (Con spirito), 7. Nocturne (Largo amorosa), 8. Canon, (Leggiero), and 9. Dance (Allegro con brio). For better high school students and up. The duration is about 7 minutes.
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8.95

WW232: Old New Borrowed Blue, A collection of fun duets for Flute and B-flat Clarinet by Daniel Dorff. Tenuto Publications, 2010, SS, 23 pages. In score format. The duets are in three groups: Dances and Canons which has 9 pieces and a duration of 7 minutes, Three Little Waltzes with a duration of 6 minutes, and finally, Andante con Variazioni which has a short Andante and five variations with a total duration of 4:30. Most of these pieces are at the advanced intermediate level and will probably be of most interest to better high school students and adult amateurs.
13.95

WW355: Three Little Waltzes for Flute and B-flat Clarinet by Daniel Dorff. Tenuto Publications, 2010/2015, SS, 10 pages. In score format with two copies. This is a quirky set of surprises composed for flutist Cindy Anne Broz. The first and third waltz are both shorter than a minute and serve as a prelude and postlude for the large middle movement which is over 5 minutes. Composed in 2010, the first and third movements are freely based on rhythmically-challenging waltzes that the composer wrote in high school (1974), frequently teasing between a waltz-like accompaniment and various ways of contradicting any sense of regularity, thereby providing a happy sense of arrival whenever the rhythms get back in sync. The central second movement is a sort of backwards-constructed set of variations, in which fragments are built together and tease at congealing throughout the movement, finally climaxing in a full statement of the theme for the grand finale that reveals the full theme. These pieces have minor updates from the versions in Old New Borrowed Blue (above). Here is an audio file of the end of Waltze No. 2.
11.95

WW274: Perennials for Flute, Clarinet in A and Piano by Daniel Dorff. Tenuto Publications, 2012, SS, includes parts and piano score. This piece was commissioned by Walfrid and Sherry Kujala in celebration of the retirement of Helen and Richard Shanley from Baylor University. It was premiered by Sherry Kujala, Larry Combs and Nolan Pearson in October 2011. There are five movements (non-programatic): I. Joyous Overture, II. Romanza, III. Scherzo, IV. Winter Prayer, and V. Spring Awakening. Accessible college level music with a duration of about 21 minutes. Click on the cover image to view the first page of each movement. 
24.95

WW124: Three Romances for Flute and B-flat Clarinet by Daniel Dorff. Tenuto Publications, 2007, SS, 8 pages. In score format with two copies. The three romances are: 1. Languid (Allegro pastorale), 2. Sultry (Tango drammatico), and 3. Frisky (Brisk allegro). The music is lyrical, tonal, and rhythmic. It was premeried by flutist Gary Schocker with the composer on clarinet at the 2007 National Flute Association's annual convention. Early college level. Duration about 8 minutes.
12.95

WW158: Two Cats for Flute and B-flat Clarinet by Daniel Dorff. Tenuto Publications, 2008, SS, 8 pages. In score format with two copies. Close on the heels (paws?) of his already popular Three Romances, composer Daniel Dorff has presented us with another flute and clarinet duet. The composer's program notes are as follows: "Being quite fond of my flutist-partner's two cats, I chose this opportunity to make musical portraits of Hootie, a handsome and elegant 20-pound tuxedo cat, and Tiki, a petite bengal princess. Hootie's music is generally in a slow pulse with lyrical 16ths flowing, just as Hootie is pensive and outwardly still, while clearly being very busy inside. The final phrase is marked snoozendo poco a poco. The final measures of the Hootie movement are identical to the beginning of the Tiki movement, just as in reality one cat's end is sometimes notably close to the other's beginning. After a 'peacefully lurking' introduction, Tiki's remarkable showcat grace and playful lightness are set as an effervescent scherzo, including some double-tonguing (after all, her name is ti-ki), a bit of fluttertonguing as Tiki can sound herself, and with a regally strutted circus march in the middle of the scherzo." College level with a duration of about 8:15.
13.95

WW295: Trio from Rio, Three movements on Brazilian motives for Flute, Clarinet and Piano by Donald Draganski. Alry Publications, 2012, SS, includes parts and piano score. Donald Draganski (1936-) is from Chicago where he worked for many years as a university music librarian in addition to being a composer and a bassoonist. Three movements based on Brazilian motives and dance styles, originally written for the Pilgrim Chamber Players in 1999. I. Allegro energico, II. Andante, and III. Allegro moderato. College level with a duration of about 14.30. Click on the cover image to view the a page of the score from the first movement. 
24.95

WW344: 4 Hungarian Folk Songs for Flute and Clarinet by László Draskóczy. EditionDarok, 1992, SS, 6 pages (score format). László Draskóczy (1905-1967) was a Hungarian composer and music educator. Four pieces: I. Allegro, II Andante, III. Allegro, and IV. Tempo di Ballo. There isn't any indication if these are original works in a folksong style or actual folksongs. The music has a range of difficulties at the intermediate level. Total duration of about 5 minutes. Click on the cover image to view a sample page.
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14.95

WW289: Slavonic Dance Suite No. 1 arranged for Flute, Clarinet and Piano by Antonin Dvorak arranged by Michael Webster. International Music, 2012, SS, (includes parts and piano score). Flute doubles piccolo on the first movement. Clarinet in B-flat only. The dances in this suite are: I. No. 8 Op. 46 (Presto), II. No. 14 Op. 72 (Moderato, quasi Menuetto), III. No 13. Op. 72 (Poco Adagio), IV. No. 12 Op. 72 (Allegretto grazioso), and V. No. 6 Op. 46 (Poco Allegro). They may be performed individually or together. College level with a duration of about 18:50.
World Wide Webster - The Webster Trio
42.95

WW327: Wildflowers A Trio for Piccolo (or Flute), Clarinet and Piano by Eric Ewazen. Theodore Presser Co., 2011/2013, SS, includes all parts and piano score. There are separate parts for piccolo and flute. Some of the flute part is in the same range as the piccolo while other portions are an octave lower. This lively, dance-filled chamber work was composed for piccoloist Jan Gippo and clarinetist Jane Carl. Inspired by the brilliant colors of wildflowers from America's heartland, Wildflowers opens with the joyful energy of the Dense Blazing Star, followed by the beautiful and poignant ballad, Missouri Primrose, and ends with the exhilarating and celebratory dance depicting the Mexican Hat. For advanced performers. Duration of about 22 minutes. Here is the first movement of the flute version with the composer at the piano. Here is the first movement of the piccolo version. Click on the cover image to view the first page of the score. 
24.95

WW235: Dolly Op. 56 arranged for Flute, Clarinet in A and B-flat, and Piano by Gabriel Fauré transcribed and edited by Michael Webster. International Music, 1999, SS. The Dolly suite was written for piano four hands between 1894 and 1897 with additional movements added on Dolly's birthdays. Michael Webster writes that the nature of the original composition makes it well suited for this instrumentation. Six movements: I. Berceuse, II. MI-A-OU, III. Le Jardin de Dolly, IV. Ketty - Valse, V. Tendresse, VI. Le Pas Espagnol. For the first and third movements, A clarinet is preferred but alternate parts for B-flat clarinet are provided (the other movements are for B-flat clarinet). College level with a duration of about 15 minutes.
Tour de France - The Webster Trio
34.75

WW368: Pavane arranged for Flute, Clarinet in A or B-flat, and Piano by Gabriel Fauré arranged by Michael Webster. Theodore Presser Co., 2016, SS, includes parts and score. Gabriel Fauré (1845-1924) was the leading French composer of his generation. The original version of this piece, composed in 1887,  was for small orchestra. Fauré also produced a piano version of this piece. This transcription combines elements of both. There are two versions included. The version for A clarinet is in the original key of F-sharp minor. For B-flat clarinet the concert key is G minor (the clarinet parts are the same with the other parts transposed).
18.95

WW270: Trionometry for Flute, Clarinet/Bass Clarinet and Piano by Richard Festinger. C.F. Peters, 1996, SS, includes parts and piano score. Richard Festinger (1948-) studied composition at the University of California in Berkeley with Andrew Imbrie. Before turning to composing, he led his own groups as a jazz performer. He has taught at the University of California in Berkeley and Davis, Dartmouth College, and since 1990 at San Francisco State University. Written in 1996. In three movements: I. A la breve/Vivace, II. Andantino, and III. Allegro. An advanced work with a duration of about 15 minutes. The first and last movements are for bass clarinet with some notes in the extended range.

"Richard Festinger's Trionometry was simply breathtaking... This technically demanding tour de force begins with a delicate exposition which... eventually explodes into a contrapuntal argument of grandiose proportions... like a multi-stage rocket that - ignoring gravity - traverses the earth's atmosphere. Bravo!" - Twentieth Century Music 
37.50

WW183: Baroque Dance Suite for Flute and Clarinet arranged by Robert S. Frost. Kendor Music, 2010, 5 pages in score format. The dances of the Baroque period provide challenging and rewarding repertoire for festival and concert performance. They dances are: Georg Phillip Telemann Bourree, Jean-Philippe Rameau Two Sarabandes, George Frederic Handel Minuet in F minor, Johann Sebastian Bach Gavotte (from French Suite No. 5). The publisher rates this as US grade 3. It is suitable for younger (but progressing) high school students. Total duration 6:00. Click on the cover image to view the first page.
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6.95

WW303: Duo for Flute and Clarinet (in A) by Alberto Ginastera adapted by Daniel Dorff. Theodore Presser Co., 2013, SS, 12 pages (score format). Ginastera's Duo (1945) is familiar and standard repertoire for most flute and oboe duos. In three movements (Sonata, Pastorale, Fuga), the composer immediately found a welcoming audience in the United States, including Virgil Thomson, who proclaimed, "This is the kind of music which makes one believe and have confidence in the New World." Now, Daniel Dorff retains the original flute part, while transposing the oboe to clarinet in A with an ear for idiomatic accuracy. Duration about 8:30 minutes. Early college level. Click on the cover image to view several pages from this piece.
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12.95

WW049: Trio Pathétique for Clarinet, Bassoon (Violoncello) and Piano by Michail Glinka. Music Rara, 1957, SS. In four movements: Allegro Moderato, Scherzo, Largo and Allegro con spirito. This is a major work that brings out the best qualities of each instrument. The clarinet and bassoon parts are not especially difficult but it requires an excellent pianist.
22.95

WW363: Two Pieces Volume I, La Jota Aragonesa and Souvenir de la Havane by Louis Moreau Gottschalk arranged for Flute, Clarinet and Piano by Michael Webster. International Music Co., 2016, SS, includes parts and piano score. Louis Moreau Gottschalk (1829-1869) was an American composer and pianist, best known as a virtuoso performer of his own romantic piano works. He spent most of his working career outside of the United States. La Jota Aragonesa (Caprice Espagnol, Op. 14) is a famous Spanish tune (also used by other composers) cleverly and virtuosically embellished. Souvenir de la Havane (Grand Caprice de Concert, Op. 39) was written in 1859 in the Antilles. It is the earliest example the arranger has found of a habenera as the form of a concert piece. These pieces are at an advanced college level.
World Wide Webster - The Webster Trio
26.50

WW376: Two Pieces Volume II, Souvenir de Cuba (Mazurka) and Grande Tarantelle by Louis Moreau Gottschalk arranged for Flute, Clarinet (A and B-flat) and Piano by Michael Webster. International Music Co., 2016, SS, includes parts and piano score. Souvenir de Cuba (A clarinet) opens and closes with tropical languor, but is actually a mazurka with remarkable similarities to Chopin's Op. 6 No. 1. Grande Tarantelle (B-flat clarinet) is probably Gottschalk's most famous work for piano. The arranger has  taken a few liberties in the spirit of Gottschalk's "no holds barred" virtuosity.
World Wide Webster - The Webster Trio
29.50

WW381: Norwegian Dances Op. 35 by Edvard Grieg arranged for Flute, Clarinet and Piano by Michael Webster. Theodore Presser Co., 2017, SS, includes parts and piano score. The famous set of dances by Norway's greatest composer were written for piano duet. Grieg later created a piano solo version, but refused to orchestrate the set. After some study of Grieg and his music, Michael Webster has arranged the four dances for Flute, Clarinet, and Piano in a faithful setting, using the piano duet version as a guide. This lively Grieg classic will be a welcome new addition to performance programs. For advanced performers (college level) with a duration of about 18 minutes. Click on the cover image to view a sample page from the score.
28.95
WW075: Waltz and Interlude Duet for Flute and B-flat Clarinet with Piano Accompaniment by Clare Grundman. Boosey & Hawkes, 1964, SS, (includes piano score and individual parts). This is an intermediate duet with an easy piano part. It is in three sections: a waltz (Moderato con moto), then the interlude in 4/4 (Meno), followed by a return to the waltz in the original tempo. The flute part goes to a high G while the clarinet part does not go higher than a B above the staff and is frequently in the lower register.
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15.95

WW332: Christmas Anthology Flute and Clarinet Duet arranged by Frank J. Halferty. Almitra Music/Kendor Music, 2014, SS, 28 pages. Subtitled 24 Duets for Grade 3-4 Musicians. This grading is on the US 6 point scale but is on the easier side of that standard. Contents: Adeste Fidelis (O Come, All Ye Faithful); Angels We Have Heard On High; Away In A Manger; Bring A Torch, Jeanette, Isabella; Coventry Carol; Deck The Halls; The First Noel; God Rest Ye Merry, Gentlemen; Good Christian Men Rejoice; Good King Wenceslas; Hark! The Herald Angels Sing; The Holly And The Ivy; In The Bleak Midwinter (Holst); Infant Holy, Infant Lowly; It Came Upon A Midnight Clear; Jingle Bells; Jolly Old St. Nicholas; Joy To The World; O Little Town Of Bethlehem; Silent Night; Up On The Housetop; We Three Kings; We Wish You A Merry Christmas; and What Child Is This? Click on the cover image to view two sample pages.
11.50

G308: Classical Flex Duets for B-flat Instruments arranged by Frank J. Halferty. Almitra Music/Kendor Music, 2016, SS, 16 pages. This collection is a terrific resource for student groups, church musicians, family musicians and more. These grade 2-3 arrangements are fully interchangeable. The piano accompaniment book is optional. Contents: Hail The Conquering Hero Comes from Judas Maccabeus (Handel); Our Director (Bigelow); St. Anthony's Chorale (Haydn); Simple Gifts (Shaker hymn); Ecossaise (Beethoven); Can Can Polka (Offenbach); The Pilgrims' Chorus from Tannhäuser (Wagner); and Allegro from K. 3 (Mozart). Click on the cover image to view the table of contents and a sample page.
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9.95

G310: Classical Flex Duets Piano Accompaniment arranged by Frank J. Halferty. Almitra Music/Kendor Music, 2016, SS, 26 pages. This is the optional piano accompaniment book for the above. Click on the cover image to view the table of contents and a sample page.
11.50

WW170: Five Waltzes for Flute, Clarinet and Piano by Paul Harris. Queen's Temple Publications, 1998, SS, 24 + 3 + 3 pages. The five waltzes are: I. Allegro, II Allegro grazioso, III. Moderato, IV. Allegretto, and V. Allegro con moto. High school level and the piano part is easy.
15.95

G102: Serenade Op. 24 for Clarinet in A and B-flat (Violin), Cello (Viola/Basset Horn) and Piano by Emil Hartmann. Rosewood Publications, 1998, SB, (includes all parts and piano score). Hartmann (1836-1898) was a Danish church musician, conductor, and composer of German descent. Three movements: 1. Idylle (Andante), 2. Romance (Andante/Allegretto Scherzando), and 3. Rondo-Finale (Allegro). This is a fairly long work with the parts running 9 pages and the piano score 50. Probably early college level in difficulty.
27.95
WW351: Rondo for Flute, Clarinet and Piano by David Henderson. Emerson Edition, 2012, SS, (includes piano score and individual parts). David Henderson (1942-) is an English composer and musician who emigrated to Australia in 1968. Advanced high school/early college level. It is at an Allegro tempo. Here is a video of this piece. Click on the cover image to view the first page of the score.
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12.95

WW238: Trio in G minor for Clarinet, Bassoon and Piano by William Hurlstone. Emerson Edition, 2006, SS, 50 + 15 + 14 pages. William Yates Hurlstone (1876-1906) was a talented British composer whose untimely death, before he could reach full maturity as a composer, has resulted in undeserved obscurity. This work was written in 1896/97 but the third movement was lost for many years and this is the first publication of the complete work (the full story can be found here, scroll down to read it). The four movements are: I. Allegro moderato, II. Andante, III. Scherzo (Allegretto con moto), and IV. Andante maestoso/Allegro vivace. College level.
46.95

WW340: Sonata for Flute and Clarinet by Lawrence Ink. Alry Publications, 2014, SS, 15 + 5 + 6 pages. Lawrence Ink (1955-) is an American flutist and composer. A lyrical and playful work in three movements (Allegro maestoso; Adagio; Allegro) which uses a variety of modes to capture many different moods. Early college level/college level with a duration of about 11 minutes. Click on the cover image to view the first page of the score. 
16.95

WW345: The Londonderry Air, 7 Easy Duets for Flute and Clarinet arranged by Terry Kenny. EditionDarok, 1992, SS, 14 pages (score format). In addition to Londonderry Air, the book includes At a Georgi Camp Meeting, Cherry Ripe (an English folk song), The Bells of Aberdovey (a Welsh folk song), Country Gardens, Fowl Play (Chicken Reel and Turkey in the Straw), and Two Welsh Melodies (All Through the Night and Suo Gân). The music has a range of difficulties at the intermediate level. Click on the cover image to view the first page.
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13.95

WW168: Dialogues Op. 158 for Flute and Clarinet by Michael Kibbe. Michael Kibbe, 2006, SB, (includes score and parts). This work is in three movements: I. Allegretto, II. Andante, and III. Vivo. Duration about 8:30 minutes. Early college level.
19.95

WW167: Duo Op. 73 for Clarinet and Bassoon by Michael Kibbe. Michael Kibbe, 2007, SB, (includes score and parts). Premiered in 1983, this revised edtion was published in late 2007. The work is in three movements: I. Briskly, II. Quietly Moving, and III. Very fast. Duration about 8 minutes. Early college level.
12.95

C1158: Pink Flamingos Tango for Clarinet and Bass Clarinet (or Bassoon) by Michael Kibbe. Michael Kibbe, 2006, (includes all parts). Originally written for wind quintet, the composer has adapted this piece for two players. At an Allegro sensuoso tempo, this should be playable by good high school/adult amateur performers and beyond.
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11.95

C1959: Shiva Dances Op. 171 for Clarinet, Bass Clarinet and Piano by Michael Kibbe. Woodwindiana, 2008, SB/SS, 34 + 9 + 9 pages (piano score and parts). A challenging work of three movements (plus two interludes), this 13½ minute, US grade 5+ piece uses the programmatic notion of the Hindu god Shiva in this unusual instrumental combination. Contains a great deal of dance-like, rhythmic interplay with a tip of the compositional hat to the rhythm and scale constructions of Olivier Messiaen. Three movements: I. Dance of Creation, Interlude (bass clarinet alone), II. Dance of Joy, Interlude (piano alone), and III. Dance of Destruction.
18.95

WW163: Sonatina for Flute and Clarinet Op. 92/2b by Ernst Krenek. Baerenreiter, 1960, SS, 5 pages (in score format). Ernst Krenek (1900-1991) was an Austrian born composer (of Czech heritage) who lived in the United States from 1938 on. In three movements: I. Allegretto comodo, II. Adagio, and III. Vivace. This piece, which as written in 1942, looks like a good piece for a college recital. The duration is about 8 minutes.
Ernst Krenek: Chamber Music with Clarinet - Csaba Klenyán
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22.95

C2296: Fifty Progressive Duets from the  Klosé Celebrated Method for Clarinet by Joseph Küffner adapted by Simeon Bellison. Carl Fischer, 1946/2015, SS, 40 pages. These duets were originally for clarinet and oboe. They were adapted by Simeon Bellison and added to his edition of the Klosé Celebrated Method for Clarinet. They range in difficulty from the beginner level to upper intermediate.
12.95

WW052: Barn Dances for Flute, Clarinet and Piano by Libby Larsen. Oxford University Press/Goodmusic, 2004. SS, 24 + 8 + 8 pages. The composer wrote: "Barn Dances is a set of four abstract pieces. . . Each piece draws from the name of a particular dance step used in cowboy dances. Taking the name of the step as a point of departure, my idea was to take a flight of fancy in each movement and to create the musical equivalent of a character drawing." The movements are: Forward Six and Fall Back Eight, Divide the Ring, Varsouvianna (a simple dream waltz), and Rattlesnake Twist. Upper college level.
Barn Dances - The Scott/Garrison Duo
29.25

C1536: Corker for B-flat Clarinet and Percussion by Libby Larsen. ECS Publishing (E.C. Schirmer), 2001, SS, includes parts and score. Corker was commissioned by Robert Spring, Professor of Clarinet at Arizona State University and was performed at the International Clarinet Society Convention in July, 1991. The composer inspiration for the work is drawn from 1940's popular musical language, which she loves, because the performers are spectacular musicians and because it speaks the rhythms and harmonic language of contemporary American English. The percussion part is for one player (who will be busy) playing marimba, vibraphone, suspended cymbal, tom-toms (high, medium, low), snare drum (sticks and wire brushes), and high-hat cymbal. An advanced piece with a duration of 6:40. Two corrections to the clarinet part are listed here.
9.85

WW139: Caribbean Sketches for Flute and Clarinet by Gordon Lewin. Boosey & Hawkes, 1962, SS, (includes parts and score). Gordon Lewin (1921-2008) was a British composer, clarinetist, and saxophonist, who studied at the Royal College of Music and performed on more than 100 film scores. This piece has two movements: 1. Palm Tree Song (1:30) and 2. Cuban Calypso (2:10). The first could probably be performed by many good high school duos, while the second, which is mostly in 5/4 at Allegro giocoso con ritmo (mm=160-168), will require a somewhat higher skill level.
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25.95

WW136: Three Latin-American Impressions for Flute and Clarinet by Gordon Lewin. Boosey & Hawkes, 1955, SS, 8 pages in score format. Another Gordon Lewin piece that looks like a lot of fun and has finally been received (in August 2010) after a lengthy wait. The three pieces are: 1. La Chica (Allegro, Valse Creole), 2. El Burro Pequeño (Tempo di Samba), and 3. Bailecito Mexicano (Allegro, Jarabe). Early college level (some high school level musicians will be able to play this) with the first and last pieces easier than the middle one.
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20.95

WW130: Duo Flute and Clarinet by David Liptak. MMB Music, 1992, SB, 9 pages. David Liptak (1949-) is an American composer and music educator. This piece was commissioned for the 1979 Rock Mountain Chamber Festival and was first perform by Doriot Anthony Dwyer flute and David Harman clarinet at Fort Collins, Colorado the same year. It was revised by the composer in 1992. It is in four movements: Andante con moto, Con forza, Andante languido, and Presto. It is in score format (11 x 17 size) with a copy for each performer. This is an advanced work with a duration of about 9 minutes.
Flights of Fancy - Crescent Duo
39.95

WW126: Music for the Middle of the Day for Flute, Clarinet in B-flat, and Piano by Joseph Makholm. Billaudot, 2006, SS. This piece was written for the Webster trio. Michael Webster describes it as "Sophisticated jazz. Joe has written everything out to sound natural, almost improvised at times, with lush chord changes and inventive melodies and rhythms. It is an outstanding example of its genre." In four movements: 1. Late One Afternoon (At a lazy, but regular, pace), 2. Dolores' Kitchen (Up-tempo bossa), 3. December (Molto rubato), and 4. You Think You Know, But You Don't (Up-tempo swing). The first and last movements should be swung. College level with a duration of about 9 minutes.
43.95

C2428: 3 for 2 for Clarinet and Percussion Eric Mandat. Cirrus Music, 2001, includes parts and score (for movements 1 and 3; the parts serve as the score of 2). The three movements are Pruned Danish (with snare drum and marimba), Veiled Images (with Vibraphone), and Outta My Way! (with a large drum kit). The clarinet parts include fraction tones and multiphonics with fingerings provided. Click on the cover image to view sample pages and the drum kit setup.
39.95

WW343: Spectred Light for Flute (doubling Piccolo), Clarinet, and Piano doubling suspended metal Wind Chimes by Paul Mealor. Novello, 2011, SS, includes parts and piano score. Paul Mealor (1975-) is a Welsh composer especially noted for music for chorus. In three movements with a duration of about 7 minutes, this is a virtuosic work. The first movement is Allegro Moderato and is by far the longest. At the end of this movement the pianist briefly plays the wind chimes and then imitates them on the piano and the beginning of the short second movement (Adagio, Molto Express). The third movement is Allegro Moderato and similar to the first movement although it uses piccolo, is slightly faster and is not as long. Click on the cover image to view the second page of the score.
29.95
WW241: A Treasury of Mozart Duets (7 Familiar Favorites) for Flute and Clarinet arranged by Daniel Dorff. Theodore Presser Co., 2010, SS, 24 pages in score format. Composer and clarinetist Daniel Dorff has further expanded the repertoire for Flute and Clarinet duo with this book featuring Mozart's best-loved arias and instrumental themes, the works in this collection have been transcribed into complete-sounding idiomatic adaptations, equally suitable for recital use and just-for-fun duet read-throughs. This collection also features a scholarly preface about ornamentation, interpretation, and authentic performance practice. Includes Overture to The Magic Flute (abridged); "Voi, che spete" and "non più andrai" from The Marriage of Figaro;, Adagio from the Clarinet Concerto (abridged);, "Alleluia" from Exsultate, Jubilate; "Bei Männern, welche Liebe" from The Magic Flute; and Twelve Variations on "Ah! Vous dirai-je, Maman" (Twinkle, Twinkle Little Star. Better high school level musicians and up.
16.95
WW037: Duos for Flute and Clarinet Op. 24 by Robert Muczynski. G. Schirmer, 1991, SS, 13 pages. Includes two copies of the six duets which are in score format. Probably early college level but might be attempted by younger players if the flutist has good command of the third octave.
Robert Muczynski, Complete Works for F
14.95

WW316: Czardas for Flute, Clarinet in B-flat, and Piano by Jerome Naulais. Billaudot, 2011, SS, includes parts and piano score. This is an original Czardas (a Hungarian folk dance) by French composer Naulais (1951-). It is rated by the publisher as a 6 which is the upper end of intermediate on their 9 level scale. It alternates between slow and fast sections and has a duration of about 5:30. Click on the cover image to view the first page of the score.
19.95
WW260: Two Duos for Piccolo and E-flat Clarinet (or Piccolo and Flute) by Roger Nixon. ECSPublishing/Galaxy Music, 1982, SS, 8 pages (2 copies in score format). Roger Nixon (1921-2009) was an American composer, musician (who had studied the clarinet), and professor of music. Duo I. is Moderato and Duo II. is Allegro moderato. College level.
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11.25

WW365: Pachelbel Canon for Flute, Clarinet and Piano by Johann Pachelbel arranged by Daniel Dorff. Theodore Presser Co., 2016, includes both wind parts and piano score. Daniel Dorff has arranged the famed Pachelbel Canon in D (in this case in concert F). The ingenious overlapping of this piece creates the intricate sounds when the instruments play off of each other in the world's most beloved canon. For intermediate to advanced performers. Click on the cover image to view a sample page from the score.
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9.95
C1242: Five Bagatelles for Clarinet and Mallet Percussion by Philip Parker. Southern Music, 1987, SS, 15 + 4 pages. The Five Bagatelles are I. Intrada (With spirit), II. Nocturne (Quietly), III. Waltz (Allegretto), IV. Song (Andante/Moderato), and V. Reel (Lively). Bagatelle II is for vibraphone while the rest are for marimba. The clarinet part is early college level at most. The percussion part is for four mallets. A good piece for a joint recital.
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18.95
WW038: Sonata for Clarinet and Bassoon by Francis Poulenc. Chester Music, 1924, SS, 12 pages. The music is in score format. Somewhat similar in style to Sonata for Two Clarinets, it has three movements: Allegro, Romance, and Final. While the bassoonist faces some endurance issues in the second and third movements, this is excellent recital repertoire.
Portrait of David Weber
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11.95
WW277: A Treasury of Puccini Duets, 8 Favorite Arias for Flute and Clarinet in B-flat arranged by Daniel Dorff, edited and annotated by Cindy Anne Broz. Theodore Presser Co., 2012, SS, 20 pages. Score format. Oh! Mio Babbino Caro from Gianni Schicchi; Musetta's Waltz from La Bohème; Butterfly's Entrance, Flower Duet, and Un Bel Di from Madama Butterfly; Donna Non Vidi Mai from Manon Lescaut; Vissi d'Arte from Tosca; and Ave Maria from Suor Angelica. Includes translations and scene descriptions. In addition, notes and suggestions for applying operatic lyricism through instrumental expression are provided by flutist-pedagogue Cindy Anne Broz. Upper intermediate level. Click on the cover image to see sample pages.
12.95
WW249: Blue Clarinet and Saxophone Duets for Clarinet and Alto or Tenor Saxophone by James Rae. Universal Edition, 1996, SS, includes clarinet and alto saxophone parts in score format and a separate tenor saxophone part. Five original duets at various tempos. Four are swung, one is Latin. They include chord symbols in concert pitch. Intermediate/upper intermediate level. Click on the cover image to see a sample page.
16.95
WW046: Jazzy Duets Flute & Clarinet by James Rae. Universal Edition, 1991, 11 pages. This book has five original duets in score format. They are intended for young players (about third or fourth year or so).
15.95
WW051: Three American Miniatures For Flute and Clarinet in B-flat by John Rutter. Oxford, 1981, SS, 8 pages. One of the foremost living composers and conductors of choral music, John Rutter has also written orchestral and instrumental music. This piece for unaccompanied flute and clarinet is in three movements: Fanfare and Proclamation (Vivace), Blues (Andante expressivo), and Rag (Allegretto). Early college level. Score format.
Flights of Fancy - Crescent Duo
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11.50
WW121: Tarentelle Op. 6 for Flute, Clarinet in A and Piano by Camille Saint-Saëns. Kalmus, SS, (includes parts and piano score). Originally with orchestral accompaniment, this is one of Saint-Saëns earlier adult works. While traditional in many respects it includes a surprising Prestissimo conclusion in 2/4. College level with a duration of about 6 minutes.
Tour de France - The Webster Trio
9.95
WW122: Sonatine en Trio Op. 85 for Flute, Clarinet in A and Harpsichord or Piano by Florent Schmitt. Durand, 1935, SS. This is one of the more popular pieces for this combination. It is in four movements: I. Assez animé, II. Assez vif, III. Très lent, and IV. Animé. The flute and clarinet parts generally move together in harmony. College level with a duration of 8-9 minutes. Here is a video of a performance.
Chamber Music with Flute
41.95

WW287: Six Studies for Clarinet and Bassoon by Peter Schickele. Theodore Press Co., 2012, SS, 12 pages (score format). As a teenage Schickele played both bassoon and clarinet has maintained a "fondness for the combination" ever since. Now, years later, he was presented with the opportunity to again compose for this duo, with the resulting Six Studies, a short (9' total) set of varied pieces ranging from reverent to raucous. For intermediate to advanced performers. The titles are Cantilena, Parallel Motion, Spanish Nights, Staccato, Hymn, and Vaudeville.
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9.95

WW339: Airheads for Flute and B-flat Clarinet by Gary Schocker. Theodore Press Co., 2002, SS, 6 pages (2 copies in score format). This piece is in three short movements with a total duration of 4:30. College level. Here is a video performance of the entire piece. Click on the cover image to view the first page.
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12.95
WW366: Sonata No. 2 for Flute, Clarinet and Piano by Gary Schocker. Theodore Presser Co., 2016, SS, includes parts and piano score. Commissioned by the Palisades Virtuosi, Gary Schocker's Sonata No. 2 for Flute, Clarinet, and Piano is a formal work -- perfect for recitals. The sonata is a joyous bridge fusing Schocker's fondness for beauty and wit with all the architecture of traditional sonata construction. The opening movement, Flip, sets the stage with its quick interplay between the three performers, handing melodic elements back and forth among them. The middle movement, Old Flame, is a beautiful melancholic longing, while the finale, Fancypants, is a showcase of dynamic, rhythmic ensemble playing. College level with a duration of about 13 minutes. Click here for a video with highlights from this piece. Click on the cover image to view sample pages from the score.
19.95

WW262: Still Airheads for Flute and B-flat Clarinet by Gary Schocker. Theodore Press Co., 2011, SS, 10 pages (score format). Following the success of the classic Airheads for flute and clarinet, Gary Schocker has provided a sequel, sporting the same lyricism, surprises, grace, and wit; teasing us with five evocatively named movements: : “Hmmm...,” “Spritely,” “… While You Work,” “Brooding,” and “Royal Outing.”  For advanced players, but the first two pieces are the most difficult. Duration of about 6:30. Click on the cover image to view the first page.
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11.95

WW341: Intermezzo for Flute and Clarinet by Thomas Schudel. Alry Publications, 1988, SS, includes parts and score. This is a short piece at Andante tempo suitable for students at the early intermediate level. It is describe on the publishers website as "A brief conversation between the flute and clarinet with a simple melodic flow. Marvelous for showing contrast in timbre. Suitable for contests." Click on the cover image to view the first page of the two page score.
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10.95
WW123: Four Waltzes for Flute, Clarinet, and Piano by Dmitri Shostakovich arranged by Levon Atovmian. Sikorski, 1958, SS, includes parts and piano score. A somewhat unusual arrangement in that the first waltz is for clarinet and piano and the second is for flute and piano with only the last two for all three instruments. The waltzes are I. Spring Waltz, II. Waltz Joke, III, Waltz, and IV. Barrel-Organ Waltz (piccolo instead of flute). Early college level.
Chamber Music with Flute
33.95
WW202: Concerto in B-flat for Clarinet, Bassoon and Orchestra (Piano Reduction) by Karl Stamitz edited by Johannes Wojciechowski. Sikorski, 1954, 28 + 8 + 8 pages (includes both parts and piano score). In three movements: I. Allegro moderato, II. Andante moderato, and III. Rondo. The parts are well laid out with excellent page turns. Cues are often provided before entrances and the other solo part is provided for the two joint cadenzas. The 1954 publication of this work was the first time it had been published.
Carl Stamitz: Clarinet Concertos Vol 1
34.95
WW325: Old Shoes Op. 54 Duets for Clarinet and Bassoon by Don Stewart. Trillenium Music, 2013, SS, 13 pages. This work is in score format (2 copies) which some extra pages included to avoid page turns. This work is also available for for clarinet and bass clarinet (C2147). Four pieces: 1. Some Blues, 2. After Mose (a down-south funk), 3. Waltz, and 4. After Cole (Porter, in the style of Billy May both a show-tune and a bop). College level. Click on the cover image to view a sample page.
39.95
WW133: Three Duets for Flute and Clarinet by Don Stewart. Trillenium Music, 1999, SS, 8 pages (two parts in score format). Don Stewart (1935-) is an American composer and woodwind performer. This piece was written in 1959 and is one of his earliest compositions. The first duet is a perfect canon but with contrasting sections. The second which the composer originally regarded as "flamenco" in derivation, alternates an intensive melody with a brittle rhythmic background. The third is short and formally simple but polytonal. Early college level.
9.95
WW043: Duet-Concertino for Clarinet and Bassoon with String Orchestra and Harp (Piano Reduction) by Richard Strauss. Boosey & Hawkes, 1949, SS. Includes two copies of duet parts and the piano reduction in score format. The Concertino is in three movements: Allegro moderato, Rondo, and Tempo primo.
54.95
WW108: Duo for Flute and Clarinet by Antoni Szalowski. Chester, 1948, SS, 14 pages (now with 2 copies in score format). Szalowski (1907-1973) was a Polish born composer who studied in Warsaw and Paris (with Boulanger). While most of his work was written for strings it is his pieces for winds that are most popular today. He has been described as a neo-classicist, favoring established forms, clear musical content, and contrapuntal writing. This is one of the more popular (advanced college level) flute and clarinet duets. It is in three movements: I. Allegro, II. Andante, and III. Allegro. It is in score format and has been printed without regard for page turns, so some preparation will be required for performance. Duration is about 8 minutes.
Flights of Fancy - Crescent Duo
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15.95
WW254: Kalinka & Katiusha and Other Famous Russian Songs for Flute and Clarinet traditional. EditionDarok, 2011, SS, 30 pages (score format). Fifteen Russian folk songs at the intermediate level but with a range of difficulty. Includes: Do Not Scold Me, The Silver Birch, Kalinka, The Light, My Heart, Behind the Walls, Poliushko-Pole, Moscow Nights, Stenka Razin, Snow Flurries & Troika Rushing, Song of the Volga Boatmen, In the Valley & the Slender, Katiusha, Along the Peterskaya Road, and Folk Song.
16.95
WW218: Choros No. 2 for Flute and Clarinet in A by Heitor Villa-Lobos. Eschig, 1927, SS, 4 pages (two parts in score format). This is one of 14 numbered choros that Villa-Lobos wrote between 1920 and 1929 for a variety of instruments and combinations of instruments including orchestra. The tempo is Pouco movido (mm=88 with some slower spots). College level with a duration of about 2:30.
Chamber Music with Flute
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13.95
WW017: 78 Duets for Flute and Clarinet Vol. 1 (1-55) Easy-Medium by Himie Voxman. Rubank, 1960, SS, 72 pages. Adapted from the works of the Bachs, the Mozarts, Boismortier, Dietter, Handel and others.

WW018: 78 Duets for Flute and Clarinet Vol. 2 (56-78) Advanced by Himie Voxman. Rubank, 1960, SS, 72 pages. Adapted from the works of Bach, Mozart, Geminiani, Muffat, Quantz, Rameau, and C. Stamitz.

Vol. 1
9.95

Vol. 2
8.95

WW251: Waln Duets for Flute and Clarinet arranged by George Waln. Neil A Kjos Music Co., 1954, SS. Parts for flute and clarinet (no score). Sixteen duets from Mozart, Keller, Kummer, Mazas, Ferling, Berbiquier, W.F. Bach. Garibaldi, and Beethoven. A variety of difficulty levels from early to advanced high school. Adult players will also enjoy these duets.
9.95
G101: Trio in D for clarinet in A (violin), horn (viola/bassoon/basset horn/bass clarinet) and piano by Richard Walthew. Rosewood Publications, 2000. Richard Walthew (1872-1951) was a British composer with a special affinity for chamber music. This piece is of intermediate length and in three movements: I. Allegro Moderato, II. Allegretto, and III. Lento/Allegro non troppo. Early college level.
21.20

WW266: Carmen Rhapsody Based on Themes from Bizet's Carmen for Flute, Clarinet in A and B-flat, and Piano by Michael Webster. International Music, 1997, SS. Mostly for A clarinet with a section in the middle for B-flat. Includes Prelude, Habanera, Chorus of the Street Boys, Seguidilla, Entr'acte, Toreador Song, and Gypsy Song (which may be performed as a separate piece). College level.
33.95

WW373: Magic Flute Fantasy, Based on Themes from Mozart's Die Zauberflöte for Flute/Piccolo, Clarinet in B-flat, and Piano by Michael Webster. Theodore Presser Co., 2016, SS, includes parts and piano score. In the spirit of the great 19th-century virtuoso fantasies on famous arias, Michael Webster has created a concert trio on the many great arias from Mozart's The Magic Flute, combining the most exciting and satisfying features of opera medleys and characteristic variations. Webster makes the most of the flute (doubling piccolo) and clarinet as versatile performers equally suited to deliver Mozart's beautiful vocal writing, and to ornament and embroider the themes in elegant Mozartean style. There is a spot for an optional clarinet Eingang for which the composer supplies an example. Duration about 19 minutes. For advanced performers. Here is a brief excerpt.
29.95

WW383: Sonata Cho-Cho-San (Based on Themes from Puccini's Madama Butterfly) for Flute/Piccolo, Clarinet in B-flat, and Piano by Michael Webster. Theodore Presser Co., 2017, SS, includes parts and piano score. Michael Webster has created a concert trio on the many great arias from Puccini's Madama Butterfly. However, as its name implies, Sonata Cho-Cho-San is not the typical virtuosic operatic potpourri. Rather, it follows the plot, resembling a sonata mirroring Puccini's use of recurring and developing themes. Webster makes the most of the winds as versatile performers - equally suited to deliver Puccini's beautiful vocal writing, and to ornament and embroider the poignant themes in symphonic style. For advanced performers. Duration about 24:30. Click on the cover image to view the first page of the score.
38.95
WW259: Reversible Jackets (Exercises in Conjugal Counterpoint) for Flute and Clarinet by Dan Welcher. Elkan-Vogel/Presser, 1997, SS, 11 pages in score format. This piece was composed in 1987 for Leone Buyse and Michael Webster as a wedding present. The title refers to the fact that the musical lines are constantly being exchanged, inverted, expanded and contracted by both players. In three movements: 1. Canon (Breezy), 2. Dialogue (Freely; like an improvisation), and Fugue (Suddenly fast). Duration 6:00.
Barn Dances - The Scott/Garrison Duo
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15.95
WW156: Suite for Flute, Clarinet, and Piano by Alec Wilder. Margun Music, 1980, SS, (includes parts and piano score). American composer Alec Wilder's (1907-1980) music combined elements of the jazz, popular, and classical realms. This is a college level work in four movements.
16.95
WW058: Three Short Stories for Clarinet and Bassoon by Gernot Wolfgang. Doblinger, 2003, SS, (includes parts and score). Gernot Wolfgang (1957-) is an Austrian born composer who lives in Los Angeles. He received his musical education in Austria and the United States. He has written chamber and orchestral music as well as for the film and TV industries. The three stories are: 1. Uncle Bebop (very fast with straight eighth notes), 2. Rays of Light (Rubato, expressive), 3. Latin Dance (also very fast with straight eighth notes).
33.95
WW261: Serenade for Flute and Clarinet in B-flat by Jürg Wyttenbach. Schott, 1980, SS, 12 pages, score format. In four movements: I. Little March (in broken steps), II Duettino (in unequal voices), III. Waltz (in added values and Trio in false unison), and IV. Chase (in slow motion and accelerated). This is a relatively advanced work, suitable for upper division college recitals. Duration about 8 minutes.
Barn Dances - The Scott/Garrison Duo
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14.95

Clarinet Duets (with or without piano)
ABRSM Music Medals. This is a series of five books from the Associated Board of the Royal Schools of Music featuring carefully graded duets, trios and quartets for beginning and intermediate clarinetists. While they were developed as part of the ABRSM Music Medals program, they can be used in any setting where interesting and pedagogically sound ensemble pieces are needed. Each book contains pieces which have parts from other levels above and/or below the current one. They feature pieces (original and an occasional arrangement) by composer such as Paul Harvey, James Rae, Paul Harris, and many more.

C319: Copper Clarinet Ensemble Pieces. ABRSM, 2004, SS, 16 pages. This beginner level book has 7 duets, 5 trios, and 4 quartets. All in the lower register.

C320: Bronze Clarinet Ensemble Pieces. ABRSM, 2004, SS, 16 pages. The next beginner level book has 6 duets, 5 trios, and 4 quartets. Faster and more eight notes than the previous book, but still in the lower register.

C321: Silver Clarinet Ensemble Pieces. ABRSM, 2004, SS, 24 pages. This middle book in the series is still at a beginner level with all parts that are "silver" or below in the lower register. Dotted eighth-sixteenth rhythms are frequently used in these pieces. It has 6 duets, 4 trios, and 4 quartets.

C322: Gold Clarinet Ensemble Pieces. ABRSM, 2004, SS, 24 pages. The upper register finally makes its appearance in this book. This is at an intermediate level with many pieces that are significantly more complex than the previous volume. The quartets in particular may be useful for middle school and even beginning high school quartets. There are 6 duets, 4 trios, and 4 quartets.

C323: Platinum Clarinet Ensemble Pieces. ABRSM, 2004, SS, 36 pages. The final book in the series is similar to the previous book at a slightly more difficult level and the same comments apply. There are 6 duets, 4 trios, and 5 quartets.
Copper
12.50

Bronze
13.50

Silver
12.95

Gold
15.75

Platinum
17.75


C2479: Christmas Carols for Two, Easy Duets for 2 Clarinets. Hal Leonard, 1991, SS, 30 pages (score format). A set of very easy duets. Contains: Angels We Have Heard On High, Away In A Manger, Deck The Hall, The First Noel, God Rest Ye Merry, Gentlemen, Hark! The Herald Angels Sing, It Came Upon The Midnight Clear, Jolly Old St. Nicholas, Joy To The World, O Holy Night, O Little Town Of Bethlehem, Silent Night, We Three Kings Of Orient Are, We Wish You A Merry Christmas, and What Child Is This?
6.95
C1508: Six Early 20th Century Duets for Clarinet transcribed by Valentine C. Anzalone. Shall-u-mo Publications, 1981, 10 pages. These pieces are all from piano works written between 1900 and 1912. The are: Erik Satie Voice from Within and Cynical Idyl (both from Preludes Flasques), Bela Bartok Bagatell (from 14 Bagatelles Op. 6), Albert Roussel Danse au bord de'leau Op. 5, Alexander Scriabin Prelude No. 2 Op. 13 and Prelude No. 4 Op. 13. The first piece is very easy, but they are progressively more difficult to the early college level. Here is an audio file of the last duet.
Clarinet Solos, Duos, Trios
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9.50


C1800: 31 Selected Duets for Two Clarinets (Intermediate - Advanced) compiled and edited by Jay Arnold. Edward Schuberth & Co., 1973, SB, 79 pages (score format). This was Book Two of a set, but Book One is believed to be out of print. This book includes 13 duets by Magnani, 3 from Op. 94 by Kietzer and 15 more by composers such as Mazas, Haydn and Mozart. While most of these duets are about the same level as the Voxman Selected Duets Vol. 2, a few are a bit more difficult.
8.95


C1228: Divertimento Op. 135 for 2 clarinets by Malcolm Arnold. Queen's Temple Publications, 2000, SS, 11 pages (score format). Six contrasting movements that series editor Paul Harris says "combine wit and lyrical melody with moments of darker and more serious writing." Early college level. Duration about 8 minutes.
Sir Malcolm Arnold: Wind Chamber Music
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9.95
C551: J.S. Bach 15 Two-Part Inventions arranged by Gunther Joppig. Zimmermann, 1994, SS, 33 pages. This book contains 15 two-part inventions, BWV 772-786 by Johann Sebastian Bach. They have been arranged to place them in a suitable key for the clarinet (the original keys are indicated). They can be played by any like clarinets and in a few cases include basset notes (below low E) in the lower part for those with basset clarinets, basset horns, or low C bass clarinets. Alternative notes are also given. Score format. Upper intermediate level.
25.50
C1345: Contrapunctus XII (from Art of Fugue) Clarinet and Bass Clarinet Duet by Johann Sebastian Bach arranged by William Schmidt edited by Sharon Davis. Western International Music, 1996, SS, (includes score and parts). Allegro con spiritoso in 9/16.
7.95
C1302: Contrapunctus XIII (from Art of Fugue) Clarinet and Bass Clarinet Duet by Johann Sebastian Bach arranged by William Schmidt. Western International Music, 2001, SS, (includes score and parts). A Bach fugue nicely arranged for clarinet and bass clarinet. The publisher rates this at (US) grade 3, I might suggest it is grade 3+.
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5.95
C1346: Contrapunctus XV (from Art of Fugue) Clarinet and Bass Clarinet Duet by Johann Sebastian Bach arranged by William Schmidt edited by Sharon Davis. Western International Music, 2001, SS, (includes score and parts). Sharon Davis writes that this piece by Bach contains a "puzzle."
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6.95
C424: J.S. Bach Clarinet Duos adapted by Gustave Langenus. Carl Fischer, SS, 32 pages. Twenty-one duets selected from Bach's piano, violin, and flute works. The duets are in score format, are predominately equal, and are at the upper intermediate and lower advanced levels. Click on the cover image to view a sample page which is typical of many of the duets although some are easier.
10.95
C1347: Three Inventions (Vol. 1) Clarinet and Bass Clarinet Duet by Johann Sebastian Bach arranged by William Schmidt edited by Sharon Davis. Western International Music, 1994, SS, (includes score and parts). Includes: Invention IV (Allegro ma non troppo), Invention IX (Andantino), and Invention VIII (Allegro vivo). There are a few low Ds (with alternative note) in the bass clarinet part.
10.95
C1348: Four Inventions (Vol. 2) Clarinet and Bass Clarinet Duet by Johann Sebastian Bach arranged by William Schmidt edited by Sharon Davis. Western International Music, 1999, SS, (includes score and parts). Includes: Invention XIII (Allegro), Invention II (Moderato), Invention VI (Allegretto), and Invention I (Allegro). There are a few low Ds (with alternative note) in the bass clarinet part.
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9.95
C1349: Four Inventions (Vol. 3) Clarinet and Bass Clarinet Duet by Johann Sebastian Bach arranged by William Schmidt edited by Sharon Davis. Western International Music, 2003, SS, (includes score and parts). Includes: Invention III (Allegretto), Invention V (Allegro ma non troppo), Invention VII (Andante con moto), and Invention X (Allegro).
8.95
C793: Inventions (Vol. I) Clarinet and Bass Clarinet (or two Clarinets) Duet by Johann Sebastian Bach arranged by J.M. Volta. International Music Diffusion, 1993, SS, 14 pages (score format). Seven inventions BWV 772-778. Includes brief notes on how to perform the ornaments. Generally at the upper intermediate level but some are a bit more difficult. Click on the cover image to view a sample page.
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16.95
C794: Inventions (Vol. II) Clarinet and Bass Clarinet (or two Clarinets) Duet by Johann Sebastian Bach arranged by J.M. Volta. International Music Diffusion, 1992, SS, 16 pages (score format). Eight inventions BWV 779-786. Includes brief notes on how to perform the ornaments. Generally at the upper intermediate level but some are a bit more difficult.
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16.95
C1366: Duetti per due clarinetti by Johann Georg Heinrich Backofen edited by Edgar Eichstädter. Hofmeister, 1996, SS, 17 pages (score format). Heinrich Backofen (1768-1839) was a German clarinet and basset horn player (he also played harp and flute) who was also a composer, teacher, and instrument manufacturer. This publication contains three multimovement duets generally at the advanced high school/early college level.
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12.95
C545: Duo Concertant Op. 33 for Two Clarinets and Piano by Carl Baermann edited by John Newhill. Musica Rara, 2000, SS, 22 + 7 + 7 pages. This piece follows the usual pattern of nineteenth-century short concert pieces. A slow introduction is followed by theme and variations with the work concluding with a Rondo.Early college level.
21.95
C1392: Music for Youth for two clarinets by Christopher Ball. Emerson Edition, 2008, SS, 11 pages (includes two copies of the parts in score format). Christopher Ball (1936-) is a British composer who began his career as an orchestral clarinetist and also served as a conductor in the United Kingdom and Canada. In four movements: 1. Syncopations (Allegro), 2. Helter-Skelter (Allegro), 3. Dialog (Tempo Rubato), and 4. Reed-Pipers' Jig (Allegro Moderato). Advanced high school or early college level with a duration of about 8 minutes.
Expressions - Craven
14.95
C100: Barret Four Sonatas edited by David Hite. Southern Music Company, SS, 64 pages. A.M.R. Barret Four Sonatas for the Refinement of Musicianship with the accompaniment of a second clarinet (most of the second parts are easier), Delphin Alard Five Melodious Etudes, and Scales in Thirds by David Hite.
9.95
C1749: La Sonnambula Grand Duo Concertant for Clarinet in E-flat, Clarinet in B-flat and Piano by Luigi Bassi. International Music Diffusion, 2010, SS, includes parts and piano score. Luigi Bassi (1833-1871) was an Italian clarinet virtuoso who replaced Cavallini as the solo clarinetist at La Scala. He wrote 27 works for clarinet including this fantasy on Bellini's Opera La Sonnambula (The Sleepwalker). It is sectional, in a variety of tempos. The preface links the sections to the parts of the opera they reference. In addition to individual parts, a clarinet score is included which will be helpful for rehearsal, especially of the joint cadenza in the first section. An advanced work.
32.95
C2312: The Power of Two Jazz Clarinet Duets with MP3s by Doug Beach and George Shutack. Kendor Music Inc., 2015, SS, 24 pages (score format). These 12 easy-medium level (US grade 2-4) jazz duets include a variety of styles, tempos and harmonic progressions and can all be performed with the accompanying rhythm section MP3 tracks. The duets are mostly in close harmony and include chord changes. The parts are fully interchangeable among the various instrument editions. There are 4 downloadable MP3 tracks for each duet: an individual can play either duet part while the MP3 plays the other part; two players can practice playing both parts along with the rhythm-section-only tracks; and a player can also work on improvisation skills by playing along with the rhythm-section-only tracks. A full performance track is also included for listening purposes. Click on the cover image to view a sample page.
16.95
C247: Conversations for Two Clarinets by Richard Rodney Bennett. Universal Edition, 1965, SS, 7 pages. In score format. Should be within the capabilities of many high school clarinetists.
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13.95
C248: Crosstalk by Richard Rodney Bennett. Universal Edition, 1967, SS, 7 pages. For two clarinets in B-flat. In score format. Frequent meter changes make this piece more difficult than Conversations for Two Clarinets.
This Green Tide - DobrèeClarinet Solos, Duos, Trios
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14.95

C2262: Blue Monkey for two clarinets (or clarinet and bass clarinet) by Lauren Bernofsky. Theodore Presser Co., 2015, 3 pages (score format). Lauren Bernofsky (1967-) is an American composer. This is a short (~2:30), jaunty duo, perfect for concert/recital programming. The main riff in swing eighths is repeated throughout, ensuring that it sticks in the mind of the audience. We also sell versions for clarinet and violin and clarinet and flute. Here is a video of the clarinet and violin version that will give you an idea how it goes.
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6.95

C672: Trio Op 23 for clarinet, cello and piano by Adolphe Blanc. Rosewood Publications, 1999. With alternate parts for violin in place of clarinet and bass clarinet, basset horn or viola in place of cello. Adolphe Blanc (1828-1885) was a French composer who was an especially prolific composer of chamber music. It is in three movements: I. Allegro ma non troppo, II. Scherzo (Vivace), and III. Andante/Moderato. In the bass clarinet version, there are a very few notes that fall in the extended range but this shouldn't be a problem with a low E-flat instrument. The basset horn part, however, will be a real test of extended range skills.
31.95

C1101: A Melodic Tour for Two Clarinets by Allan Blank. International Opus, 1998, SS, 32 pages. Two copies in score format. This books of clarinet duets is based on tunes from around the world which are set against an invented counterpoint or harmony. The difficulty ranges from early to late intermediate with some pieces having equal parts while on others one of the parts (usually the second part) is more difficult. Suggested for students (and teachers).
18.95

C688: Canons and Hockets Concert Duet for Clarinet and Bass Clarinet by Jerry L. Bowder. Manduca Music, 1996, SS. One extended movement of what looks like a fun piece. A low C bass clarinet is called for, but there aren't many notes in the extended range. Separate parts in score format with the other part in small print. Probably early college, but might be attempted by a high school duo with an outstanding bass clarinetist.
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11.95
C951: Brahms Hungarian Dances (1, 5, & 6) arranged for two clarinets and piano by József Balogh. EditionDarok, 1993, SS, (includes individual parts and piano score). At tempo these will be a challenge for advanced high school or early college players as all the hard bits are in the clarinet parts.
36.95

C1436: Timeless Classics for Two Clarinets, Volume 1 arranged by Roland Brom. Kendor Music, 2004, 12 pages in score format. Six equal duets at the intermediate level (publisher says US grades 2-3 although 3 is probably most accurate). They are: Shaker melody Gifts to Be Simple, Beethoven Minuet in G and Turkish March, Henri Lemoine Valse, Tchaikovsky German Song, and Muzio Clementi Rondo from Sonatina Op. 36 No. 6.
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7.95
C1405: Tibet 2 Clarinets by Charles Camilleri. Metropolis Music, 1999, SS, 9 pages (score format). Charles Camilleri (1931-2009) was a Maltese composer and is regarded as Malta's national composer. From 1950 onward he lived in Australia (performing as a piano player in Asia and the United States), London, and Canada before returning to Malta in 1983. This piece was composed in 1998. It is in three sections. 1) Libero (no time signature or measure lines. 2) Vivace (in 2/4, this starts as a straight forward dance, but as it develops the rhythms and the interplay between the parts becomes more complicated. 3) Molto meno mosso (mostly long notes with a harmonic or other contrast between the two parts such as vibrato on one part and none on the other. Early college level.
15.95

C668: Hiyoku for two clarinets by Elliott Carter. Hendon Music/Boosey & Hawkes, 2001. Printed in score format on four somewhat oversized pages. The composer wrote, "Hiyoku was written for the clarinetists Ayako [Oshima] and Charles Neidich, whose performances were so outstanding that I chose to write this piece in the fall of 2001 for them. I asked Ayako to suggest a title and she explained it: 'a very special poetic word originally used by the ancient Chinese poet, Bai Juyi, and adopted by old Japanese authors, meaning two birds flying together with the connotation of eternal love.'" An advanced work.
The Music of Elliott Carter Vol. 5
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9.95
C543: Three Grand Duets for 2 Clarinets by Ernesto Cavallini edited by Himie Voxman. Musica Rara, 1986, SS, 21 + 23 pages. These challenging duets were dedicated to Cavallini's friend Serverio Mercandante.
Times for Flying - Lawson & Soames
24.95

C1102: Two Cuban Dances by Ignacio Cervantes arranged for two clarinets by Paquito D'Rivera. International Opus, 1996, 4 pages. Two copies in score format. The two dances are Los Tres Golpes and Invitación. Upper intermediate level.
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5.95
C850: 8 Duette für Klarinetten (Clarinets in B-flat, E-Flat, and Bass Clarinet) by Christoph Cech. Musikverlag Alexander Mayer, 1997, SS, 14 pages. Some of these duets by Austrian composer Cech (1960-) were on the Blues for Sabine CD (currently not available in the US) with the title Jazz-Suite. The duets are: Intrada (Gemessen schreitend) for two B-flat clarinets, No Limits (so schnell wie möglich, aggressiv) for E-flat clarinet and bass clarinet, Gospel (gemächlich schwingend) for B-flat clarinet and bass clarinet, Sweet + Punk (drängend) for E-flat clarinet and B-flat clarinet, Blue Igor (extrem ruhig) for two bass clarinets, No Sync (straight 16) for two bass clarinets, Soft Singation (maximal beseelt) for two B-flat clarinets, and Perpetuum (sehr gleichmässig) for two B-flat clarinets. An advanced work in score format.
26.95
C2518: Valse Op. 70 No. 3 for Two Clarinets and Piano by Frederic Chopin arranged by Bela Kovacs. EditionDarok, 2017, SS, 6 + 2 + 2 pages. This waltz, which was numbered posthumously, was composed in 1829. The piano part is quite easy. High school level clarinetists and up. Click on the cover image to view the first page of the score.
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13.95

G218: Compatible Duets for Winds for Clarinet, Trumpet or Tenor Saxophone in B-flat arranged or composed by Larry Clark. Carl Fischer, 2010, SS, 48 pages. This book, which is part of a series, contains 31 duets from the early intermediate to the mid-intermediate level that can be played by any combination of wind instruments. The duets in these books come in a variety of styles such as classical, folk music, and original compositions. Click on the cover image to view the Table of Contents.
9.95

G312: Compatible Duets for Winds Vol. II for Clarinet, Trumpet or Tenor Saxophone in B-flat arranged or composed by Larry Clark. Carl Fischer, 2017, SS, 48 pages. Continuing with the success of the popular Compatible series, Compatible Duets for Winds Volume 2 contains 29 duets in a variety of styles that can be played with any combination of two wind instruments. Students can develop their chamber-ensemble skills while playing with their friends, no matter what wind instruments they play. Typical difficulty (US) grade 3. Many of the second parts go below the range of the tenor saxophone and would need to be played an octave higher. Click on the cover image to view the Table of Contents and a sample page.
12.95

C1702: Progressive Duets Volume 1: Easy to Medium for Clarinet in B-flat arranged or composed by Larry Clark. Carl Fischer, 2006, SS, 64 pages. This book contains 52 duets from the beginner to the intermediate level (with more of these than the easy duets). Composers include JS Bach, CPE Bach, Telemann, Tchaikovsky, Mozart, Haydn, Spohr and many more. Click on the cover image to view the Table of Contents. Use your browser's Back button to return.
10.95

C1754: Progressive Duets Volume 2: Medium to Advanced for Clarinet in B-flat arranged or composed by Larry Clark. Carl Fischer, 2011, SS, 64 pages. This book contains 20 duets from the intermediate level to the advanced intermediate level. There is some overlap with Volume 1 as the easier duets in this book are less difficult than the most advanced in the earlier volume. In addition to two duets by Clark, composers include JS Bach, Mazas, Gariboldi, Koehler, Clementi, and Mozart. Click on the cover image to view the Table of Contents. Use your browser's Back button to return.
12.95

C1142: Suite for Two Clarinets Op. 10 by Randall Cunningham. Woodwindiana, 2005, 15 pages (score format). A set of six separate duets (Waltz, Scherzo (ala Mendelssohn), Rag, Shepherd's Dance, Intermezzo, and Jazz Caprice) which the publisher describes as "perfect for the private studio with high school students . . . [US] Grade IV." These are equal duets, somewhat progressive, which may also be enjoyed by adult amateurs. Click on the cover image to view a sample page.
12.95
C1570: Rondo in B for 2 Clarinets and String Quartet (Piano Reduction) by Bernhard Henrik Crusell edited by Cindy & Don Christensen. Breitkopf/Musica Rara, 1991, SS, includes individual parts and piano score with each of the clarinet parts 3 pages long. This piece is in concert B-flat (although it has sections in concert D-flat). Two movements: Andante con moto and Allegro vivace. This is an arrangement made in 1822 by an unknown arranger of the second and third movements of the third duet Op. 6 (see below). Advanced high school or early college level.
Homenatge a Josep Taléns Sebasti�  - Trio Josep TalénsThe Virtuoso Clarinet l- Stevensson & Fagéus
16.95
C1910: Rondo in B for 2 Clarinets (or Clarinet and Viola, 'Cello or Basset Horn) and Piano by Bernhard Henrik Crusell. Rosewood Publications, 2012, SS. Here is an alternate edition of this piece with the second duet part transposed for other instruments. The piano part and first clarinet part are copies of an old edition. The additional second parts are new.
Homenatge a Josep Taléns Sebasti�  - Trio Josep TalénsThe Virtuoso Clarinet l- Stevensson & Fagéus
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8.95

C597: Three Progressive Clarinet Duets by Bernhard Henric Crusell. Edition Peters, 2005, SS, 19 + 19 pages. Crusell (1775-1838) wrote a number of works for clarinet. These duets are at the advanced end of the intermediate level and are only slightly progressive in difficulty. The clarinet parts are in individual booklets. They are of equal difficulty. The duets are No. 1 in F, No. 2 in D minor, and No. 3 in C.
26.75

C1434: 5 Huapangos for Clarinet and Bass Clarinet by Mike Curtis. Advance Music, 2005, SS. 10 pages (score format). Dedicated to Carol Robe, these five original dances in the huapango style will be enjoyed by players (advanced high school, early college, adult amateurs) and listeners alike. They are: 1. Santa Cruz, 2. Las Islitas, 3. Miramar, 4. Ofelia, and 5. El Llano.
17.95

C1433: 5 Huapangos for Two Clarinets by Mike Curtis. Advance Music, 2005, SS. 10 pages (score format). Dedicated to Carol Robe, these five original dances in the huapango style will be enjoyed by players (advanced high school, early college, adult amateurs) and listeners alike. They are: 1. Santa Cruz, 2. Las Islitas, 3. Miramar, 4. Ofelia, and 5. El Llano.
15.95

C1787: 8 Original Jazz Duos for Two Clarinets by Mike Curtis. Advance Music, 1995, SS. 22 pages (score format). These duets are in a variety of styles. Many of the duets have mixed meter. Their names are Byard's Bounce, Wistful, Contuberance, That Dang Thang, Huntington Park, Birdseed, Spring Chicken Fever, and The Foolish Fool. Upper intermediate level and up.
12.95

C1725: 8 More Original Jazz Duos for Clarinet and Bass Clarinet by Mike Curtis. MSS Publishing, 1993, SB, 31 pages (score format). These duets are in a variety of styles including swing, Latin, blues, etc. There are a few notes in the bass clarinet's extended range, but they won't be a problem for those that don't own one. Upper intermediate level and up.
14.95

C1785: Suite Nayarit for Two B-flat Clarinets by Mike Curtis. Advance Music, 2005, SS. 14 pages (score format). The composer wrote: "These dances can be likened to diarist entries written during an extended stay in Mexico's west coast state of Nayarit. Following each sultry day of exploring the beaches, I would come back to the bungalow and seek out a special cool corridor to put pencil to staff. The titles reveal favorite places." 1. Los Ayala, 2. Playa Platanitos, 3. Manzanilla, 4. La Palma, and 5. Barracuda. The addition of an improvising percussionist could enhance performance. Upper intermediate level. Click on the cover image to see the first page.
15.95

C1562: Ten Klezmer Duos for Two B-flat Clarinets by Mike Curtis. Advance Music, 1996, SS. 24 pages (score format). This is Vol. 1 of the Ten Klezmer Duos. They are arrangements of traditional klezmer tunes except where noted. The duos: Boruch Ato Bo´ir; Miserlou; Rumanian Hora, Chusidl & Bulgar; Alcazaba (original); Hey Judah (original); Andalucian Lily (original); Rebn´s Tanz; Khyberian Catfit (original); Street Song; and Yoshke, Yoshke. Generally at the upper intermediate level.
16.95

C1488: Ten Klezmer Duos (Sephardic) for Two B-flat Clarinets by Mike Curtis. Advance Music, 2007, SS. 10 pages (score format). This is Vol. 2 of the Ten Klezmer Duos which are: Judería, Sephardic Waltz, Cadiz Terkische, Las esuegras de agora, Sinagoga, La rosa se enfloresa, Filigree, Cuando el Rey Nimrod, Sacromonte, and Samuel Levi. At least two of these would be at the intermediate level with the rest being more difficult with some time signatures like 7/8 and 10/8.
16.95

WW227: Woodwind Friends, 25 Intermediate Duets by Mike Curtis. MSS Publishing, 2010, SB, 73 pages in score format. This book has 25 intermediate duets with parts in C, B-flat, E-flat, and bass clef. The composer has computed that there are more than 50 possible combinations of woodwind instruments that can play them. These duets are progressive. They gradually build the student's experience of time signatures, articulations, tempi, dynamics, keys, styles and rhythmic complexity. They were written to be short and fun. Click on the cover image to see a sample page. Use your browser's Back button to return.
14.95
C2179: Five Duets for Clarinets by Ingolf Dahl. Schott, 1974, SS, 17 pages (two copies in score format). Ingolf Dahl (1912-1970) was a German-born (his mother was Swedish and it was her last name he used) composer, pianist, conductor, and educator. He moved to Switzerland in the early 1930s and emigrated to the US in 1939. The five duets are: 1. Sonatina for Donal Michalsky, Allegro comodo; 2. Invention on Two Intervals for Christie Lundquist, Moderato e dolce; 3. Cadenza Pastorale for Nicolas Roussakis, Lento in tempo flessible; 4. Invention on a Rhythm for Robert Wojciak, Adagio misterioso; and 5. Canonic Rondo for Mitchell Lurie, Presto. These are college level duets that would be useful in lessons and could also be performed. The total duration is 14 minutes. Click on the cover image to view the first page.
24.95
C385: 6 Duos for Two Clarinets by François Devienne edited by Béla Kovács. Edition Peters, 1974, SS, 23 pages. Devienne (1759-1803) was a French bassoonist and flutist who composed a large number of pieces for woodwind duets, trios, and quartets, as well as concertos and operas. These duets are at the intermediate level (with some variation in difficulty) and presented in score format.
35.50
C2324: 6 Duos for Two Clarinets by François Devienne edited by Rudolf Mauz. Schott, 2014, SS, 19 pages, score format. This edition is very similar to the one above except that the print is a bit smaller (the page size is the same) and it is spread over fewer pages. Click on the cover image to view the first page.
15.95
C1851: Symphonie Concertante Op. 25 for Two Clarinets and Orchestra (Piano Reduction) by François Devienne edited by Himie Voxman. Musica Rara/Breitkopf, 1973, includes parts and piano score. The symphonie concertant form was most popular in France where Devienne was a leading composer. This work is believed to have been written sometime between 1788 when it may have first been performed and 1794 when it was published. In two movements: Allegro Moderato and Rondo (Allegretto). There is a joint cadenza at the end of the first movement. The editor writes that it is still popular today due to its "pleasing melodic line" and idiomatic treatment of the clarinet. College level.
26.95
C1352: Sonate for Two Clarinets by Giuseppe Donizetti edited by Bernhard Päuler. Kunzelmann, 1971, SS, each part is 7 pages long (two parts, no score). The sonata was written in 1821. It has three movements: Allegro moderato, Adagio, and Rondo-Allegretto. Advanced high school or early college level.
17.50
C1330: Folksong Sonatina for Two Clarinets by László Draskóczy. Editio Music Budapest, 1981, SS, 6 pages (score format). This Sonatina for two clarinets is by Hungarian composer László Draskóczy (1905-1967) and was composed in 1940. The movements are I. Allegro, II Tranquillo, III. Allegro, and IV. Allegro vivace. While there is some mixed meter the main challenge is the tempo. Better high school or early college level.
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12.95
C2218: Pepperino (Concert Caprice) for Clarinet Solo or Duet with Piano by R.M. Endresen. Rubank, 1936, 4 + 2 + 2 pages. This piece is intended for students and is probably at the upper end of (US) grade 3. Entirely at a Scherzando tempo. Click on the cover to view the first page of the Solo Clarinet I part.
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5.95
C1475: Salon Pieces for Two to Four Clarinets arranged by Roland Erben. Kunzelmann, 2009, SS. Includes parts and score. This book contains 20 clarinet duets (7), trios (6), and quartets (7). They are at the intermediate level and advanced intermediate level. The most difficult piece is an arrangement of Scott Joplin's The Entertainer for clarinet quartet. Click on the cover image to view the pieces as listed in the Table of Contents.
43.50
C2316: Ground VI for 2 Clarinets (B-flat and A) by Thierry Escaich. Billaudot, 2015, 7 double size pages, score format. Thierry Escaich (1965-) is a French composer and organist. This is an advanced duet which features mixed meter, fractional tones, flutter tonguing and high altissimo. There is one multiphonic in the B-flat part. The tempo is mostly Moderato and the duration is about 7 minutes. Click on the cover image to view the second page (the B-flat part is on the top staff).
20.95
C2257: 12 Divertimenti in Stile Classico for two clarinets by Giuseppe Ferlendis edited by Luigi Magistrelli. Eufonia, SS, 9 pages (score format). Giuseppe Ferlendis (1755-1810) was a famous Italian oboist and a composer. These 12 short duets are at the upper end of the intermediate level. Click on the cover image to view.
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13.95
C1759: 12 Romanian Folk Dances for 2 clarinets arranged and compiled by Nelu Fieraru. Digital Music Print, 2006, SS, 28 pages (score format). Although there is no mixed meter, these 12 traditional folk dances range from intermediate to advanced intermediate/early college level. The piece illustrated is one of the more difficult but there is at least one which is harder. Click on the cover image to view a sample page.
20.95
C2162: Tango Clarinet Duets by Carlos Gardel arranged by Diego Collatti. Universal Edition, 2014, SS, 20 pages (score format). Carlos Gardel (1890-1935), who grew up in Argentina, was a singer, songwriter and actor, and is perhaps the most prominent figure in the history of tango. This book has five of his compositions arranged for clarinet duet. They are Melodía de arrabal, Por una cabeza, El dia que me quieras, Mi Buenos Aires querido, and Volver. The parts are equal and at the early college level of difficulty. This book also includes a preface in Germany, English and French. Click on the cover image to view a sample page.
19.95
C2443: Stubborn as Hell for 2 B-flat Clarinetsby Stacy Garrop. Theodore Presser, 2016, SS, 8 pages (2 copies in score format). Stacy Garrop (1969-) is an American composer. Commissioned by and composed for celebrated clarinetist Robert Spring, Stacy Garrop has created a piece that not only reflects Spring's technical and musical abilities, but also his great sense of humor, hence the title and premise of Stubborn as Hell. The "stubbornness" of the title refers to the clarinets incessantly battling each other around common pitches, informed by a sophisticated playfulness springing from the composer's own great sense of humor. For advanced performers. Click here to view a performance of this piece.
14.95
C394: Duets by Norbert Goddaer. Woodwindiana, 2000, SS, 24 pages (score format). Belgian composer Goddaer (b. 1933) has composed these eight duets for two B-flat clarinets, each of which is an impression of daily life (Sunday Trip, Blue Note, Fuguette, Street Walk, Daily Exercise, Lazybones, Shepherd's Song, and A Day Off). They may be studied individually or performed together (ca. 13 minutes). Early college level. Click here to listen to the beginning of the first duet. Click on the cover image to view the end of the first duet (mm=132) and the beginning of the second.
14.95
C752: Puppets for Two B-flat Clarinets by Clare Grundman. Boosey & Hawkes, 1969, 3 pages (includes two parts in score format). We're fond of Grundman's work and we thought this intermediate level work for two equal clarinets would be a good addition to our stock. Marked Allegro moderato leggiero, it alternates between crisp choppy sections (we can imagine those puppets bouncing on their strings) and legato interludes.
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14.95

C2157: Christmas Anthology Clarinet Duet arranged by Frank J. Halferty. Almitra Music/Kendor Music, 2014, SS, 28 pages. Subtitled 24 Duets for Grade 3-4 Musicians. This grading is on the US 6 point scale but is on the easier side of that standard. Contents: Adeste Fidelis (O Come, All Ye Faithful); Angels We Have Heard On High; Away In A Manger; Bring A Torch, Jeanette, Isabella; Coventry Carol; Deck The Halls; The First Noel; God Rest Ye Merry, Gentlemen; Good Christian Men Rejoice; Good King Wenceslas; Hark! The Herald Angels Sing; The Holly And The Ivy; In The Bleak Midwinter (Holst); Infant Holy, Infant Lowly; It Came Upon A Midnight Clear; Jingle Bells; Jolly Old St. Nicholas; Joy To The World; O Little Town Of Bethlehem; Silent Night; Up On The Housetop; We Three Kings; We Wish You A Merry Christmas; and What Child Is This? Click on the cover image to view two sample pages.
11.50

G102: Serenade Op. 24 for Clarinet in A and B-flat (Violin), Cello (Viola/Basset Horn) and Piano by Emil Hartmann. Rosewood Publications, 1998, SB, (includes all parts and piano score). Hartmann (1836-1898) was a Danish church musician, conductor, and composer of German descent. Three movements: 1. Idylle (Andante), 2. Romance (Andante/Allegretto Scherzando), and 3. Rondo-Finale (Allegro). This is a fairly long work with the parts running 9 pages and the piano score 50. Probably early college level in difficulty.
27.95
C1576: Songs for Friends 2 Clarinets and Piano by Patrick Hiketick. Metropolis Music, 2010, SS, 10 + 3 + 3 pages. Belgian composer Patrick Hiketick (1952-) has dedicated these two songs to Ayako & Yu and Minako & Masaaki. They are Song for Minako (Andante, mm=88 in 4/4) and Song for Ayako (Andante, mm=57 in cut time). The clarinet parts are at the intermediate level.
14.95
C1138: Seven Grand Concert Duets selected and edited by David Hite. Southern Music, 1995, 95 pages (score format). The sources of the duets in this book are: Franz Joseph Haydn String Quartet Hob. III: 40 (Po 33 No. 4) Movement IV from the composer's transcription for violin duet. Wolfgang Amadeus Mozart Duet K. 424 (originally for violin and viola) and Duet K. 423. Bernhard Henrick Crusell Three Concert Duets Op. 6. Hyacinth Klose Duet No. 1 from Three Concert Duets Op. 8. Generally these are at the upper intermediate level. A lot of music. 
29.95
C996: Clarinet Album: Eleven well-known pieces for clarinet and piano or two clarinets arranged by Peter Hodgson. Peters, 2007, 32 + 24 pages and play along CD. This book is an unusual combination that includes both a second clarinet part and a piano accompaniment (not intended to be used together) plus a CD of the piano part. These pieces are at the intermediate and upper intermediate level and some of the second parts are more difficult than the melody part. The pieces are: Mendelssohn On Wings of Song and Spring Song, Brahms Lullaby, Schuman "Chopin" from Carnaval, Schubert Impromptu, Tchaikovsky Chanson Triste, Haydn Serenade (from String Quartet in F), Dvorak Largo (from the "New World" symphony), Boccherini Menuett (from the String Quartet), Mozart Menuett (from Symphony No. 39), and MacDowell To a Wild Rose.

C924: Clarinet Album: Eleven well-known pieces for clarinet and piano or two clarinets arranged by Peter Hodgson. Peters, 2007, 32 + 24 pages. Same book but without the play along CD.
With CD
26.95

No CD
18.95
C1779: Klezmer Clarinet Duets arranged by Helmut Hödl. Universal Edition, 2010, SS, 31 pages (score format). Twelve duets with a range of difficulty from intermediate to relatively advanced. The tunes are: Az der rebbe est, Chiri Biri Bam, Havah Nagilah, Shehu Noteh Shamayim, Joschke, Tumbalalaika,Bei mir bist du schean (Means That You're Grand), Oy tate s'iz gut, Jiddish Tune, Oriental Hora, Fiselekh fiselekh, and Meditation. Click on the cover image for a sample page (which is roughly in the middle of the difficulty range).
19.95
C2044: Sonata for Two Clarinets by Alan Hovhaness. Peer Music, 1977, SS, 6 pages (2 copies in score format). In three movements: I. Malinconia (Andante), II. Fuga (Allegro), and III. Fuga (Allegro assai). The parts are equal in difficulty. Better high school clarinetists and up. Click on the cover image to view a sample page from the score.
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19.95
C2033: Clarinet Polka arranged for Clarinet Solo, Duet or Trio with Piano by Herman A. Hummel. Rubank, 1946. The parts are relatively equal although only the first part has the trills and sixteenth note triplets. Click on the cover image to view the first page of the score.
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5.95
C2282: Duo de Concert Clarinet and Bass Clarinet with Piano by Paul Jeanjean. International Music Diffusion, 2014, SS, 12 + 4 + 4 pages. This work was first published in 1904 but was out of print for many years. While this work has two main sections it has many tempo change.  Click on the cover image to view a sample page from the score.
19.95
WW236: Three Polish Dances arranged for Two Saxophones, Two Clarinets, Two Oboes, etc. by Terry Kenny. Comus Publications (Comus Edition), 1991, 5 pages in score format plus an additional part for tenor saxophone. The three dances are Cracovienne (Allegro moderato), Tamara (Andante con moto) and Trepak (which begins "Very deliberately" and speeds up step by step until "as fast as possible"). In addition to the saxophones, this can also be played by any two like saxophones, clarinets, or oboes. Here is an image of the first three lines of the playing score.
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8.95
C1613: Five Modal Inventions Op. 161 for 2 B-flat Clarinets by Michael Kibbe. Woodwindiana, 2006, SS, 9 pages (score format). Artfully written and artistically satisfying inventions which have recital possibilities as a set. I. Mixolydian, II. Lydian, III. Phrygian, IV. Dorian, and V. Locrian. The parts are of equal difficulty. US grade 4 (better high school students and up). Click on the cover image to view the first page.
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12.95
C395: Serenade Op. 131 for 2 B-flat Clarinets by Michael Kibbe. Woodwindiana, 1999, SS, 21 pages (score format). Kibbe (b. 1945) composed this piece for Howard Klug. The seven brief movements are drawn from traditional forms from many cultures. They are: Prelude, March, Blues, Tango, Tarantella, Elegy, and Hora. The composer's intention was to provide a piece that was both fun to play and would make an immediate connection with the audience.
15.95
C1697: Duettino Concertante for two clarinets and piano by Hyacinthe Klosé. Molenaar, 1978, SS, 19 + 8 (two copies of the clarinet parts which are in score format). This is clearly a reproduction of an earlier edition and the printing reflects that. The main sections are: Allegro, Theme, 3 Variations and Allegro vivo finale. This is a showpiece for the clarinetists while the piano is in an accompanying role except for brief connecting sections. Duration of about 10:20.
Homenatge a Josep Taléns Sebasti�  - Trio Josep Taléns
21.95
C2321: Fifteen Grand Duets for two clarinets by Hyacinthe Klosé revised by Simeon Bellison and edited by Simon Reeves. Carl Fischer, 1946/2015, PB, 92 pages (score format). These are the duets which begin on page 136 of the Carl Fischer edition of the Klosé Celebrated Method for Clarinet. However, they have been completely reset (and edited to some extent) and are much easier to read than in the method book. These duets are at the advanced intermediate level and are suitable for advanced high school and early college level students. Click on the cover image to view the first page of duets.
19.95
C2246: Konzertstück à  la Feidman for two clarinets and piano by Istvan Kohan. Lakeshore Music, 2015, SS, 16 + 4 + 4 pages. István Kohán (1990-) is a young Hungarian clarinetist who has lived in Japan since 2013. The format of this piece was taken from the Mendelssohn concert pieces while the music is a tribute to Giora Feidman. It is in three movements: Freilach, Hora and Presto. College level with the parts of equal difficulty. Here is a YouTube video of the Presto with the composer playing the first part.
24.95
C1710: Blues for Two, 16 Easy Duets for Clarinet by Claus Henry Koch. Advance Music, 2010, SS, 39 pages. Intermediate level duets in score formats with equal parts. Generally in the lower two octaves of the clarinet range (I suspect they have been transposed from an original written for saxophone) but useful nonetheless.
21.95
C950: Greetings from the Balkan for two clarinets and piano by Béla Kovács. EditionDarok, 2004, SS, (includes individual parts and piano score). This piece has a number of sections with with various tempos and time signatures (some in 5/8 and 7/8). The clarinet parts are of equal difficulty and move together. Early college level.
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23.95
C952: Hello from Graz - Polka for two clarinets and piano by Béla Kovács. EditionDarok, 2005, SS, (includes individual parts and piano score). Allegretto (mm=108). The clarinet parts are of equal difficulty and move together. Advanced high school or early college level.
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22.95
C618: Concerto for Two Clarinets and Orchestra in E flat major Op. 35 Piano Reduction by Franz Krommer edited by Hermann Dechant. Musica Rara, 1970, SS, 44 + 12 + 12 pages. Includes four pages of notes (in English) on the editing. In three movements: Allegro, Adagio, and Rondo. In a florid melodic style similar to Mozart. Repertoire for college and professional level performance.
Krommer Clarinet Concertos
32.95
C617: Concerto for Two Clarinets and Orchestra in E flat major Op. 91 Piano Reduction by Franz Krommer edited by William Martin. Musica Rara, 1987, SS, 57 + 15 + 16 pages. In three movements: Allegro, Adagio, and Alla Polacca. Parts are almost equal with the last movement quite virtuosic for both. This is an excellent work for advanced players.
Krommer Clarinet ConcertosKrommer - Spohr Clarinet Concertos (S. Meyer & Bliss)
37.95
C662: Yellow Jersey for Two B-flat Clarinets by Libby Larsen. Oxford University Press/Goodmusic, 2005, SS. This piece was commissioned by the students of Dr Alan Woy as a gift upon his retirement from the Crane School of Music (Potsdam, New York). Inspired by the Tour de France, Yellow Jersey is a short wind sprint for two clarinets that depicts a bicycle race. Includes a score and parts for each clarinet.
15.25
C425: Clarinet Twosome, 33 Recreational Duets by Leon Lester. Carl Fischer, 1964, SS, 32 pages (score format). I am a big fan of Leon Lesters' music. This book contains 13 of his own compositions and 20 arrangements from the works of composers from Andre to Tchaikovsky. Suitable for second and third year students, with most of the pieces in easier keys.
11.95

C1001: Views of the Blues for Two Clarinets by Gordon Lewin. Boosey & Hawkes, 1986, SS, 8 pages (score format). Gordon Lewin (1921-2008) was a British composer, clarinetist, and saxophonist, who studied at the Royal College of Music and performed on more than 100 film scores. This piece has three movements: I. Slow blues tempo, II. Medium blues tempo, III. Introduction-Slow blues tempo/Fast swing tempo. This should be quite a bit of fun for both the performers and the audience. College level with a duration of about 6:45.
Times for Flying - Lawson & Soames
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27.95

WW237: Trio for Clarinet (Violin), Bassoon (Viola/Bass Clarinet/Basset Horn) and Piano by Charles Harford Lloyd. Rosewood Publications, 1997, SB, (includes piano score and all parts). Charles Harford Lloyd (1864-1919) was a celebrated organist and music professor who also did some composing. Although most successful as a choral composer, he wrote a few other works including this one and a Duo Concertante for clarinet and piano. In three movements: I. Allegro con brio, II Andante espressivo, and III. Allegro moderato. (Early) college level. A low C bass clarinet would be desirable for that version but is not required.
23.95
C1883: Balkan Clarinet Duets arranged by Hidan Mamudov. Universal Edition, 2011, SS, 24 pages. This is a collection of 10 folk songs and dances arranged for clarinet duets. They come from the general area of the Balkans, from Hungary to Turkey. Included are: Biljana platno belese, Bosanska carlama, De se thelo pia, Klakar, Memories (an original by the arranger), Moja mala, Pajdusko, Pravo, Rachenica, and Rampi Rampi. There are descriptions of each in English, German and French. They are presented in order of difficulty. The first is intermediate level with the rest being at a more advanced intermediate level. The final four have odd time signatures 7/8, 5/8, 7/8 and 9/8 (but no mixed meter).
18.95
C1708: Black Swirls for two B-flat clarinets by Eric P. Mandat. Cirrus Music, 2004, 10 pages (score format). This piece is companion piece to Ritual although it can be performed alone. The composer describes this piece as a searing, tornadic onslaught. It uses many fractional tones with fingerings give. There is some optional choreography in the score. Duration 4:43. Here is a video of a rehearsal of Ritual followed by Black Swirls.
Black Swirls - Music of Eric P. Mandat
14.95
C1097: So What Elsa's New for two B-flat clarinets by Eric P. Mandat. Cirrus Music, 1997, 6 pages (score format). Dedicated to Gerry Errante and Elsa Verdehr, this contemporary duet would be perfect for a senior, graduate or professional recital. It includes contantantly changing meter and some quarter tones and one multiphonic (fingerings provided). It is printed on six large individual sheets in score format. Duration 3:48
Black Swirls - Music of Eric P. Mandat
9.95
C2237: Ritual for two B-flat clarinets by Eric P. Mandat. Cirrus Music, 2000, 3 pages (score format). This piece is companion piece to Black Swirls although it is easier and can be performed alone. The composer describes it as an exploration of slow-moving imitations and interactions. It has optional choreography and some optional fingerings. Duration 4:55. Here is a video of a rehearsal of Ritual followed by Black Swirls.
Black Swirls - Music of Eric P. Mandat
6.95
C2447: Concertpiece for two clarinets and piano by Michele Mangani. Eufonia, SS, 22 + 6 + 6 pages. Continuous but sectional: Allegro, Andante cantabile, tempo I, and Finale. A version of this piece with band is also published (about $112.95) and orchestra ($210.95). Here is an audio file.
22.95
C1625: Fantasia dal Barbiere de Siviglia of Rossini for two clarinets and piano by Michele Mangani. Eufonia, SS, 21 + 8 pages (includes the piano score and one copy of the clarinet parts in score format). A recent creation in a traditional genre, the clarinet showpiece based on opera. A sectional piece at the college level (lot of notes). Appropriately, Michele Mangani obtained his diploma at the G. Rossini Conservatory in Pesaro on the clarinet in 1984.
21.95
C2063: Duo-Schatzkiste, A Treasure Chest of Duos for two clarinets arranged by Rudolf Mauz. Schott, 2011, SS, 60 pages. A collection of 12 duets from the Classical and Romantic periods in score format. Intermediate and upper intermediate levels. Most of the works have more than one movement. The composer are: Vanderhagen Berr, Blasius, Mozart, Wiedemann, Göpfert, Bouffil, CPE Bach, Hoffmeister and Crusell.
16.95
C585: Concert Piece for Clarinet, Basset Horn (two Clarinets) and Piano No. 1 in F minor Op. 113 by Felix Mendelssohn Bartholdy edited by Trio di Clarone. Breitkopf, 1993, SS. Written by Mendelssohn for his good friends the Baermanns, father and son. It has notes in German and English on the back ground of the piece and the editing. Includes parts for basset horn and an alternate second clarinet. We looked carefully to find an excellent edition of this entertaining piece and hope this one will meet with your approval.
Extended Clarinets!The Art of the Clarinet - Peter SchmidlClarinet Virtuosi of the Past: Heinrich Baermann - SoamesMendelssohn - Rossini - Bruch. Ludmila Peterkova clarinet
19.95
C895: Concert Piece for Two Clarinets or Clarinet and Bassoon (Cello) and Piano No. 1 in F minor Op. 113 by Felix Mendelssohn Bartholdy edited Eric Simon. International Music Co., 1957, SS. This edition does not have a basset horn part, but has parts for two clarinets instead.
Extended Clarinets!The Art of the Clarinet - Peter SchmidlClarinet Virtuosi of the Past: Heinrich Baermann - Soames
12.75
C586: Concert Piece for Clarinet, Basset Horn (two Clarinets) and Piano No. 2 in D minor Op. 114 by Felix Mendelssohn Bartholdy edited by Trio di Clarone. Breitkopf, 1997, SS. Written by Mendelssohn for his good friends the Baermanns, father and son. It has notes in German and English on the back ground of the piece and the editing. Includes parts for basset horn and an alternate second clarinet. We looked carefully to find an excellent edition of this entertaining piece and hope this one will meet with your approval.
Extended Clarinets!The Art of the Clarinet - Peter SchmidlClarinet Virtuosi of the Past: Heinrich Baermann - SoamesMendelssohn - Rossini - Bruch. Ludmila Peterkova clarinet
20.95
C896: Concert Piece for Two Clarinets or Clarinet and Bassoon (Cello) and Piano No. 2 in D minor Op. 114 by Felix Mendelssohn Bartholdy edited Eric Simon. International Music Co., 1957, SS. This edition does not have a basset horn part, but has parts for two clarinets instead.
Extended Clarinets!The Art of the Clarinet - Peter SchmidlClarinet Virtuosi of the Past: Heinrich Baermann - Soames
13.95
C2308: Concert Pieces Op. 113 and 114 for Clarinet, Basset Horn (2 Clarinets) and Piano by Felix Mendelssohn Bartholdy edited by Frank Heidlberger. Henle, 2015, PB/SS. This new edition of these works have extensive editing (explained in German and English). Each part has the other part in smaller print above it. Includes the (first) clarinet part, basset horn part and alternate second clarinet part. Click on the cover image to view a sample page.
Extended Clarinets!The Art of the Clarinet - Peter SchmidlClarinet Virtuosi of the Past: Heinrich Baermann - SoamesMendelssohn - Rossini - Bruch. Ludmila Peterkova clarinet
33.95
C1614: Venezuelan Burlesque for Two Clarinets by Jorge Montilla. Woodwindiana, 2006, SS, score format. A challenging, contemporary take on a Venezuelan 5/8 dance. A fine encore piece written for Robert Spring and Jorge Montilla. US grade 6 (at the marked Molto vivace tempo, not quite so hard a bit slower). Duration of 2:12. Click on the cover image to view the first page.
10.95

C1357: Mozart Clarinet Concerto arranged for Clarinet Duet by Christopher Zello. Roncorp, 2009, SS, 43 pages (one copy in score format). This looks like fun. It includes the tutti portions of the piece (marked in brackets) in the solo part so both clarinets are playing throughout.
16.00

C880: Mozart-Album for Two Clarinets arranged by Peter Kolman. Universal Edition, 1990, SS, 21 pages, score format. This is a book of 14 duets from the works of Mozart at the intermediate and upper intermediate level. It includes selections from dances, divertimentos, The Magic Flute, and other works.
19.95

C2519: Duet from the Magic Flute for Two Clarinets and Piano by Wolfgang Amadeus Mozart arranged by Bela Kovacs. Edition Darok, SS, 4 + 1 + 1 pages. The tempo of this duet is Andantino and it is at the (early) high school level. Click of the cover image to view a sample page.
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11.95

C2081: Six Duets for Two Clarinets Vol. I by Wolfgang Amadeus Mozart edited by Stanley Drucker. International Music Co., 1971, SS, 13 + 12 pages (parts only). The three duets in this volume are all from works for piano and violin: K. 378, K. 376 and K. 379. The parts are equal in difficulty with the melody  making appearances in the second part. They are probably (US) grade 4.
12.75

C2082: Six Duets for Two Clarinets Vol. II by Wolfgang Amadeus Mozart edited by Stanley Drucker. International Music Co., 1971, SS, 13 + 12 pages (parts only). The first duet in this volume is from K. 296 for violin and piano. The second and third duets are from sonatas for piano K. 310 and K. 284. The parts are equal in difficulty with occasional appearances of the melody  in the second part. They are probably (US) grade 4.
11.25

C1565: Six Viennese Sonatinas by W.A. Mozart transcribed for two Clarinets by William F. Minor, Jr. Shawnee Press, 1974, SS, 40 pages, score format. These sonatinas were originally for piano. Intermediate and upper intermediate level.
13.95

C741: Twelve Kegelduette KV 487/496a for 2 Basset Horns or 2 Natural Horns by Wolfgang Amadeus Mozart edited by Thomas Grass and Dietrich Demus and with dynamics and ornamentation by Wolfgang Meyer. Wintergarten Publications, 2006, SB, 31 pages. These duets (three of which have survived in autograph) were written when Mozart was very young (1767/68) and are his first works for basset horn. However, there are very few notes in the extended range and they can be played with few problems on clarinet or bass clarinet. Each duet is printed twice, once as published in 1802/03 and a second time with dynamics and ornamentation suggested by Wolfgang Meyer. All are in score format.
18.95
C1325: Colombian Dances Clarinet Duets by Mauricio Murcia Bedoya. Woodwindiana, 2008, SB, 18 pages. Mauricio Murcia Bedoya (1976-) was born in Colombia where he studied clarinet and conducting and at the time this was written was studying for a master's degree in clarinet performance in the United States. There are four duets (in score format): Saturday (Latin Jazz), Sabroso (Good taste, based on popular rhythms from the Caribbean part of Colombia, Natalia (Pasillo, derived from the waltz of the Andina region of Colombia), and Mauro's Latin (Latin Jazz). These duets are at the college level but may also be enjoyed by good adult amateurs.
15.95
C1612: Three Duos Clarinet and Bass Clarinet by Mauricio Murcia Bedoya. Woodwindiana, 2010, SB, 15 pages (score format). The first two duets are for clarinet and bass clarinet while the third is for two clarinets. The Duos are 1. Latinos, 2. Coffee Break (a mixture of Latin jazz and a Colombian rhythm called the pasillo--similar to a waltz--in the slow part), and 3. Tu Bambuquito (based on the Colombian national rhythm called the Banbuco). These duets are at the college level but may also be performed by good adult amateurs.
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16.95
C1901: Microjazz Clarinet Duets by Christopher Norton. Boosey & Hawkes, 1993, SS, 38 pages (score format). This book contains 24 original pieces in popular styles for clarinet duet. They are generally at the intermediate level. According to the composer they are rhythmically oriented and include a suggested rhythmic figure that could be programmed in a drum machine. Chord symbols are included throughout.
22.95
C1817: Les Anches Rebelles E-flat Clarinet, B-flat Clarinet and Piano by Jules Pillevestre. International Music Diffusion, 2010, SS, includes parts and piano score. Jules Pillevestre (1837-1903) was a French composer (especially of wind music including for military bands) and conductor. The piece is sectional with a variety of tempos and is a virtuosic showpiece for the two clarinets. College level.
21.95
C1742: 6 Original Duos for Two Clarinets by Ignaz Joseph Pleyel edited by Antonín Myslík. Edition Kneusslin/Edition Kunzelmann, 1977, SS, 10 + 9 pages (individual parts; no score). Ignaz Joseph Pleyel (1757-1831) was a prolific Austrian composer. This set of duets is based on a manuscript from early in the 19th century. Notes on the editing are included. The duets are: 1. Allegro, 2. Rondo Allegro, 3. Variationi (theme and five variations), 4. Rondo Allegro, 5. Andante grazioso, and 6. Rondo Allegretto. Early college level.
23.75
C198: Duets for Two Clarinets (No. 2) by Ignace Pleyel arranged and edited by David Glazer. Allegro Music/Oxford University Press, 1969, 23 pages. These pieces are from the Duets for Violin, Op. 8, No. 4 and Op., 59 Nos. 4 and 1. These duets are probably suitable for third year students who can play in the altissimo (up to F).
19.95
C524: Il convegno Divertimento for Two Clarinets and Piano by Amilcare Ponchielli edited by Gunther Joppig. Ricordi, 1989, SS. Includes separate clarinet parts (with the cadenza shown in score format). While the composer called this work a divertimento, he dropped the form of separate movements and instead used connected sections which resembles the form of a potpourri. Canitlenas with operatic characteristics are interspersed with virtuoso passages.
The Art of the Clarinettist - BradburyCrossing the Line: Combs & DanielsHomenatge a Josep Taléns Sebasti�  - Trio Josep Taléns
14.95
C459: Sonata for Two Clarinets by Francis Poulenc. Chester Music, 1919, SS, 11 pages. The music is in score format. This is an unaccompanied duet is for one A and one B-flat clarinet. There are three movements: Presto, Andante, and Vif. It is excellent ensemble material for good college clarinetists and professional performers.
Clarinet XXth Century Vol. 2.Times for Flying - Lawson & SoamesStanley Drucker, Principal Clarinet NY PhilClarinet Solos, Duos, TriosHomenatge a Josep Taléns Sebasti�  - Trio Josep Taléns
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13.95
C1615: Figarello's Morningsong Clarinet Duet for B-flat Soprano and Bass Clarinet by Alfred Prinz. Woodwindiana, 2008, SS, 7 pages (score format). This 3:30 minute spoof of music from the Marriage of Figaro presents several of the well-known melodies in a funny and surprising juxtaposition. Guaranteed to make your audience chuckle. College level.
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12.95
C439: Meeting Duo for B-flat Clarinet and Bass Clarinet by Alfred Prinz. Woodwindiana, 1999, SS, 11 pages (score format). Written for and premiered by Ricardo Morales and Howard Klug, this three-movement, highly-contrasting duet is an equal challenge for both players. A low C bass clarinet is needed. A very nice piece in three movements. About 7 minutes. Click here to listed to an audio recording which starts at the Vivace leggiero in the first movement.. Click on the cover image to view the second page.
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9.95
C1704: Easy Blue Clarinet Duets by James Rae. Universal Edition, 2006, 22 pages. There are 15 original duets in this book in score format. The first eight duets are entirely in the lower register. The styles are more than just blues, with rock and swing included, too. While this book is at the lower intermediate level, it provides lots of material for working on jazz rhythms.
14.95
C501: Easy Jazzy Duets Clarinets by James Rae. Universal Edition, 1994, 21 pages. The 10 original duets in this book are the easiest of any of the duets by Rae listed here. They are entirely in the chalumeau register and would be suitable for an inexperienced student to play with their teacher. The parts are on facing pages. (Note: if you are looking for a book which is a bit more difficult and includes the clarion register, try Easy Jazzy Duets Saxophones.)
14.95
C502: Jazzy Duets 2 Clarinets by James Rae. Universal Edition, 1991, 11 pages. This book has five original duets in score format. While intended for young players (about third year or so), they could also benefit more experience players who haven't been exposed to jazz.
15.95
C523: Latin Clarinet Duets by James Rae. Universal Edition, 2001, SS, 13 pages. Five original duets in the "Latin American" idiom. Suitable for high school and recreational players.
14.95
C1231: Screwball for Clarinet Duet by James Rae. Queen's Temple Publications, 2002, SS, 3 pages. A short original duet by Rae in a Vivace 2/4 with a few bars of 3/8. Lots of dynamic contrast. A bit above the middle of the intermediate level.
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7.95
C1362: Vier Miniaturen for Two Clarinets in B-flat by Johannes Reiche. Hofmeister, 1996, SS, 5 pages (in score format). Johannes Reiche (1955-) is a German composer, conductor, teacher and clarinetist. The four miniatures are 1. Moderato, 2. Burlesco, 3. Cantabile, and 4. Con moto. The first three are not at all difficult and can probably be played by most second or third year students. The last piece is at the intermediate level. The parts are of equal difficulty.
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9.95
C574: Favourite Pieces from Rossini Operas for Two Clarinets edited by Pamela Weston. Universal Edition, 1988, SS, 34 pages. The arranger of these nine duets, first published in 1819, is unfortunately unknown. The pieces are from Il barbiere di Siviglia, Otello, Elisabetta, Il turco in Italia, La gazza ladra, and Tancredi. Some of these duets will be playable by good high school players with the rest being more advanced. Score format.
23.95
C1926: Sonata III per Due Clarinetti by Gioachino Rossini arranged Michele Mangani. Edizioni Eufonia, SS, includes individual parts (each six pages long) and score. This arrangement was made from the original, first published in 1826, for two violins, cello and double bass. The notes (in Italian and English) says it adheres faithfully to all the thematic material while often incorporating the accompaniment. In three movements: Allegro, Andante, and Moderato. The notes say: ". . . the first movement is characterized by energetic and volitive accents, while the second has a curious structure in three sections and seems like a real operatic aria, including a proper introduction. The finale, in the form of a theme and variation, is the movement which traditionally highlights the virtuosic abilities of each player." Early college level. Click on the cover image to view the score.
23.95
C609: Sonata for Two Clarinets and Piano by Gary Schocker. Theodore Presser Co., 1998. SS. Composer and noted flutist Gary Schocker won first prize with this piece at the International Clarinet Association composition in 1996. It is in three movements: I. Allegro moderato (with time signatures shifting between 6/8, 9/8 and 12/8), II. Adagio non troppo, and III. Allegro vivo (but with many changes in tempo). College level.
Old World Meets New World - Michèle GingrasAmerican Clarinet Treasures - N. & S. Drucker
31.95
C2506: Sonata No. 2 for Two Clarinets and Piano by Gary Schocker. Alry Publications, 2015, SS. This piece is in four movements: I. Introduction (mm=92), II. Interruption (mm=144), III. Infatuation (mm=60), and IV. Inconclusive (mm=112). College level. Click here to view a portion of this piece in a video on YouTube.
24.95
C1888: Duo Sonata for Clarinet and Bass Clarinet by Gunther Schuller. Associated Music Publishers, 1976, SS, 12 pages (two copies in score format). This is a college level work in three movements: I. Adagio (6/8 with some 3/4, eighth note at 84), II. (2/4, quarter note = 60), III. Allegro (2/4, quarter note = 92-96). Both parts are challenging. The bass clarinet is mostly in the clarion and altissimo registers.
17.95
C799: Non Solo... Sed Etiam for 2 clarinets by Patrice Sciortino. International Music Diffusion, 1992, SS, 4 pages with two copies of the parts in score format. Patrice Sciortino (1922-) is a French composer and music educator. The title appears to have been inspired by the Latin phrase Non solum... sed etiam which means Not only... but also. There are two movements. One is Moderato dolce and features many time signatures. The second is Vif and has an interesting array of interactions between the parts. College level.
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15.95
C795: Sore for clarinet and bass clarinet duet by Patrice Sciortino. International Music Diffusion, 1992, SS, 12 pages with two copies of the parts in score format. This advanced duet dedicated to Jean Mark Volta would be perfect for a graduate recital. Features some high altissimo in the both parts and notes in the extended range for the bass clarinet.
19.95
C2440: Samson and Buddha for two clarinets in B-flat by Jose Serebrier. Peermusic, 2016, SS, 4 pages (2 copies in score format). José Serebrier (1938-) is a Uruguayan conductor and composer. This piece which was original for flute duet, was written in memory of the composer's Maltese Samson and his stuffed hippo Buddha. The dog and the hippo were inseparable. While this piece is probably at the early college level at most, it does have some higher notes with both parts reaching altissimo A. Click on the cover image to view the first page.
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10.95
C1153: Prelude, Blues and Finale for Two Clarinets in A (or Clarinet in A and Viola) and Piano by Elie Siegmeister. Carl Fischer, SS. Elie Siegmeister (1909-1991) was an American composer, educator and author. This is a challenging and exciting piece that was composed for Stanley and Naomi Drucker and Blanche Abram and premiered by them in 1984. This edition was copied from a manuscript which appears to have had a number of corrections (cut and paste) especially in the first few pages. It is supplied with a piano score, and a part with the first and second clarinet part and another with the first clarinet and viola part, so when played by two clarinetists they each have their own part. Duration about 16 minutes. When we discovered this piece (from the CD) is was a rental only. We have pestered Carl Fischer/Presser sufficiently that they have decided to make it available as a custom print. Sorry about the price.
Stanley Drucker, Principal Clarinet NY Phil
95.25
C522: Jazz Set for Two Clarinets by William O. Smith. Universal Edition, 1986, SS, 12 pages. The composer (who is also known as Bill Smith) wrote, "I have written several Jazz Sets for various instruments. They have in common a combination of jazz rhythms with atonal melodic lines derived from 12-note sets. Although they may be played by jazz players in a jazz style, they may be performed equally well by players without jazz experience. I hope that they are easy enough for any good clarinetist to perform and enjoy." There are five original duets in score format with some variation in difficulty.
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16.95
C1667: Belwin Master Duets Clarinet Easy Volume 1 composed or arranged by Keith Snell. Belwin/Alfred, 1986, SS, 32 pages, score format. These duets are at the mid-first year and second year level (some are completely in the lower register). W.A. Mozart Allegro and Cavatine; Joseph Haydn Andantino; G.F Handel Bouree in F from The Water Music, Bouree, March, and Passepied; Michael Praetorius Bransle de la Torche; American Traditional Down in the Willow Gardens; British Folk Song The Eddystone Light; Traditional English Ballad; Keith Snell Etude in D, Four Little Dances, Hopscotch, The Hunt, Road Runner, Slurs & Ties, and Summer Song; L. van Beethoven German Dance; British Folk Song The Keeper; Franz Schubert Landler from Hommage aux Belles Viennoises; Scottish Folk Song Macpherson's Farewell; J.S. Bach Marsch; G.P. Telemann Minuet; and Johann Kaspar Fischer Rigaudon.
7.95
C1668: Belwin Master Duets Clarinet Easy Volume 2 composed or arranged by Keith Snell. Belwin/Alfred, 1986, SS, 32 pages, score format. These duets are at the mid-first year and second year level (quite a few are completely in the lower register). William Byrd The Carman's Whistle; Keith Snell Echo Polka, Evening Song, March, Processional, Ten Easy Duets for Clarinet, and Toccata; Johann Kaspar Fischer Gavotte; Franz Anton Maichelbek Gavotte; W.A. Mozart Little Minuet and Little Song; G.F. Handel March and Menuet; Michael Praetorius Rensaissance Dance; Georg Böhm Rigaudon; Traditional Swedish Folk Song; and L.v. Beethoven Vocalise.
7.95
C1669: Belwin Master Duets Clarinet Intermediate Volume 1 composed or arranged by Keith Snell. Belwin/Alfred, 1986, SS, 32 pages, score format. These duets occupy a fairly wide range of difficulty at the intermediate level. American Folk Song The Mermaid; British Folk Song Lincolnshire Poacher; Jamaican Folk Song Linstead Market; W.A. Mozart Rondo and Sonatine; Keith Snell The Bells, Licorice Stick Rag, Lopsided Polka and Serenade in Four Movements; J.S. Bach Three Two-Part Inventions No. 1, No. 10 and No. 13; James Hook Rustic Dance; and Domenico Scarlatti Sonata.
7.95
C1670: Belwin Master Duets Clarinet Intermediate Volume 2 composed or arranged by Keith Snell. Belwin/Alfred, 1986, SS, 32 pages, score format. Overall these duets are somewhat easier than Volume 1 (above). American Folk Song El-A-Noy; Irish Folk Song The Minstrel Boy; W.A. Mozart Allegretto, Andante, and Menuett; Keith Snell Easy Sailing, March for Little John, Minuet, Prelude & Fughetta, and Serenade; J.S. Bach Bourrée; Traditional Austrian Dance; J.G. Witthauer Scherzino; L.v. Beethoven March; Johann Pachelbel Fughetta; J.W. Hässler Capriccio; G.F. Handel Courante in F; and Charles Gounod Etude.
7.95
C1671: Belwin Master Duets Clarinet Advanced Volume 1 composed or arranged by Keith Snell. Belwin/Alfred, 1986, SS, 32 pages, score format. These duets are generally in the upper intermediate range of difficulty with some variation. Two American Fiddlin' Tunes Soldier's Joy and Fisher's Hornpipe, W.A. Mozart Rondo, Keith Snell Etude in C and Nickelodeon Rag, G.F. Handel Gigue, Amand Vanderhagen Rondeau in E Flat, L.v. Beethoven Scherzo, J.S. Bach Two-Part Inventions No. 4 and No. 8, and Anton Diabelli Rondo in A flat.
7.95
C1672: Belwin Master Duets Clarinet Advanced Volume 2 composed or arranged by Keith Snell. Belwin/Alfred, 1991, SS, 32 pages, score format. A bit more challenging than Volume 1 (key signatures in particular). J. S. Bach Air; Shaker Hymn Tune Simple Gifts; W.A. Mozart Andante, Allegro (from Sonata No. 6 for Violin and Piano), and Duet (from The Magic Flute); Keith Snell Blues, Caprice, and Flying Fingers Polka; Arcangelo Corelli Allegro (from Sonata XII); Irish Folk Song The Next Market Day; G.F. Handel Capriccio in F; L.v. Beethoven Rondo; J.S. Bach Air (from French Suite No. 2 in C minor); and F.J. Haydn Farewell.
7.95
C1367: Duetto für Klarinetten Op. 8 by Johann Sobeck edited by Edgar Eichstädter. Hofmeister, 2001, SS, (includes score and individual parts). Johann Sobeck (1831-1914) was a Czech (Bohemian) composer, clarinetist, and teacher who was given many awards during his lifetime. In three movements: Adagio/Allegro comodo, Intermezzo (Andante), and Alla galoppo fuocoso. This is a relatively long work (each part is 8 pages) at the early college level.
16.95

C363: Easy Classics for Clarinet selected and arranged by Peter Spitzer with piano accompaniments by Jannette Spitzer and Laura Spitzer. Mel Bay, SS, 1997, 39 + 31 pages. This book of easy classical pieces may be used solo or duet playing with or without piano accompaniment. There are books for clarinet, flute, alto sax, tenor sax, trumpet, and they may be used together. The level is generally second year or early third year with no altissimo noted and some second parts entirely in the lowest register. Includes arrangements of pieces such as Hungarian Dance #5, Radetzky March, William Tell Overture, Sleeping Beauty Waltz, and 12 more. Click on the cover image to view the Table of Contents. Use your browser's Back button to return.
9.95
V055: Recitative and Aria "Ich bin allein" from the Opera Faust for soprano and piano with clarinet obbligato or two clarinet and piano by Louis Spohr edited by Pamela Weston. European Music Archive, 1983/2003, SS. Includes piano score with both the vocal and clarinet parts, clarinet obbligato part with the vocal part and the clarinet part as an alternative to the vocal part. This piece was originally written by Spohr in 1811. In 1852, he inserted it into his opera Faust which he was conducting in London and which he had expanded from two acts to three.
22.95
C1019: Concerto in B-flat Major for 2 Clarinets and Orchestra (Piano Reduction) by Carl Stamitz edited by Walter Lebermann with piano reduction by Theo Mölich. Edition Peters, 1968, SS, (there are 2 copies of the clarinet part which is in score format). This work is in three movements: Allegro (4/4), Andante moderato (2/4) and Tempo di Minuetto (3/8). There are cadenzas provided in the first two movements. This is a college level work with the two clarinet parts generally moving together in thirds.
Carl Stamitz: Clarinet Concertos Vol 1
37.75
C2147: Old Shoes Op. 54 Duets for Clarinet and Bass Clarinet by Don Stewart. Trillenium Music, 2013, SS, 13 pages. This work is in score format (2 copies) which some extra pages included to avoid page turns. This work was originally for clarinet and bassoon (WW325). The soprano clarinet part has the bassoon part on the second staff. Four pieces: 1. Some Blues, 2. After Mose (a down-south funk), 3. Waltz, and 4. After Cole (Porter, in the style of Billy May both a show-tune and a bop). College level. Click on the cover image to view a sample page.
39.95
C1487: 30 Melodious Duets for Two Clarinets arranged by Carl Strommen. Kendor Music, 2009, 54 pages, score format. A new collection of duets based on arrangements of works by Bach, Beethoven, Mozart, Hook, Tchaikovsky, Telemann, Correlli and others along with 9 original duets by Strommen. Generally at the early intermediate level with a few that are a bit more difficult.
13.50
C883: Six Canonic Sonatas for Two Clarinets by George Philipp Telemann edited by Reginald Kell. International Music Co., 1956 & 1959, SS, 17 pages (one copy). This music was originally for flutes or violins. In each sonata the second player starts from the beginning after the first player has reached a marked point in the music one to three measures from the beginning. Looks like fun and a good test of your powers of concentration. Upper intermediate level.
14.25
C417: 65 Progressive Duets (Easy to Medium) for Two Clarinets edited and arranged by Himie Voxman. Southern Music Co., 1968, SS, 64 pages. A variety of interesting duets from classical works from late first year to third or fourth year difficulty level. These mostly equal duets are in score format and range in length from a few lines to four pages.
27.95
C572: From the Baroque Duets for Clarinet compiled and edited by Himie Voxman. Rubank, 2005, SS, 102 pages. This is the first new collection by Himie Voxman in many years. It is 38 duets from the works of Wilhelm Fiedemann Bach (selected movements from his flute duets), Jean-Marie Leclair (from violin duets), and Georg Phillip Telemann (from his flute duets). These are equal duets at about the same level as the Selected Duets for Clarinet Vol. 2 Advanced shown below.
8.95

C166: Selected Duets for Clarinet Vol. 1 Easy-Medium compiled and edited by Himie Voxman. Rubank, 1947, SS. 72 pages. Equal parts. An excellent book of duets (as is the second volume).

C167: Selected Duets for Clarinet Vol. 2 Advanced compiled and edited by Himie Voxman. Rubank, 1947, SS. 72 pages. Equal parts.

Vol. 1
8.95

Vol. 2
9.95

C936: Weber Grand Duo Concertant Op. 48 transcribed for two clarinets by Gustave Langenus. Carl Fischer, 1966, SS, 23 pages. A rather amazing feat, the transcription of this well known work by Carl Maria von Weber is a lot of fun to play. The parts are in score format and are of equal difficulty.
9.95
C840: Seven Easy Duets for Two Clarinets by Alec Wilder. Margun Music, 1979, SS, 11 pages (includes two copies in score format). These duets by American composer Alec Wilder (1907-1980) are at the intermediate level. There is nothing difficult about the rhythms in these short duets but most feature many accidentals. They should be excellent for sight reading practice.
11.95
C1673: Tres dúos concertantes by Miguel Wirtz edited by Pedro Rubio. Bassus Ediciones Musicales, 2010, SS, 38 pages. Three quite lengthy duets in score format. These pieces were found in the library of the Royal Conservatory of Music in Madrid and have been dated to about 1808. Nothing is known about the composer except that he wrote some additional music. This edition includes an image of the original composition. Advanced intermediate/early college level.
21.95
C1893: Duets for Clarinet by Gabriel Yared. Chester Music, 2011, SS, (individual parts and 2 CDs). Gabriel Yared (1949-) is a Lebanese composer, best known for his work in French and American cinema. The composer decided to learn how to play the cello and the clarinet two of his favorite instruments. He was inspired to write these duets as a learning and teaching tool. The range in difficulty from early to advanced intermediate. Some have parts of equal difficulty while in others one part can be played by the student and a more difficult one by the teacher. There are 2 CDs one with a performance of both parts together and the other for play along purposes with both parts played individually.
19.95
C1517: Barbarito's Dance for two clarinets in B-flat and piano by Javier Zalba. Advance Music, 2009, SS, (includes piano score, individual parts and CD). This piece is dedicated to Barbarito Torres, a Cuban jazz musician of the Afro-Cuban style. The tempo of this piece is Moderato (mm=100) and features a middle section where the clarinets trade solos every 8 bars. The changes for the solos are on the parts but there are also supplementary sheets with the solos written out. The CD has both a complete performance and a recording of the piano part only. High school students may have fun with this piece but it would probably require college level skills for performance.
16.95

Clarinet Trios
C1554: "Baby Bach" Pieces for Beginning Piano transcribed for Basset Horn Trio, Clarinet Trio, Two Clarinets and Bassoon, or Two Clarinets and Bass Clarinet by David Glenn. Bassetti Paletti Publications, 2009, SB/SS. Includes score and parts. These short pieces are from BWV 691, 899, 900, 927, 928, 931, 933, 939, 941, 943, 952, 953, and 988. While the title makes it sound as if these are easy pieces this is not the case. They are at the upper intermediate level at a minimum. In addition to the combinations listed above, they could also be played by two clarinets in A and a basset clarinet in A.
49.95
Written in 1722-1727 by Bach for either a pedal harpsichord or an organ during his last year at Cöthen and first years at Leipzig, these "pre-classical" Italian instrumental-type form sonatas adapt well for clarinet trio. Excellent recital literature for trio or clarinet choir (doubling parts).

C440: Bach Sonata I in E-flat Major BWV 525 arranged and edited by Howard Klug. Woodwindiana, 2002, SS, (includes score). This Bach Sonata has been arranged for two B-flat clarinets (with an alternate first part for E-flat clarinet) and bass clarinet with an alternate part for bassoon. Individual parts for all instruments.

C710: Bach Sonata II in C Minor BWV 526 arranged and edited by Howard Klug. Woodwindiana, 2000, SS, (includes score). This Bach Sonata has been arranged for two B-flat clarinets and bass clarinet with alternate parts for E-flat clarinet and bassoon. Individual parts for all instruments. Click here to view the first page of the score.

C441: Bach Sonata III in D Minor BWV 527 arranged and edited by Howard Klug. Woodwindiana, 2004, SS, (includes score). This Bach Sonata has been arranged for two B-flat clarinets and bass clarinet with an alternate part for bassoon. Individual parts for all instruments.
C440:
16.00
C710:
16.00
C441:
16.00


C442: Bach Sonata IV in E Minor BWV 528 arranged and edited by Howard Klug. Woodwindiana, 2004, SS, (includes score). This Bach Sonata has been arranged for two B-flat clarinets and bass clarinet with an alternate part for bassoon. Individual parts for all instruments.

C443: Bach Sonata V in C Major BWV 529 arranged and edited by Howard Klug. Woodwindiana, 2002, SS, (includes score). This Bach Sonata has been arranged for two B-flat clarinets and bass clarinet with an alternate part for bassoon. Individual parts for all instruments.

C444: Bach Sonata VI in G Major BWV 530 arranged and edited by Howard Klug. Woodwindiana, 2004, SS. This Bach Sonata has been arranged for two B-flat clarinets and bass clarinet. Individual parts for each instruments.
C442:
16.00
C443:
16.00
C444:
16.00
 

C1891: Chromatic Fantasia & Fugue in D minor BWV 903 for Two Clarinets and Bass Clarinet by Johann Sebastian Bach transcribed and edited by Richard Stoltzman. Lauren Keiser, 2011, SS, includes parts and score (for the Fugue) + CD. The Chromatic Fantasia is a clarinet solo (college level). The Fugue is the trio (early college level). The CD has a complete performance of the entire work and the second clarinet and bass clarinet parts for the Fugue that can be used as a play along. Includes performance notes by Richard Stoltzman.
19.95

C1840: Three Bach Pieces by Johann Sebastian Bach arranged for two clarinets and bass clarinet by Nicolas J. Contorno. Almitra Music Co./Kendor Music, 2011, includes parts and score. The pieces are Prelude in C (BWV 943) Adagio, Gigue (BWV 597) Andante, and Fugue (BWV 717) Moderato. The total duration is about 11 minutes. The publisher lists this as (US) grade 4 piece. It is probably on the lower end of the grade and could be played by most high school level trios. Click on the cover image to see the first two pages of the score.
15.50

C1551: Three Part Invention (No. 7) by Johann Sebastian Bach arranged for two clarinets and bass clarinet by Harry R. Gee. Cojarco Music/Kendor Music, 2010, includes parts and score. The piece is in 3/4 time marked Andante espressivo (eighth note = 92). The parts are equal and the duration is about 3 minutes. The publisher has this as (US) grade 3 piece and it is probably on the upper end of that difficulty level.
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7.95
G240: Classical FlexTrios B-Flat Woodwind Instruments arranged by Andrew Balent. Almitra Music/Kendor Music, 2013, SS, 29 pages. These 18 (US) grade 2-3 (several on the upper end of grade 3 at least) cover a wide range of styles from the Baroque era to the 20th Century. Published in score format for any combination of instruments using the appropriate key-compatible books. Click on the cover image to view the table of contents.

G241: Classical FlexTrios E-Flat Instruments arranged by Andrew Balent. Almitra Music/Kendor Music, 2013, SS, 29 pages. We can also order books for Flute and Oboe, B-flat brass instruments, Horn, Bass Clef Instruments, and Percussion.

G242: Classical FlexTrios Piano Accompaniment (optional) arranged by Andrew Balent. Almitra Music/Kendor Music, 2013, SS, 38 pages. These books include the instrumental parts and well as the piano.
B-Flat WW
11.50

E-Flat
11.50
Piano
12.50
WW380: Classical FlexTrios for Woodwinds arranged by Andrew Balent. Almitra Music/Kendor Music, 2017, SS, 10 pages (x 4). This flexible (US) grade 3 collection contains five well-known classical and traditional pieces that can be played by any combination of 3 woodwind instruments. Contents: Trumpet Voluntary (Clark), Turkish March (Beethoven), Greensleeves, March Of The Priests (Mozart) and Hungarian Dance No. 5 (Brahms). In score format for C, B-flat, E-flat and bass clef instruments. Click on the cover image to view the table of contents and a sample page from one book.
13.50

C1563: Trio Op. 87 by Ludwig van Beethoven edited and transcribed for Three Clarinets by Albert J. Andraud. Southern Music Co., 1942/2002. SS, includes parts and score. This arrangement will give clarinet trios at the early college level (and probably some advanced high school students) an opportunity to enjoy this piece which was originally for two oboes and English horn.
29.95
C1832: Al Cavallino Bianco for two clarinets and bass clarinet by Ralph Benatzky arranged by Michele Mangani. Edizioni Eufonia, SS, includes parts and score. This is a fantasia from the operetta Al Cavallino Bianco (At the White Horse, which is apparently the name of a hotel). It had its premier in 1930 and is set in a lake resort in Austria. The piece is sectional with a slow fox trot, two waltzes and a final march. Tonal and one of our most enjoyable trios. Suitable for better high school and adult amateur trios.
24.95

C2070: Clarinet Trios from Around the World for Three B-flat Clarinets written or arranged by Florian Bramböck. Universal Edition, 2013, includes parts and score. This book has 10 trios in a variety of styles and from easy to moderately difficult. Five are originals by Bramböck. The arrangements are of Bei mir bist du schean, Pata Pata, Der Weg su mein Dirndl is stoani, My Bonnie Lies Over the Ocean and Danny Boy. Click on the cover image to view a sample page from the score.
29.95

C1484: The Ash Grove Trio for Three B-flat Clarinets arranged by Arthur H. Brandenburg. Carl Fischer, 1935. This short piece is a Welsh folk song. Probably suitable for second year students. The tempo is moderato con moto and the melody is mostly quarter and eighth notes. The parts are equal and all have the melody at some point. Includes parts and score.
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7.50

C1144: Bachanale for Clarinet Trio by Zefir Brezeanu. Woodwindiana, 2005, (includes score and parts). This piece is for two B-flat clarinets and bass clarinet (or bassoon). It is based on Bach's Invention XIII, using a jazz approach to give the familiar melody a new life. College level. Here is a video of this piece being performed by the Mariinsky Clarinet Club.
5 & 1 - Mariinsky Clarinet Club
12.95
C1547: Images for Three Clarinets by Charles Camilleri. Roberton Publications/Goodmusic Publishing, 1978, SS, 9 pages in score format. Charles Camilleri (1931-2009) was a Maltese composer and is regarded as Malta's national composer. This piece is different than most of his works for clarinet and was apparently inspired by computer music. Something unusual for a senior or graduate recital. Strong rhythmic and articulation skills are required.
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6.95
C2514: Familiar Classics for Three (Clarinets) arranged by Bob Cerulli. Almitra Music/Kendor Music, 2017, SS, includes parts and score. These diverse titles display the versatility of the clarinet in lyrical and technical passages in all registers and dynamic levels. Contents: Londonderry Air (traditional), Over the Waves (Rosas), Can Can (Offenbach), The Toreador Song (Bizet), Air from Suite No. 3 in D (Bach), El Choclo (Villoldo), Nola (Arndt), Clarinet Polka (traditional), American Patrol (Meacham), and March Militaire (Schubert). Generally, in these arrangements the melody moves from part to part so they are roughly equal in difficulty. The publisher rates this as (US) grade 3-4. Click on the cover image to view the Table of Contents and the first page of the score.
19.50
C1928: Compatible Trios for Winds for Clarinet, Trumpet, Tenor Saxophone or other B-flat instruments arranged or composed by Larry Clark. Carl Fischer, 2012, SS, 45 pages in score format. This collection contains 32 trios in a variety of styles from classical to folk, and includes some new original works as well. Each piece is playable by any combination of three wind instruments. Compatible Trios for Winds is especially useful in a school setting. Generally at an early intermediate level. Includes tunes such as The Irish Washerwoman, Brahms's Hungarian Dance No. 5, MacDowell's To a Wild Rose, and more. Click on the cover image to view the Table of Contents.
11.95
C829: Suite for Three Clarinets by Arnold Cooke. Emerson Edition, 1959/1989. SS. An enjoyable trio from English composer Cooke. Four movements: I. Allegro con brio, II. Allegretto scherzando, III. Andante pastorale, and IV. Allegro vivace. Early college/adult amateur level. Duration about 9 minutes.
This Green Tide - Dobrèe
26.95

C1784: Three Klezmer Trios for Three B-flat Clarinets by Mike Curtis. Advance Music, 1997, SS, (includes parts and score). Three traditional klezmer pieces arranged for 3 clarinets. Bulgar, Chassidic Nigunim and Freylach. Upper intermediate/lower advanced level. Click on the cover image to see the first page of the score.
19.95
C1489: Habanera from Aires Tropicales for Clarinet Trio (E-flat, B-flat Clarinet and Bass Clarinet) by Paquito D'Rivera. InternationalOpus, 1994. A movement from the Aires Tropicales (Suite) with challenging contrapuntal lines in a Latin style similar to the Ravel Habanera.
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11.95
WW082: Mar' au Hall for Clarinet Trio or Saxophone Trio by Ramon de Herrera. International Music Diffusion, 1997, SS, includes parts for both clarinets and saxophones and the score. For two B-flat clarinets and bass clarinet or alto, tenor, and baritone saxophone. It is brief piece at mm=138. The score shows the key the clarinets use. This piece could be used for a mixed ensemble. Click on the cover image to view the first page of the score.
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12.95
WW083: Riz-au-Main for Clarinet Trio or Saxophone Trio by Ramon de Herrera. International Music Diffusion, 1997, SS, includes parts for both clarinets and saxophones and the score. The parts can be performed as follows: Part A: B-flat clarinet, alto saxophone or E-flat clarinet; Part B: B-flat clarinet, tenor saxophone or alto clarinet; and Part C: clarinet in B-flat, bass clarinet, baritone saxophone or contra alto clarinet. The score shows the key the B-flat instruments use. This piece could be used for a mixed ensemble. Click on the cover image to view the first page of the score.
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12.95
C1475: Salon Pieces for Two to Four Clarinets arranged by Roland Erben. Kunzelmann, 2009, SS. Includes parts and score. This book contains 20 clarinet duets (7), trios (6), and quartets (7). They are at the intermediate level and advanced intermediate level. The most difficult piece is an arrangement of Scott Joplin's The Entertainer for clarinet quartet. Click on the cover image to view the pieces as listed in the Table of Contents. Use your browser's Back button to return.
38.95
G283: Compatible Trios for Church for Clarinet, Trumpet, Tenor Saxophone or other B-flat instruments arranged by Doris Gazda and Larry Clark. Carl Fischer, 2015, SS, 44 pages in score format. This unique collection contains trio settings of popular church hymns that can be played by any combination of three instruments, giving you the opportunity to perform these settings with any wind, brass, or strings. A piano score is available that contains piano/keyboard parts along with a concert pitch score of the instrumental music. Includes: A Mighty Fortress Is Our God (Ein feste Burg); Abide with Me (Eventide); Amazing Grace; America, the Beautiful (Materna); Battle Hymn of the Republic; Come, Ye Thankful People (St. George’s Windsor); Eternal Father, Strong to Save; Faith of Our Fathers; For the Beauty of the Earth; God of Our Fathers (National Hymn); Holy, Holy, Holy; Joyful, Joyful; Let Us Break Bread Together; Nearer, My God, to Thee; Now Thank We All Our God (Nun danket alle Gott); Praise God, from Whom All Blessings Flow (Old 100th); Prayer of Thanksgiving (Kremser); Rock of Ages; Still, Still with Thee; The Church’s One Foundation; We, Thy People, Praise Thee (St. Anthony Chorale); andWhat a Friend We Have in Jesus. We carry the books for B-flat, E-flat and bass clef instruments and can order the rest. Click on the cover image to view the first page of the music.
14.95
WW369: Compatible Trios for Weddings for Clarinet, Trumpet and/or Tenor Saxophone in B-flat arranged by Doris Gazda and Larry Clark. Carl Fischer, 2016, SS, 46 pages in score format. This unique collection contains trio settings of popular music for wedding ceremonies that can be played by any combination of three instruments--wind, brass, or strings. Included are classic songs for pre-ceremony, processional, recessional, and post-ceremony, such as Air on the G-String, Amazing Grace, Ave Maria, Bridal Chorus, Canon in D, Jesu, Joy of Man's Desiring, Trumpet Voluntary, and Wedding March. We have editions for violin/oboe, E-flat, and bass clef and can order the versions for Flute, Horn in F, Tuba and a piano score that contains piano/keyboard parts along with a concert pitch score of the instrumental music. Click on the cover image to view sample pages from the piano score book which includes the trio parts.
12.95
C1260: Blues for Basset Hounds for Basset Horn Trio, Clarinet Trio, Two Clarinets and Bassoon, or Two Clarinets and Bass Clarinet by Peter Geisler. Bassetti Paletti Publications, 2008. Includes score and parts. A short blues in swing style with the opportunity for improvisation.
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10.95
C1833: Blues from an American in Paris for two clarinets and bass clarinet by George Gershwin arranged by Michele Mangani. Edizioni Eufonia, SS, includes parts and score. An interesting looking arrangement with relatively independent parts. Probably at the early college level but also suitable for many adult amateur trios.
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19.95
C1834: I Got Rhythm for two clarinets and bass clarinet by George Gershwin arranged by Michele Mangani. Edizioni Eufonia, SS, includes parts and score. At the advanced high school level but there is enough interesting material for any trio. The bass clarinet part, which has a few optional notes in the extended range, looks especially good. 
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20.95
C1523: Four Short Pieces for three Clarinets, Violins or other Instruments by Werner Wolf Glaser. Nordiska Musikförlaget Stockholm, 1970, SS. 5 pages (score format). Here are four trios at the intermediate level with a range from A above the staff to the A two octaves below. I. Non allegro, II. Allegro, III. Lento, and IV. Andante.
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9.95
C999: Schabbes, Schabbes-Yiddish Songs for Three Clarinets arranged by Peter Godon. Baerenreiter (BA 8160), 1998, SS, 14 pages. This book contains 11 Yiddish songs in score format and is at the lower intermediate and intermediate level. The songs are: Darkecho Eloikeinu; Schabbes, Schabbes, Schabbes; Papir is doch wayss; Hobn mir a nigendl; As der Rebbe lacht; Das freyleche Schnayderl; Wu is doss gessele?; Gassn-nign; Scherele; Asoj wayt awek fun mir; and Di nessi-e.
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13.50
C2329: Chromatic Waltz for Clarinet Trio by Percy Hall. LudwigMasters, 2011, SS, includes parts and score. For 3 B-flat clarinets. This piece which makes full use of the chromatic scale would be excellent for early high school (and possibly younger) clarinetists. While the tempo is Moderate waltz (mm=84), the many ritards and A Tempos add to the challenge. Click on the cover image to view the first page of the score.
7.95
C2224: Passacaglia by G.F. Händel (Handel) arranged by Bela Kovacs. EditionDarok, 2014, SS, includes parts and score. For 2 B-flat clarinets and bass clarinet or bassoon. It is from the Halvorsen Suite no. 7. This is a sectional piece with many tempos. Early college level. Click on the cover image to view the first page of the score.
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25.95
C1744: Handel Suite No. 11 arranged for clarinet trio by Robert S. Frost. Almitra Music/Kendor Music, 2011, SS, includes parts and score. Two movements: I. Allemande and II Sarabande. The publisher rates this at US grade 3 which appears to be right. Early high school level. For 3 B-flat clarinets but the third part could probably be performed on a bass clarinet.
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9.95
C1931: Trio Sonata for 2 Clarinets and Bass Clarinet by John Harbison. Associated Music Publishers, 1995, SS, includes parts and score. In four movements, all fast. The first and second movements have some mixed meter but it is all of the easier variety without fractional beats. Early college level with a duration of 5 minutes. There are editions of the piece for strings, double-reeds, clarinets, saxophones and keyboards. The composer suggests the performers try mixed configurations of instruments.
9.95
C1705: Haydn Trio No. 1 arranged for clarinet trio by A. Novak. EditionDarok, 2010, SS, includes parts and score. This is the first London Trio (Hob.:IV/1) which was originally written for two flutes and cello. Three movements: I. Allegro, II. Andante, and III. Vivace. Should be a lot of fun for all three performers. Early college level.
27.95
C324: Counterpoints on "come, sweet death" for Clarinet Trio by David Philip Hefti. Edition Kunzelmann, 2000, SS, 5 pages. In score format. For B-flat soprano clarinet, basset horn in F, and contrabass clarinet in B-flat. Uses extended techniques. Click on the cover image for a detailed description from the composer's web site. You will have to scroll down to find this piece.
Ensemble Clarino
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16.75
C2310: Clarinets in Concert arranged for Clarinet Trio by Kenneth and Bryan Henderson. Lake State Publications/LudwigMasters Publications, 2015, SS, includes parts and score. For 3 clarinets or 2 clarinets and bass clarinet. This collection has 9 pieces at the intermediate and upper intermediate level. They are: Henry Purcell Fantasia 3, Jean-Adam Guilain Basse de Trompette and Trio from Organ Pieces for Le Magnificat, Ludwig Van Beethoven Scherzo from Op. 33, Dominico Scarlatti Allegro from Suite II (for harpsichord) and Allegro from Suite XI (for harpsichord), J.S. Bach Prelude from Partita No. 1 and Allegro Moderato, and George Frideric Handel Courante from Suite Huitieme. Except for the Beethoven, these pieces were all written by composers born around 1685 and active in the early portion of the 1700s. Click on the cover image to view a sample page from the score.
24.95
C2033: Clarinet Polka arranged for Clarinet Solo, Duet or Trio with Piano by Herman A. Hummel. Rubank, 1946. The parts are relatively equal although only the first part has the trills and sixteenth note triplets. Click on the cover image to view the first page of the score.
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5.95
C806: Trio in B-Flat Major for 3 Clarinets by Joseph Friedrich Hummel. Simrock, 1964, SS, (includes score and parts). The trio was written around 1885-1890 and is in one extended movement (quarter note = 126). It is at the advance intermediate level with nearly equal parts (looks like a good piece for adult amateurs). There is now a "real" first clarinet part for this piece. Previously it was necessary to play that part from the score.
18.95
C354: Modern Clarinet Practice (Trios) Book 1 by Rudolf Jettel. Josef Weinberger, 1959. These books contain a total of 17 equal trios for three clarinets. Book 1 includes numbers 1 through 6. There are separate parts for each player. The first clarinet part includes the score with the other parts reduced in size and is cleverly printed to avoid page turns. For better high school players and beyond.

C355: Modern Clarinet Practice (Trios) Book 2 by Rudolf Jettel. Josef Weinberger, 1959. Book 2 is in the same format as Book 1 and includes trios numbers 7 through 12.

C356: Modern Clarinet Practice (Trios) Book 3 by Rudolf Jettel. Josef Weinberger, 1960. Book 3 is in the same format as Book 1 and includes trios numbers 13 through 17.

Book 1
41.95

Book 2
41.95

Book 3
36.50

C1881: The Entertainer for Clarinet Trio by Scott Joplin arranged by Frank J. Halferty. Kendor Music, 2012. Includes score and parts. This arrangement of The Entertainer (made famous by the movie The Sting) for three B-flat clarinets will be a crowd pleaser. Publisher's (US) grade 4 with a duration of 4:15. Click on the cover image for a .pdf file of the first two pages of the score.
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9.95
C1257: Scott Joplin Ragtimes Vol. 1 for Basset Horn Trio, Clarinet Trio, or Two Clarinets and Bassoon edited and arranged by David Glenn. Bassetti Paletti Publications, 2007, SB. Includes score and parts. A bass clarinet part can be downloaded from the publisher's web site (although the differences are limited to occasional phrases up an octave). Volume 1 has Elite Syncopations, Solace, Weeping Willow, and Rag Time Dance.
29.95
C1258: Scott Joplin Ragtimes Vol. 2 for Basset Horn Trio, Clarinet Trio, or Two Clarinets and Bassoon edited and arranged by David Glenn. Bassetti Paletti Publications, 2008, SB. Includes score and parts. A bass clarinet part can be downloaded from the publisher's web site (although the differences are limited to occasional phrases up an octave). Volume 2 has Peacherine Rag, Reflection Rag, The Entertainer, and Maple Leaf Rag.
29.95
C2047: Trio in D Minor by Sigfrid Karg-Elert arranged by George Waln. Kjos, 1974. Includes score and parts. For three B-flat clarinets. The is an arrangement of the Karg-Elert trio Op 49, No. 1 which was originally for clarinet, oboe and English horn. It is in two movements I. Sarabande (in 3/8, Slowly) and II. Rigaudon and Musette (cut time, Lively). The publisher rates it as grade 5 (US) although I think it is a bit easier than that. The parts are equal. Click on the cover image to view the first page of the score.
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5.00
C445: Ebony Suite Op. 116 by Michael Kibbe. Woodwindiana, 1999, SS, (includes score). For E-flat, B-flat, and bass clarinet. A compositionally conservative, four-movement piece (Prelude, Burlesque, Elegy, and Finale) of attractive, stylistic variations, Kibbe's Suite is an interesting challenge for the performers and a welcome, accessible 20th century work for the audience. About 12 minutes. Here is a video of this piece being performed by the Mariinsky Clarinet Club.

16.95
C1996: A Festival Trio Op. 184 B-flat Clarinet Trio by Michael Kibbe. Woodwindiana, 2010, SS, (includes score). For 3 B-flat clarinets. In three movements: I. Fanfare and Frolic (With elegance/Joyfully) and II. Fast Finale (Very quick). Early college level with a duration of about 5:30 minutes. Click on the cover image to view the first page of the score.
13.95
C1976: Inca Visions Op. 205 Clarinet Trio by Michael Kibbe. Woodwindiana, 2012, SS, (includes score). For B-flat, E-flat Alto, and Bass Clarinet. In three movements: I. Andante/Allegro, II. Andante/piu mosso/a tempo, III. Allegro con brio/Allegro molto. This is Michael Kibbe's first composition to feature the alto clarinet. Early college level with a duration of about 9 minutes. Click on the cover image to view the first page of the score.
16.95
C446: Shtetl Tanzen for Clarinet Trio by Michael Kibbe. Woodwindiana, 2003, SS, (includes score). For E-flat, B-flat, and bass clarinet. Capitalizing on the current wave of interest in the clarinet world for all things Klezmer, Michael Kibbe has written a two-movement collection of dances in this style. While utilizing no direct quotations from the established Klezmer literature, Kibbe uses many of the traditional dance types (Doina, Hora, Polka, Bulgar) as formal and stylistic elements of structure. About 10 minutes. Here is a video of this piece being performed by the Mariinsky Clarinet Club who also made the CD. Click on the cover image to view a sample page.
Bozza Nova - Marrinsky Clarinet Club
15.95
C1960: Three Irish Tunes for Clarinet Trio arranged by Michael Kibbe. Woodwindiana, 2006, SS, (includes score). For three B-flat clarinets. A setting of three contrasting Irish folk songs (The Curragh of Kildare, The Merchant's Daughter, and Michael Roy of Brooklyn City) with the melodies equally shared between all parts. The publisher rates this at (US) grade 3+. The duration is 4:25.

11.95
C2095: Variations Op. 42-B for Clarinet Trio by Michael Kibbe. Woodwindiana, 2010, SS, (includes score). For three B-flat clarinets. This work is based on the slow movement of first string quartet by Shostakovich. There is a statement of the theme and seven variations. Early college level with a duration of about 5:30. Click on the cover image to view the third page of the score (Moderato tempo).

13.95
C2388: Mr. Thomaskantor à  la J.S. Bach for Clarinet Trio by Béla Kovács. EditionDarok, 2015, SS, includes parts and score. For two B-flat clarinets and bass clarinet. The Thomaskantor is the musical director of the Thomanerchor in Leipzig, founded in 1212. He is appointed by Leipzig's city council and his duties are to lead the weekly services called Motette, Sunday services and other services in the Thomaskirche. Johann Sebastian Bach was the most famous Thomaskantor, he served from 1723 to 1750. The composer writes that the music of Bach inspired him to compose this piece. It begins with a brief Adagio which is followed by Allegro assai (mm = 140). The clarinet parts alternate playing the melody and occasionally play it in harmony. The bass clarinet part is primarily rhythmic accompaniment. This is based on the versions for solo clarinet in Homages (C703) and for clarinet and piano (C1887). Click on the cover image to view a sample page of the score (the tempo is Allegro assai).
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23.95
C2386: Paganiniana for clarinet trio by Béla Kovács. EditionDarok, 2015, SS, includes parts and score. For three B-flat clarinets. This piece was inspired by the Paganini Caprice XXIV but is not a transcription. It is in a theme and variations format. It is based on Kovacs' piece of the same name for clarinet and piano (C2225). College level.
25.95
C2387: Rondo Alla Mozart for clarinet trio by Béla Kovács. EditionDarok, 2015, SS, includes parts and score. For three B-flat clarinets. This is another of Kovacs' tribute pieces, in the style of Mozart and based on Kovac's piece of the same name for clarinet and piano (C2280). The trio parts rotate playing the melody. Advanced high school level and up with a duration of 3 minutes. Click on the cover image to view the first page of the score.
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23.95
C2427: 13 Pieces for 2 Clarinets and Viola or 3 Clarinets Op. 47 by Franz Krommer edited by Dieter Kühr. Amadeus Verlag, 1996, SS, parts only. Beginning with piece 8 all clarinet parts switch from B-flat clarinet to A clarinet. However, if three clarinets are used there is no reason to switch unless desired. The notes with this edition say the 13 pieces were written for musical entertainment during social occasions and for music making at home. They were first published around 1804.
20.95
C447: The Phoenix for Clarinet Trio by David Levin. Woodwindiana, 2002, SS, (includes score). For two B-flat clarinets and bass clarinet. Premiered at Indiana University in March, 2002 by Trio Indiana, this one movement, sectional piece, utilizes lyrical and technical chromaticism in an engaging and multi-textural way. About 8 minutes. Click on the cover image to view a sample page of the score (Tempo is mm=88).
11.95
C2327: Kater Bassetto for Basset Horn Trio by Rainer Lischka. Bassetti Paletti Publications, 2015, SS, includes parts and score. Rainer Lischka (1942-) is a German composer and music educator. This piece, which was written in 2011, is among the few contemporary works for basset horn. The composer wrote: "[It is] a piece in one movement which, in a humorous way, stylizes the lithesome movements of a strolling cat and in the middle section also suggest his wooing miaows [meows]." Click on the cover image to view the first page of the score.
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19.95
C1801: Four Tempers for B-flat Clarinet, 2 Bass Clarinets and Drum Set by Eric P. Mandat. Cirrus Music, 2009, includes all parts and score. I. Burning Up, II. Patience, III. Aggression, and IV. Burning Down. The moods expressed in Four Tempers, are not the composer's own, but simply his observations and sonic interpretation of the moods of others. The music should be played with unrelenting intensity, an almost controlled chaos. An advanced work. Both bass clarinet parts have altissimo and go into the extended range (very limited in the first bass clarinet part). Click on the cover image to view a sample page from the score (the last page of the first movement).
49.95
C2238: One Liners for Clarinet Trio by Eric P. Mandat. Cirrus Music, 2000, includes all parts and score. For B-flat and E-flat clarinet on the first part, B-flat on the second part and B-flat and bass clarinet on the third part. This piece has seven movements (from which the performers can pick and choose, or play them all): Reelistically Speaking, Life's Secrets, Lie(s), Within Reach, If We Look, Behind, The Punch Line. This is an advanced piece with fractional pitches and a few multiphonics (fingerings given), high altissimo, odd and mixed meter. Click on the cover image to view the first page of the first clarinet part.
39.95
C1653: I Saw 3 Ships Come Sailing In/Bring a Torch, Jeanette Isabella for Clarinet Trio arranged by Andy Middleton. Advance Music, 2008. SS, (includes score). Some Christmas music for two B-flat clarinets and bass clarinet. This is in 6/8 (in 2 with mm=84). This arrangement in a quasi-Baroque style features several variations interspersed with contrasting original material. It allows each member of the group a chance to play in a melodic role, and showcases a wide range of rhythmic and contrapuntal elements. Better high school clarinetists and up (there are a few rhythms that aren't seen very often).
19.95
C448: Rucaneao arranged by Jorge Montilla. Woodwindiana, 1999, SS, (includes score). For two B-flat clarinets and bass clarinet (with alternate bassoon part). As founder and E-flat clarinetist of the Caracas Clarinet Quartet, Montilla has produced an original, encore-type frolic through the South American dance form, the rucaneao. Tempo di Meregue in 5/8 time. About 3 minutes.
10.50

WW319: Adagio from the Serenade 'Gran Partitta' (K 361/370a) for 2 Clarinets and Bassoon or Bass Clarinet by Wolfgang Amadeus Mozart arranged by Anthony Masiello. MMHC Music Publications, 2014, SS, includes all parts and score. The lowest note in the bass clarinet part is a low F. Click on the cover image to view the first page of the score.
16.95
Trio di Clarone (Sabine Meyer, Wofgang Meyer, and Reiner Wehle) have prepared editions of five diveritmentos, KV Anh. 229 (439b). While it isn't mentioned, these pieces could also be played by two clarinets and bass clarinet.

C591: Divertimento No. 1 for three basset horns from KV Anh 229 (439b)
by Wolfgang Amadeus Mozart edited by the Trio di Clarone. Breitkopf & Haertel, 1989, SS. For three basset horns, two clarinets and bassoon, or three clarinets.
Mitchell Lurie, An American Master

C592: Divertimento No. 2 for three basset horns from KV Anh 229 (439b) by Wolfgang Amadeus Mozart edited by the Trio di Clarone. Breitkopf & Haertel, 1987, SS. For three basset horns, two clarinets and bassoon, or three clarinets.
No. 1
18.95


No. 2
19.95

C593: Divertimento No. 3 for three basset horns from KV Anh 229 (439b) by Wolfgang Amadeus Mozart edited by the Trio di Clarone. Breitkopf & Haertel, 1991, SS. For three basset horns, two clarinets and bassoon, or three clarinets.

C594: Divertimento No. 4 for three basset horns from KV Anh 229 (439b) by Wolfgang Amadeus Mozart edited by the Trio di Clarone. Breitkopf & Haertel, 1990, SS. For three basset horns, two clarinets and bassoon, or three clarinets.

C595: Divertimento No. 5 for three basset horns from KV Anh 229 (439b) by Wolfgang Amadeus Mozart edited by the Trio di Clarone. Breitkopf & Haertel, 1990, SS. For three basset horns, two clarinets and bassoon, or three clarinets.
No. 3
20.95

No. 4
17.95


No. 5
15.95

C449: Scherzo Fantastique B-flat Clarinet Trio by Alfred Prinz. Woodwindiana, 1999, SS, (includes score). A scampering, exciting and virtuosic romp for three B-flat clarinets in an attractive ABA package. Fun and challenging for all. About 5 minutes. Click here to play a sample which starts at the beginning.
11.95
C393: Trio (1997) by Alfred Prinz. Woodwindiana, 1998, SS, (includes score). Dedicated to Trio Indiana. For E-flat, B-flat, and bass clarinet (probably better with a low C bass but can be played with a low E-flat instrument). In three movements with sections in each. For advanced players. Here is a video of a performance (with some issues but the audio is ok). Click on the cover image to view the first page of the score.
Bridges to Bloomington
13.50
C450: Hasana Tanz for Clarinet Trio by David Snow. Woodwindiana, 2002, SS, (includes score). For E-flat, B-flat, and bass clarinet. This klezmer-influenced work whose title translates as Wedding Dance was the winning piece in the 1997/1998 Clarinet Trio Composition Contest at Indiana University. It includes some mixed meter. It is a sectional college level piece with a duration of about 4 1/2 minutes. Click here to listen to an audio clip from the beginning of this piece. Click on the cover image to view a sample page.
12.50
WW039: 18 Trios Vol. 1 by Anton Stadler. International Music Diffusion, 1996. Originally written for basset horns, this edition includes parts so that these trios can be played by 3 basset horns; 3 clarinets; 2 clarinets and bass clarinet or bassoon; oboe or flute, clarinet, and bassoon. Volume 1 has trios 1-5.

WW040: 18 Trios Vol. 2 by Anton Stadler. International Music Diffusion, 1996. Parts are the same as volume 1. Volume 2 has trios 6-18

Vol. 1
22.95

Vol. 2
23.95

C1000: Tchaikovsky Nutcraker Suite for Three Clarinets arranged by Michael Töpel. Baerenreiter (BA 8158), 1996, SS, 15 pages. Here is something for trios looking to add to their repertoire of holiday music. It is at the upper intermediate level, for three B-flat clarinets, and in score format. It includes: Ouverture miniature, Danses caractéistiques (Marche, Dance of the Sugar Plum Fairy, Russian Dance, Arabian Dance, Chinese Dance, Danse of the Reed Pipes) and concludes with Waltz of the Flowers.
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17.95
C1259: Largo from the Opera "Hermann von Unna" for Basset Horn Trio, Clarinet Trio, Two Clarinets and Bassoon, or Two Clarinets and Bass Clarinet by Georg Joseph "Abbé" Vogler edited by Peter Geisler. Bassetti Paletti Publications, 2007. Includes score and parts. This piece is a new edition after two historical sources. One of them is a contemporary opera score and the other is a later arrangement from the beginning of the 19th century by Giuseppe de Blumenthal (1782-1859). It has not been published before and is well suited for teaching and/or concert use.
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13.95
C1654: Chamber Music for Three Clarinets Vol. I (Easy) by Himie Voxman. Rubank, 1962, SS, 40 pages. Thirty-eight easy clarinet trios in score form. Suitable for contest, concert or church performance, these pieces appear on several state contest lists. Includes works by Billings, Faber, Grieg, Handel, Hummel, Bouffil, Schumann, Grieg, Mozart, Schubert, Purcell and others.

C1655: Chamber Music for Three Clarinets Vol. II (Medium) by Himie Voxman. Rubank, 1960, SS, 40 pages. Thirteen medium level clarinet trios in score form. Suitable for contest, concert or church performance, these pieces appear on several state contest lists. Adapted from works by Beethoven, Kummer, Haydn, Kuhlau, Mozart and others.

Vol. I
6.95

Vol. II
6.95

WW220: Prelude and Fugue for Two Clarinets and Bassoon (or Bass Clarinet) by Richard Walthew. Rosewood Publications, 1997, SB. Includes parts and score. Richard Walthew (1872-1951) was a British composer with a special affinity for chamber music. The Prelude is Andante Moderato and the Fugue is Andante espressivo. There are a few low Ds in the bass clarinet part. All of the parts are important and challenging at the early college level.
8.95
C1501: Second Grand Trio Concertante for Three Clarinets by James Waterson edited by Pamela Weston. Chester, 1981/1997, SS. Includes parts and score. In her foreword Pamela Weston said, "James Waterson (1834-1893) wrote quite prolifically for the clarinet. His compositions include four quartets, three trios, numbers duets, solos and studies. Many of these have the appellation 'Grand,' and grand they are in technical structure and value for the clarinet player. . ." In three movements: I. Allegretto scherzando, II. Andante sostenuto, and III. Allegro maestoso. Early college level.
25.95
G303: Carol of the Bells (B-flat edition) for Tenor or Soprano Saxophone, Clarinet or Trumpet Trio by Peter Wilchousky arranged by Larry Clark. Carl Fischer, 1936/2017, 2 pages (score format). This familiar carol has been arranged for trio and can be played by any combination of instruments in this series (available in C, B-flat, E-flat, and bass clef).
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3.95
C1991: Pequeño Divertimento for Three Clarinets by Javier Zalba. Advance Music, 2012, includes parts and score. In two sections Allegro and Allegro con brio. Not technically difficult with the rhythms the main issue. Sometimes the parts move together and sometimes they don't. Click on the cover image to view the first page of the two page score.
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17.95


Bindings:  HB: Hard Bound,  PB: Perfect Bound (paperback with square spine),  SS: Saddle Stitch (paper, folded and stapled),  SB: Spiral Bound (plastic or metal)