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	C378: Baermann Concerto (Quintet) for Clarinet in E-flat major Op. 23 String parts by Heinrich Baermann edited by Harald Strebel. Schott, 1986, SS. These are the string quartet parts for the Baermann Concerto (Quartet). In three movements: Allegro non troppo, Adagio, and Rondo. The matching clarinet part is in the piano reduction.	19.95
	C515: Contrasts for violin, clarinet, and piano by Béla Bartók edited by Nelson Dellamaggiore and Peter Bartók. Boosey & Hawkes, 1942 (corrected edition 2002), SS. Written for and dedicated to Benny Goodman and Joseph Szigeti who premiered and recorded the work with the composer. Calls for clarinets in A and B-flat. Three movements: Verbunkos, Pihenö, and Sebes. It is one of best works in the repertoire for this combination of instruments and requires a high degree of virtuosity. Musically, the work has a very strong Hungarian flavor. The edition includes a preface by Peter Bartók and notes on the editing in English, German, and French.	36.50
	C334: Beethoven Clarinet Trios Op. 11 and Op. 38 by Ludwig van Beethoven. Henle, 1981, PB. Includes performance parts for clarinet in B-flat, the alternate violin part, the violoncello part, and the piano part which includes the other parts in the score. Op. 11 was written in 1798 and Op 38 (which was based on the septet Op. 20) was completed in 1802/03.	46.95
	C672: Trio Op 23 for clarinet, cello and piano by Adolphe Blanc. Rosewood, 1999. With alternate parts for violin in place of clarinet and bass clarinet, basset horn or viola in place of cello. Adolphe Blanc (1828-1885) was a French composer who was an especially prolific composer of chamber music. It is in three movements: I. Allegro ma non troppo, II. Scherzo (Vivace), and III. Andante/Moderato.	31.95
	C1069: Duetto for Clarinet, String Bass and Piano by Giovanni Bottesini edited by Thomas Martin. International Music Co., 1999, SS (includes parts and piano score). Giovanni Bottesini (1821-1889) was an Italian musician and composer who was known as "the Paganini of the Double Bass." His father was a clarinetist. This is a virtuoso piece for clarinet and double bass. The piano is in an accompanying role and the part is not difficult. In two movements: I. Allegro/Adagio/Andante and II. Allegro.	17.25
	C599: Phantasy Quintet Op. 93 for bass clarinet and string quartet by York Bowen. Emerson Edition, 1954. Bowen (1884-1961) was an English composer and professor of piano at the Royal Academy of Music. This piece was written sometime between 1933 and 1936 as an entry in a competition. It is in three movements: Allegro moderato (with many tempo changes); Allegro con spirito, non troppo; and Allegro moderato ma più tranquillo. Low E is the lowest bass clarinet note. Includes a score and parts. This is an advanced college or professional work.	58.95
	C329: Brahms Clarinet Quintet in B minor Op. 115 by Johannes Brahms edited by Andrea Massimo Grassi. Henle, 2000, SS. Performance parts for clarinet in A and string quartet. This outstanding edition includes an informative preface and detailed comments on the editing including the sources and musical examples. All text is in German, English and French.	58.95
	C360: Brahms Trio for Piano, Clarinet (or Viola) and Violoncello in A minor Op. 114 by Johannes Brahms edited by Monika Steegmann with piano fingering by Hans-Martin Theopold. Henle, 1979, PB. Performance parts for clarinet in A (plus alternate viola part), violoncello, and piano (score). Includes a preface and comments on the editing. All text is in German, English and French.	32.95
	WW069: Trio in D minor for Oboe (Clarinet), Bassoon (Viola/Bass Clarinet/Basset Horn) and Piano by Alexander Brent-Smith. Rosewood, 2003, (includes piano score and all parts). Alexander Brent-Smith (1889-1950) was a British composer, author, and teacher. This work was first performed in 1943. It is in three movements I. Allegro Moderato, II. Andante, and III. Allegretto. It should be playable by those at the early college level (and adult amateurs).	33.95
	C986: Klezmer Music for Clarinet, Viola and Piano by Elissa Brill. Arsis Press, 1994, (includes piano score and parts). Klezmer Music is not a traditional Klezmer piece, but was inspired by and owes much of its structure to this Yiddish folk form. In one movement with alternating slow and fast sections and includes a cadenza played independently and simultaneously by all players. An advanced work with a duration of about 9 minutes.	11.95
	C1026: Double Concerto Op. 88 for Clarinet (or Violin), Viola and Piano by Max Bruch. Simrock, 1977. This is a piano reduction of this very popular Bruch work for clarinet in A, viola and orchestra. In three movements: I. Andante con moto, II. Allegro moderato, III. Allegro molto. The violin part is included.	30.95
	C707: Eight Pieces Op 83 Vol. 1 for Clarinet, Viola and Piano (or Violin, Violoncello and Piano) by Max Bruch. Masters Music, SS. This volume contains the first four pieces: I. Andante, II. Allegro con moto, III Andante con moto/Andante, and IV.Allegro agitato. The first three are for clarinet in A and the forth for clarinet in B-flat. Includes parts for all instruments including alternates.	15.95
	C708: Eight Pieces Op 83 Vol. 2 for Clarinet, Viola and Piano (or Violin, Violoncello and Piano) by Max Bruch. Masters Music, SS. This volume contains the second four pieces: V. Rumänische Melodi (Andante), VI. Nachgesang (Andante con moto), VII. Allegro vivace, ma non troppo and VIII. Moderato. Number VII is for A clarinet and the rest are for B-flat clarinet. Includes parts for all instruments including alternates.	15.95
	C598: Carnovale for clarinet in A and string quartet by Ernesto Cavallini edited by Pamela Weston. Emerson Edition, 2002. This very short (16 bar) clarinet quintet which is the statement of the theme of "O mamma, mamma cara!" from Il Carnevale di Venezia is suggested as a brief encore after performing one of the major clarinet quintets such as the Mozart or Brahms. It is based on a manuscript by Cavallini that may have been prepared as a memento prior to the publication of his Carnival of Venice variations. Free Media Mail shipping on this music to US, IF ordered with another item. (Except other items with free shipping.)	5.95
	C660: Prelude, Allegro, and Pastoral for B-flat Clarinet and Viola by Rebecca Clarke. Oxford University Press, 2000, SS, 16 pages. Clarke who was born in England in 1886 and died in New York 1979, was one of the finest viola players of her day and also an excellent composer who studied with Stanford. This piece was composed in 1941 and this is the first publication. It is in score format. College level. Free Media Mail shipping on this music to US, IF ordered with another item. (Except other items with free shipping.)	15.95
	C673: Quintet in F-sharp minor Op. 10 for Clarinet in A and String Quartet by Samuel Coleridge-Taylor. Breitkopf, 1974, SS, (parts only). Samuel Coleridge-Taylor (1875-1912) was an Afro-British composer, conductor, and professor of music. In four movements: I. Allegro energico, II. Larghetto affettuoso, III. Scherzo, IV. Finale (Allegro agitato).While this was an early work of Coleridge-Taylor, is is well regarded and will be a good addition to the repertoire of college level performers.	26.95
	C853: Sextet for string quartet, clarinet and piano by Aaron Copland. Boosey & Hawkes, 1948, SS, includes piano score and parts. Three movements: Allegro Vivace, Lento, and Finale. The style is similar to the Clarinet Concerto with the strong jazz influence. All parts require good players and the rhythm plays an important part in setting the mood of the fast movements.	64.95
	C380: Quartet Op. 2 No. 1 for Clarinet, Violin, Viola, and Violoncello by Bernhard Henrik Crusell. Kunzelmann, 1960, SS. Four movements:  Poco Adagio-Allegro, Romanze (Cantabile), Menuetto (Allegro), and Rondo (Allegro vivace). Prof. Heim wrote that this is music is of high value. The string parts are not as difficult as clarinet part with the strings primarily in an accompaniment role. This is good recital literature for college level performer.	17.50
	WW49: Trio Pathétique for Clarinet, Bassoon (Violoncello) and Pianoby Michail Glinka. Music Rara, 1957, SS. In four movements: Allegro Moderato, Scherzo, Largo and Allegro con spirito. This is a major work that brings out the best qualities of each instrument. The clarinet and bassoon/cello parts are not especially difficult but it requires an excellent pianist.	19.50
	C503: Benny's Gig, 8 Duos for Clarinet and Double Bass by Morton Gould. G. Schirmer, 1980, SS, 20 pages. These eight duos were written for Benny Goodman by the composer.  The first is marked (1962) Celebrating Benny's 1962 Russian Tour while the last is for Benny's 70th Birthday May 1979. Larry Comb's recording is recommended.	16.95
	G102: Serenade Op. 24 for Clarinet in A and B-flat (Violin), Cello (Viola/Basset Horn) and Piano by Emil Hartmann. Rosewood, 1998, SB, (includes all parts and piano score). Hartmann (1836-1898) was a Danish church musician, conductor, and composer of German descent. Three movements: 1. Idylle (Andante), 2. Romance (Andante/Allegretto Scherzando), and 3. Rondo-Finale (Allegro). This is a fairly long work with the parts running 9 pages and the piano score 50. Probably early college level in difficulty.	31.95
	C630: Quartett by Paul Hindemith. Schott, 1939, SS. Written in 1938, Hindemith's Quartett for clarinet, violin, violoncello and piano had its first performancein New York City in 1939 with Victor Polatschek as clarinetist. It is in three long movements: Mässig bewegt, Sehr langsam, and Mässig bewegt. The second movement has intricate rhythms while the third movement is extended, with several sections and tempo changes. The instrumental parts are musically demanding, and the piano part is especially difficult.	48.95
	C854: Quintett Op. 30 for Clarinet in B-flat and E-flat and String Quartet by Paul Hindemith. Schott, 1986, SS, (parts only). Written in 1923, the quintet has five movements: Sehr Lebhaft, Ruhig, Schneller Ländler, Arioso, and Sehr lebhaft. The third movement is for clarinet in E-flat. The first movement is contrapuntal; the second begins with a beautiful viola solo, joined by the cello; the third is a Ländler, a dance movement; the fourth is very short and the fifth is related to the first movement. The clarinet is part of the ensemble, rather than solo with accompaniment, except in the first and last movements. This is a fine work requiring excellent string players.	48.95
	C622: Trio for Clarinet, Violin, and Piano by Aram Khachaturian. Sikorski, 1957, SS. A very good three movement trio with a Russian flavor. Requires advanced performers.	40.95
	C701: Suite for Clarinet and String Orchestra by Ernst Krenek. Broude International Editions, 1957, SS. This Suite by Vienna born Krenek (1900-1991) has four short movements: Andante Sostenuto, Allegro moderato, Andante, and Vivace. This is the score and the string parts (4,4,3,2,2). The string parts do not appear to be difficult. The clarinet part is in the edition for Clarinet and Piano.	72.50
	C658: Black Birds, Red Hills for B-flat Clarinet, Viola, and Piano by Libby Larsen. Oxford University Press, 2005, SS. This piece was inspired by six Georgia O'Keeffe paintings of the red hills of New Mexico. It is in four movements with a brief epilogue. They are: 1. Pedernal Hills (extremely legato), 2. Black Rock (deliberately), 3. Red Hills and Sky (gently), 4. A Black Bird with Snow-Covered Red Hills, and 5. Looking. Includes full score with piano part and individual clarinet and viola parts. College level.	34.95
	C661: Slang for Clarinet in B-flat, Violin, and Piano by Libby Larsen. Oxford University Press, 1998, SS. This piece was commissioned by the Verdehr Trio. "Slang is a one movement work in three sections. The title refers to the use of both jazz and boogie slang and twentieth century 'new music' slang throughout the composition."  A work for advanced performers. Includes full score with piano part and individual clarinet and violin parts.	34.95
	G093: Quartet for the End of Time (Quatuor pour la Fin du Temps) for Clarinet in B-flat, Violin, Cello and Piano by Olivier Messiaen. Durand, 1942, PB. This is the full performing edition with individual parts for the clarinet and strings and piano score. Included in the clarinet part is the solo Abîme des oiseaux (Abyss of the Birds). We have two books about this piece: Messiaen - Quatour pour la fin du Temps which is primarily about the music and For the End of Time, The Story of the Messiaen Quartet which focuses on the creation of the composition and the historical context.	44.95
	C576: Suite Op. 157b for Violin, Clarinet and Piano by Darius Milhaud. Salabert, 1937. In four movements: I. Overture (Vif et gai), II. Divertissement (Animé), III. Jeu (Vif), and IV. Introduction et Final (Modéré/Vif). College level.	27.95
	C235: Meyerbeer Quintet for Clarinet and String Quartet edited by Dieter Klöcker. Baerenreiter (BA 8731), 2001, SS. Includes score and performance parts. This quartet was found in the papers of the great-granddaughter of Heinrich Baermann. While not an autograph, the copy was inscribed in the hand of Carl Baermann that it had been composed by Giacomo Meyerbeer for his father. Editing is noted in the score or in a "Critical Report" which follows.	30.95
	C233: Mozart Trio in E-flat major for Clarinet, Viola and Piano KV 498 (Kegelstatt Trio) edited by Wofgang Plath and Wofgang Rehm. Baerenreiter (BA5325), 1966 revised 1987, SS. From the Neue Mozart-Ausgabe with a preface and editorial note in Germany and English. Includes a violin part as an alternate to the clarinet.	19.95
	C640: Mozart Trio in E-flat major for Clarinet, Viola and Piano KV 498 (Kegelstatt Trio) edited by Günter Lorenz. Henle, 1981. Includes brief introductory notes. Includes a violin part as an alternate to the clarinet.	20.95
	C234: Mozart Quintet in A major for Clarinet and String Quartet KV 581 Performance Parts edited by Ernst Fritz Schmid. Baerenreiter (BA 4711), 1958. Urtext edition from the Neue Mozart-Ausgabe.	23.95
	C563: Mozart Quintet in A major for Clarinet and String Quartet KV 581 Performance Parts edited by Henrik Wiese. Henle, 2004. This is a new edition of this work. It includes two pages of notes (in German, English, and French) explaining what little is known of this work, how this edition was created from earliest known edition, and the problems involved. There are also comments on specific issues in the parts. This edition also includes the fragment Allegro (KV Anh. 91) for basset clarinet in B-flat and string quartet. Only the first 93 measures have survived (this is about a page in each part). The editor has provided alternatives for the basset passages.	25.95
	G87: Fantasy Trio Op. 26 for clarinet (in B-flat), violoncello, and piano by Robert Muczynski. Theodore Presser, 1971, SS. Four movements: Allegro energico, Anadnate con espressione, Allegro decisio, Introduction and Finale: (Andate molto e sostenuto and Allegro).	19.95
	C1002: A Fraction of Your Grace for clarinet and string quartet by Zae Munn. Sisra (Arsis Press), 1999, SS. This piece was written for composer David Lipak in 1997 and was inspired by his wonderful grace as he faced the impending death of his wife. There is an alternation of sections based on quartal chords and sections based on open fifths. Motives derived from the quartal and quintal structures provide most of the melodic material. While not technically difficult at the mm=54 tempo, the parts move independently in most of this piece. Early college level with a duration of about 8:40.	24.95
	C680: Serenata Svizzera Op. 29 for clarinet (in C or B-flat) and guitar by Heinrich Neumann edited by J. Gaitzsch. Berben, SS. This is one of six works by Neumann (1792-1861) for clarinet or basset horn and guitar and was first published in 1835. Includes notes in Italian and English on the composer and the piece. The C clarinet part can also be used by oboe, flute, or violin. Free Media Mail shipping on this music to US, IF ordered with another item. (Except other items with free shipping.)	14.95
	C494: Overture on Hebrew Themes Op. 34 for clarinet in B-flat, piano and string quartet by Serge Prokofieff. Boosey & Hawkes, 1922.	32.95
	C632: Quintett in A major Op. 146 for clarinet in A and string quartet by Max Reger. C.F. Peters, 1916, SS. Four movements: Moderato ed amabile, Vivace, Largo, and Poco allegretto. Professor Norman Heim described this quintet as a beautiful piece of music for clarinet in A and strings and notes that each movement is in a major form and could stand by itself..	29.75
	C671: Quintet in B-flat major Op. 89 for clarinet and string quartet by Anton Reicha edited by Kurt Janetzky. Breitkopf, 1962, SS, (includes parts and score). Anton Reicha (1770-1836) was a contemporary of Beethoven and is particularly know for his many woodwind quintets. This is a major work in four movements: Allegro, Andante, Menuetto, and Finale (Allegretto). The first and last movements of major proportion and in sonata form. It has a challenging, virtuoso clarinet part with string parts primarily in an accompanying role.	46.95
	G153: Quartet for Clarinet (in A), Violin, Violoncello, and Piano by Peter Schickele. Elkan-Vogel, 1984, SS, (includes parts and piano score). In four movements: I. Moderate, flowing, II. Fast, driving, III. Slow, elegiac, and IV. Quite fast, dancing. An advanced work with a duration of about 20 minutes.	49.95
	C704: Märchenerzählungen (Fairy Tales) Four Pieces Op. 132 for clarinet (or violin), viola and piano by Robert Schumann edited by Joachim Draheim. Breitkopf, 1988, SS, (includes all parts and piano score). Four short movements:  I. Lebhaft, nich zu schnell, II. Lebhaft und sehr markiert, III. Ruhiges Tempo, mit zartem Ausdruck, and IV. Lebhaft, sehr markiert. This is beautiful writing for all three instruments in a style similar to the Fantasy Pieces, with flowing melody and accompaniment in other instruments. A nice recital piece for college and professional level performers. Includes notes by the editior.	25.95
	C761: Concertino for Clarinet and String Quartet by Bright Sheng. G. Schirmer, 1997, SS, (includes parts and score). This piece was commissioned and written for The Chamber Music Society of Lincoln Center and its Artistic Director, David Shifrin. The materials of this work are drawn from fragments of folk tunes the composer heard while living in the northwest part of China. Unlike most Chinese folk music this music has a seven-note scale similar to the mixolydian mode. In four movements: I. Andante, II. Prestissimo, and III. Largo. Both B-flat and A clarinets are needed. This is a professional level work with a duration about 17 minutes.	34.95
	C736: Tibetan Dance for clarinet in B-flat, violin and piano by Bright Sheng. G. Schirmer, 2006, SS. Tibetan Dance was written for the Verdehr Trio in 2000 by Chinese born composer Bright Sheng (1955-) who lived near the Tibetan border during his teenage years. It is in three movements: I. Prelude, II. Song (Melanconico, and the piano is tacet), and III. Tibetan Dance. The composer wrote "the work is anchored on the last movement, the longest of the three. The first two movements are reminiscent, as if one is hearing songs from a distant memory, and the music becomes real in the last movement." Duration about 15 minutes.	34.95
	C900: Cabaret Music for Clarinet, Violin, Cello & Piano by Allen Shawn. Galaxy Music, 1986, SS. Allen Shawn (1948-) is an American composer who teaches at Bennington College in Vermont. The work is in three movements. It is a college level work, primarily due to the mixed meter in the first and third movements.	17.50
	C917: Tres Fantasias for clarinet, cello & piano by Roberto Sierra. Subito Music, 1994, SS. The first movement is Muntuno and is based in part on that popular Afro-Caribbean rhythm. The second movement (Coral) is based on Bach's Choral "Es ist genung" (which is heard midway through in the first movement as well). The third movement (Doce) is a free exploration of the 12-tone row that Schoenberg used in his Suite for Piano Op. 25. An advanced work with a duration of about 11 minutes.	28.50
	C681: Clarinet Quintet for clarinet in A and string quartet by Arthur Somervell. Emerson Edition, 2004, SS. Arthur Somervell (1863-1937) was an English composer of a conservative style. Despite the title both A and B-flat clarinets are required for this piece. Four movements: 1.. Sostenunto/Allegretto (quasi andante) grazioso, 2. Intermezzo (Allegretto), 3. Lament (Adagio non troppo), and 4. Finale (Allegro vivace). The inner two movements are for B-flat clarinet.	36.95
	C487: Fantasia and Variations on a Theme of Danzi Op. 81 for clarinet and string quartet by Louis Spohr edited by Himie Voxman. Musica Rara, 1977, SS. This piece was written in 1814 and premiered in January 1815 by Johann Simon Hermstedt. In one movement with tempos alternating between Allegro molto and Andantino. The clarinet part is primarily based on arpeggio patterns and requires strong technique. The strings are mostly in an accompanying role. We also stock the Clarinet and Piano Reduction edition.	17.95
	G149: Suite from L'Historie du Soldat for Clarinet, Violin and Piano by Igor Stravinsky (arranged by the composer). Chester, 1920/1989, SS. This suite has the pieces: 1. Marche du Soldat, 2. Le Violon du Soldat, 3. Petit Concert, 4. Tango-Valse-Rag, and 5. La Danse du Diable. Both A and B-flat clarinets are needed. Duration about 15 minutes.	31.95
	G101: Trio in D for clarinet in A (violin), horn (viola/bassoon/basset horn/bass clarinet) and piano by Richard Walthew. Rosewood, 2000. Richard Walthew (1872-1951) was a British composer with a special affinity for chamber music. This piece is of intermediate length and in three movements: I. Allegro Moderato, II. Allegretto, and III. Lento/Allegro non troppo. Early college level.	28.95
	C556: Weber Introduction, Theme and Variations for Clarinet and String Quartet by Carl Maria von Weber edited by Leonard Kohl. Bote & Bock, 1962/1998. This work begins with a Adagio introduction, then the theme (Allegretto), followed by six variations. It concludes with a 6/8 Allegro assai and ends in a final Vivo. Parts only (no score). We also have an edition for clarinet and piano.	21.95
	C554: Weber Quintet for Clarinet in B-flat Major Op. 34 for clarinet and string quartet by Carl Maria von Weber. Robert Lienau. Four movements:  Allegro, Adagio ma non troppo, Minuet, and Rondo. The first and third movements are weak; however, the Adagio and Rondo show Weber at his best. The string parts are not difficult helping to make this an excellent college level work. Note: this edition is not currently available. We also have an edition from the same publisher for clarinet and piano.	26.95
	C886: Weber Quintet for Clarinet in B-flat Major Op. 34 for clarinet and string quartet by Carl Maria von Weber edited by Günter Haußwald revised by Wolfgang Meyer and Christoph Poppen. Breitkopf, 1989. This edition includes a Preface (in English and German) that provides the background and history of the works and remarks on the editing, Notes on the Revision, and a Critical Commentary that lists the individual edits. Four movements: Allegro, Adagio ma non troppo, Minuet, and Rondo. .	31.95
	C887: Weber Quintet for Clarinet in B-flat Major Op. 34 for clarinet and string quartet by Carl Maria von Weber edited by Stanley Drucker. International Music Co., 1958, SS. Four movements: Allegro, Adagio ma non troppo, Minuet, and Rondo.	18.75
	C908: Trio in D Minor Op. 3 for clarinet (or violin), cello, and piano by Alexander von Zemlinsky. Simrock, 1897, SS. Alexander von Zemlinsky (1871-1942) was an Austrian composer, conductor, and teacher. This is one of Zemlinsky earlier works and was published by Simrock at the recommendation of Brahms. The clarinet part requires both B-flat and A clarinets. In three movements: Allegro ma non troppo, Andante, and Allegro. This is an extended work with a duration of about 28 minutes.	29.95

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