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Books and Music marked "New!" in gold type are new publications. Those marked "New!" in teal type are new to our stock.
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F131: The Alto Flute Practice Book by Trevor Wye & Patricia Morris. Novello, 1995, SS, 62 pages. The first book of its kind covering all aspects of the alto flute. Includes historical notes, useful technical information, comprehensive repertoire list and orchestral extracts. Some brief information is also provided on the bass flute, flute d'amour and larger flutes. |
25.95
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F146: Cadenzas for Mozart's Flute Concerto in D, No. 2
by Franz Reizenstein. Boosey & Hawkes, 1957, 4 pages. This is an
Authorized Custom Print from Boosey & Hawkes.
(Except other items with free shipping.) |
12.95
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F074: Cadenzas for the Works for Solo Flute and
Orchestra by
Mozart by John Solum. McGinnis & Marx, 1964, 7 pages.
Cadenzas
for the Concerto in G Major K.313, the Concerto in D Major K.314, and
Andante
in C Major K.315. There are seven cadenzas in all.
(Except other items with free shipping.) |
3.95
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F094: The Flute Audition Book. European American Music Corporation, 1996, SB, 128 pages. This book includes the full first flute part (and in several instances the flute 2/piccolo parts) from works by Hindemith, Janácek, Kodály, Orff, Rodrigo, and Stravinsky that are from the rental libraries of Schott Musik International and Universal Editions (Vienna & London). Click on the cover image to see the table of contents. Use your browser's Back button to return. |
29.95
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F241: Great Flute Duos from the Orchestral Repertoire Excerpts for Principal, Second, and Alto Flute Auditions compiled and annotated by Jeanne Baxtresser, edited by Daniel Dorff. Theodore Presser, 2002, PB and SS, 87 + 85 + 24 pages. Complete first flute book, with Baxtresser’s guidance throughout. Pull-out second flute book, with Siebert’s annotations and “Thoughts on Playing the Job and Taking Auditions.” Separate pull-out alto flute book, with Cramer’s details on performance and on why studying the alto flute repertoire is essential to auditioning and playing in the orchestral setting. Includes reproductions of orchestral parts, as most commonly used today, with print style, breaks, and page turns true to the originals. A selection of annotated excerpts frequently used for orchestral auditions. This book includes the works of Bach, Bartok, Berlioz, Bizet, Brahms, Britten, Debussy, Dvorak, Holst, Mendelssohn, Prokofiev, Ravel, Rimsky-Korsakov, Shostakovich, Smetana, Strauss, Stravinsky, Tchaikovsky and Verdi. Click on the cover image to view Table of Contents. Use your browser's Back button to return. |
47.95
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F038: Modern Orchestral Studies for the Flute Book 1 edited by Karlheinz Zöller. Schott Musik International, PB, 72 pages. Excerpts form the work of Debussy, Ravel, Stavinsky, Bartók, Prokofieff, Britten, Hindemith, and more. In addition to solos, many excerpts show all the flute and picollo parts. Click on the cover image to view Table of Contents. Use your browser's Back button to return. |
23.95
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F039: Modern Orchestral Studies for the Flute Book 2 edited by Karlheinz Zöller. Schott Musik International, SS, 56 pages. Excerpts form the work of Debussy, Ravel, Stavinsky, Prokofieff, Schönberg, Hindemith, and more. In addition to solos, many excerpts show all the flute and picollo parts. Click on the cover image to view Table of Contents. Use your browser's Back button to return. |
23.95
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F095: Opera Excerpts for Flute selected and annotated by Michael Parloff with piano reductions by Martha Rearick, edited by Daniel Dorff. Theodore Presser, 2000, PB and SS, 111 + 83 pages. The most requested opera audition pieces complied and annotated by Michael Parloff from the Metropolitan Opera Orchestra. The flute parts are taken directly from the performance parts. Operas of Bizet, Donizetti, Mozart, Puccini, Rossini, Verdi, Wagner, and more are included. Click on the cover image to view Table of Contents. Use your browser's Back button to return. |
39.95
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F211: Orchester Probespiel - Test Pieces for Orchestral Auditions Flute and Piccolo edited by Christoph Dürichen and Siegfreid Kratsch. C.F. Peters, 1991, SS, 57 pages. This book of orchestra and opera excerpts was developed in Germany for use in auditions. The selections were made based on an analysis of pieces used for auditions over many years. It includes excerpts for flute and piccolo. Click on the cover image to view the Table of Contents. Use your browser's Back button to return. |
35.95
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F096: Orchestral Excerpts for Flute selected and annotated by Jeanne Baxtresser with piano reductions by Martha Rearick, edited by Daniel Dorff. Theodore Presser, 1995, PB and SS, 96 + 43 pages. A selection of annotated excerpts frequently used for orchestral auditions. This book includes the works of Bach, Beethoven, Bizet, Brahms, Debussy, Mahler, Mendelssohn, Prokofiev, Ravel, Rimsky-Korsakov, Strauss, Stravinsky, Tchaikovsky and more. Click on the cover image to view Table of Contents. Use your browser's Back button to return. |
47.95
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F097: Orchestral Excerpts for Piccolo selected and annotated by Jack Wellbaum with piano reductions by Martha Rearick, edited by Daniel Dorff. Theodore Presser, PB and SS, 101 + 63 pages. This is a collection of excerpts compiled during the author's 40 years in the Cincinnati Symphony Orchestra with notes to aid in their performance. The piccolo parts are taken directly from the performance parts. Composers included are Bartok, Beethoven, Berlioz, Brahms, Mahler, Prokofiev, Ravel, Rimsky-Korsakov, Shostakovich, Sousa, Stravinsky, Tchaikovsky and more. Click on the cover image to view Table of Contents. Use your browser's Back button to return. |
39.95
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F132: The Orchestral Flute Practice Book 1 by Trevor Wye & Patricia Morris. Novello, 1998, PB, 216 pages. One of the most massive books of its kind, this volume looks at Long Solos, The Big Tunes, Articulation Passages, Pianissimo Passages, Low Solos, Mozart and Haydn as well as many pages of the standard orchestral repertoire (composers A to P).> |
39.95
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F133: The Orchestral Flute Practice Book 2 by Trevor Wye & Patricia Morris. Novello, 1998, PB, 216 pages. Just as large as the first, this volume covers The Middle and Upper Registers, Cadenzas, Orchestral Duets and Trios, The Austro-German School, and Contemporary Orchestral Writing. Orchestral excerpts continue with composers R to Z. |
39.95
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OMLFL1: The Orchestral Musician's CD-ROM Library Vol. 1 Flute. CD Sheet Music LLC, 2003. Complete flute and piccolo parts (not just first flute) to 90 orchestral masterworks on CD-ROM. The composers Beethoven, Schubert, Mendelssohn, Berlioz, Weber, Rossini, Donizetti, Auber, Bellini, and Cherubini are on Volume 1. The parts are in the included Adobe Acrobat (.pdf) format and require a computer (PCs running Windows 95 and above or Macs running MAC OS 7.5 and above) and a printer to use. Click on the cover image to view the Table of Contents in Adobe Acrobat .pdf format. |
19.95
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OMLFL2: The Orchestral Musician's CD-ROM Library Vol. 2 Flute. CD Sheet Music LLC, 2004. Complete flute and piccolo parts (not just first flute) to 61 orchestral masterworks on CD-ROM in Adobe Acrobat (.pdf) format. Includes Debussy (La Mer • Prelude to the Afternoon of a Faun • Printemps • eight more), Mahler (Symphones 1-9 • Kindertotenlieder • Das Klagende Lied • four more), Bruckner (Symphonies 1-9 • Te Deum), Saint-Saëns (Carnival of the Animals • Danse Macabre • Symphony No. 3 in C Minor • Cello Concerto No. 1 in A Minor • three more), Grieg (Piano Concerto in A Minor • Peer Gynt Suite No. 1 & 2 • Symphonic Dances • Holberg Suite), Bizet (Carmen Suite No. 1 & 2 • L'Arlesienne Suite No. 1 & 2 • one more), and works by Fauré, Bruch, Busoni, and Reger. Click on the cover image to view the the Table of Contents in Adobe Acrobat .pdf format. Use your browser's Back button to return. |
19.95
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OMLFL3: The Orchestral Musician's CD-ROM Library Vol. 3 Flute. CD Sheet Music LLC, 2004. Complete flute and piccolo parts (not just first flute) to 74 orchestral masterworks on CD-ROM in Adobe Acrobat (.pdf) format. Brahms (4 Symphonies, 4 Concertos, 18 Hungarian Dances, 2 Serenades, Overtures, Variations on a Theme by Hayden, German Requiem, and more) • Schumann (4 Symphonies, 2 Concertos, 3 Overtures, and more) • Franck (Symphony in D Minor, Symphonic Variations, Psyche) • Liszt (Faust and Dante Symphonies, Les Préludes, 3 Concertos, Hungarian Rhapsodies, Mephisto Waltzes) • plus works by Chabrier, Chausson, Chopin, Lalo, Offenbach, Sarasate and Suppé. Click on the cover image to view the the Table of Contents in Adobe Acrobat .pdf format. Use your browser's Back button to return. |
19.95
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OMLFL4: The Orchestral Musician's CD-ROM Library Vol. 4 Flute. CD Sheet Music LLC, 2004. Complete flute and piccolo parts to 42 orchestral masterworks on CD-ROM in Adobe Acrobat (.pdf) format. This volume includes works by Tchaikovsky (6 Symphonies • 4 Concertos • 4 Suites • 3 Complete Ballets • 1812 Overture • Manfred • Capriccio Italien • Romeo and Juliet • March Slav • and 37 more works); Mussorgsky (Pictures at an Exhibition • Night on Bald Mountain • Khovantchina Overture); and Glinka (Overtures: Ruslan and Ludmilla • A Life for the Czar). Click on the cover image to view the Table of Contents in Adobe Acrobat .pdf format. Use your browser's Back button to return. |
19.95
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OMLFL5: The Orchestral Musician's CD-ROM Library Vol. 5 Flute. CD Sheet Music LLC, 2005. Complete flute and piccolo parts to 64 orchestral masterworks on CD-ROM in Adobe Acrobat (.pdf) format. This volume includes works by Dvorak (9 symphonies, 3 concertos, 5 overtures, Symphonic Variations, Tone Poems, Romance in F Minor, Serenade for Strings, and more) • Rimsky-Korsakov (Scheherazade, Christmas Eve Suite, Sadko, Tsar's Bride Overture, Capriccio Espagnole, Russian Easter Overture, Procession of the Nobles Le Coq d'Or Suite, 2 symphonies and more) • Borodin (Symphony No. 2, On the Steppes of Central Asia, Polovtsian Dances) • Scriabin (5 symphonies, Piano Concert in F# Minor) • Smetana (Ma Vlast, Bartered Bride Overture and Dances, Hakon Jarl, Richard III, Wallenstein's Camp). Click on the cover image to view the Table of Contents in Adobe Acrobat .pdf format. Use your browser's Back button to return. |
19.95
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OMLFL6: The Orchestral Musician's CD-ROM Library Vol. 6 Flute. CD Sheet Music LLC, 2005. Complete flute and piccolo parts to 55 orchestral masterworks on CD-ROM in Adobe Acrobat (.pdf) format. This volume includes works by Mozart (9 symphonies, 11 piano concertos, Violin Concertos No. 3, Mass in C minor, and 2 serenades) and Haydn (21 symphonies, The Creation, and The Seasons). Click on the cover image to view the Table of Contents for this volume in Adobe Acrobat .pdf format. Use your browser's Back button to return. |
19.95
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OMLFL7: The Orchestral Musician's CD-ROM Library Vol. 7 Flute. CD Sheet Music LLC, 2006. Volume 7 contains 46 orchestral works. This CD has complete flute and piccolo parts (a few pieces may be tacet) on CD-ROM in Adobe Acrobat (.pdf) format. This volume includes works by Ravel, Elgar, Chadwick, Delius, D'Indy, Dukas, Griffes, Holst, and Nielsen. Click on the cover image to view the Table of Contents for this volume in Adobe Acrobat .pdf format. Use your browser's Back button to return. |
19.95
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OMLFL8: The Orchestral Musician's CD-ROM Library Vol. 8 Flute. CD Sheet Music LLC, 2007. Volume 8 contains 48 orchestral works. This CD has complete flute and piccolo parts (a few pieces may be tacet) on CD-ROM in Adobe Acrobat (.pdf) format. This volume includes works by Stravinsky, Bartok, Carpenter, Dohnányi, Enesco, de Falla, Glazunov, Janácek, Milhaud, Prokofiev, Rachmaninoff, Respighi, and Vaughan Williams. Click on the cover image to view the Table of Contents for this volume in Adobe Acrobat .pdf format. Use your browser's Back button to return. |
19.95
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OMLFL9: The Orchestral Musician's CD-ROM Library Vol. 9 Flute. CD Sheet Music LLC, 2007. Volume 9 contains 50 orchestral works. This CD has complete flute and piccolo parts (a few pieces may be tacet) on CD-ROM in Adobe Acrobat (.pdf) format. This volume includes works by Bloch (Schelomo), Schoenberg (Chamber Symphony, Pierrot Lunaire, 4 more), Sibelius (17 including Symphonies 1-5, Finlandia, Violin Concerto), J. Strauss (Die Fledermaus, Gypsy Baron Overture, more); R. Strauss (22 including Also Sprach Zarathustra, Don Juan, Till Eulenspiegel, etc.), and Webern (Passacaglia). Click on the cover image to view the Table of Contents for this volume in Adobe Acrobat .pdf format. Use your browser's Back button to return. |
19.95
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 OMLFL10: The
Orchestral Musician's CD-ROM Library Vol. 10 Flute. CD
Sheet Music LLC, 2008. Volume 10 contains 53 orchestral works. This
CD has complete flute and piccolo parts (a
few pieces may be tacet) on CD-ROM in Adobe Acrobat
(.pdf) format. This volume includes works by J.S. Bach, Handel, Arne,
C.P.E. Bach,
Boccherini, Cimarosa, Dottersdorf, Gluck, Herold, Lully, Mehul,
Paisiello, and Rameau. Click on the cover
image to
view
the Table of Contents for this volume in Adobe Acrobat .pdf format. Use
your
browser's Back button to return. |
19.95
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OMLFL11: The
Orchestral Musician's CD-ROM Library Vol. 11 Flute Wagner: Part
1. CD
Sheet Music LLC, 2009. This
CD has complete flute and piccolo parts (a
few pieces may be
tacet) on CD-ROM in Adobe Acrobat
(.pdf) format. Volume 11 contains six Wagner orchestral works and the
early operas: Der Fliegende Holländer, Tannhaüser, Lohengrin,
and Tristan und Isolde. Click on the cover
image to
view
the Table of Contents for this volume in Adobe Acrobat .pdf format. Use
your
browser's Back button to return. |
19.95
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OMLFL12: The
Orchestral Musician's CD-ROM Library Vol. 12 Flite Wagner:
Part 2. CD
Sheet Music LLC, 2009. This
CD has complete flute and piccolo parts (a
few pieces may be
tacet) on CD-ROM in Adobe Acrobat
(.pdf) format. Volume 12 contains six of Wagner's later operas: Das
Rheingold, Die Walküre, Siegfried, Götterdämmerrung, Die
Meistersinger von Nürnberg, and Parsifal. Click
on the cover image to
view
the Table of Contents for this volume in Adobe Acrobat .pdf format. Use
your
browser's Back button to return. |
19.95
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 OMLFLSET:
The Orchestral Musician's
CD-ROM Library Vols. 1-12 Flute. All 12 volumes of the
Orchestral
Musician's CD-ROM Library for flute at a discounted price. |
221.95
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| Another
Special |
You may also buy three volumes of your choice for the same instrument for $55.50, four volumes for $73.95, five volumes for $92.50, six volumes for $110.95, seven volumes for $129.50, eight volumes for $147.95, nine volumes for $166.50, 10 volumes for $184.95, or 11 volumes for $203.50. Choose the ones you want and we will apply the discount when we process your order. | |
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F291: Orchestral Techniques for Flute and Piccolo: An Audition Guide by Walfrid Kujala. Progress Press, 2006, SS, 92 pages. Subtitled: An Inside Look at Symphonic Performance Traditions. This is a beautifully produced book with long excerpts and detailed explanations. Not limited to how to play the excerpts, this book explains the many things that can be learned from these examples of the orchestral repertoire. Some of the topics covered in this 92 page treatise are: tempo choices, rhythmic pitfalls, dynamic adjustments, ensemble considerations, breathing advice, tone qualities, special fingerings, "insider" strategies, articulation style and performance traditions. There are special rhythmic and technical exercises for Beethoven Leonore No. 3 and Eroica Symphony, Dvorak 8th Symphony, Shostakovich 15th Symphony, Strauss Till Eulenspiegel, Stravinsky Firebird and Petrouchka, and Tchaikovsky 4th Symphony. All the musical examples have been reset, correcting the misprints that have persisted for many years in the original printed parts. This book belongs in the library of all aspiring orchestral players (and those who wish to improve their skills) and their teachers. Click on the cover image to view the Table of Contents for this volume. Use your browser's Back button to return. |
23.95
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F341: Practice
Book for the Piccolo by Trevor Wye & Patricia Morris.
Novello, 1988, PB, 211
pages. This book is designed to help the flutist transfer the playing
techniques of the flute to the piccolo. The method employed is the use
of a very considerable number of orchestral excerpts. Email us (info@vcisinc.com) if
you wish to know if a particular excerpt is included. |
35.95
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F026: Tchaikovsky Symphonies - Flute I. Alfred Publishing Co., SS, 85 pages. The complete Flute I parts for the six symphonies by Tchaikovsky. Note: The publisher is discontinuing this series and most volumes are sold out. If you are interested in this book, we suggest you buy it now. |
14.95
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F254: Flute Duet
by David Amram. Peters, 2006, 2 pages in score format. American David
Amram (1930-) is a composer, conductor, musician and writer. This short
duet (which is really more of a flute solo with a very easy flute
accompaniment) was premiered in 1991 by Julius Baker and the composer
but not published until now. Marked ben cantare, mm=56. Duration about
2:28.
(Except other items with free shipping.) |
4.95
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WW171:
Fantasy for flute and clarinet by Malcolm Arnold.
Queen's Temple Publications, 2003, SS, 2 pages (score format). A
miniature (duration 1:30) Arnold wrote for his children to play
together. Opens and closes with the flute playing a melody over
arpeggios in the clarinet and has a contrasting interlude in between.
Some pleasing dissonance in spots. Early high school level. (Except other items with free shipping.) |
6.95
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WW125:
Le Calme de la Mer Trio for Flute, Clarinet and Piano
by Tony Aubin. Alphonse Leduc, 1964, SS, (includes parts and piano
score). A suggested piece for this combination. It is at an unhurried
tempo (Lento, ma non troppo) and should be playable by many high school
students although the flute part goes up to C7. |
19.15
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F252: C.P.E. Bach Sonata for Violin or Flute and Harpsichord in G minor edited by Anne Marlene Gurgel. C.F. Peters, 1981, parts for violin, flute, cello (for the continuo) and harpsichord plus a play-along CD of the accompaniment. In three movements: Allegro, Adagio, and Allegro. |
26.95
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F166: Bach Partita in A minor Flute Solo BWV 1013
by
Johann Sebastian Bach edited by Hans Eppstein. Henle, 1990, SS. In four
movements: Allemande, Corrente, Sarabande, and Bourrée Angloise.
Includes notes on the piece and the editing. (Except other items with free shipping.) |
8.95
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F164: Bach Sonatas in C major, E-flat major, and G minor for Flute edited by Alfred Dürr. Baerenreiter (BA5220), 1975. This is an edition of the music attributed to Bach, but of which there is some doubt: Sonata in C major for Flute and Basso continuo (BWV 1033), Sonatas in E-flat Major (BWV 10310) and G minor (BWV 1020) for Flute and Obbligato Harpsichord. This edition includes scores with the Basso continuo realization, Basso continuo parts, flute parts, and a preface (in English and German) on the questions surrounding these pieces. |
22.95
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F352: Bach Suite in B minor
arranged for flute and piano by N. Platonov. Moscow Muzyka,
2008, 24 + 6 pages. This popular work by
J.S. Bach was originally for strings, continuo, and solo flute.
In seven movements: I. Overture (Grave/Allegro/Lento), II. Rondeau
(Allegro, ma non troppo), III. Sarabande (Andante), IV. Bourrée
1 and 2 (Allegro), V. Polonaise (Moderato), VI. Menuet (Allegretto),
and VII. Badinerie (Allegro). Upper intermedate level and perhaps a bit
beyond in some of the faster movements. |
12.95
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WW166: Bach Three Quartets
for
Three Flutes and Alto Flute (or Clarinet) edited by Paul Renzi.
International Music, 2008, includes score and all parts. These three
quartets for flutes and alto flute (with a clarinet part as an
alternative to the alto flute) are from: Aria "Qui tollis peccata
mundi" (Gloria) from the Mass in A major s. 234, Aria "Jesu, deine
Gnaden blikke" from Cantata Lobet Gott in seinen Reichen S. 11, and
Aria "Doch Jesus will auch bei der Strafe" from Cantata Schauet doch
und sehet S. 46. All of these works originally had two flutes with
voice and other instruments. They are at the upper intermediate level
and each work is one and a half to two pages long. |
34.95
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F246: Bach
Trio Sonata from "Musikalischen Opfer"
(1747) for
Flute (or Violin), Violin, and Continuo (cello & harpsichord) edited
by Friedirich Hermann. C.F. Peters.
Includes a play-along CD of the accompaniment to the solo part. A very
nicely prepared edition. |
26.95
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F190: Suite for Piccolo and Piano
by Bela Bartok adapted by Dan Fox. Alry, 1983, SS, 16 + 6 pages. Three
pieces (I. Allegro giocoso, II. Rubato sostenuto accelerando, III.
Valse [Presto]) drawn from Fourteen Bagatelles Op. 6. The arranger was
fascinated with the many possibilities for recasting these pieces that
feature bitonality, octaveless scales, incisive rhythms, and folk
melodies in dissonant settings for other instrumental settings.
This suite, inspired by Larry Trott's brilliant piccolo playing, is one
result. (Except other items with free shipping.) |
17.95
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F165: Sonate for Flute and Piano by Günter Bialas. Baerenreiter, 1946, SS, 16 + 6 pages. In four movements: Allegro, Andante con espressione, Vivace, and Finale (Frei, Allegro molto, Presto). |
22.95
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V20:
Four Poems by Emily Dickinson for Soprano Voice, Flute and
Clarinet in A by Allan Blank. International Opus, 1998, SS, 14
pages. Three copies in score format. This is a challenging contemporary
work. The four poems are: How Happy is the Little Stone, In This Short
Life, Surgeons Must be Very Careful, and Nature is What We See.
The second piece is for flute and voice and the third is for clarinet
and voice (first and last are for all). Duration about 12 minutes. |
24.95
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WW30: Beethoven Trio for Piano, Flute and Bassoon WoO
37
by Ludwig van Beethoven edited by Friedhelm Klugman with piano
fingerings
by Hans-Martin Theopold. Henle, 1981, SS. Includes performance parts
for flute, bassoon, and piano (which includes the other parts in the
score). This trio was
written between 1786-90. |
22.95
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WW195: Lluna for flute,
clarinet and piano by Daniel Bimbi. Emerson Edition, 2008, SS,
(includes parts and piano score). Daniel Bimbi (1971-) was born in
Carcassonne in
Southern France. He studied clarinet with Guy Deplus and more recently
has been studying composition with Jan Van der Roost. Lluna was
originally intended to be the theme of a Children's Opera based upon
"The Child and the Moon." The themes are very sultry and nostalgic in a
Latin, Mediterranean style, finished with a brilliant pyrotechnical
finale, both humorous and exciting. College level with a duration of
about 7 minutes. |
19.95
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F292:
Suite Modal for Flute and
Piano
by Ernest Bloch. Brode Brothers Ltd., 1958, SS, 14 + 6 pages. Ernest
Bloch (1880-1959)
was born in Switzerland and after 1916 lived primarily in the United
States. His Jewish heritage influenced much of his
music although it is less apparent in this piece, one of his
last works (1956). In four movements: I. Moderato, II. L’istesso
tempo, III. Allegro giocoso, and IV. Adagio/Allegro deciso. A popular
and frequently recorded part of the flute repertoire. Early college
level. String orchestra parts are available as a rental. |
14.95
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F325:
Grand Polonaise in D major Op. 16 for
Flute and Piano by Theobald Boehm edited by Jean-Pierre Rampal.
International Music Co., 1977, 14 + 6 pages. This piece begins with
Introduzione (Allegro maestoso) followed by the Polonaise
which concludes with a Presto. There are many cadenza and cadenza like
passages throughout both movements. A showpiece. Upper college level. |
11.95
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F265: Modern Suite for 4
Flutes
by Josef Bönisch. Zimmermann, 2006, SS, (includes score and
parts). Five original pieces make up this intermediate level flute
quartet by German composer and flutist Bönisch (1935-). They are
titled Fascination, Waltz, Barocco in Blue, Mexico, and Little Boy. The
parts are relatively equal although the first part has the melody and
some solos. |
21.95
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F188: Suite for Flute and Jazz Piano Trio by
Claude Bolling. Hal Leonard, 1973. This is a large scale work for the
classical flutist and a jazz piano trio (although it can be performed
without the drums and bass). The piece is designed to highlight the
difference in styles, even humorously at times. It is in seven parts:
Baroque and Blue, Sentimetale, Javanaise, Fugace, Irlandaise, Versatile
(the first half calls for bass flute), and Veloce. Includes performance
parts
for flute, piano, drums and bass. We have a DVD (with Jean-Pierre
Rampal and the composer) and a Music Minus One
CD of this work.  |
47.50
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F317:
Sonate for Flute and
Piano
by Mel Bonis. Edition Kossack, 1999, SS, 32 + 8 pages. Mélanie
Bonis (1858-1937) was a French composer who fought against many
obstacles to pursue her art. She wrote about twenty pieces of chamber
music, including three sonatas (flute, violin, and cello). This piece
was written in 1904 and dedicated to Louis Fleury. While classical in
form (Andantino con moto, Scherzo-Vivace, Adagio/Allegro ma non
troppo/Allegretto/Adagio, and Finale-Moderato), it conveys a variety of
exotic atmospheres, from pastoral to oriental, and the emotions of
tenderness, joy and passion. College level with a duration about about
16 minutes. |
26.95
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F318:
Une flûte
soupire for Flute and
Piano
by Mel Bonis. Edition Kossack, 1999, SS, 3 + 1 pages. This piece was
written in 1936, near the
end of Mel Bonis' life when she was too weak to hear her music
performed. This
short piece reflects the impressionistic style of much of her music
(the title means "A flute sighs"). (Except other items with free shipping.) |
11.95
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F260: Fantaisie Brillante
sur L'Africaine for Flute and
Piano
by François Borne edited by Henrik Wiese. Zimmermann, 2006, SS,
21 + 9 pages. François Borne (1840?-1920?) about whom there is
limited information, wrote several other fantasies. Originally
published in 1885, this work is based on passages from Meyerbeer's
opera L'Africaine which, in a change from the original concept, is set
in India rather than Africa. This edition contains notes on the
composition and the editing in German, English, and French. |
24.95
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WW42: Trois Mouvements (Three Movements) for Flute and
Clarinet in B-flat
by Eugene Bozza. Alphonse Leduc, 1974. Includes two copies of the parts
in score format. The three movements are Allegretto; Moderato,
espressivo; and Allegro giocoso. Suitable for college or professional
recitals. |
25.55
|
 |
WW132: Shadows Duo for Flute and Clarinet by Jane Brockman. Arsis Press, 1985, SS, 7 pages (score format). The tradition of imitation which has historically inspired two-voice music can be likened to an object and its shadow, continually evident in this composition. At times, the instrumental identities become obscured, and one is not certain which instrument is playing which line. Also, the musical language of Richard Wagner still has much relevance for this composer. It is his shadow which is 'felt' throughout the work as the leitmotiv of Kundry (from Parsifal) is employed melodically, but without its characteristic rhythm--and in a new context. A college level work with a duration of about 6 minutes. |
6.95
|
 |
F354:
Kol Nidrei for Flute and Piano
by Max Bruch edited by James Galway. Theodore Presser, 2004, SS, 8 + 2
pages. The Kol Nidrei begins the evening service at the start
of Yom
Kippur. In the 16th century, a Cantor in Germany composed a
melody for this prayer which Bruch used as the basis for his Adagio on
Hebrew
Melodies for Violoncello and Orchestra. This edition includes
performance suggestions from Sir James Galway. Early college level with
a duration of about 7 minutes. (Except other items with free shipping.) |
8.95
|
 |
F194: Fantasy Sonata for Flute and Piano by John Carmichael edited by Roger Armstrong. Southern Music Co., 2005, SS, 32 + 8 pages. Carmichael (born 1930) is an Australian composer who settled in Britain in 1954. The composer wrote: ". . . in the first movement, there are two main themes: the first, a short motif, is stated at the very opening: the second theme is more lyrical, with a characteristic falling interval of a minor sixth. These two motifs appear and reappear in different guises until the they quietly confront each other, unaccompanied, just before the recapitulation. . . In the slow movement, the piano with its rising motif constantly threatens to overwhelm the flute, but it is the latter's persuasive eloquence which finally wins the day in a hushed conclusion. The last movement has a play of different moods, ranging from jauntiness to mock innocence. A short cadenza for the flute leads to a race between the flute and piano to be first at the double bar." For advanced performers. |
14.95
|
 |
WW157:
Three Bagatelles for
Flute or Clarinet and Piano
by Paul Carr. Cramer Music, 1883, SS, 12 + 4 pages. Paul Carr (born
1961) is an English composer whose early interested focused wind
chamber music like this, but is now composing primarily for film and
TV. The Three Bagatelles are I. Moderato, II. Andante, and III.
Allegro. They include quite a bit of mixed meter but it is of the
easier 6/8, 2/4, 3/4 variety. Advanced high school/early college level. |
9.95
|
 |
V34:
Ave Maria (Offertorium) for
Soprano, Clarinet (or Flute) and Piano; or for 2 Clarinets and Piano;
or Flute, Clarinet and Piano by Luigi Cherubini edited by Robin De
Smet. Fentone Music, 1979, SS. A very versatile edition of this piece.
The cover (but not the music) says "edited by Pamela Weston." (Except other items with free shipping.) |
11.95
|
 |
F257: Five Sonatas for Flute (or Oboe) and Guitar Volume 1 by Domenico Cimarosa arranged by Carstin Linck. Zimmermann, 2005, SS, 35 + 14 pages. Domenico Cimarosa (1749-1801) was born near Naples but also lived and worked in St. Petersburg and Vienna. Most of his work was operas and liturgical works but these arrangements are from his Sonatas for Harpsichord which the arranger thinks are ideally suited for playing on a wind instrument with guitar accompaniment. This volume has Sonata 1 in G major and Sonata 2 in A minor. F294: Five Sonatas for Flute (or Oboe) and Guitar Volume 2 by Domenico Cimarosa arranged by Carstin Linck. Zimmermann, 2005, SS, 39 + 14 pages. This volume has Sonata 3 in A major, Sonata 4 in D major, and Sonata 5 in C major. |
Vol. 1
39.95 Vol. 2 41.95 |
 |
V10: As it Fell Upon A Day by Aaron Copland. Boosey & Hawkes, 1929, SS. For soprano voice, flute, and clarinet. The words are from Richard Barnefield (1574-1627). This is a one-movement sectional piece. It features an interesting dialogue between the flute and clarinet which adds to the texture with independent material when playing with voice. It is a very nice recital piece for college level and professional performers. |
19.95
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 |
F331: Concerto Grosso Op.
6/8
(Christmas Concerto) for 3 flutes or flute orchestra
by Arcangelo Corelli arranged by Elisabeth Weinzierl and Edmund
Wächter. Zimmermann, 2007, SS, (includes score and parts). This is
an arrangement of this famous concerto gross that can be played by a
trio (including a bass or alto flute) or better by a seven part flute
choir (2 C flutes, alto flute, and bass flute). There is also a cello
part that can be used instead of the bass flute part in the trio.
Playable by good high school or adult groups and above. Includes notes
in German, English, and French. |
41.95
|
 |
F195: Voyage for Flute and String Quintet by John Corigliano arranged by Clare Hoffman. G. Schirmer, 1998. Voyage is an instrumental version of a 1971 a cappella choral work that was a setting of a translation of Baudelaire's famous poem "L'Invitation au voyage." A version for flute and string orchestra has been recorded by James Galway. The string and flute parts are not difficult and can be played by good high school musicians. Includes score and parts. |
19.95
|
 |
WW197:
Duo Suite on Mexican
Themes for Flute and Clarinet
by Mike Curtis.
Advance Music, 1997, SS, 15 pages in score format. There are six
pieces: I. Plaza del Baratillo, II. El Burro Viejo, III. La Banda del
Estado, IV. Dulcinea, V. Sancho Danza, and VI. La Rana Loca. Better
high school players and up. |
9.95
|
 |
WW31: Sinfonia Concertante for Flute, Clarinet and Orchestra Op. 41 by Franz Danzi edited by John P. Newhill. Music Rara, 1982, PB, 57 + 9 + 10 pages. Piano reduction. In three movements: Allegro Moderato, Larghetto, and Allegretto polonaise. Includes extensive notes by the editor. |
41.95
|
 |
F351:
Debussy Three Pieces arranged for flute and piano by
T. Smirnova. Muzyka Moscow, 2008, SS, 8 + 3 pages. These Debussy pieces
have been arranged from his works for voice and piano. They are
Romance, Faun ("Le Faune"), and Wonderful Evening ("Beau Soir" usually
rendered as Beautiful Evening in English). These are short pieces at
the upper intermediate level. (Except other items with free shipping.) |
8.95
|
 |
WW204: Petite Suite arranged
for
Flute, Clarinet in A and Piano by Claude Debussy arranged by
Michael
Webster. International Music, 2009, SS. A wonderful arrangement of a
wonderful piece (originally for piano four hands). Four movements: I.
En Bateau, II. Cortège, III. Menuet, and IV. Ballet. Generally
college level. The duration is about 12:30. |
27.95
|
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F183: Prelude to the Afternoon of a Faun by Claude Debussy arranged for flute and piano by Donald Peck. Progress Press, 2004, SS, 11 + 5 pages. For advanced performers. |
12.95
|
 |
WW138:
Prélude à l'après-midi d'un faune
(Prelude to the Afternoon of a Faun) arranged for
Flute, Clarinet and Piano by Claude Debussy arranged by Michael
Webster. International Music, 1994, SS. This piece is one of the most
popular flute solos in the repertoire, but as the arranger writes,
adapting it for flute and piano has not been very successful because
there is too much music to be covered by two instruments. Adding the
clarinet produces a more satisfactory result. Both A and B-flat
clarinet parts are included. The duration is about 9:20. |
13.95
|
 |
F167: Syrinx for Flute Solo
by Claude Debussy edited by Ernst-Günter Heinemann. Henle, 1994,
SS, 4 pages. This edition was prepared from the first edition and
includes a page of notes in French, English, and German. 
(Except other items with free shipping.) |
8.95
|
 |
F171: Syrinx for Flute Solo
by Claude Debussy edited by Erich List. C.F. Peters, 1969,
SS, 4 pages. Brief notes in French, English, and German and a
trilingual translation of the French markings.
(Except other items with free shipping.) |
8.75
|
 |
G170:
Notturno aus "Abendunterhaltungen" for
Flute (Violin) or Clarinet and Guitar
by Anton Diabelli. Philomele Editions (PE 2007), SS. Anton Diabelli
(1781-1858) was an Austrian music publisher, editor and composer. The
six pieces that make up this edition were originally published
(1818/19) in two
volumes that included works of other composers. The clarinet parts were
originally for an obsolete type of recorder known as a csakan which was
usually in the key of A. The six pieces are 1. Andante con moto, 2.
Menuetto (Moderato assia e cantabile), 3. Marcia (Allegro), 4. Original
Thema und Variationen (Andante grazioso), 5. Polonaise, and 6. Marcia
(Allegro). Several of these pieces should be playable by better high
school wind players while the rest are more difficult. Includes parts
for flute (violin), clarinet, guitar, and a score. |
33.95
|
 |
WW141:
Four Little Duos for
Flute
and Clarinet
by Robert Dickow. Manduca Music, 1997, SS, 8 pages. In score
format with two copies. Robert Dickow (1949-) is an American composer
who teaches horn, composition, and theory at the University of Idaho.
These four duets are at the advanced college level and feature mixed
meter. The publisher describes them as "Really nice recital
material for good players. Stravinskyesque technique and textures." The
duration is 8:30. |
9.95
|
 |
WW124: Three Romances for
Flute
and B-flat Clarinet
by Daniel Dorff. Tenuto Publications, 2007, SS, 8 pages. In score
format with two copies. The three
romances are: 1. Languid (Allegro pastorale), 2. Sultry (Tango
drammatico), and 3. Frisky (Brisk allegro). The music is lyrical,
tonal, and rhythmic. It will be premeried by flutist Gary Schocker with
the composer on clarinet at the 2007 National Flute Association's
annual convention. Early college level. Duration about 8 minutes. |
11.95
|
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WW158: Two Cats for
Flute and B-flat Clarinet
by Daniel Dorff. Tenuto Publications, 2008, SS, 8 pages. In score
format with two copies. Close on the heels (paws?) of his already
popular Three Romances,
composer Daniel Dorff has presented us with another flute and clarinet
duet. The composer's program notes are as follows: "Being quite fond of
my flutist-partner's two cats, I chose this opportunity to make musical
portraits of Hootie, a handsome and elegant 20-pound tuxedo cat, and
Tiki, a petite bengal princess. Hootie's music is generally in a slow
pulse with lyrical 16ths flowing, just as Hootie is pensive and
outwardly still, while clearly being very busy inside. The final phrase
is marked snoozendo poco a poco. The final measures of the Hootie
movement are identical to the beginning of the Tiki movement, just as
in reality one cat's end is sometimes notably close to the other's
beginning. After a 'peacefully lurking' introduction, Tiki's remarkable
showcat grace and playful lightness are set as an effervescent scherzo,
including some double-tonguing (after all, her name is ti-ki), a bit of
fluttertonguing as Tiki can sound herself, and with a regally strutted
circus march in the middle of the scherzo." College level with a
duration of about 8:15. |
12.95
|
 |
F326:
Cantabile and Presto for Flute and Piano
by Georges Enesco. International Music Co., SS, 11 + 3 pages. Georges
Enesco (1881-1955) was a Romanian born composer, violinist, pianist,
conductor and teacher. This piece is dedicated to Paul Taffanel. The
Cantabile section is marked Andante ma non troppo and has a very short
cadenza near the end. College level.
(Except other items with free shipping.) |
8.75
|
 |
F329: Concertino in einem
Satz Op. 19a for Flute and Piano
by Christian Ernst. Heinrichshofen, 2007, SS, 11 + 4 pages.
Christian Ernst (1967-) is German composer who has won many prizes for
his work. The basis of this piece was an early uncompleted composition
that the composer came back to in the late 1990s. This six minute works
has many tempo changes and is at the early college level. |
20.95
|
 |
G155: Rumanian Folk
Dances for Flute (or
Clarinet, Violin, or Viola) and Piano
by
Ferenc Farkas, Editio Musica Budapest, 1953, SS, 15 + 4 pages.
Ferenc Farkas (1905-2000) was
a Hungarian composer and music educator who composed a number of
popular pieces for woodwinds. Subtitled: from the collection
of Béla Bartók of the County Bihar. Characteristic
Eastern European folk dances similar to much of Farkas's work. At four
pages, this is a
relatively extended work for this genre. The tempo is Allegro moderato
with brief accelerations and rubato moments. |
16.95
|
 |
WW177:
Tre Bagattelle for flute, clarinet and bassoon by
Ferenc Farkas.
Berben, 1993, SS, (includes score and parts). In three movements:
I. Allegretto, II.
Andante, and III. Allegro. Suitable for early college level, amateur
adult trios, and better high school ensembles. |
17.95
|
 |
F259: Recollection
of Mozart (Erinnerung an Mozart)
for Magic Flute Solo
by Jindrich Feld. Zimmermann, 2005, SS, 8 pages (including notes).
Jindrich Feld (1925-2007) was a Czech composer who was especially
active in composing instrumental music. This virtuoso piece was
inspired by the march from the second act of The Magic Flute. The flutist (using
some special techniques described in the notes) plays all the parts
hence the call for a "Magic Flute." The notes are in German,
English, and French.
(Except other items with free shipping.) |
9.95
|
 |
F262: Sonate for Flute and Piano (or Pianoforte) by Reinhold Finkbeiner. Zimmermann, 2006, 23 + 8 pages. This piece was written by German composer and organist Finkbeiner (1929-) in 1953 but was not premiered until 2004 and was published in 2006. The work is described as an intense and intricate contrapuntal work, which lends the Sonate a feeling of constant flux, while still allowing the melodic themes and motives to continually shine through. It is in two movements: I. Allegro and II. Arietta, a theme with four variations and a coda. |
26.95
|
 |
F313: Sicilienne
for Flute and Piano by
Philippe Gaubert. Heugel, 1914, SS, 4 + 2 pages. A popular piece in the
Sicilienne style (6/8, Allegretto moderato). Upper intermediate level. |
12.75
|
 |
F301: Third
Sonate
for Flute and Piano by
Harald Genzmer. Ries & Erler, 2006, 23 + 8 pages. This piece by
German composer Genzmer (1909-2007) was written in 2003 and recently
published. The Sonate is in three movements: I. Allegro moderato, II.
Ruhig fließend, and III. Finale (Vivace, marcato). Early college
level. |
19.95
|
 |
F177: Concerto for Flute and Orchestra (Piano Reduction) by Morton Gould. G. Schirmer, 1985, SS, 79 + 27 pages. Commissioned for Donald Peck, Sir George Solti, and the Chicago Symphony Orchestra and premiered in 1985. Four movements: Rhapsodic, Elegiac Variations, Intermezzo, and Rondo (Finale). Duration is about 34 minutes and the orchestral parts are available as a rental. |
24.95
|
 |
F238: Six Trios for 2 Flutes and Basso continuo Op 3 (1-3) by Friedrich Hartmann Graf edited by Ingo Gronefeld with Basso continuo realized by Friedrich Grünke. Edition Kunzelmann, 2005. The first three of six trios by Graf (1727-1795) which are available in a modern edition for the first time. Includes separate parts for each performer (with no page turn problems!) and a score with the realized BC part. Each trio has two movements and are (in the flute parts) 3-4 pages long. They are D major (Moderato/Grazioso), G major (Allegro moderato/Presto), and C major (Adagio/Allegro ma no tropo). |
29.95
|
 |
F239: Six Trios for 2 Flutes and Basso continuo Op. 3 4-6 by Friedrich Hartmann Graf edited by Ingo Gronefeld with Basso continuo realized by Friedrich Grünke. Edition Kunzelmann, 2005. The second of six trios by Graf (1727-1795) which are available in a modern edition for the first time. Includes separate parts for each performer (with no page turn problems!) and a score with the realized BC part. Each trio has two movements and are (in the flute parts) 3-4 pages long. They are E minor (Andante/Grazioso), F major (Moderato/Menuetto), and D major (Allegro/Grazioso). |
27.95
|
 |
F344: Six
Sonatas Op. 1 for 2 Flutes (or Violins) by
Albertus Groneman edited by Gerhard Braun. Heinrichshofen, 2008, SS, 42
pages
(score format). Albertus Groneman (1711-1778) was born in Germany but
moved to the Netherlands when he was 20. He was an organist as well as
a composer. These sonatas, each of which has four movements, were
composed in 1738. In accordance with the period, they contain style
galant elements and make us of typical expressions such as
passing tones, sighs, augmented chords, chromatic embellishment,
syncopation, and melody with appogiaturas. The parts are equal and at
the upper end of the intermediate difficulty level. |
23.95
|
 |
WW075: Waltz and Interlude Duet for Flute and
B-flat Clarinet
with Piano Accompaniment by Clare Grundman. Boosey & Hawkes,
1964, SS, (includes piano score and individual parts). This is an
intermediate duet with an easy piano part. It is in three sections: a
waltz (Moderato con moto), then the interlude in 4/4 (Meno), followed
by a return to the waltz in the original tempo. The flute part goes to
a high G while the clarinet part does not go higher than a B above the
staff and is frequently in the lower register. (Except other items with free shipping.) |
14.95
|
 |
WW181:
Hungarian Shepherd's Songs for Flute
or Clarinet and Piano
by Mihály Hajdu. Editio Musica Budapest, 1954, SS, 14 + 6 pages.
Mihály Hajdu (1909-1990) who was a student of Bartok, was a
Hungarian composer and music educator. This piece has three movements:
I. Allegro, II. Parlando rubato, and III. Giusto. Early college level. |
19.95
|
 |
F163: Handel Eleven Sonatas for Flute and Basso continuo edited by Hans-Peter Schmitz with realization of the continuo by Max Schneider. Baerenreiter (BA4225), 1995, 73 + 43 + 45 pages. Baerenreiter urtext editions of seven sonatas for flute (HWV 379, 359b, 363b, 367b, and 374-376 )and four for recorder (HWV 360, 362, 365, 369). Three of the flute sonatas (HWV 374-376) are of doubtful authenticity and appear as an appendix. This edition includes scores with the Basso continuo realization, Basso continuo parts, and flute/recorder parts. There are also several pages of notes (in English and German) on the issues surrounding these pieces. This is a real bargin especially for an import! |
25.95
|
 |
F247: Handel Three Sonatas for
Flute (or Violin) and
Basso continuo edited
and realization of the continuo by Waldemar Woehl. C.F. Peters.
Includes a play-along CD of the accompaniment to the solo part. This
edition includes Sonata in E minor HWV 359b, Sonata in G major HWV
363b, and Sonata in B minor (Fitzwilliam Sonata III) HWV 367b. Parts
for the cello (or viola da gamba) and harpsichord (or piano) are
included. |
29.95
|
 |
F248: Handel Three Halle
Sonatas for Flute (or Violin)
and Basso continuo edited and realization of the continuo by
Waldemar Woehl. C.F. Peters. Includes a play-along CD of the
accompaniment to the solo part. This
edition includes Sonata in A minor HWV 374, Sonata in E minor HWV
375, and Sonata in B minor HWV 376. Parts
for the cello (or viola da gamba) and harpsichord are
included. |
26.95
|
 |
F263: FdQ-Rag
for 2 Flutes, 3 Flutes, or 3 Flutes and Alto Flute by
Alexander Hanselmann. Zimmermann, 2005, SS, (includes score and parts).
A very flexible piece by Swiss composer and flutist Hanselmann
(1956-). This was written in celebration of the organization Freunde der Querflöte (FdQ -
Friends of the Flute). A short and striking intro is followed by
module-like themes that constantly change from part to part. Upper
intermediate level and can also be played by two piccolos. |
17.95
|
 |
F134: Sonata Rubata for Flute and Piano by Steven Harlos. Southern Music Co., 2004, SS, 35 + 12 pages. Composed over a period of about four years, the title means "stolen sonata," a reference to the numerous quotes that occur along the way. If desired, the opening portion of the second movement may be played on alto flute instead of C flute (both parts are shown) and the final portion of the last movement on piccolo. |
14.95
|
 |
WW170:
Five Waltzes for Flute, Clarinet and Piano
by Paul Harris. Queen's Temple Publications, 1998, SS, 24 + 3 + 3
pages. The five waltzes are: I. Allegro, II Allegro grazioso, III.
Moderato, IV. Allegretto, and V. Allegro con moto. High school level
and the piano part is easy. |
15.95
|
 |
G89: Haydn Six Divertimentos Hob. IV:6-11 for Violin or Flute, Violin and Violoncello by Joseph Haydn edited by Andreas Friesenhagen. Henle, 2005. Haydn's six Divertimentos belong to a group of works that he sold to London publisher William Forster during the first half of the 1780s. They are Haydn's first pieces of chamber music that expressly call for the flute. This new edition is very well printed and contains an explanatory preface and comments on the editing. These trios can be enjoyed by proficient players at the high school level and up. Overstock Special! $7.00 off regular price of $46.95 while supplies last. |
39.95
|
 |
F186: Haydn Trios Hob. IV:1-4 for Two Flutes and Violoncello (London Trios) by Joseph Haydn edited by Andreas Friesenhagen. Henle, 2005. Haydn's trios for two flutes and cello were written in 1794 during his second journey to England. There are a total of eight movements of which seven in the hand of the composer have survived. This new edition is very well printed and contains an extended preface with the history of these works and comments on the editing. Proficient players at the high school level and up can enjoy these trios. Overstock Special! $4.00 off regular price of $33.95 while supplies last. |
29.95
|
 |
F253: Haydn
Londoner Trios Hob. IV: Nr. 1-3 for 2
Flutes (or Violins) and Violoncello edited by Karl-Heinz
Köhler. C.F. Peters, 1959/1987, SS. Includes score, parts, and a
play-along CD with second and cello parts for both
the flute and violin versions. |
41.95
|
 |
F348: Le
Coucou Scherzo for Flute and Guitar by Michael Henkel edited
by Johann Gaitzsch. Philomele Editions, 2004, SS, (includes parts and
score). Michael Henkel (1780-1851) was a contemporary of Schubert
who wrote chamber music in addition to his primary output of music for
piano and organ. Both the flute and guitar parts are interesting and
have been evaluated as (British) Grade 8 for the flutist and a Grade 6
or above for the guitarist. (Except other items with free shipping.) |
12.95
|
 |
F203: Sonate
for Flute and Piano by Paul Hindemith. Schott, 1937, SS,
25 + 7 pages. This work was composed in 1936. It is in four movements
(although the Marsch is not numbered): I. Heiter bewegt, II. Sehr
langsam, III. Sehr lebhaft. and Marsch. Our catalog number F106: Music of Paul Hindemith,
Paula Robison Flute
Masterclass includes this piece. |
19.95
|
 |
F295: Six
Duets Op 16. for Two Flutes by Franz
Anton Hoffmeister edited by Henner Eppel. Zimmermann, 2006, PB, 83
pages. Hoffmeister (1754-1812) was a Viennese who was a music
publisher as well as a composer. These duets were first published
around 1796. They are at the upper intermediate level, in score format,
and this edition has been prepared with some attention to page turns.
It also includes notes on the composer and the editing. |
44.95
|
 |
F324: Kokopeli
Solo Flute by Katherine
Hoover. Papagena Press, 1990, 2 pages. Kokopeli, the flute player, was
a great mahu, or legendary hero of the Hopi, and of other Native
Americans living in the Southwestern area of the United States. He is
said to have led the migrations through the mountains and deserts, the
sound of his flute echoing through the great canyons and cliffs. The
composer has tried to capture some of this sense of spaciousness, and
of the Hopi's deep kinship with this land. This piece has also been
influenced by Native American flute songs and sounds. (Except other items with free shipping.) |
6.95
|
 |
F322: Sonatine
for Flute and Piano by Lawrence Ink. Southern Music, 2007, SS,
24 + 6 pages. Lawrence Ink (1955-) is an American composer, educator,
and flutist. This piece is dedicated to Mimi Stillman. It begins with
an Adagio section that has many rapid passages. This is followed by an
Allegro in 7/8 and other meters which extends to the end of the piece.
An advanced work with a duration of about 8 minutes. You can listen to
Mimi Stillman playing it here. |
9.95
|
 |
WW72: Six Ragtimes for
flute or clarinet or bassoon and piano by Scott Joplin edited by
Dieter H. Förster. Kunzelmann, 1979, with play-along CD. Six
familiar Joplin rags: Original Rags, Elite Synchopations, The
Entertainer, The Favorite, The Chrysanthemum, and The Ragtime Dance.
Includes a CD of the piano accompaniment. |
29.50
|
 |
F323:
Night Soliloquy Flute
Solo with Piano Accompaniment by
Kent Kennan. Carl Fischer, 1940, 5 + 2 pages. This is probably the best
known piece by Kent Kennan (1913-2003), American composer, author, and
music educator. The piano arrangement is by the composer. Duration of
about 4 minutes. (Except other items with free shipping.) |
8.50
|
 |
WW168:
Dialogues Op. 158
for Flute and Clarinet
by Michael Kibbe. Michael Kibbe, 2006, SB, (includes score and parts).
This work is in three movements: I. Allegretto, II. Andante, and III.
Vivo. Duration about 8:30 minutes. Early college level. |
19.95
|
 |
F198: Monolog
1 Flute by
Erland von Koch. Gehrmans, 1997, SS, 5 pages. This piece for solo flute
was written in 1975. It is
in two parts (which may be played separately). Fantasie is Part I and
is marked
Andante espressivo, and is made up of short segments with occasional
dotted
bar lines to indicate the phrasing.. Part II
(Caprice) is Molto vivace and alternates between 6/8 and 2/4. Each part
includes flutter tonguing. Upper college level. (Except other items with free shipping.) |
12.95
|
 |
F255: Three Serenades for Flute and Piano by Ernesto Köhler (Koehler). Zimmermann, 2005, SS, 18 + 7 pages. Köhler (1849-1907) is, of course, very well known for his instructional works. These serenades (from Op. 59) are typical examples of salon pieces that were extremely popular at the end of the 19th century. They are: Serenade (Morceau de Salon), Orientalische Serenade, and Italienische Serenade. College level. |
21.95
|
 |
WW163:
Sonatina for Flute and Clarinet Op. 92/2b
by Ernst Krenek. Baerenreiter, 1960, SS, 5 pages (in score format).
Ernst Krenek
(1900-1991) was an Austrian born composer (of Czech heritage) who lived
in the United States from 1938 on. In three movements: I. Allegretto
comodo, II. Adagio, and III. Vivace. This piece, which as written in
1942, looks like a good piece for a college recital. The duration is
about 8 minutes. (Except other items with free shipping.) |
19.95
|
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F261: Trio Op. 34 for 3 Flutes by Joseph Küffner edited by Thomas Richter. Zimmermann, 2005, SS, includes score and parts. An interesting and very well printed trio by Küffner (1776-1856) which was originally published in 1815. In four movements: Allegro, Andante, Menuetto, and Polonaise. Includes notes on the performance of the ornaments. The first part is the most difficult, and the third part is much easier, with the second part in between. |
27.95
|
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F107: Frank Martin Ballade pour flûte et piano, Paula Robison Masterclass by Paula Robison. Universal Edition, 2002. SS, 21+ 14 pages. A master class on Martin's Ballade pour flûte et piano which was written as the required piece for the 1939 Geneva International Competition. Includes both the flute and piano parts |
19.95
|
 |
WW52: Barn Dances for Flute, Clarinet and Piano
by Libby Larsen. Oxford, 2004. SS, 24 + 8 + 8 pages. The composer
wrote: "Barn Dances
is a set of four abstract pieces. . . Each pieces draws from the name
of a particular dance step used in cowboy dances. Taking the name of
the step as a point of departure, my idea was to take a flight of fancy
in each movement and to create the musical equivalent of a character
drawing." The movements are: Forward Six and Fall Back Eight, Divide
the Ring, Varsouvianna (a simple dream waltz), and Rattlesnake Twist.
Upper college level. |
24.95
|
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WW66: Blue
Third Pieces for Flute or Clarinet and Guitar by
Libby Larsen.
Oxford University Press, 2000, SS. This is a little homage to the
interval of the third and its place in the blues. The first piece,
"Deep Blue," is quite and lyrical. The second piece is "Salt Peanuts"
and was inspired by the Dizzy Gillespie and Kenny Clark jazz piece of
the same name. |
29.95
|
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WW139:
Caribbean Sketches for Flute and
Clarinet by Gordon Lewin. Boosey & Hawkes, 1962, SS, (includes
parts and score). Gordon Lewin (1921-2008) was a British
composer, clarinetist, and saxophonist, who studied at the Royal
College of Music and performed on more than 100 film scores. This
piece has two movements: 1. Palm Tree Song (1:30) and 2. Cuban
Calypso (2:10). The first could probably be performed by many good high
school duos, while the second, which is mostly in 5/4 at Allegro
giocoso con ritmo (mm=160-168), will require a somewhat higher skill
level. (Except other items with free shipping.) |
23.95
|
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WW130:
Duo Flute and
Clarinet by David Liptak.
MMB Music, 1992, SB, 9 pages. David Liptak (1949-) is an American
composer and music educator. This piece was commissioned for the 1979
Rock Mountain Chamber Festival and was first perform by Doriot Anthony
Dwyer flute and David Harman clarinet at Fort Collins, Colorado the
same year. It was revised by the composer in 1992. It is in four
movements: Andante con moto, Con forza, Andante languido, and Presto.
It is in score format (11 x 17 size) with a copy for each performer.
This is an advanced work with a duration of about 9 minutes. |
29.95
|
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WW126:
Music for the
Middle of the Day
for Flute, Clarinet in B-flat, and Piano by Joseph Makholm.
Billaudot, 2006, SS. This piece was written for the Webster trio.
Michael Webster describes it as "Sophisticated jazz. Joe
has written everything out to
sound natural, almost improvised at times, with lush chord changes and
inventive melodies and rhythms. It is an outstanding example of
its
genre." In four movements: 1. Late One Afternoon (At a lazy, but
regular,
pace), 2. Dolores' Kitchen (Up-tempo bossa), 3. December (Molto
rubato), and 4. You Think You Know, But You Don't (Up-tempo swing). The
first and last movements should be swung. College level with a duration
of about 9 minutes. |
55.95
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F242: Les
Folies d'Espagne for Solo Flute by
Marin Marais edited by Hans-Peter Schmitz. Baerenreiter (BA33110),
1956, SS, 8 pages. Originally written for gamba by Marin Marais
(1656-1728) these 25 variations have become a popular work for flute
and other instruments. (Except other items with free shipping.) |
13.95
|
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F256: Sénanque
for Solo Flute with use of Pars-pro-Toto-playing techniques by
Andreas Mazur. Zimmermann, 2005, SS, 15 pages (7 pages of music). This
piece uses a variety of extended techniques including tongue and key
clicks, wind sounds, multiphonics, harmonics, and especially playing on
parts of the flute. Includes an explanation of the techniques required.
Sénanque is the name of a Cistercain monastery in the Provence
region of France. This piece is the impressions of the monastery on a
summer day. (Except other items with free shipping.) |
23.95
|
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F266: Mozart Andante and Rondo in G major K. 250 for Flute and Piano transcribed and edited by Robert Stallman. International Music Co., 2006, SS, 24 + 12 pages. K. 250 is the Haffner Serenade which includes a violin concerto within its eight movements. Stallman has taken two of these movements and produced a virtuoso work which is well suited for the flute. |
18.95
|
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F192: Mozart
Concerto in G major for Flute and Orchestra KV 313 Piano
reduction
edited by Franz Giegling. Baerenreiter (BA 4854a), 2003. This
publication is based on Giegling's edition as found in the New Mozart
Edition (NMA V/14/3). It includes a preface, brief notes on the
editing, an easy to play
keyboard reduction, and 10 pages of
cadenzas and "Eingänge" by Rachel Brown, Konrad Hünteler, and
Karl Engel
with accompanying notes. |
18.95
|
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F350: Mozart
Concerto in G major for Flute and Orchestra KV 313 Piano
reduction
edited and with cadenzas by N. Platonov. Moscow Muzyka, 2008, SS, 28 +
11 pages. A new and inexpensive edition from Russia. This edition has
cues for most of the tutti passages. |
10.95
|
 |
F193: Mozart Concerto in D
major for Flute and Orchestra KV 314 Piano reduction
edited by Franz Giegling. Baerenreiter (BA 4855a), 2005. This
publication is based on Giegling's edition as found in the New Mozart
Edition (NMA V/14/3). This new edition includes a preface, brief notes
on the editing, an easy to play
keyboard reduction, a reference score for
comparing the flute and oboe versions of this work, and 10 pages of
cadenzas and "Eingänge" by Rachel Brown and Konrad Hünteler
with accompanying notes. (Note: there were some errors in the original
publication of this edition. This is the corrected version.) |
18.95
|
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F314: Mozart Quartet in D
Major K 311 for Flute (or Violin), Violin, Viola, and Cello
edited
by Robert Stallman. International Music Co.,
2008, SS, includes parts and score. This edition was arranged
from the piano sonata. In three movements: I. Allegro con spirito, II.
Andante con espressione, and III. Rondo (Allegro). |
27.95
|
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F119: Mozart Quartets for Flute Performance Parts edited by Jaroslav Pohanka. Baerenreiter (BA4405), 2002. Baerenreiter urtext editions of four quartets for flute, violin, viola, and cello. Included are Quartet in D KV 285, Quartet in G KV 285a, Quartet in C KV Anh. 171 (285b), and Quartet in A KV 298. |
20.95
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WW37: Duos for Flute and Clarinet Op. 24
by Robert Muczynski. G. Schirmer, 1991, SS, 13 pages. Includes two
copies of the six duets which are in score format.
Probably early college level but might be attempted by younger players
if the flutist has good command of the third octave. |
14.95
|
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F144: Trio in B minor for two Flutes and Basso continuo
by Christoph Nichelmann edited by Ingo Gronefeld. Edition Kunzelmann,
2004, SS. Nichelmann (1717-1762) studied with Wilhelm Friedemann Bach
and with Johann Joachim Quantz and was a contemporary and colleague of
Carl Philipp Emanuel Bach. This edition has
separate parts for each flute and the basso continuo, plus a fully
realized basso continuo part for keyboard in the score. |
27.50
|
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F293:
Histoire
du Tango for Flute and Guitar by
Astor Piazzolla transcribed by Pierre-André Valade and Roberto
Aussel.
Editions Henry Lemoine, 1986. This is a wonderful
and challenging piece which has been transcribed for a variety of
instruments and combinations of instruments with this being one of the
most popular. The four scenes portrayed
are: Bordel 1900, Café 1930, Night-club 1960, and Concert
d'auhourd'hui (Modern Day Concert). This edition has been prepared with
particular attention to page turns. |
42.95
|
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F214: Libertango for flute and guitar
by Astor Piazzolla edited by Klaus Jäckle. Edition Margaux,
1974, SS. "Libertango
stands for the freedom which I allow for my musicians. Their limits are
defined solely by the extent of their own capabilities and not through
any external pressure."Piazzolla wrote this piece for his octet which
he formed in 1954. It includes two parts in score format. (Except other items with free shipping.) |
9.95
|
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F297: 12
Sonatas for 2 Flutes
by Ignaz Pleyel edited by Gerhard Braun. Heinrichsofen, 2006, SS, 36
pages.
These duos (based on violin pieces) enjoyed considerable
popularity in their time because of their easy melodic writing and
formal simplicity. They are at the middle and upper intermediate
level. |
17.50
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F300:
Album for Flute and Piano
by
Wilhelm Popp edited by Wolfgang Kossack. Edition Kossack, 2001, 18 + 7
pages. Wilhelm Popp (1828-1902) was a German composer of nearly 600
pieces, mostly for flute and piano. This book has three pieces:
Spanischer Tanz, Spanische Serenade, and Nachtigallenserenade. The
Spanischer Tanz is an intermediate level piece while the other two are
somewhat more difficult. |
18.50
|
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F306:
Blumenstück, Romance for Flute and Piano Op. 383
by
Wilhelm Popp edited by Ute Widdermann. Edition Kossack, 2001, 8 + 2
pages. A shorter piece than some many Popp featured here. It is in 6/8
time and marked Andante molto espressivo. College level. (Except other items with free shipping.) |
14.50
|
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F335: La Chasse Galop
Brillante Op 250 No. 6 for Flute and Piano
by Wilhelm Popp edited by Gary Garner. Southern Music Co. (SU557),
2008,
SS, 10 + 3
pages. This is one of Popp's more popular pieces. It begins with an
Allegro tempo, then Vivo, Allegro again, then back to Vivo and
accelerates more near the end. College level. (Except other items with free shipping.) |
9.95
|
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F307:
Kleines Flötenkonzert Op. 438 for Flute and Piano
by
Wilhelm Popp edited by Ute Widdermann. Edition Kossack, 2001, 11 + 3
pages. A sectional piece which begins (in 4/4) with an Allegro maestoso
introduction followed by an expressive Andante. A short Allegro non
troppo section leads to Allegretto scherzando (2/4) which increases in
speed midway to the bravuroso conclusion. Early college level. (Except other items with free shipping.) |
17.95
|
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F308:
Schwedisches Konzert Op. 266 for Flute and Piano
by
Wilhelm Popp edited by Ute Widdermann. Edition Kossack, 2002, 22 + 11
pages. The Swedish Concerto is sectional with piano interludes between
some sections. The tempo marking are: Allegro assai, Allegro maestoso,
Adagio, and Allegro vivo (which includes a long cadenza). College
level. |
23.50
|
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F299:
Sonatinen Op. 388 Vol. 1 for Flute and Piano
by Wilhelm Popp edited by Ute Widdermann. Edition Kossack, 2002, 26 +
12
pages. This book contains the first three
of six sonatas from Op. 388. Advanced intermediate/early college
level.F309:
Sonatinen Op. 388 Vol. 2 for Flute and Piano
by Wilhelm Popp edited by Ute Widdermann. Edition Kossack, 2002, 26 + 8
pages. This book contains the second three
of six sonatas from Op. 388. Advanced intermediate/early college
level. |
Vol. 1
19.95 19.95 Vol. 2 |
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F304:
Tonbilder Vol. 1 for Flute and Piano
by Wilhelm Popp edited by Ute Widdermann. Edition Kossack, 2001, 12 + 7
pages. This book contains the first three
pieces that are somewhat easier than some of Popp's other works here
but are still at least in the mid range of the intermediate level. The
pieces are Grossmütterchen erzählt (Ballade/Moderato con
garbo), Schwarzwaldblümchen (Idylle/Moderato pastorale), and
Mädchenlied (Melodie/Un poco Allegro). F305:
Tonbilder Vol. 2 for Flute and Piano
by Wilhelm Popp edited by Ute Widdermann. Edition Kossack, 2001, 16 + 8
pages. Three more pieces at the about the same level as volume 1. They
are: Singvöglein (Capriccio/Moderato grazioso), Mückentanz
(Mosquito dance) (Scherzo/Presto in 6/8), and Ball-Erinnerrung which is
a series of short dances (Polonsaise, Waltz, Polka, Mazurka, etc.) |
Vol. 1
17.95 17.95 Vol. 2 |
 |
F298:
Ungarische Tänze Op. 308 for Flute and Piano
by Wilhelm Popp edited by Ute Widdermann. Edition Kossack, 2001, 15 + 7
pages. This book has three Hungarian dances which are each two pages
long in the flute part. Upper intermediate
level. |
19.50
|
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F169: Sonata for Flute and Piano by Francis Poulenc, edited by Carl B. Schmidt, consulting editor (1994) Patricia Harper. Chester Music, 1994, 23 + 8 pages. In three movements: Allegretto malincolico, Cantilena, and Presto giocoso. The Poulenc Sonata for Flute and Piano has become one of the most frequently performed and best loved sonatas in the flute repertoire. In preparing this editions the editors hoped not only to clarify many textual issues but also to supply sufficient documentation for those who wish to know more about the background of the work and the significant problems involved in editing it. This edition includes about 10 pages of notes in English followed by French and German translations. |
15.95
|
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F204: Trio in D minor
Op. 1 No. 1 for three flutes
by
Bernardo Porta edited by Hugo Ruf. Heinrchshofen, 2003, SS. Porta
(1758-1829) was born in Rome and lived in Paris after 1785. He was a
conductor and composer who wrote operas and cantatas in his early
career but after 1800 composed primarily instrumental works. This
three movement work (Allegro, Andante con espressione, and Allegro) was
published around 1790. It is at the upper intermediate level with equal
parts on the first movement and somewhat easier second and third parts
on the others. Includes a score and individual parts. |
24.95
|
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F311: Quantz Concerto
in G major Q 5:174 for Flute and Piano (reduction)
by
Johann Joachim Quantz edited by Klaus Burmeister with cadenzas by
Mirjam Nastasi. C.F. Peters, 1993, SS, 27 + 10 pages, plus CD of
orchestral accompaniment. The original version of this piece is for
flute, strings, and basso continuo. This concerto is one of the best
know works of Johann Joachim Quantz (1697-1773) although its modern
place in the concert repertoire dates from its rediscovery in 1877. In
three movements: I. Allegro assia, II. Arioso e mesto, and III. Presto.
Includes a sample eingang for the first movement and cadenzas for the
first and second movement. This edition includes an informative
Afterword and the play along CD. College level. |
33.50
|
|
F146: Cadenzas for Mozart's Flute Concerto in D, No. 2
by Franz Reizenstein. Boosey & Hawkes, 1957, 4 pages. This is an
Authorized Custom Print from Boosey & Hawkes.
(Except other items with free shipping.) |
12.95
|
 |
WW51: Three American Miniatures For Flute and
Clarinet in B-flat by
John Rutter. Oxford, 1981, SS, 8 pages. One of the foremost living
composers and conductors of choral music, John Rutter has also written
orchestral and instrumental music. This piece for unaccompanied flute
and clarinet is in three movements: Fanfare and Proclamation (Vivace),
Blues (Andante expressivo), and Rag (Allegretto). Early college
level. Score format.  (Except other items with free shipping.) |
8.95
|
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WW121:
Tarentelle Op. 6
for Flute, Clarinet in A and Piano
by Camille Saint-Saëns. Kalmus, SS, (includes parts and
piano score). Originally with orchestral accompaniment, this is one of
Saint-Saëns earlier adult works. While traditional in many
respects it includes a surprising Prestissimo conclusion in 2/4.
College level with a duration of about 6 minutes. |
9.95
|
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F197: Tarantela for
Two Flutes and Piano
by
Simon A. Sargon. 2004, SB. Dedicated to Lisa Van Winkle and Helen
Blackburn. A lively tarantella at the advanced high school/early
college level. Separate flute parts and a piano score. |
14.95
|
 |
F296: Concerto for Flute and
String Orchestra Piano Reduction
by
Ole Schmidt. Edition Samfundet. 2007, SB, 20 + 10 (oversize) pages. Ole
Schmidt (1928-) is a Danish conductor and composer who wrote this piece
in 1985. An advanced work in three movements. Duration about 22 minutes. |
34.95
|
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WW122: Concertino en
Trio Op. 85
for Flute, Clarinet in A and Harpsichord or Piano
by Florent Schmitt. Durand, 1935, SS. This is one of the more popular
pieces for this combination. It is in four movements: I. Assez
animé, II. Assez vif, III. Très lent, and IV.
Animé. The flute and clarinet parts generally move together in
harmony. College level with a duration of about 8 minutes.
|
39.95
|
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F339: Piccolo Italiano (or
me & my gold piccolo)
for Piccolo and Piano by Gary Schocker. Presser, 2008, SS, 10 + 6
pages. This is a fun survey of Italian musical styles for the piccolo
with
piano accompaniment, penned by one of the most active and successful
composers in flute music, Gary Schocker.In three movements: Fellini Was
Here, Ricordarsi, and Polpettina. This piece is
dedicated to Italian flutist and a Galway protégé
Raffaele Travisani, whose gold piccolo inspired the piece, and also to
Schocker's wife, pianist Paola Girardi. Each movement is challenging
yet playful in nature, and piccolo players will be glad to have a
chance to experience more of Schocker’s fine work. Click here
to see him play the first movement, here
to see him play the second movement, and here
to see him play the third. For advanced high school or early college
level players. Duration about 6 minutes |
15.95
|
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V01: The Sheperd on the Rock (Der Hirt auf dem Felsen) by Franz Schubert. G. Schirmer, SS. For high voice and piano with clarinet (flute or violin) obbligato. This edition has the original words and an English translation. |
4.95
|
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F237: Variations on
"Trockne
Blumen"D. 802 for Flute and Piano by
Franz Schubert edited by
Klaus Burmeister. C.F. Peters,
2005, SS, 30 + 11 pages.
This is a scholarly edition of this piece which was written by Schubert
in January 1824 and is based on "Trockne
Blumen," piece number 18 from his Die schöne Müllerin.
The
form is: Introduction, Theme, and Variations 1-7 (a discarded Variation
5 is also included). The publication includes a preface in German
and English and notes on the editing in German.  |
18.95
|
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F349: Sonata in E-flat major
D.
568 for Flute and Piano by Franz Schubert transcribed and
edited by
Robert Stallman. International Music, 2009, SS, 29 + 12 pages. This
work has been transcribed from the Piano Sonata in E-flat major. The
editor writes that this is "one of Schubert's most radiant and engaging
depictions of springtime. With fresh melodic ideas and daring harmonic
curiosity, the composer celebrates the season he loves, blending the
sounds of nature with waltzes and Hungarian Gypsy music. Aside from a
grief-laden Andante, the works reads like a daydream of blissful
times." In four movements: I. Allegro moderato, II. Andante molto, III.
Menuetto: Allegretto, and IV. Allegro moderato. Early college level. |
26.95
|
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F172: Concerto for Flute (Piccolo) and Orchestra Piano Reduction by Gunther Schuller. Associated Music Publishers, 1998, SS, 34 + 9 pages. In three movements: Allegro, Lento-misterioso-quasi una fantasia, and Quasi presto. The first two movements are on flute. The performer switches to piccolo for the first two thirds of last movement, then back to flute for the rest except the last note which is on piccolo. This piece was composed as a 60th birthday for Walfrid Kujala and was premiered by him. The piece includes allusions to (but not quotations from) famous flute and piccolo passages in the orchestral literature. |
24.95
|
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F353: Mikrokosmos Op. 90, 5
Pieces for 3 Flutes
by Ivan Shekov. Zimmermann, 2008, SS, (includes parts and score). Ivan
Shekov (1942-) was born in Bulgaria and studied music there. The first
part of his career was as an international concert pianist. Since 1980
he has lived in Germany and worked as a composer, primarily of
orchestral, vocal music, chamber music and works for young musicians.
This work is from the last genre with the first part the most
difficult (advanced intermediate) and the second and third parts less
difficult (intermediate). The pieces are: 1. Promenade, 2. Undine, 3.
Hektik (Hectic rush), 4. Dudelsack (Bagpipe), and 5. Walzer (Waltz). |
19.95
|
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WW123:
Four Waltzes for Flute, Clarinet, and Piano
by Dmitri Shostakovich arranged by Levon Atovmian. Sikorski, 1958, SS,
includes parts and piano score. A somewhat unusual arrangement in that
the first waltz is for clarinet and piano and the second is for flute
and piano with only the last two for all three instruments. The waltzes
are I. Spring Waltz, II. Waltz Joke, III, Waltz, and IV. Barrel-Organ
Waltz (piccolo instead of flute). Early college level.
|
36.95
|
|
F074: Cadenzas for the Works for Solo Flute and
Orchestra by
Mozart by John Solum. McGinnis & Marx, 1964, 7 pages.
Cadenzas
for the Concerto in G Major K.313, the Concerto in D Major K.314, and
Andante
in C Major K.315. There are seven cadenzas in all.
(Except other items with free shipping.) |
3.50
|
 |
WW133:
Three Duets for Flute
and
Clarinet
by Don Stewart. Trillenium Music, 1999, SS, 8 pages (two parts in score
format). Don Stewart (1935-) is an American composer and woodwind
performer. This piece was written in 1959 and is one of his earliest
compositions. The first duet is a perfect canon but with contrasting
sections. The second which the composer originally regarded as
"flamenco" in derivation, alternates an intensive melody with a brittle
rhythmic background. The third is short and formally simple but
polytonal. Early college level. |
9.95
|
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WW108: Duo for Flute and
Clarinet
by Antoni Szalowski. Chester, 1948, SS, 14 pages. Szalowski (1907-1973)
was a Polish born composer who studied in Warsaw and Paris (with
Boulanger). While most of his work was written for strings it is his
pieces for winds that are most popular today. He has been described as
a neo-classicist, favoring established forms, clear musical content,
and contrapuntal writing. This is one of the more popular
(advanced college level) flute and clarinet duets. It is in three
movements: I. Allegro, II. Andante, and III. Allegro. It is in score
format and has been printed without regard for page turns, so some
preparation will be required for performance. Duration is about 8
minutes. (Except other items with free shipping.) |
25.95
|
 |
F244: Pensamiento for
Flute and Piano by Ivan
Tcherepnin. M.P. Belaieff, 2005, SS. This brief (3 minute) piece was
written in 1996 for Sue-Ellen Hershman-Tcherepmin and pianist David
Witten as part of the US State Department's 40th Anniversary
Celebration of the Fulbright program in Ecuador. The premier was given
that year in Quito. The composer wrote, "Pensamiento is about uniting North
and South. My love of the land of Ecuador and its people is reflected
in the opening, which is a mini 'Condor Song.' After an encounter with
the Eagle and ensuing conflicts and dramas, the Condor peacefully soars
away above the high Andean peaks." (Except other items with free shipping.) |
11.95
|
 |
Ob154:
Sonata for Oboe (Flute or Violin) and Basso continuo in E
minor by George Philipp Telemann edited by Hugo Ruf. Schott,
1968, SS. Also known as Solo XI from "Essercizii Musici." This piece
includes a fully realized Basso continuo
(keyboard) part and part for cello (bassoon or viola da gamba). It is
in four movements: I. Largo, II. Allegro, III. Grave, and IV. Vivace.
College level. |
15.95
|
 |
F258: Incandescence for
Solo Flute by John Van Buren. Zimmermann, 2006, SS, 12 pages
(including notes). John Van Buren (1952-) is an American who completed
his musical studies in Germany and has continued to live and work there
as a composer and lecturer. This work uses a number of extended
techniques which are described in the notes (in German, English, and
French). In the Preface, Van Buren writes: "In a figurative definition,
the word incandescence connotes a high degree of emotion, intensity,
brilliance or the like. The flute pursues this through three sections
which are coupled with the three registers of the flute. Beginning in
the lowest register the piece progresses ever higher culminating in an
"incandescent" coda at the highest range of the instrument. (Except other items with free shipping.) |
14.95
|
 |
Ob146:
Sonata for Oboe (Flute, Violin) and Basso continuo in C minor
RV 53 by
Antonio Vivaldi edited by Helmut Schlövogt. Schott, 1951, SS.
Includes fully realized basso continuo part for keyboard and part for
cello or bassoon. In four movements: Adagio, Allegro, Andante, and
Allegro. |
13.95
|
 |
WW156:
Suite for Flute, Clarinet, and Piano by Alec Wilder.
Margun Music, 1980, SS, (includes parts and piano score). American
composer Alec Wilder's (1907-1980) music combined elements of the jazz,
popular, and classical realms. This is a college level work in four
movements. |
15.95
|
 |
WW17: 78 Duets for Flute and Clarinet Vol. 1 (1-55)
Easy-Medium
by Himie Voxman. Rubank, 1960, SS, 72 pages. Adapted from the works of
the Bachs, the Mozarts, Boismortier, Dietter, Handel and others.
WW18: 78 Duets for Flute and Clarinet Vol. 2 (56-78) Advanced by Himie Voxman. Rubank, 1960, SS, 72 pages. Adapted from the works of Bach, Mozart, Geminiani, Muffat, Quantz, Rameau, and C. Stamitz. |
Vol. 1
8.95
Vol. 2 |
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F108: The Anderson Collection by Joachim Andersen selected and introduced by Paula Robison. European American Music Corp., 1994. SS, 44 + 23 pages. Pieces for flute and piano by the famed flute virtuoso, composer and conductor. They are Sox Morceaux de Salon Op. 24, Impromptu Op. 7, Elegie Op. 55 No. 1 and Die Blumen Op. 56 No. 2. There is a significant range of difficulty in these pieces with the easiest accessible to second or third year students (with a good range) while the most difficult would require four or more years of study. |
14.95
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F105: Chamber Music for Three Flutes (Easy to Medium) by Himie Voxman. Rubank, 1952, SS, 32 pages. This book contains 24 trios for flute drawn from the work of Corelli, Haydn, Mozart, Bach, Handel, and others. They are probably most suitable for students in their third year of study. With one or two exceptions the parts are of equal difficulty. Click on the cover image to view Table of Contents. Use your browser's Back button to return. |
5.95
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G62: The Compleat Klezmer by Henry Sapoznik. Tara Publications, 1987, PB, 80 pages. This book is the definitive Klezmer anthology. It includes a short history of klezmer music, notes and observations on the theory and performance of klezmer music, 33 annotated melodies, a discography and bibliography, resources, and more. Click on the cover image to view the Table of Contents. Use your browser's Back button to return. |
19.95
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F103: Concert and Contest Collection for Flute Flute Part by Himie Voxman. Rubank, 1949, SS, 24 pages. This book contains 14 familiar works for flute and piano. There are pieces here for third and fourth year students and beyond. Click on the cover image to view the Table of Contents. Use your browser's Back button to return. F104: Concert and Contest Collection for Flute Piano Accompaniment by Himie Voxman. Rubank, 1949, SS, 59 pages. Piano accompaniment to F103. |
F103:
4.95
F104: |
 |
WW34: Duos Concertants for Flute or Oboe and Clarinet
1st Series compiled,
transcribed, and revised by Albert J. Andraud.
Southern Music Company, 1935, SS, 23 pages (two copies). All duets are
in score format. This book contains six duets from the works of Bach,
three from Handel and three from Mozart. For good high school players
or better. WW35: Duos Concertants for Flute or Oboe and Clarinet 2nd Series compiled, transcribed, and revised by Albert J. Andraud. Southern Music Company, 1946, SS, 40 pages (two copies). This book has two duos concertants by G. Kummer (not in score format, all the rest are), and Symphony Concertante by Mozart KV 364 for violin, viola and orchestra or piano (accompaniment not included) transcribed, and shorter works by Bach, Handel, and Krebs. Some of the material in this book is more difficult than the first book. WW36: Duos Concertants for Flute or Oboe and Clarinet 3rd Series compiled, transcribed, and revised by Albert J. Andraud. Southern Music Company, 1946, SS, 40 pages (two copies). This book has three duos concertants by J.B. Gambaro (not in score format, all the rest are), 12 duets for 2 basset horns by Mozart (not transposed), an extended duet by J. Sellner, and shorter works by Bach, Handel, Lacome, and Rameu. A mix of difficulty levels similar to the second book. |
Series 1
12.50 Series 2
Series 312.50 9.95 |
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F149: Easy Classics for Flute selected and arranged by Peter Spitzer with piano accompaniments by Jannette Spitzer and Laura Spitzer. Mel Bay, SS, 1997, 39 + 31 pages. This book of easy classical pieces may be used solo or duet playing with or without piano accompaniment. There are books for clarinet, flute, alto sax, tenor sax, trumpet, and they may be used together. The level is generally second year and third year with a few pieces that reach F above the staff. Includes arrangements of pieces such as Hungarian Dance #5, Radetzky March, William Tell Overture, Sleeping Beauty Waltz, and 12 more. Click on the cover image to view the Table of Contents. Use your browser's Back button to return. |
7.95
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G60: Easy Klezmer Tunes by Stacy Phillips. Mel Bay, PB, 2003, 129 pages + CD. This book is for musicians who are new to klezmer but are reasonably proficient. There are 24 tunes (each with a brief explanation) grouped as Khosid'ls and other slowish tunes; Horas; and Freylakhs, Bulgars, and other up-tempo tunes. The book includes melody parts for C instruments (with parts for flute up an octave), b-flat, e-flat, and bass clef instruments. The included CD has each tune played as written and again with some traditional klezmer embellishments. |
24.95
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F145: Encores for Flute and Piano II by Dieter Förster. Edition Kunzelmann, SS, 2004, 32 + 12 pages. German title: "BIS" Zugaben für Flöte und Klavier II. Eight encores for flute and piano at the intermediate and slightly higher level. Charpentier Prelude from "Te Deum," Bach/Gounod Ave Maria, Bizet Habanera from Carmen, Beethoven für Elise, Boccherini Minuetto, Grieg Sunshine Song (Solvejg's Lied), Mozart Turkish March, and Schumann Reveries (Träumerei). |
24.25
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F112: Expressive Etudes ~ for the Flute compiled and edited by Laura Barron. Carl Fischer, 2003, SS, 39 pages + CD. Laura Baron has selected nineteen gems of substantial musical merit from the thousands of etudes available. She feels that each work lends itself to expressive interpretation and can be studied and performed as concert pieces. The etudes are by Boehm, Karg-Elert, Fürstenau,, Andersen, Soussmann, Altès, Kohler, Demerssman, Prill, and Taffanel. The book includes performance suggestions and the CD has a recording of each etude. Click on the cover image to view the list of work. Use your browser's Back button to return. |
20.95
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F264: Family Festivities at
the
Hissbooms' (Familienfest bei Zischrumms) Eight Short Pieces Using
New Playing Techniques for 1-4 Flutes by Rainer Pezolt. Zimmermann,
2006, SS, 17 pages. These eight short pieces are intended to introduce
some easy extended techniques to beginning and intermediate flutists.
We suspect some of these would be a big hit at a studio recital.
(Except other items with free shipping.) |
14.95
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F328: Folk Songs &
Dances
from the Balkans Flute Edition by Costel Puscoiu. Mel Bay,
2008, SS, 24 pages + CD. This is a collection of 63
representative well-known and lesser-known beautiful melodies
from the Balkans. The carefully chosen the melodies offer a rich,
enjoyable and varied book. The arrangements and other adaptations
(keys, ornaments, etc.) have been introduced to make this beautiful
South-Eastern European music more suitable for performance on the
flute. The booklet comes with a CD of a performance of each piece and
the piano accompaniment can be downloaded from the publisher's web site. |
14.95
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F155: Flute Methods, Studies and Ensembles. CD Sheet Music, 2006. Version 2.0 including notes from the 1911 Grove's Dictionary on many of the composers. This CD contains more than 1800 pages of methods, studies and ensembles (mostly the latter two). It includes works from the following and more: Altès, W.F. Bach, Andersen, Gariboldi, Hughes, Karg-Elert, Köhler, Reichert, de la Barre, Beethoven, Berbiguier, Boismortier, Bordet, Briccialdi, Chinzer/Bordet, Devienne, Dietter, Finger, Fürstenau, Gariboldi, Hotteterre, Hugot/Wunderlich, Koechlin, Köhler, Kuhlau, Kummer, di Lasso, Legoux/Bordet, Le Loup, Loeillet, Mozart, Müller, Naudot, Quantz, Reicha, Soussmann, Stamitz, Sweelinck, Telemann, Tulou. Click on the cover for a full listing of the contents. Use your browser's Back button to return. |
19.95
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F156: Flute Solos. CD Sheet Music, 2006. Version 2.0 includes biographical information from the 1911 Grove's Dictionary. This CD contains more than 2000 pages of flute solos with piano accompaniment. Composers included are: Adam, Andersen, CPE Bach, JC Bach, JCF Bach, JS Bach, Barrère, Beethoven, Bizet, Blavet, Booth, Boulanger, Briccialdi, Burgmüller, Busoni, Caix d'Hervelois, Catherine, Daquin, Debussy, Donjon, Doppler, Duvernoy, Enesco, Fauré, Foote, Gabriel-Marie, Ganne, Gluck, Godard, Gossec, Graupner, Grétry, Griffes, Hahn, Handel, Hotteterre, Hullmandel, Kirchhoff, Köhler, Krieger, Kuhlau, Kuhnau, Latour, Locatelli, Loeillet, Lully, Maganini, Marais, Marcello, Massenet, Matheson, Mendelssohn, Molique, Moszkowski, Mouquet, Mozart, Müthel, Offenbach, Pergolesi, Pessard, Popp, Quantz, Rameau, Reger, Reinecke, Rheinberger, Rietz, Rimsky-Korsakov, Sacchini, Saint-Saens, A. Scarlatti, Schers, Schubert, Schumann, Taffanel, Telemann, Tosti, Verdi, Vivaldi, and Weber. Second edition with composer biographies and related articles from the 1911 edition of Grove's. Click on the cover for a full listing of the contents. Use your browser's Back button to return. |
19.95
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G35: The French Noel - With an Anthology of 1725 Arranged for Flute Duet by Betty Bang Mather & Gail Gavin. Indiana University Press, 1996, PB, 120 pages. French noels unite sacred and profane texts, music, and dance as performed from the late Middle Ages through the Baroque. Part I of The French Noel discusses the history and uses of the form, suggests appropriate dance steps, and examines its musical and poetic style. Part II consists of 16 Christmas songs first published in 1725. Betty Bang Mather and Gail Gavin have transcribed these charming pieces with lyrics of the period so that they may be either sung or played. The volume is enhanced by several facsimile pages from the original publication and reproductions of contemporaneous paintings showing noels being performed. |
22.95
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F206: Greensleeves for
2 flutes arranged
by Sieglinde Heilig and Uwe Heger. Noetzel Edition, 2005, SS 27 pages.
These are arrangements of familiar
Irish, Scottish, and English folk songs for flute or recorder duet. It
includes favorites such as Amazing Grace, Greensleeves, The Bluebells
of Scotland, Londonderry Air, and many more. Intermediate level
in score format. Click on the cover
for a full listing of the contents. Use your browser's Back button to
return. |
12.95
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F106: Music of Paul Hindemith, Paula Robison Flute Masterclass by Paula Robison. Schott, 1996, SS, 76 pages + CD. This maser class includes 8 pieces for Solo Flute, Sonatine in Canon Style, Sonata for Flute and Piano, Echo and Sing on There in the Swamp. The parts have been annotated in red by the author. This book also includes biographical information on Hindemith, photographs, and charming illustrations taken from his drawings. The accompanying CD is a performance of the Sonata for Flute and Piano by Paula Robison with Jong Hwa Park, piano. |
24.95
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F035: The Irish Flute by Roger Holtmann. Mel Bay Publications, Inc. SS. 63 + 32 pages. Fifty-five delightful flute solos with easy piano accompaniment. Each arrangement includes chords for guitar. In the beginning of the accompaniment book there are examples of guitar strum patterns for the various types of Irish tunes in both pick style and finger style. Titles include: A Visit to Ireland; Ballahaboy Fair; Bridget McBride; Captain O'Neill; Comely Jane Downing; Crossing the Stream; Fare You Well; For Ireland I'd Not Tell Her Name; Garryowen; Green garters; Kelly the Rake; Kiss Your Partner; Kitty of Coleraine; Larry O'Gaff; Mary's Return; Miss Johnson; My Love is Fair and Handsome; Nora O'Neill; O'Donnell Aboo; Shule Aroon; Tady's Wattle; and many more. | 10.95 |
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F135: The Irish Fluter by Colin Fleming. Kevin Mayhew, 1998, SS, 32 + 12 pages. These 12 pieces capture the essence of the flute traditions of Eire, from lively jigs and reels through to sad and haunting melodies. The piano accompaniment supports the flute, rather than acting as a duo partner on equal terms. The keys have been chosen with care to keep this collection within the reach of average player and rarely go beyond three flats or sharps for any length of time. Includes: Believe Me If All Those Endearing Young Charms, Erin, Londonderry Air, Slane, The Bard Of Armagh, The Harp That Once Through Tara's Halls, The Isle Of Innisfree, The Last Rose Of Summer, The Spinning Wheel, Three Jigs, Three More Jigs, and Three Reels. While this book is still available in the UK, it isn't being imported by the distributor we were using so we are not planning to order more when our stock is sold. The current price would be about $15.95. |
8.95
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F200: James Galway's
Christmas Album arranged
and edited by David Overton and James Galway. Presser, 2005, SS. This
book contains 13 Christmas tunes that have been recorded by Sir James.
For flute and piano.
This music includes some optional second flute parts and a snare drum
part for Il est Né. The pieces included are: Ding Dong Merrily
on High (2nd flute), Silent Night(2nd flute), Il est Né, Lo How
a Rose E'er Blooming, Pastoral Symphony (from "Messiah"), O Jesulein
Süss, O Tannenbaum (2nd flute), O du Fröhliche, Noël
Nouvelet, El noi de la Mare, Deck the Halls (2nd flute), Grand Fantasia
on "I Saw Three Ships," and In Dulci Jubilo. |
19.95
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F187: Jazzy Duets 2 Flutes by James Rae. Universal Edition, 1991, 11 pages. This book has five original duets in score format. While intended for young players (about third year or fourth year or so), they could also benefit more experience players who haven't been exposed to jazz. |
14.95
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WW46: Jazzy Duets Flute & Clarinet
by James Rae. Universal Edition, 1991, 11 pages. This book has
five original duets in score format. They are intended for young
players (about third or fourth year or so). |
14.95
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F189: The Mary Karen Clardy Flute Etudes Book
selected
and introduced by Mary Karen Clardy. European American Music
Corporation, 1995, PB, 90 pages. There are 51 etudes in this book in
all keys (major and minor), organized by the circle of fifths. The
etudes are from Bach, Karg-Elert, Köhler, Donjon, Andesen, Boehm,
Schade, and Fürstenau. The editor has provided some suggestions
for the performance of each etude and identified the origin. The book
also includes basic scales and arpeggios. This book is being
using for the 2007-08 Texas All State auditions for flute and
piccolo. |
22.95
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F170: Sacred Solos for Flute with Piano Accompaniment compiled, arranged, and edited by Clair W. Johnson. Rubank, 1960, SS, 48 + 15 pages. Felix Borowski Adoration, Georges Bizet Agnus Dei, Wolfgang A. Mozart Alleluia (from Exultate Jubilate), Bach-Gounod Ave Maria, Franz Schubert Ave Maria, Paul Rodney Calvary, Stephen Adams The Holy City, Felix Mendelssohn If With All Your Hearts (from Elijah), Jules Massenet Meditation, Cesar Franck Panis Angelicus (O Lord Most Holy), Ethelbert Nevin The Rosary, and G. F. Handel Where E'er You Walk (from Semele). |
7.95
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F343:
Melodies of Japan for
Flute and Piano arranged by Teruyuki Noda. Zen-On Music,
1978/1990, PB,
82 + 26 pages. This book contains 14 songs (the original versions had
lyrics) arranged for flute and piano. They are: Tamezo Narita
Hamabe-nouta (Song of the Seashore), Teiichi Okano Oboro-zukiyo,
Tadasuke Ono Yoimachigusa, Ryutaro Herota Shikararete, Kosaku Yamada
arr. Chūgoku-chihō-no-komori-uta (Lullaby from the Chugoku Area), Haseo
Sugiyama Hanayome-ningyō, Tei Yanada Jōgashima-no ame (Rain Falls
on Jogashima), Toraji Ohnaka Yashi-no-mi, Minoru Kainuma Sato-no-aki
(Autumn in a Village), Kosaku Yamada Aka-tombo (Red Dragonfly),
traditional Itsuki-no-komoriuta (Lullaby in the Kyushu District),
Nagayo Motoori Akai-kutsu, traditional Tōryanse, and Shin Kusakawa
Yūyake-koyake. In the back of the book there is a one or two line
description of the meaning of each song. Intermediate to advanced
level. You can listen to the beginning of each song on this web
site. |
39.95
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F159: Selected Duets for Flute Vol. 1 Easy-Medium compiled and edited by Himie Voxman. Rubank, 1955, SS. 72 pages. Selected from the work of Devienne, Corrette, Boismortier, Aubert, Kummer, Berbiguier, Handel, Haydn, Purcell, Telemann, Quantz, and many more. Equal parts. F160: Selected Duets for Flute Vol. 2 Advanced compiled and edited by Himie Voxman. Rubank, 19557, SS. 72 pages. Selected from the work of Beethoven, Haydn, Bach, Devieence, Furstenau, Teleman, Mozart and many more. Equal parts. |
Vol. 1
8.95
Vol. 2 |
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WW72: Six Ragtimes for
flute or clarinet or bassoon and piano by Scott Joplin edited by
Dieter H. Förster. Kunzelmann, 1979, with play-along CD. Six
familiar Joplin rags: Original Rags, Elite Synchopations, The
Entertainer, The Favorite, The Chrysanthemum, and The Ragtime Dance.
Includes a CD of the piano accompaniment. |
24.95
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F249: The Solo Flute, A Collection Volume I Baroque edited by Mirjam Nastasi. C.F. Peters, 1991, 70 pages. A collection of solo flute music from the Baroque period by Marin Marais, Jacques Hotteterre, Joseph Bodin de Boismortier, Michel Blavet, Jean Daniel Braun, Antoine Mahaut, Georg Philipp Telemann, Johann Sebastian Bach, Sebastian Bodinus, Johann Joachim Quantz, Carl Philipp Emanuel Bach, and Charles Delusse. Click on the cover image to view the Table of Contents. Use your browser's Back button to return. |
29.95
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F250: The Solo Flute, A Collection Volume II Classical edited by Mirjam Nastasi. C.F. Peters, 1992, 83 pages. A collection of solo flute music from the Clasical period by Franz Anton Hoffmeister, Johann Georg Tromlitz, Carl Kreith, Anton Stamitz, Georg Abraham Schneider, Johann Georg Wunderlich, August Eberhard Müller, Franz Weiß, Andre Traeg, Anton Stadler, Anton Heberle, Thomas Lindsay, Raphael Dressler, Friedrich Kuhlau, Charles Keller, Benoit Tr. Berbiguier, Johann Georg Wunderlich, Michel Joseph Gebauer, and Franz Leister. Click on the cover image to view the Table of Contents. Use your browser's Back button to return. |
29.95
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F251: The Solo Flute, A Collection Volume III Romantic edited by Mirjam Nastasi. C.F. Peters, 1993, 81 pages. A collection of solo flute music from the Romantic period Louis Drouet, Jean Louis Tulou, Friedrich Kuhlau, Johann Wilh. Gabrielsky, Charles Keller, Anton B. Fürstenau, Kaspar Kummer, Saverio Mercadante, Giulio Briccialdi, Emanuele Krakamp, Giuseppe Gariboldi, Jean Donjon, and Ernesto Köhler. Click on the cover image to view the Table of Contents. Use your browser's Back button to return. |
29.95
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F245: The Solo Flute, A Collection Volume IV Modern edited by Mirjam Nastasi. C.F. Peters, 2006, 73 pages. An amazing collection of music for the solo flute from 1912 (Syrinx) to 1960. It includes the Berio Sequenza and many other significant works from many composers (such as Karg-Elert, Honegger, Hindemith, Richard Rodney Bennett, Pierre Max Dubois, etc.) and originally published by a variety of publishers. Click on the cover image to view the Table of Contents. Use your browser's Back button to return. |
31.95
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F113: Solos for Flute, 36 Repertoire Pieces with Piano Accompaniment compiled and edited by Donald Peck. Carl Fischer, 1984, PB, 135 + 48 pages. This book contains many works for the flute plus transcriptions of familiar classics. It includes pieces by Bach, Beethoven, Bizet, Brahms, Corelli, Debussy, Gluck, Gounod, Handle, Satie, Schumann and many others. Click on the cover image to view the Table of Contents. Use your browser's Back button to return. |
21.95
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F154: Solo Pieces for the Advanced Flutist (with Piano Accompaniment) compiled and arranged by Dona Gillam & Mizzy McCaskill.. Mel Bay, 1995, SS, 48 + 16 pages + CD. A repertoire collection and piano accompaniment CD for the more advanced flutist. Keyboard accompaniment is included to diverse works such as Diversions on a Prelude (a jazz rendition of Bach’s famous Prelude I from The Well Tempered Clavier), Fauré’s Fantaisie for Flute and Piano, and Sonata in E flat (BWV 1031) by J.S. Bach. Also included is the popular Fantasia No. 2 in A minor for solo flute by Telemann. The CD contains the piano accompaniment for all pieces (except the Telemann) for performance and Diversions and Fantaisie have additional subdivided tracks for practice purposes. |
14.95
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F150: Solo Pieces for the Beginning Flutist (with Piano Accompaniment) compiled and arranged by Mizzy McCaskill & Dona Gillam. Mel Bay, 1984, SS, 32 + 16 pages + CD. Includes familiar pieces by Beethoven, Bach, Correlli, Mozart, and more. The CD contains the piano accompaniment played at both rehearsal and peformance speeds. Click on the cover image to view Table of Contents. Use your browser's Back button to return. |
12.95
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F151: Solo Pieces for the Intermediate Flutist (with Piano Accompaniment) compiled and arranged by Dona Gillam & Mizzy McCaskill. Mel Bay, 1993, SS, 38 + 16 pages + CD. Includes fewer, but more extended pieces than the beginning book in this series. Composers include Bizet, Gluck, Handel, Mozart and more. The CD contains the piano accompaniment. Click on the cover image to view Table of Contents. Use your browser's Back button to return. |
12.95
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F199: Solos for Jazz Flute
transcribed by Bob
Afifi. Carl Fischer, 1993, SS, 59 pages. In addition to the note for
note transcriptions of these famous solos, this book contains examples
which highlight the style of each player, a discography, and a three
page catalogue of phrases on V-I and II-V-I progressions. The solos
are: Buddy Collette Room with Skies, Eric Dolphy South Street Exit, Joe
Farrell Spain, Paul Horn Dida', Hubert Laws Airegin, Herbie Mann
Beautiful Love, James Moody Feelin' Low, Sam Most The Eyes Have It,
James Newton Richmond in Acropolis, Jeremy Steig Oleo, and Dave
Valentin Footprints. |
12.50
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F205: Street Music for 2
(Straßenmusik à 2) (Volume 1) by Uwe Heger.
Noetzel Edition, 2005, SS, 24 pages. This book is labeled for two
flutes
or recorders but it could be used by any treble clef instruments in the
same key. Original music which captures the sounds that might be heard
in a
cosmopolitan city in Europe. Includes 22 pieces in klezmer, blues,
ragtime, latin and folk styles. Intermediate level in score format. F310: Street Music for 2 (Straßenmusik à 2) Volume 2 by Uwe Heger. Noetzel Edition, 2006, SS, 32 pages. Similar to the first book, this one has 23 pieces and, as the page count indicates, they are somewhat longer. |
Vol 1
12.95 12.95 Vol. 2 |
 |
F207: Street
Music for 3 (Straßenmusik à 3) by
Uwe Heger.
Noetzel Edition, 2003, SS 52 pages. For three flutes
or recorders but it could be used by other treble clef instruments in
the
same key (some of the first parts range up to F above the staff).
Original music which captures the sounds that might be heard in a
cosmopolitan city in Europe. Includes 25 pieces in klezmer, blues,
ragtime, latin and folk styles. Intermediate level in score format. |
18.75
|
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F243: Time
Pieces for the Flute Volume 1 selected and arranged by Ian
Denley. ABRSM, 2006, SS, 31 + 12 pages plus SmartMusic® play along
CD. An Associated Board of the Royal Schools of Music Publication.
Twenty-three short, easy pieces for beginning students (probably about
second year) with piano accompaniment from circa 1500 to 1961. A
Rose there bloomed,
Thomas Attwood Andante from Sonatina No. 3, Saint-Saëns Aquarium
from The Carnival of the Animals, Humperdinck Brother come and dance
with me from Hansel und Gretel, Brahms Cradle Song, O’Carolan Dermot
O’Dowd, Anthony Hedges Father Time - Chronos from Masquerade, Carl
Reinecke Gavotte from Five Serenades for the Young, William Boyce Heart
of Oak, Rameau Menuet en rondeau, J. S. Bach Menuet in G, Kabalevsky
Prelude, Op. 61 No. 1, Böhm Rigaudon, E Horák Scherzino
from Kinder-Klavierschule, Robert Schumann Soldiers’ March from Album
for the Young, Walton The Music Lesson from Music for Children, Book 1,
The Rakes o’ Mallow, Lehár Vilia from The Merry Widow, Smetana
Vltava from Ma Vlast, Franz Schubert Waltz No. 16 from D. 146, H.
Purcell With drooping wings from Dido and Aeneas, Lutoslawski Zalotny
(Kitten-like) from Popular Melodies. Includes SmartMusic CD-ROM
providing intelligent accompaniments for five pieces from the book |
12.95
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F315: Time
Pieces for the Flute Volume 2 selected and arranged by Ian
Denley. ABRSM, 1998, SS, 29 + 12 pages plus SmartMusic® play along
CD. An Associated Board of the Royal Schools of Music Publication.
Eighteen early intermediate and intermediate level pieces (ABRSM Grades
2-3) with piano
accompaniment from 1547 to 1965. Pierre Attaingnant Que je chatoulle ta
fossette from Danseries 2nd series, Claudio Monteverdi Kyrie Eleison,
Louis Couperin Menuet, John Barrett The Catherine-A Country Dance,
George Frideric Handel Air HWV 425, Wolfgang Amadeus Mozart Allegretto
K. 33b and Variation VI from Serenade K. 361, James Hook The Lass
of Richmond Hill, Ludwig van Beethoven (attrib.) Moderato from Sonatina
in G, Franz Schubert Marche Militaire D. 733 No. 1 and Sentimental
Waltz No. 5 D. 779, Hector Berlioz Villanelle from Les Nuits
d’Eté, Pyotr Tchaikovsky Song without words Op. 40 No. 6,
Emmanuel Chabrier España, Giacomo Puccini Are they gone now?
from La Boheme, Jean Sibelius The Peace of Evening from Pelléas
et Mélisande, Maurice Ravel Prélude, and Dmitri
Shostakovich Hurdy-Gurdy from Dances of the Dolls. Includes SmartMusic
CD-ROM
providing intelligent accompaniments for four pieces from the book
(with the rest available through a discounted subscription). |
12.95
|
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F316: Time
Pieces for the Flute Volume 3 selected and arranged by Ian
Denley. ABRSM, 1998, SS, 31 + 11 pages plus SmartMusic® play along
CD. An Associated Board of the Royal Schools of Music Publication.
Eleven intermediate level pieces (ABRSM Grades 4-5) with piano
accompaniment from 1772 to 1945. Johann Sebastian Bach Prelude in E
Major BWV 853 from The Well-Tempered Clavier Part I,
Jean-Philippe Rameau Tambourin from Pieces de clavecin, Wolfgang
Amadeus Mozart Allegro from Sonata No. 3 in A K. 12, Maria
Theresia von Paradis Sicilienne, Modest Musorgsky Ein
Kinderscherz, Charles Gounod Entrée des jeunes Nubiennes from
Faust, Edward Elgar Bavarian Dance Op. 27 No. 1, Serge Prokofiev
Gavotte, from the Classical Symphony Op. 25, Igor Stravinsky Sinfonia
from Pulcinella, Benjamin Britten Fishing Song from Friday Afternoons
Op. 7, and Lennox Berkeley Prelude No. 6 from Six Preludes Op. 23.
Includes SmartMusic CD-ROM
providing intelligent accompaniments for three pieces from the book
(with the rest available through a discounted subscription). |
12.95
|
 |
F240: Variations on
Well-Known Tunes Book 2 edited by Gerhard Braun.
Heinrichshofen, 2005. SS, 40 pages. For solo flute. This is a
collection of theme and variations drawn from both opera and folk
songs. There are notes on the composers of the variations in German,
English, and French. The pieces are: Arietta (Caspar
Füstenau), La Biondina (Venetian folksong, variations:
Etienne-Francois Gebauer), Duetto "Nel cor più non mi sento"
(Giovanni Paisiello, variations: Gottlieb Heinrich Köhler),
Arietta "Freut euch des Lebens" (folksong, variations: Gottlieb
Heinrich Köhler), O mein lieber Augustin (folksong, variations:
Gottlieb Heinrich Köhler), Ein freies Leben führen wir
(Gaudeamus igitur) (folksong,
variations: Franz Leister), A Favorite Air (folksong, variations: J. W.
Gabarielsky), Admiral Benbow (folksong, variations: I. C. Weidner), A
Favorite Air (folksong, variations: J. W. Gabrielsky), Rule Britannia
(Thomas Augustine Arne/James Thomson, variations: J. W. Gabrielsky),
and God Save the King (variations: Louis Drouet). |
13.50
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F110: To A Wild Rose transcribed by Paula Robison. G. Schirmer, 2003, SS, 56 + 20 pages. 15 romantic pieces for flute and piano. Includes separate flute part. Click on the cover image to view Table of Contents. Use your browser's Back button to return. |
17.95
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F136: The Welsh Flautist by Douglas Townshend and Jeffrey Howard. Kevin Maybew, 1998, SS, 31 + 14 pages. These ten pieces for the intermediate-level flautist capture the essence of traditional Welsh music. The keys for these pieces rarely go beyond the use of three flats or sharps, keeping this collection well within the reach of average players. The tunes appear with both their original Welsh titles and English translations. Selections include: Ar hyd y nos (All Through The Night); BugeilioOr gwenyth gwyn (Watching the Wheat); Cadair Idris (Idris O Chair); Clychau Aberdyfi (The Bells of Aberdovey); Codiad yr Ohedydd (The Rising of the Lark); Dafydd y garreg wen (David of the White Rock); Llwyn on (The Ash Grove); Migildi magildi (A Nonsense Song); Rhyfelgyrch gwyr Harlech (War March of the Men of Harlech); and Si hei lwli mabi (Lullaby). |
7.95
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F053: 6 Grandes Etudes for Flute, Op. 10 by Pierre H. Camus, revised by Robert Cavally. Southern Music Co., SS, 41 pages. This is Melodious and Progressive Studies Book 4B. |
12.50
|
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F055: 8 Difficult Studies, Op. 33, Book III by
Ernesto
Kohler, revised by Robert Cavally. Southern Music Co., SS, 17 pages.
(Except other items with free shipping.) |
7.50
|
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F044: 12 Studies, Etudes for Flute, Op.15 by Theobald Boehm, revised and edited by John Wummer. Carl Fischer, SS, 29 pages. Subtitled "For the Perfection of the Fingering in All the Major and Minor Keys." Large clear printing. |
9.50
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F118: 12 Grand Studies Op. 15 by Theobald Boehm presented by James Galway. Theodore Presser, 2003, SS, 38 pages. Includes a preface, general remarks, and notes on each study by Sir James Galway. |
10.95
|
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F355:
15 Easy Exercises Op. 33
Book 1 by Ernesto Koehler, edition and commentary by James
Galway. Theodore
Presser,
2006, SS, 16 pages. These exercises provide melodic and tuneful
studies in at the intermediate/upper intermediate exercises in keys
from 3 flats to 4 sharps. Includes brief notes on each exercise by Sir
James Galway.
(Except other items with free shipping.) |
9.95
|
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F162: 17 Daily Exercises for the Flute by Paul
Taffanel and Philippe Gaubert. Leduc, 1928 & 1958,
SS, 68 pages. The famous T&G exercises. |
30.60
|
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F081: 18 Exercises or Etudes for the Flute by Benoit Tranquille Berbiguier, edited by Lamar Stringfield. Carl Fischer, 1979, SS, 23 pages. The editor advises that these studies may be played slowly by intermediate players and more rapidly by advanced players while still retaining their musical value. Alternate key signatures are shown for many of the pieces. |
7.50
|
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F077: 18 Studies for Flute, Op. 41 by Joachim
Andersen,
edited by Robert Cavally. Southern Music Co., SS, 16 pages.
(Except other items with free shipping.) |
7.50
|
 |
F065: 20 Concert Studies from the Works of J.S. Bach Arranged for Flute by Robert W. Mols. Southern Music Co., SS, 27 pages. These 20 studies are from Partitas 1-3 for violin; Cello Suites 2, 3, 4, and 6; and Preludes No. 3 and No. 6 from Well Tempered Clavichord. They have been transposed to suite the range of the flute and are in diverse keys. |
10.00
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F064: 23 Flute Etudes for Range, Flexibility and Endurance by Jacob Dont, arranged by Arthur Ephross. Southern Music Co., SS, 31 pages. These etudes were adapted from violin studies by Dont. |
8.95
|
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F063: 24 Artistic Concert Studies by Max Fuhler, edited by Robert Cavally. Southern Music Co., SS, 31 pages. These studies are in a variety of styles, many with descriptive names such as: Song Without Words, Juggler, Lonely Song, Mazurka, Forest Bird, Fantastic Dance, Burlesque, etc. An amazing value. |
3.50
|
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F062: 24 Artistic Studies for Flute, Op 15 by Joachim Andersen, edited by Alfred E. Fenboque. Southern Music Co., SS, 47 pages. |
14.50
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F045: 24 Caprices for Flute, Op. 26 by Theobald Boehm, revised and edited by John Wummer. Carl Fischer, SS, 37 pages. Subtitled "In Pleasing and Melodious Style." |
9.95
|
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F180: 24 Exercises for Flute, Op. 30 by Joachim Andersen edited by Donald Peck. Progress Press, 2004, SS, 37 pages. This new edition of Andersen Op. 30 is by the retired principal flute of the Chicago Symphony. It includes about two pages of comments and suggestions on the exercises. See the Special Discount that includes this book. |
11.95
|
 |
F181: 24 Exercises for Flute, Op. 33 by Joachim Andersen edited by Donald Peck. Progress Press, 2004, SS, 28 pages. This new edition of Andersen Op. 33 is by the retired principal flute of the Chicago Symphony. It includes a recommended order of study and about two pages of comments and suggestions on the exercises. See the Special Discount that includes this book. |
11.95
|
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F060: 24 Flute Concert Studies. Southern Music Co., PB, 160 pages. Studies on Bach, and famous flute solos from works by Mozart, Molique, Langer, Faure, Rimsky Korsakoff, Bizet, Gluck, Chopin, Debussy, Saint-Saiens, Widor, Quantz, and more. |
21.95
|
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F059: 24 Instructive Studies for Flute, Op. 30 by Joachim Andersen, edited by Robert Cavally. Southern Music Co., SS, 27 pages. |
10.00
|
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F320: 24 Little Melodic Studies
with Variations (Easy)
for Flute (24 Petites Etudes Melodiques)
by Marcel Moyse. Alphonse Leduc, 1932, 17 pages. The format of this
book is to present a melody followed by one or two variations. The
first few are easy but the difficulty and the number of sharps or flats
in the key signature increases as the book progresses. |
22.40
|
 |
F046: 24 Melodious Studies for Flute, Op. 37 by Theobald Boehm, revised and edited by John Wummer. Carl Fischer, SS, 29 pages. Subtitled "To Demonstrate the Various Technical Difficulties of the Flute." |
9.95
|
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F058: 24 Progressive Studies for Flute, Op. 33 by Joachim Andersen. Southern Music Co., SS, 32 pages. |
9.00
|
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F078: 24 Studies for Flute, Op. 21 by Joachim Andersen, edited by Arthur J. Ephross. Southern Music Co., SS, 32 pages. |
10.00
|
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F061: 24 Technical Studies for Flute, Op. 63 by Joachim Andersen, edited by Robert Cavally. Southern Music Co., SS, 53 pages. |
15.00
|
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F182: 24 Technical Studies for the Flute, Op. 63
by Joachim Andersen
edited by Donald Peck. Progress Press, 2004, SS, 61 pages. This new
edition of Andersen Op. 63 is by the retired principal flute of the
Chicago Symphony. It includes about two pages of comments and
suggestions on the studies. See the Special Discount that includes this book. |
13.95
|
|
Special!
F184: The
three Andersen books (F180, F181, and F182) edited by Donald Peck at a
discount price. |
29.95
|
|
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F057: 24 Virtuosity Studies for Flute, Op. 60 by Joachim Andersen, edited by Robert Cavally. Southern Music Co., SS, 99 pages. |
9.95
|
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F056: 26 Preludes – Cadenzas for Flute by A.
B. Fürstenau,edited
by Robert Cavally. Southern Music Co., SS, 11 pages. These cadenzas are
in a variety of styles, tempos, and keys.
(Except other items with free shipping.) |
3.50
|
 |
F087: 26 Selected Studies for the Flute by Henry Altès edited by Georges Barrrère. G. Schirmer, 1918, PB, 97 pages. From the Altès Method with a good variety and some duets. |
12.95
|
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F079: 26 Small Caprices for Flute, Op. 37 by Joachim Andersen, edited by Robert Cavally. Southern Music Co., SS, 27 pages. Three of the pieces in the this book have an extra staff with the ornamentation written out. |
10.00
|
 |
F173: 35 Exercises for Flute Op. 33 Book 1, 15 Easy
Exercises by
Ernesto Kohler. Carl Fischer, SS, 16 pages. These exercises (etudes
really) are
in keys to four flats or sharps. Despite the name, they are
intermediate level studies.
(Except other items with free shipping.) |
7.95
|
 |
F174: 35 Exercises for Flute Op. 33 Book 2, 12 Medium
Difficult Exercises by
Ernesto Kohler. Carl Fischer, 1905, SS, 16 pages. These exercises
(etudes really) are
in keys to four flats or sharps. Similar to Book 1 but more difficult. |
7.95
|
 |
F175: 35 Exercises for Flute Op. 33 Book 3, 8
Difficult Exercises by
Ernesto Kohler. Carl Fischer, 1905, SS, 19 pages. These exercises will
be a good workout. |
8.95
|
 |
F052: 30 Virtuoso Studies for Flute, Op. 75 by Ernesto Kohler revised by Rovert Cavally. Southern Music Co., SS, 79 pages. The studies are in all major and minor keys. This is Melodious and Progressive Studies Book 4A. |
12.50
|
 |
F075: 50 Variations of the Allemande of Bach’s Sonata
for Flute
Alone by Marcel Moyse. McGinnis & Marx, 1964, SS, 79 pages.
For the study of articulation, embellishment, trills, groppetti, and
grace
notes. Introductory notes are in English and French. YES. We have this
book in stock! |
13.95
|
 |
F047: 60 Rambles for Flute by Leon Lester adapted by Kenton F. Terry. Carl Fischer, SS, 47 pages. One of the best books of supplemental pieces around. The melodic and rhythmic material in Lester's "rambles" will please not only young 2-3 year students, but adult beginners as well. |
10.95
|
 |
F312:
100 Classical Studies for
Flute edited by Frans Vester. Universal Edition, 1966, PB, 84
pages. One
hundred mostly intermediate studies in a large variety of keys. From
the period 1700-1900 and selected from the works of: Gariboldi, Tulou,
Andersen, Köhler, Demerssemann, Fürstenau, Berbiguier,
Frederick the Great, Drouet, Hugot & Wunderlich, and Devienne. Click
on the cover image to view Table of Contents. Use your browser's
Back button to return. |
19.95
|
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F091: 117 Melodious and Progressive Studies for Flute compiled by Jay Arnold. Ashley Publications, 1983, PB, 128 pages. Four sets of studies presented in progressive order. They are 44 studies by Giuseppe Gariboldi, 18 Studies Op. 41 by Christian J. Andersen, 15 Studies Op. 33 Book 1 by Ernesto Koehler, and 40 Studies Op 75 by Luigi Hugues. |
9.95
|
 |
F267: 125 Easy Studies for Flute
edited by Frans Vester. Universal Edition, 1976,
SS, 55 pages. A nicely prepared edition of technical and melodic
studies
chosen from ten classic flute instruction books by famous flutists. The
original composers include Devienne, Fürstenau, Gariboldi,
Koehler, Popp, Tromlitz, etc. along with short biographies and the
names of the original sources. These short studies are at the beginning
to intermediate levels (about US grades 2-4). |
19.95
|
 |
F137: Amazing Studies Flute
by Howard Harrison. Boosey & Hawkes, 1997, SS, 62 pages. Howard
Harrison
has collected and arranged 76 pieces for unaccompanied flute. They
include
material drawn from both classical and folk music, with many dances
included.
Each piece was selected to develop a specific aspect of technique.
There
is an index to help you find the right study for each technical
problem.
This book is at the intermediate level.
|
13.50
|
 |
F121: Complete Daily Exercises for the Flute
by Trevor Wye. Novello, 1999, SB, 127 pages plus practice card.
Complete is
not an understatement for the very large book of exercises for
intermediate to advanced flutists. It is based on traditional exercises
from the five most popular "French School" study books, some modified
in light of present day practice and custom. The book is divided into
sections for Tone Exercises, Warm-ups, and Vocalise; Scales and Scale
Exercises; Arpeggios; Chromatic Exercises; The Third Octave; and Daily
Exercises. One note: the exercises, while very clearly printed with
adequate space between notes, is a bit on the small side. |
25.95
|
 |
G61: Complete Method for Rhythmical Articulation by Pasquale Bona translated from the fourth Italian edition by Gustav Saenger. Carl Fischer, SS, 72 pages. This is the treble clef edition. This book is in three parts with the first two intended for vocalists and all three parts for instrumentalists. The exercises and etudes (120 in all) which focus on rhythm (not articulation) are progressively more difficult. Some of the exercises have a few notes below the range of the flute, oboe, and saxophone. |
11.95
|
 |
G68: Contemporary Rhythm & Meter Duets for Treble Clef Instruments by Elliot Del Borgo. Meredith Music Publications, 1996, SS, 31 pages. Based on the concept of Contemporary Rhythm & Meter Studies, these fourteen, two-page duets make extensive use of metric and rhythmic devices, and harmonic and tonal devices commonly found in 20th Century works. They are ideal for any instrument for developing sight-reading skills as well as recital performance, jury exams, and lesson material. |
9.95
|
 |
G66: Contemporary Rhythm & Meter Studies for Treble Clef Instruments by Elliot Del Borgo. Meredith Music Publications, 1996, SS, 31 pages. These 28 etudes make extensive use of metric and rhythmic devices found in 20th century works. Composed as recital/performance pieces, all melodic material is derived from a variety of contemporary patterns including synthetic scales, 12-tone and 7-tone rows, cell-derived patterns, modal scales and traditional major and minor tonalities. |
9.95
|
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F048: Daily Exercises and Scales for Flute or Piccolo by G. Pares revised by E. Claus. Carl Fischer, SS, 40 pages. |
9.50
|
 |
F336:
Daily Exercises for the
Flute (Ejercicios Diarios para la Flauta) by André
Maquarre. G. Schirmer, 1923, SS, 37 pages. The author was the solo
flute in the Boston Symphony Orchestra from 1893-1918). This book,
which is in both Spanish and English, contains seven scale and interval
based exercises in all keys. |
7.95
|
 |
F321:
Daily Exercises for the
Flute (Exercices Journaliers pour la Flûte) by Marcel
Moyse. Alphonse Leduc, 1923, SS, 49 pages. This books contains
exercises based on scales, chords and arpeggios for study of the entire
range of the flute. It includes a practice schedule of exercises
covering 26 practice sessions. |
29.85
|
|
F112: Expressive Etudes ~ for the Flute compiled and edited by Laura Barron. Carl Fischer, 2003, SS, 39 pages + CD. Laura Baron has selected nineteen gems of substantial musical merit from the thousands of etudes available. She feels that each work lends itself to expressive interpretation and can be studied and performed as concert pieces. The etudes are by Boehm, Karg-Elert, Fürstenau,, Andersen, Soussmann, Altès, Kohler, Demerssman, Prill, and Taffanel. The book includes performance suggestions and the CD has a recording of each etude. Click on the cover image to view the list of work. Use your browser's Back button to return. |
19.95
|
|
F155: Flute Methods, Studies and Ensembles. CD
Sheet
Music, 2006. Version 2.0 including notes from the 1911 Grove's
Dictionary on many of the composers. This CD contains more than 1800
pages of methods, studies
and ensembles (mostly the latter two). It includes works from the
following and more: Altès, W.F. Bach, Andersen, Gariboldi,
Hughes, Karg-Elert, Köhler, Reichert, de la Barre, Beethoven,
Berbiguier, Boismortier, Bordet, Briccialdi, Chinzer/Bordet, Devienne,
Dietter, Finger, Fürstenau, Gariboldi, Hotteterre,
Hugot/Wunderlich, Koechlin, Köhler, Kuhlau, Kummer, di Lasso,
Legoux/Bordet, Le Loup, Loeillet, Mozart, Müller, Naudot, Quantz,
Reicha, Soussmann, Stamitz, Sweelinck, Telemann, Tulou. Click on the cover
for a full listing of the contents. Use your browser's Back button to
return. |
19.95
|
 |
F089: Flutist's Daily Dozen by B. Allan Duncan. Centerstream Publications, 1988, SS, 77 pages. This book is designed to aid the flutist's development of technique and finger dexterity in all registers and keys. The twelve exercises are based on four measure phrases that are presented in all major and minor keys. |
9.95
|
 |
F090: The Flutist’s Formulae by Georges Barrrère. G. Schirmer, 1935, SS, 13 pages. A compendium of daily studies on six basic exercises that are to be played in all keys. |
6.95
|
 |
F088: The Flutist's Primer by Louis Moyse. G. Schirmer, 1979, SS, 34 + 27 pages. Easy and melodious exercises based on scales and arpeggios in all keys with optional second flute or piano accompaniment (in separate booklet). |
9.95
|
 |
F085: The Flutist's Vade Mecum by Walfrid Kujala. Progress Press, 1995, SS, 92 pages. An outstanding book of scales, arpeggios, trills and fingering technique with many fingering recommendations. A valuable aid to improving technique. |
22.95
|
 |
F054: La Grande Velocité by Louis Moyse. Southern Music Co., 32 pages. A progressive work of technique built on scales and arpeggios. |
5.50
|
 |
F153: Grouping of Keys (Bouquet des Tons) Op. 125 by A.B. Füstenau edited by Marcel Moyse. Alphonse Leduc, 1952. SS, 45 pages. Twenty-four advanced exercises, caprices and preludes in all major and minor keys. |
43.35
|
 |
F093: Indispensable Scales, Exercises and Etudes for the Developing Flutist compiled, arranged and edited by Dona Gilliam and Mizzy McCaskill. Mel Bay Publications, Inc., 1994, SS, 80 pages. This book consists of major, minor (natural, harmonic, and melodic), arpeggios, scales in thirds, triplets, extended and chromatic scales, scale cycles, and patterns. It also has 40 etudes covering major and minor keys. |
9.95
|
|
F189: The Mary Karen Clardy Flute Etudes Bookselected
and introduced by Mary Karen Clardy. European American Music
Corporation, 1995, PB, 90 pages. There are 51 etudes in this book in
all keys (major and minor), organized by the circle of fifths. The
etudes are from Bach, Karg-Elert, Köhler, Donjon, Andesen, Boehm,
Schade, and Fürstenau. The editor has provided some suggestions
for the performance of each etude and identified the origin. The book
also includes basic scales and arpeggios. This book is being
using for the 2005-06 Texas All State auditions for flute and
piccolo. |
17.95
|
 |
F176: Melodious Etudes for Flute compiled and
edited by
Larry Clark and Sean O'Loughlin. Carl Fischer, 2003, SS, 80 pages.
These 54 etudes are a bit different from the familiar since they
are based on vocalises of Marco Bordogni (1788-1856). The etudes
are in a variety of keys (to four flats or sharps)
and difficulty levels for third and fourth year students. The etudes
are mostly in the second octave and the lower part of the third octave.
|
12.95
|
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F049: Melodious & Progressive Studies Book 1 revised by Robert Cavally. Southern Music Co., SS, 64 pages. Studies from Andersen, Gariboldi, Koehler, and Terschak. |
9.00
|
 |
F050: Melodious & Progressive Studies Book 2 revised by Robert Cavally. Southern Music Co., SS, 64 pages. Studies from Andersen, Gariboldi, Koehler, and Terschak |
14.95
|
 |
F051: Melodious & Progressive Studies Book 3 revised by Robert Cavally. Southern Music Co., SS, 67 pages. Studies from Boehm, Kronke, Gariboldi, Koehler, and Mollerup. |
10.00
|
 |
F068: The Modern Flutist. Southern Music Co., SS, 96 pages. 8 Etudes de Salon by Dont, 30 Caprices by Karg-Elert, and orchestral studies for flute, alto flute, and piccolo from the works of Borodine, Brahms, Debussy, Frank, Rimsky-Korsakoff, Strauss, Stravinsky, Wagner and more |
16.95
|
 |
F109: The Paula Robison Flute Warmups Book by Paula Robison. European American Music Corp., 1989. SS, 40 pages. Warmups both musical and otherwise: Physical Warmups, Orange Juice Warmup (chromatic scales), The Bell's Warmup (long tones), A Singer's Warmup, The Dancer's Warmup. The Nightengale's Warmup (trills and grace notes), Two Virtuoso Warmups (Pan's Warmup and Radiating Arpeggios), Pyschological Warmups, and Spiritual Warmups. |
12.95
|
 |
F072: School of Articulation by Marcel Moyse. Alphonse Leduc, 1928, SS, 23 pages. Exercises and studies in articulation for flute. Rhythms - single, compound, double and triple tonguing of every variety and over the entire range of the flute. Text in French, English, German and Japanese. |
22.60
|
 |
F138: Selected Studies for Flute by Himie Voxman. Rubank, 1942, SS, 76 pages. Intermediate-advanced level etudes drawn from many composers in all major and minor keys, plus scales, scales in thirds, and arpeggios. |
6.95
|
 |
F067: Sequences for Flute by Geoffrey Gilbert.
Southern
Music Co., SS, 16 pages. Twelve sets of daily exercises based on scales
and chords.
(Except other items with free shipping.) |
7.50
|
 |
F073: Studies and Technical Exercises by Marcel Moyse. Alphonse Leduc, 1921, SS, 22 pages. Exercises and studies covering the various kinds of difficulties to be found in flute technique, and above all those associated with sonority (particularly in the lower register), correct intonation, slurs, and the mechanics of the instrument. Text in French, English, German and Japanese. |
22.95
|
 |
F148: Studies for Playing Avant-Garde Music (Studien zum Spielen Neuer Musik) for Flute by Aurèle Nicolet. Breitkopf, (1973), 50+ pages. The book provides detailed instruction in English and German for playing 12 works for flute that use extended technique. Works by Edison Denissow, Yannis Ioannidis, Franco Donatoni, Heinz Holliger, Klaus Huber, and 7 more composers are included. Full flute parts are included as well as explanations of notation and multiphonic fingerings. A brief bibliography and list of works is included. Click on the cover image to view the Table of Contents for a full list of composers and works. Use your browser's Back button to return. |
21.95
|
 |
F217: Supplementary Studies Flute or Piccolo by R.M. Endressen. Rubank, 1937, SS, 24 pages. This book is suggested to be used with an intermediate flute method to provide additional musical studies. It contains 39 studies in keys up to three sharps and three flats. |
5.50
|
 |
F066: Technical Flexibility for Flutists by Geoffrey Gilbert. Southern Music Co., SS, 55 pages. A book of organized daily practice routines. These exercises are based on scales, arpeggios, and chords. High notes play an important part. |
12.50
|
 |
F196: Technical
Mastery for the Virtuoso Flutist
by Marcel Moyse edited by Trevor Wye. Zimmermann, 1997, PB, 67 pages.
This is a facsimile reprint of the original edition published by Moyse
in 1965.The original was done by hand and this edition reproduces that
work at a slightly reduced size.
It includes 36 numbered exercises and additional explanatory material
and examples. The book also has a German translation of the text and a
list of corrections. |
26.95
|
 |
F015: Tone Development Through Extended Techniques by Robert Dick. Multiple Breath Music Co., SS, 60 pages. The author's perspective is that in working with the new sonorities and techniques (microtones, percussive sounds, whisper and residual tones, glissandi, etc.) will greatly benefit traditional playing. This work develops the strength flexibility and sensitivity of the embouchure and breath support, increasing the player's range of color, dynamics and projection. This book covers: throat tuning, natural harmonics, bending, whisper tones, extended timbres, diffuse tones, bright tones, "bamboo scales," timbral trills, and multiphonics. |
29.95
|
 |
 F076: Tone Development Through
Interpretation
by Marcel
Moyse. McGinnis & Marx, SS, 79 pages. The study of expression,
vibrato,
color, suppleness, and their application to different styles with
pieces
drawn primarily from opera. It includes piano accompaniment and is also
useful for oboe. A very popular book. |
24.95
|
 |
F098: Top Register Studies for Flute by Thomas J. Filas. Carl Fischer, 1969, SS, 32 pages. This book contains 90 melodious studies in all major and minor keys through 6 sharps and 6 flats for developing fluency on the top register of the flute.. |
11.95
|
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