Flute Music

Flute Music
(updated 20 April 2008)

This section is organized in categories. Click on a button below to jump to that category. Items are in alphabetical order by title in each category except the music category where they are listed by composer.

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Excerpts and Parts

	F131: The Alto Flute Practice Book by Trevor Wye & Patricia Morris. Novello, 1995, SS, 62 pages. The first book of its kind covering all aspects of the alto flute. Includes historical notes, useful technical information, comprehensive repertoire list and orchestral extracts. Some brief information is also provided on the bass flute, flute d'amour and larger flutes.	25.95
	F146: Cadenzas for Mozart's Flute Concerto in D, No. 2 by Franz Reizenstein. Boosey & Hawkes, 1957, 4 pages. This is an Authorized Custom Print from Boosey & Hawkes. Free Media Mail shipping on this music to US, IF ordered with another item. (Except other items with free shipping.)	12.95
	F074: Cadenzas for the Works for Solo Flute and Orchestra by Mozart by John Solum. McGinnis & Marx, 1964, 7 pages. Cadenzas for the Concerto in G Major K.313, the Concerto in D Major K.314, and Andante in C Major K.315. There are seven cadenzas in all. Free Media Mail shipping on this music to US, IF ordered with another item. (Except other items with free shipping.)	3.95
	*F094: The Flute Audition Book.* European American Music Corporation, 1996, SB, 128 pages. This book includes the full first flute part (and in several instances the flute 2/piccolo parts) from works by Hindemith, Janácek, Kodály, Orff, Rodrigo, and Stravinsky that are from the rental libraries of Schott Musik International and Universal Editions (Vienna & London). Click on the cover image to see the table of contents. Use your browser's Back button to return.	29.95
	*F241: Great Flute Duos from the Orchestral Repertoire* Excerpts for Principal, Second, and Alto Flute Auditions compiled and annotated by Jeanne Baxtresser, edited by Daniel Dorff. Theodore Presser, 2002, PB and SS, 87 + 85 + 24 pages. Complete first flute book, with Baxtresser’s guidance throughout. Pull-out second flute book, with Siebert’s annotations and “Thoughts on Playing the Job and Taking Auditions.” Separate pull-out alto flute book, with Cramer’s details on performance and on why studying the alto flute repertoire is essential to auditioning and playing in the orchestral setting. Includes reproductions of orchestral parts, as most commonly used today, with print style, breaks, and page turns true to the originals. A selection of annotated excerpts frequently used for orchestral auditions. This book includes the works of Bach, Bartok, Berlioz, Bizet, Brahms, Britten, Debussy, Dvorak, Holst, Mendelssohn, Prokofiev, Ravel, Rimsky-Korsakov, Shostakovich, Smetana, Strauss, Stravinsky, Tchaikovsky and Verdi. Click on the cover image to view Table of Contents. Use your browser's Back button to return.**	47.95
	F038: Modern Orchestral Studies for the Flute Book 1 edited by Karlheinz Zöller. Schott Musik International, PB, 72 pages. Excerpts form the work of Debussy, Ravel, Stavinsky, Bartók, Prokofieff, Britten, Hindemith, and more. In addition to solos, many excerpts show all the flute and picollo parts. Click on the cover image to view Table of Contents. Use your browser's Back button to return.	19.95
	F039: Modern Orchestral Studies for the Flute Book 2 edited by Karlheinz Zöller. Schott Musik International, SS, 56 pages. Excerpts form the work of Debussy, Ravel, Stavinsky, Prokofieff, Schönberg, Hindemith, and more. In addition to solos, many excerpts show all the flute and picollo parts. Click on the cover image to view Table of Contents. Use your browser's Back button to return.	19.95
	F095: Opera Excerpts for Flute selected and annotated by Michael Parloff with piano reductions by Martha Rearick, edited by Daniel Dorff. Theodore Presser, 2000, PB and SS, 111 + 83 pages. The most requested opera audition pieces complied and annotated by Michael Parloff from the Metropolitan Opera Orchestra. The flute parts are taken directly from the performance parts. Operas of Bizet, Donizetti, Mozart, Puccini, Rossini, Verdi, Wagner, and more are included. Click on the cover image to view Table of Contents. Use your browser's Back button to return.	39.95
	F211: Orchester Probespiel - Test Pieces for Orchestral Auditions Flute and Piccolo edited by Christoph Dürichen and Siegfreid Kratsch. C.F. Peters, 1991, SS, 57 pages. This book of orchestra and opera excerpts was developed in Germany for use in auditions. The selections were made based on an analysis of pieces used for auditions over many years. It includes excerpts for flute and piccolo. Click on the cover image to view the Table of Contents. Use your browser's Back button to return.	22.95
	F096: Orchestral Excerpts for Flute selected and annotated by Jeanne Baxtresser with piano reductions by Martha Rearick, edited by Daniel Dorff. Theodore Presser, 1995, PB and SS, 96 + 43 pages. A selection of annotated excerpts frequently used for orchestral auditions. This book includes the works of Bach, Beethoven, Bizet, Brahms, Debussy, Mahler, Mendelssohn, Prokofiev, Ravel, Rimsky-Korsakov, Strauss, Stravinsky, Tchaikovsky and more. Click on the cover image to view Table of Contents. Use your browser's Back button to return.	44.95
	F097: Orchestral Excerpts for Piccolo selected and annotated by Jack Wellbaum with piano reductions by Martha Rearick, edited by Daniel Dorff. Theodore Presser, PB and SS, 101 + 63 pages. This is a collection of excerpts compiled during the author's 40 years in the Cincinnati Symphony Orchestra with notes to aid in their performance. The piccolo parts are taken directly from the performance parts. Composers included are Bartok, Beethoven, Berlioz, Brahms, Mahler, Prokofiev, Ravel, Rimsky-Korsakov, Shostakovich, Sousa, Stravinsky, Tchaikovsky and more. Click on the cover image to view Table of Contents. Use your browser's Back button to return.	39.95
	F132: The Orchestral Flute Practice Book 1 by Trevor Wye & Patricia Morris. Novello, 1998, PB, 216 pages. One of the most massive books of its kind, this volume looks at Long Solos, The Big Tunes, Articulation Passages, Pianissimo Passages, Low Solos, Mozart and Haydn as well as many pages of the standard orchestral repertoire (composers A to P).>	39.95
	F133: The Orchestral Flute Practice Book 2 by Trevor Wye & Patricia Morris. Novello, 1998, PB, 216 pages. Just as large as the first, this volume covers The Middle and Upper Registers, Cadenzas, Orchestral Duets and Trios, The Austro-German School, and Contemporary Orchestral Writing. Orchestral excerpts continue with composers R to Z.	39.95
	OMLFL1: The Orchestral Musician's CD-ROM Library Vol. 1 Flute. CD Sheet Music LLC, 2003. Complete flute and piccolo parts (not just first flute) to 90 orchestral masterworks on CD-ROM. The composers Beethoven, Schubert, Mendelssohn, Berlioz, Weber, Rossini, Donizetti, Auber, Bellini, and Cherubini are on Volume 1. The parts are in the included Adobe Acrobat (.pdf) format and require a computer (PCs running Windows 95 and above or Macs running MAC OS 7.5 and above) and a printer to use. Click on the cover image to view the Table of Contents in Adobe Acrobat .pdf format.	19.95
	OMLFL2: The Orchestral Musician's CD-ROM Library Vol. 2 Flute. CD Sheet Music LLC, 2004. Complete flute and piccolo parts (not just first flute) to 61 orchestral masterworks on CD-ROM in Adobe Acrobat (.pdf) format. Includes Debussy (La Mer • Prelude to the Afternoon of a Faun • Printemps • eight more), Mahler (Symphones 1-9 • Kindertotenlieder • Das Klagende Lied • four more), Bruckner (Symphonies 1-9 • Te Deum), Saint-Saëns (Carnival of the Animals • Danse Macabre • Symphony No. 3 in C Minor • Cello Concerto No. 1 in A Minor • three more), Grieg (Piano Concerto in A Minor • Peer Gynt Suite No. 1 & 2 • Symphonic Dances • Holberg Suite), Bizet (Carmen Suite No. 1 & 2 • L'Arlesienne Suite No. 1 & 2 • one more), and works by Fauré, Bruch, Busoni, and Reger. Click on the cover image to view the the Table of Contents in Adobe Acrobat .pdf format. Use your browser's Back button to return.	19.95
	OMLFL3: The Orchestral Musician's CD-ROM Library Vol. 3 Flute. CD Sheet Music LLC, 2004. Complete flute and piccolo parts (not just first flute) to 74 orchestral masterworks on CD-ROM in Adobe Acrobat (.pdf) format. Brahms (4 Symphonies, 4 Concertos, 18 Hungarian Dances, 2 Serenades, Overtures, Variations on a Theme by Hayden, German Requiem, and more) • Schumann (4 Symphonies, 2 Concertos, 3 Overtures, and more) • Franck (Symphony in D Minor, Symphonic Variations, Psyche) • Liszt (Faust and Dante Symphonies, Les Préludes, 3 Concertos, Hungarian Rhapsodies, Mephisto Waltzes) • plus works by Chabrier, Chausson, Chopin, Lalo, Offenbach, Sarasate and Suppé. Click on the cover image to view the the Table of Contents in Adobe Acrobat .pdf format. Use your browser's Back button to return.	19.95
	OMLFL4: The Orchestral Musician's CD-ROM Library Vol. 4 Flute. CD Sheet Music LLC, 2004. Complete flute and piccolo parts to 42 orchestral masterworks on CD-ROM in Adobe Acrobat (.pdf) format. This volume includes works by Tchaikovsky (6 Symphonies • 4 Concertos • 4 Suites • 3 Complete Ballets • 1812 Overture • Manfred • Capriccio Italien • Romeo and Juliet • March Slav • and 37 more works); Mussorgsky (Pictures at an Exhibition • Night on Bald Mountain • Khovantchina Overture); and Glinka (Overtures: Ruslan and Ludmilla • A Life for the Czar). Click on the cover image to view the Table of Contents in Adobe Acrobat .pdf format. Use your browser's Back button to return.	19.95
	OMLFL5: The Orchestral Musician's CD-ROM Library Vol. 5 Flute. CD Sheet Music LLC, 2005. Complete flute and piccolo parts to 64 orchestral masterworks on CD-ROM in Adobe Acrobat (.pdf) format. This volume includes works by Dvorak (9 symphonies, 3 concertos, 5 overtures, Symphonic Variations, Tone Poems, Romance in F Minor, Serenade for Strings, and more) • Rimsky-Korsakov (Scheherazade, Christmas Eve Suite, Sadko, Tsar's Bride Overture, Capriccio Espagnole, Russian Easter Overture, Procession of the Nobles Le Coq d'Or Suite, 2 symphonies and more) • Borodin (Symphony No. 2, On the Steppes of Central Asia, Polovtsian Dances) • Scriabin (5 symphonies, Piano Concert in F# Minor) • Smetana (Ma Vlast, Bartered Bride Overture and Dances, Hakon Jarl, Richard III, Wallenstein's Camp). Click on the cover image to view the Table of Contents in Adobe Acrobat .pdf format. Use your browser's Back button to return.	19.95
	OMLFL6: The Orchestral Musician's CD-ROM Library Vol. 6 Flute. CD Sheet Music LLC, 2005. Complete flute and piccolo parts to 55 orchestral masterworks on CD-ROM in Adobe Acrobat (.pdf) format. This volume includes works by Mozart (9 symphonies, 11 piano concertos, Violin Concertos No. 3, Mass in C minor, and 2 serenades) and Haydn (21 symphonies, The Creation, and The Seasons). Click on the cover image to view the Table of Contents for this volume in Adobe Acrobat .pdf format. Use your browser's Back button to return.	19.95
	OMLFL7: The Orchestral Musician's CD-ROM Library Vol. 7 Flute. CD Sheet Music LLC, 2006. Volume 7 contains 46 orchestral works. This CD has complete flute and piccolo parts (a few pieces may be tacet) on CD-ROM in Adobe Acrobat (.pdf) format. This volume includes works by Ravel, Elgar, Chadwick, Delius, D'Indy, Dukas, Griffes, Holst, and Nielsen. Click on the cover image to view the Table of Contents for this volume in Adobe Acrobat .pdf format. Use your browser's Back button to return.	19.95
	OMLFL8: The Orchestral Musician's CD-ROM Library Vol. 8 Flute. CD Sheet Music LLC, 2007. Volume 8 contains 48 orchestral works. This CD has complete flute and piccolo parts (a few pieces may be tacet) on CD-ROM in Adobe Acrobat (.pdf) format. This volume includes works by Stravinsky, Bartok, Carpenter, Dohnányi, Enesco, de Falla, Glazunov, Janácek, Milhaud, Prokofiev, Rachmaninoff, Respighi, and Vaughan Williams. Click on the cover image to view the Table of Contents for this volume in Adobe Acrobat .pdf format. Use your browser's Back button to return.	19.95
	OMLFL9: The Orchestral Musician's CD-ROM Library Vol. 9 Flute. CD Sheet Music LLC, 2007. Volume 9 contains 50 orchestral works. This CD has complete flute and piccolo parts (a few pieces may be tacet) on CD-ROM in Adobe Acrobat (.pdf) format. This volume includes works by Bloch (Schelomo), Schoenberg (Chamber Symphony, Pierrot Lunaire, 4 more), Sibelius (17 including Symphonies 1-5, Finlandia, Violin Concerto), J. Strauss (Die Fledermaus, Gypsy Baron Overture, more); R. Strauss (22 including Also Sprach Zarathustra, Don Juan, Till Eulenspiegel, etc.), and Webern (Passacaglia). Click on the cover image to view the Table of Contents for this volume in Adobe Acrobat .pdf format. Use your browser's Back button to return.	19.95
	OMLFL10: The Orchestral Musician's CD-ROM Library Vol. 10 Flute. CD Sheet Music LLC, 2008. Volume 10 contains 53 orchestral works. This CD has complete flute and piccolo parts (a few pieces may be tacet) on CD-ROM in Adobe Acrobat (.pdf) format. This volume includes works by J.S. Bach, Handel, Arne, C.P.E. Bach, Boccherini, Cimarosa, Dottersdorf, Gluck, Herold, Lully, Mehul, Paisiello, and Rameau. Click on the cover image to view the Table of Contents for this volume in Adobe Acrobat .pdf format. Use your browser's Back button to return.	19.95
	Special Discount OMLFLSET: The Orchestral Musician's CD-ROM Library Vols. 1-10 Flute. All 10 volumes of the Orchestral Musician's CD-ROM Library for flute at a discounted price.	184.95
Another Special	You may also buy three volumes of your choice for the same instrument for $55.50, four volumes for $73.95, five volumes for $92.50, six volumes for $110.95, seven volumes for $129.50, eight volumes for $147.95, or nine volumes for $166.50. Choose the ones you want and we will apply the discount when we process your order. If you are also using Media Mail shipping (US only) they will be counted as one item for computing shipping charges.
	F291: Orchestral Techniques for Flute and Piccolo: An Audition Guide by Walfrid Kujala. Progress Press, 2006, SS, 92 pages. Subtitled: An Inside Look at Symphonic Performance Traditions. This is a beautifully produced book with long excerpts and detailed explanations. Not limited to how to play the excerpts, this book explains the many things that can be learned from these examples of the orchestral repertoire. Some of the topics covered in this 92 page treatise are: tempo choices, rhythmic pitfalls, dynamic adjustments, ensemble considerations, breathing advice, tone qualities, special fingerings, "insider" strategies, articulation style and performance traditions. There are special rhythmic and technical exercises for Beethoven Leonore No. 3 and Eroica Symphony, Dvorak 8th Symphony, Shostakovich 15th Symphony, Strauss Till Eulenspiegel, Stravinsky Firebird and Petrouchka, and Tchaikovsky 4th Symphony. All the musical examples have been reset, correcting the misprints that have persisted for many years in the original printed parts. This book belongs in the library of all aspiring orchestral players (and those who wish to improve their skills) and their teachers. Click on the cover image to view the Table of Contents for this volume. Use your browser's Back button to return.	23.95
	F026: Tchaikovsky Symphonies - Flute I. Alfred Publishing Co., SS, 85 pages. The complete Flute I parts for the six symphonies by Tchaikovsky. Note: The publisher is discontinuing this series and most volumes are sold out. If you are interested in this book, we suggest you buy it now.	14.95

Master Classes

Methods (including some supplemental texts)

F070: Bel Canto Flute: The Rampal School by Sheryl Cohen. Winzer Press, 2003, SB, 221 pages. This book offers an inspiring and artistic application of the teachings of Jean-Pierre Rampal and Alain Marion to daily studies, etudes, and traditional repertoire. In twelve chapters Sheryl Cohen explores the Rampal School's poetic approach to expressive phrasing as a foundation to develop musical artistry, creative practice methods, breath control tone, articulation, and technique, all while searching to free the artist from within. It includes 34 etudes, 33 solo movements, and daily studies.
35.95

F043: The Complete Flute Player, Omnibus Edition by John Sands. Wise Publications, PB, 190 pages. This method is based on popular songs, show tunes, and light classics and may be especially suitable for the adult beginner or a younger student who rejects more traditional methods. Features large print. This is the complete edition which includes all four individual books.
29.95

F102: Complete Jazz Flute Book by William Bay. Mel Bay Publications, 1980, PB, 144 pages. A comprehensive study text for students beginning a serious study of jazz. The first part of the book begins by teaching elements of jazz phrasing, articulation, vibrato and interpretation of rhythms through exercises and original pieces. Next, the book encourages improvisational skills through both theoretical and technical studies of scales and chords. The second half of the book builds on the skills learned in the first part with an in-depth study of the theory, which underlies improvisational techniques including scales, modal concepts and chord construction. Ear training, particularly the development of the ability to hear chord progressions is also emphasized.
12.95

F099: Fast-track Flute by David Sumbler. Kevin Mayhew Ltd, 1997, SS, 96 pages. This book is intended for beginning flutists who already know how to read music. It may be used for self-instruction or with a teacher. It includes instruction of getting started, articulation, the upper register, the top register, the thumb b-flat, care of the flute, and a glossary. This book includes scales and etudes in a wider range of keys than are usually seen in a method for beginners.
12.50

F041: FLUTE FUNdamentals by Marlee Lindon. Fluteplace Music, 2002, SB, 66 pages. This book is a useful supplement to any lesson book since it goes beyond where teaching methods leave off. Flute instructors will find it useful for beginners through high schoolers (each student needs their own copy). Adult amateurs will find it a great resource for self-study or with a teacher, as will anyone wishing for some new insights and inspirations for their basic technical issues. Click on the cover image to view Table of Contents. Use your browser's Back button to return.
19.95

F115: Flute Handbook by Mizzy McCaskill and Dona Gilliam. Mel Bay, 1994, SS, 56 pages + CD. A handy text filled with notes on embouchure, hand position, and breath support, daily warm-ups, major and minor scales and arpeggios, lower octave etudes, contemporary etudes, and a trill and note fingering chart. The easy-to-use format makes it an excellent companion to any beginning to intermediate method. The included CD is an ideal way for the developing flutist to listen to and practice with the solo etudes found in the book. It contains contemporary etudes, lower-octave etudes, and extended range etudes
12.95

F152: Flute Lessons by Simon Hunt. Pan Educational Music (UK), SS, 40 pages. Subtitled: A Practical Workbook. Concise progressive lessons for the beginner with more than 50 duets. The book moves fairly fast so it is probably most suitable for a teen aged or older student.
20.95

F155: Flute Methods, Studies and Ensembles. CD Sheet Music, 2006. Version 2.0 including notes from the 1911 Grove's Dictionary on many of the composers. This CD contains more than 1800 pages of methods, studies and ensembles (mostly the latter two). It includes works from the following and more: Altès, W.F. Bach, Andersen, Gariboldi, Hughes, Karg-Elert, Köhler, Reichert, de la Barre, Beethoven, Berbiguier, Boismortier, Bordet, Briccialdi, Chinzer/Bordet, Devienne, Dietter, Finger, Fürstenau, Gariboldi, Hotteterre, Hugot/Wunderlich, Koechlin, Köhler, Kuhlau, Kummer, di Lasso, Legoux/Bordet, Le Loup, Loeillet, Mozart, Müller, Naudot, Quantz, Reicha, Soussmann, Stamitz, Sweelinck, Telemann, Tulou. Click on the cover for a full listing of the contents. Use your browser's Back button to return.

19.95

F191: The Flutist's Companion by Mizzy McCaskill and Dona Gilliam. Mel Bay, 1983, PB, 112 pages. This comprehensive method for the beginner to advanced is especially designed for use in private lessons. It introduces each new concept with fingering exercises, scale exercises, and etudes. Advanced techniques and concepts such as harmonics, vibrato, trills, interpretation, and phrasing are outlined succinctly through descriptive text and musical examples. A segment called "Representative Literature" contains exemplary flute music and photographs of flutes from the Renaissance, Baroque, Classical, Romantic, and Contemporary periods giving students a broad historical perspective of both flute literature and the development and use of various types of flutes.
12.95

F084: The Flutist's Progress by Walfrid Kujala. Progress Press, 1970, PB, 96 pages. A method for self-teaching or teacher instruction for the rank beginner, musical beginner, doubler, flutists need remedial work, and the college-level music education major. This method moves at slow-moderate pace with many musical examples and explanations.
13.95

F161: Foundation to Flute Playing by Ernest F. Wagner. Carl Fischer, 1918, PB, 120 pages. A traditional elementary flute method which still has a lot to offer in terms of exercises and etudes. Includes a fingering chart with regular, auxiliary, and trill fingerings.

20.95

F005: How to Love Your Flute by Mark Shepard, Shepard Publications, PB, 97 pages. This book was inspired by the authors love of the flute and his desire to share his love by providing information in a more information setting than traditional texts. Subject covered include the world family of flutes, the story of the western flute, finding your flute, caring for your flute, flute technique, making music, modern folk flutes, how the flute works, fingering charts (modern flute, eight key flute, baroque one key flute).
14.95

F009: How to Play the Flute by Howard Harrison. St. Martin's Griffin, PB, 111 pages. This book combines more than fifty carefully selected musical pieces with illustrations, diagrams, and text to give a full, clear explanation of the basics of lute playing. It includes how to purchase and care for your instrument, how to read music, breathing techniques, correct finger position, how to improve tone, and more. Some of the pieces include guitar chords and there are several with piano accompaniment.
10.95

F013: Illustrated Fluteplaying by Robin Soldan and Jeanie Mellersh. London-Minstead Publications, 3rd revised edition 2004, PB, 81 pages. A delightful and comprehensively illustrated (over 350) guide to the flute. Part I covers getting started, starting to blow (11 pages!), holding the flute, posture, hand positions, shoulders & elbows and tonguing. Part II includes breathing (12 pages), dynamics and tuning, vibrato, and blowing problems.
39.95

F101: Illustrated Method for Flute by Sheridon Stokes & Richard Condon. Mel Bay, 2001, SB, 67 pages. Unlike many flute books which give long series of exercises, but no instruction on how to play the flute, the Illustrated Method for Flute uses the resources of language, illustration, and photography to help you to learn to play the flute quickly and successfully. It is based not only on the musical and teaching experience of its authors, but also on current research in the physics of sound production in the flute and physiological and anatomical aspects of flute playing. Great care was taken to carefully describe the workings of the muscles, the breathing aperture, the acoustical principles, and the common phenomena (such as vibrato) associated with the flute. It also includes five written etudes and a easy to use fingering chart. Because this book contains only a limited number of excercises and etudes, beginners should purchase another book of music to use while learning the techniques illustrated here.
9.95

F208: High Performance Flute by Robert Winn. AMA Verlag/Mel Bay, 2004, SS, 71 + 72 pages. Includes a CD with listening examples and orchestral play along tracks and a separate book with piano accompaniment. This book is intended to enable students to progress from the beginning to the intermediate level. It includes key studies and long tone exercises but is primarily composed of music for the student to play which is drawn from many well known melodies, jazz pieces, and opera excerpts. In German and English.
22.95

F168: Method for the Boehm Flute by Henri Altès. Carl Fischer, 1918, SS, 98 pages. A traditional flute method including basic music theory, how to hold the flute, and fingering charts. The lessons, virtually all of which are presented in duet format, work through the basics and to the major keys A and E flat introducing additional fingerings along the way.
17.95

F011: A Method for the Flute by Jean-Louis Tulou, translated and edited by Janice Dockendorff Boland and Martha F. Cannon. Indiana University Press, SB, 131 pages. Jean-Louis Tulou (1786-1865) was a highly influential flute player and teacher. His method was first published in 1835 and was adopted by the Paris Consveratoire during the period (1842-1856) when Tulou was Professor of Flute. The method was written for the pre-Boehm conical wooden flute. This is a valuable book for those with an interest in the flutes of that era and the history of flute pedagogy.
24.95

F019: Method for the One-Keyed Flute - Baroque and Classical by Janice Dockendorff Boland. University of California Press, PB, 228 pages. This book is the first complete method for the eighteenth-century flute written in modern times. It also includes valuable information for those playing baroque and classical repertoire on the Boehm flute. Subjects covered include the history and construction of the flute, pitch, choosing a flute, care, learning how to play, holding the flute, tone, vibrator, intonation, articulation, fingering, and trills. The book also includes exercises, modern studies, a list of eighteenth-century flute tutors, repertoire, and two annotated bibliographies.
27.50

F092: Popular Method for Piccolo (Metodo Popolare per Ottavino) by Jean Louis Tulou edited by Carlo Anderoni. Ricordi, 1957, SS, 26 pages. A basic method for piccolo including scales and short etudes in all keys. Fingering charts and trills for the Boehm and Ziegler system instruments.
12.95

F122: Practice Book for the Flute Book 1 Tone by Trevor Wye. Novello, SS, 43 pages. Here you will find tone exercises (harmonics, low register, middle register, high register), gnomes, tone color, breath control, flexibility, pitch control, and examples from the repertoire that illustrate the concepts taught in this book.
13.95

F123: Practice Book for the Flute Book 1 Tone CD Edition by Trevor Wye. Novello, SS, 43 pages. The contents are the same as above, but with a CD that contains playing examples from the book.
19.95

F124: Practice Book for the Flute Book 2 Technique by Trevor Wye. Novello, SS, 43 pages. This book is on the subjects of technique (with five sets of exercises), relaxing, trills, sequences, and examples from the flute repertoire that illustrate the points raised in the book.
13.95

F125: Practice Book for the Flute Book 3 Articulation by Trevor Wye. Novello, SS, 32 pages. This book covers articulation including: slurs; single, double, and triple tonguing; the E flat problem; and has some examples. It also covers the subject of nerves.
13.95

F126: Practice Book for the Flute Book 4 Intonation & Vibrato by Trevor Wye. Novello, SS, 34 pages. This book is concerned with everything that affects or relates to playing in tune. It covers the chord of nature, scales, flute harmonics, difference tones, the flute scale, perfect pitch, tuning up, vibrato, 24 studies for intonation, and concludes with examples of intonation problems in musical works.
13.95

F127: Practice Book for the Flute Book 5 Breathing & Scales by Trevor Wye. Novello, SS, 53 pages. The topics of this book are breathing plus expressive scales and arpeggios, technical scales and arpeggios, scales in thirds and broken arpeggios, improvisation, and playing from memory.
13.95

F128: Practice Book for the Flute Book 6 Advanced Practice by Trevor Wye. Novello, SS, 37 pages. This is the final book for the flute in this series. Much of it is a continuation of the exercises set out in the earlier books; some of it breaks new ground. Most of it is for advanced players; some of it for the beginner and advanced player alike. Primary subjects covered are: tone, posture, technique, articulation, the top register, breathing and intonation.
13.95

F129: Practice Books for the Flute Omnibus Edition Books 1-5 by Trevor Wye. Novello, SB, 200 pages. This book contains Book 1: Tone, Book 2: Technique, Book 3: Articulation, Book 4: Intonation & Vibrato, and Book 5: Breathing & Scales.
39.95

F130: Proper Flute Playing by Trevor Wye. Novello, 1988, SS, 57 pages. This is not music, but a text companion to the Trevor Wye Practice Books. It covers the subjects of Finding a Teacher; Flute Schools; Practicing; The Basic Elements of Technique, Tone; Some Tone Experiments; Auditions; The Piccolo; The Baroque Flute; Contemporary or Extended Flute Techniques; Expression, Phrasing and Style; Concerts and Competitions; Recitalists and Competitors; The Proper Pupil; The Proper Teacher; Common Problems in Teaching; Recommended Study Material and more. Some topics are covered briefly (often with references for further investigation), with the rest treated in more detail.
19.95

F218: Rubank Elementary Method Flute or Piccolo by A.C. Petersen. Rubank, 1934, SS, 48 pages. Famous beginning method for individual or like-instrument class instruction. Includes fingering charts.
5.95

F219: Rubank Intermediate Method Flute or Piccolo by J.E. Skornicka and A.C. Petersen. Rubank, 1939, SS, 48 pages. A follow up course for individual or like-instrument class instruction. Introduces many techniques and concepts such as expression markings and accents, various types of articulation, grace notes, trills (includes trill fingering charts), scale and chord studies. A number of duets and one trios are included. Also has a fingering chart.
5.95

F220: Rubank Advanced Method Flute Vol. 1 by Wm. Gower and H. Voxman. Rubank, 1940, SS, 72 pages. This book is intended to follow any beginning or intermediate method. It includes scales and chords studies, studies in melodic interpretation (all duets), studies in articulation, fingering exercises, and ornamentation. All of the material in this books is in keys with no more than two sharps or flats. Fingering chart has higher range than beginning and intermediate methods.
6.95

F221: Rubank Advanced Method Flute Vol. 2 by Wm. Gower and H. Voxman. Rubank, 1954, SS, 80 pages. This book covers similar material to volume 1 of the Advanced Method but in keys from three to five sharps and flats. Includes the same fingering charts as Vol 1.
6.95

Music (in order by composer)

F254: Flute Duet by David Amram. Peters, 2006, 2 pages in score format. American David Amram (1930-) is a composer, conductor, musician and writer. This short duet (which is really more of a flute solo with a very easy flute accompaniment) was premiered in 1991 by Julius Baker and the composer but not published until now. Marked ben cantare, mm=56. Duration about 2:28. Free Media Mail shipping on this music to US, IF ordered with another item.
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4.95

WW125: Le Calme de la Mer Trio for Flute, Clarinet and Piano by Tony Aubin. Alphonse Leduc, 1964, SS, (includes parts and piano score). A suggested piece for this combination. It is at an unhurried tempo (Lento, ma non troppo) and should be playable by many high school students although the flute part goes up to C7.
16.05

F166: Bach Partita in A minor Flute Solo BWV 1013 by Johann Sebastian Bach edited by Hans Eppstein. Henle, 1990, SS. In four movements: Allemande, Corrente, Sarabande, and Bourrée Angloise. Includes notes on the piece and the editing.
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8.95

F164: Bach Sonatas in C major, E-flat major, and G minor for Flute edited by Alfred Dürr. Baerenreiter (BA5220), 1975. This is an edition of the music attributed to Bach, but of which there is some doubt: Sonata in C major for Flute and Basso continuo (BWV 1033), Sonatas in E-flat Major (BWV 10310) and G minor (BWV 1020) for Flute and Obbligato Harpsichord. This edition includes scores with the Basso continuo realization, Basso continuo parts, flute parts, and a preface (in English and German) on the questions surrounding these pieces.
22.95

F246: Bach Trio Sonata from "Musikalischen Opfer" (1747) for Flute (or Violin), Violin, and Continuo (cello & harpsichord) edited by Friedirich Hermann. C.F. Peters. Includes a play-along CD of the accompaniment to the solo part. A very nicely prepared edition.
26.95

F190: Suite for Piccolo and Piano by Bela Bartok adapted by Dan Fox. Alry, 1983, SS, 16 + 6 pages. Three pieces (I. Allegro giocoso, II. Rubato sostenuto accelerando, III. Valse [Presto]) drawn from Fourteen Bagatelles Op. 6. The arranger was fascinated with the many possibilities for recasting these pieces that feature bitonality, octaveless scales, incisive rhythms, and folk melodies in dissonant settings for other instrumental settings. This suite, inspired by Larry Trott's brilliant piccolo playing, is one result.
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15.95

F165: Sonate for Flute and Piano by Günter Bialas. Baerenreiter, 1946, SS, 16 + 6 pages. In four movements: Allegro, Andante con espressione, Vivace, and Finale (Frei, Allegro molto, Presto).
22.95

WW30: Beethoven Trio for Piano, Flute and Bassoon WoO 37 by Ludwig van Beethoven edited by Friedhelm Klugman with piano fingerings by Hans-Martin Theopold. Henle, 1981, SS. Includes performance parts for flute, bassoon, and piano (which includes the other parts in the score). This trio was written between 1786-90.

22.95

F292: Suite Modal for Flute and Piano by Ernest Bloch. Brode Brothers Ltd., 1958, SS, 14 + 6 pages. Ernest Bloch (1880-1959) was born in Switzerland and after 1916 lived primarily in the United States. His Jewish heritage influenced much of his music although it is less apparent in this piece, one of his last works (1956). In four movements: I. Moderato, II. L’istesso tempo, III. Allegro giocoso, and IV. Adagio/Allegro deciso. A popular and frequently recorded part of the flute repertoire. Early college level. String orchestra parts are available as a rental.
14.95

F265: Modern Suite for 4 Flutes by Josef Bönisch. Zimmermann, 2006, SS, (includes score and parts). Five original pieces make up this intermediate level flute quartet by German composer and flutist Bönisch (1935-). They are titled Fascination, Waltz, Barocco in Blue, Mexico, and Little Boy. The parts are relatively equal although the first part has the melody and some solos.

21.95

F188: Suite for Flute and Jazz Piano Trio by Claude Bolling. Hal Leonard, 1973. This is a large scale work for the classical flutist and a jazz piano trio (although it can be performed without the drums and bass). The piece is designed to highlight the difference in styles, even humorously at times. It is in seven parts: Baroque and Blue, Sentimetale, Javanaise, Fugace, Irlandaise, Versatile (the first half calls for bass flute), and Veloce. Includes performance parts for flute, piano, drums and bass. We have a DVD (with Jean-Pierre Rampal and the composer) and a Music Minus One CD of this work.

44.95

F260: Fantaisie Brillante sur L'Africaine for Flute and Piano by François Borne edited by Henrik Wiese. Zimmermann, 2006, SS, 21 + 9 pages. François Borne (1840?-1920?) about whom there is limited information, wrote several other fantasies. Originally published in 1885, this work is based on passages from Meyerbeer's opera L'Africaine which, in a change from the original concept, is set in India rather than Africa. This edition contains notes on the composition and the editing in German, English, and French.

24.95

WW42: Trois Mouvements (Three Movements) for Flute and Clarinet in B-flat by Eugene Bozza. Alphonse Leduc, 1974. Includes two copies of the parts in score format. The three movements are Allegretto; Moderato, espressivo; and Allegro giocoso. Suitable for college or professional recitals.

24.45

WW132: Shadows Duo for Flute and Clarinet by Jane Brockman. Arsis Press, 1985, SS, 7 pages (score format). The tradition of imitation which has historically inspired two-voice music can be likened to an object and its shadow, continually evident in this composition. At times, the instrumental identities become obscured, and one is not certain which instrument is playing which line. Also, the musical language of Richard Wagner still has much relevance for this composer. It is his shadow which is 'felt' throughout the work as the leitmotiv of Kundry (from Parsifal) is employed melodically, but without its characteristic rhythm--and in a new context. A college level work with a duration of about 6 minutes.
6.95

F194: Fantasy Sonata for Flute and Piano by John Carmichael edited by Roger Armstrong. Southern Music Co., 2005, SS, 32 + 8 pages. Carmichael (born 1930) is an Australian composer who settled in Britain in 1954. The composer wrote: ". . . in the first movement, there are two main themes: the first, a short motif, is stated at the very opening: the second theme is more lyrical, with a characteristic falling interval of a minor sixth. These two motifs appear and reappear in different guises until the they quietly confront each other, unaccompanied, just before the recapitulation. . . In the slow movement, the piano with its rising motif constantly threatens to overwhelm the flute, but it is the latter's persuasive eloquence which finally wins the day in a hushed conclusion. The last movement has a play of different moods, ranging from jauntiness to mock innocence. A short cadenza for the flute leads to a race between the flute and piano to be first at the double bar." For advanced performers.
14.95

WW157: Three Bagatelles for Flute or Clarinet and Piano by Paul Carr. Cramer Music, 1883, SS, 12 + 4 pages. Paul Carr (born 1961) is an English composer whose early interested focused wind chamber music like this, but is now composing primarily for film and TV. The Three Bagatelles are I. Moderato, II. Andante, and III. Allegro. They include quite a bit of mixed meter but it is of the easier 6/8, 2/4, 3/4 variety. Advanced high school/early college level.

9.95

F257: Five Sonatas for Flute (or Oboe) and Guitar Volume 1 by Domenico Cimarosa arranged by Carstin Linck. Zimmermann, 2005, SS, 35 + 14 pages. Domenico Cimarosa (1749-1801) was born near Naples but also lived and worked in St. Petersburg and Vienna. Most of his work was operas and liturgical works but these arrangements are from his Sonatas for Harpsichord which the arranger thinks are ideally suited for playing on a wind instrument with guitar accompaniment. This volume has Sonata 1 in G major and Sonata 2 in A minor.

F294: Five Sonatas for Flute (or Oboe) and Guitar Volume 2 by Domenico Cimarosa arranged by Carstin Linck. Zimmermann, 2005, SS, 39 + 14 pages. This volume has Sonata 3 in A major, Sonata 4 in D major, and Sonata 5 in C major.

Vol. 1
39.95

Vol. 2
39.95

V10: As it Fell Upon A Day by Aaron Copland. Boosey & Hawkes, 1929, SS. For soprano voice, flute, and clarinet. The words are from Richard Barnefield (1574-1627). This is a one-movement sectional piece. It features an interesting dialogue between the flute and clarinet which adds to the texture with independent material when playing with voice. It is a very nice recital piece for college level and professional performers.
19.95

F195: Voyage for Flute and String Quintet by John Corigliano arranged by Clare Hoffman. G. Schirmer, 1998. Voyage is an instrumental version of a 1971 a cappella choral work that was a setting of a translation of Baudelaire's famous poem "L'Invitation au voyage." A version for flute and string orchestra has been recorded by James Galway. The string and flute parts are not difficult and can be played by good high school musicians. Includes score and parts.
19.95

WW31: Sinfonia Concertante for Flute, Clarinet and Orchestra Op. 41 by Franz Danzi edited by John P. Newhill. Music Rara, 1982, PB, 57 + 9 + 10 pages. Piano reduction. In three movements: Allegro Moderato, Larghetto, and Allegretto polonaise. Includes extensive notes by the editor.

31.95

F183: Prelude to the Afternoon of a Faun by Claude Debussy arranged for flute and piano by Donald Peck. Progress Press, 2004, SS, 11 + 5 pages. For advanced performers.
11.95

WW138: Prélude à l'après-midi d'un faune (Prelude to the Afternoon of a Faun) arranged for Flute, Clarinet and Piano by Claude Debussy arranged by Michael Webster. International Music, 1994, SS. This piece is one of the most popular flute solos in the repertoire, but as the arranger writes, adapting it for flute and piano has not been very successful because there is too much music to be covered by two instruments. Adding the clarinet produces a more satisfactory result. Both A and B-flat clarinet parts are included. The duration is about 9:20.

13.75

F167: Syrinx for Flute Solo by Claude Debussy edited by Ernst-Günter Heinemann. Henle, 1994, SS, 4 pages. This edition was prepared from the first edition and includes a page of notes in French, English, and German.
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8.95

F171: Syrinx for Flute Solo by Claude Debussy edited by Erich List. C.F. Peters, 1969, SS, 4 pages. Brief notes in French, English, and German and a trilingual translation of the French markings.
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8.75

WW141: Four Little Duos for Flute and Clarinet by Robert Dickow. Manduca Music, 1997, SS, 8 pages. In score format with two copies. Robert Dickow (1949-) is an American composer who teaches horn, composition, and theory at the University of Idaho. These four duets are at the advanced college level and feature mixed meter. The publisher describes them as "Really nice recital material for good players. Stravinskyesque technique and textures." The duration is 8:30.

9.95

WW124: Three Romances for Flute and B-flat Clarinet by Daniel Dorff. Tenuto Publications, 2007, SS, 8 pages. In score format with two copies. The three romances are: 1. Languid (Allegro pastorale), 2. Sultry (Tango drammatico), and 3. Frisky (Brisk allegro). The music is lyrical, tonal, and rhythmic. It will be premeried by flutist Gary Schocker with the composer on clarinet at the 2007 National Flute Association's annual convention. Early college level. Duration about 8 minutes.

11.95

WW158: Two Cats for Flute and B-flat Clarinet by Daniel Dorff. Tenuto Publications, 2008, SS, 8 pages. In score format with two copies. Close on the heels (paws?) of his already popular Three Romances, composer Daniel Dorff has presented us with another flute and clarinet duet. The composer's program notes are as follows: "Being quite fond of my flutist-partner's two cats, I chose this opportunity to make musical portraits of Hootie, a handsome and elegant 20-pound tuxedo cat, and Tiki, a petite bengal princess. Hootie's music is generally in a slow pulse with lyrical 16ths flowing, just as Hootie is pensive and outwardly still, while clearly being very busy inside. The final phrase is marked snoozendo poco a poco. The final measures of the Hootie movement are identical to the beginning of the Tiki movement, just as in reality one cat's end is sometimes notably close to the other's beginning. After a 'peacefully lurking' introduction, Tiki's remarkable showcat grace and playful lightness are set as an effervescent scherzo, including some double-tonguing (after all, her name is ti-ki), a bit of fluttertonguing as Tiki can sound herself, and with a regally strutted circus march in the middle of the scherzo." College level with a duration of about 8:15.

11.95

G155: Rumanian Folk Dances for Flute (or Clarinet, Violin, or Viola) and Piano by Ferenc Farkas, Editio Musica Budapest, 1953, SS, 15 + 4 pages. Subtitled: from the collection of Béla Bartók of the County Bihar. Characteristic Eastern European folk dances similar to much of Farkas's work. At four pages, this is a relatively extended work for this genre. The tempo is Allegro moderato with brief accelerations and rubato moments.
15.95

F259: Recollection of Mozart (Erinnerung an Mozart) for Magic Flute Solo by Jindrich Feld. Zimmermann, 2005, SS, 8 pages (including notes). Jindrich Feld (1925-2007) was a Czech composer who was especially active in composing instrumental music. This virtuoso piece was inspired by the march from the second act of The Magic Flute. The flutist (using some special techniques described in the notes) plays all the parts hence the call for a "Magic Flute." The notes are in German, English, and French. Free Media Mail shipping on this music to US, IF ordered with another item.
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9.95

F262: Sonate for Flute and Piano (or Pianoforte) by Reinhold Finkbeiner. Zimmermann, 2006, 23 + 8 pages. This piece was written by German composer and organist Finkbeiner (1929-) in 1953 but was not premiered until 2004 and was published in 2006. The work is described as an intense and intricate contrapuntal work, which lends the Sonate a feeling of constant flux, while still allowing the melodic themes and motives to continually shine through. It is in two movements: I. Allegro and II. Arietta, a theme with four variations and a coda.
26.95

F313: Sicilienne for Flute and Piano by Philippe Gaubert. Heugel, 1914, SS, 4 + 2 pages. A popular piece in the Sicilienne style (6/8, Allegretto moderato). Upper intermediate level.

12.75

F301: Third Sonate for Flute and Piano by Harald Genzmer. Ries & Erler, 2006, 23 + 8 pages. This piece by German composer Genzmer (1909-2007) was written in 2003 and recently published. The Sonate is in three movements: I. Allegro moderato, II. Ruhig fließend, and III. Finale (Vivace, marcato). Early college level.
19.95

F177: Concerto for Flute and Orchestra (Piano Reduction) by Morton Gould. G. Schirmer, 1985, SS, 79 + 27 pages. Commissioned for Donald Peck, Sir George Solti, and the Chicago Symphony Orchestra and premiered in 1985. Four movements: Rhapsodic, Elegiac Variations, Intermezzo, and Rondo (Finale). Duration is about 34 minutes and the orchestral parts are available as a rental.
24.95

WW075: Waltz and Interlude Duet for Flute and B-flat Clarinet with Piano Accompaniment by Clare Grundman. Boosey & Hawkes, 1964, SS, (includes piano score and individual parts). This is an intermediate duet with an easy piano part. It is in three sections: a waltz (Moderato con moto), then the interlude in 4/4 (Meno), followed by a return to the waltz in the original tempo. The flute part goes to a high G while the clarinet part does not go higher than a B above the staff and is frequently in the lower register.
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14.95

F238: Six Trios for 2 Flutes and Basso continuo Op 3 (1-3) by Friedrich Hartmann Graf edited by Ingo Gronefeld with Basso continuo realized by Friedrich Grünke. Edition Kunzelmann, 2005. The first three of six trios by Graf (1727-1795) which are available in a modern edition for the first time. Includes separate parts for each performer (with no page turn problems!) and a score with the realized BC part. Each trio has two movements and are (in the flute parts) 3-4 pages long. They are D major (Moderato/Grazioso), G major (Allegro moderato/Presto), and C major (Adagio/Allegro ma no tropo).
29.95

F239: Six Trios for 2 Flutes and Basso continuo Op. 3 4-6 by Friedrich Hartmann Graf edited by Ingo Gronefeld with Basso continuo realized by Friedrich Grünke. Edition Kunzelmann, 2005. The second of six trios by Graf (1727-1795) which are available in a modern edition for the first time. Includes separate parts for each performer (with no page turn problems!) and a score with the realized BC part. Each trio has two movements and are (in the flute parts) 3-4 pages long. They are E minor (Andante/Grazioso), F major (Moderato/Menuetto), and D major (Allegro/Grazioso).
27.95

F163: Handel Eleven Sonatas for Flute and Basso continuo edited by Hans-Peter Schmitz with realization of the continuo by Max Schneider. Baerenreiter (BA4225), 1995, 73 + 43 + 45 pages. Baerenreiter urtext editions of seven sonatas for flute (HWV 379, 359b, 363b, 367b, and 374-376 )and four for recorder (HWV 360, 362, 365, 369). Three of the flute sonatas (HWV 374-376) are of doubtful authenticity and appear as an appendix. This edition includes scores with the Basso continuo realization, Basso continuo parts, and flute/recorder parts. There are also several pages of notes (in English and German) on the issues surrounding these pieces. This is a real bargin especially for an import!
21.95

F247: Handel Three Sonatas for Flute (or Violin) and Basso continuo edited and realization of the continuo by Waldemar Woehl. C.F. Peters. Includes a play-along CD of the accompaniment to the solo part. This edition includes Sonata in E minor HWV 359b, Sonata in G major HWV 363b, and Sonata in B minor (Fitzwilliam Sonata III) HWV 367b. Parts for the cello (or viola da gamba) and harpsichord (or piano) are included.

29.50

F248: Handel Three Halle Sonatas for Flute (or Violin) and Basso continuo edited and realization of the continuo by Waldemar Woehl. C.F. Peters. Includes a play-along CD of the accompaniment to the solo part. This edition includes Sonata in A minor HWV 374, Sonata in E minor HWV 375, and Sonata in B minor HWV 376. Parts for the cello (or viola da gamba) and harpsichord are included.

21.95

F263: FdQ-Rag for 2 Flutes, 3 Flutes, or 3 Flutes and Alto Flute by Alexander Hanselmann. Zimmermann, 2005, SS, (includes score and parts). A very flexible piece by Swiss composer and flutist Hanselmann (1956-). This was written in celebration of the organization Freunde der Querflöte (FdQ - Friends of the Flute). A short and striking intro is followed by module-like themes that constantly change from part to part. Upper intermediate level and can also be played by two piccolos.

17.95

F134: Sonata Rubata for Flute and Piano by Steven Harlos. Southern Music Co., 2004, SS, 35 + 12 pages. Composed over a period of about hour years, the title means "stolen sonata," a reference to the numerous quotes that occur along the way. If desired, the opening portion of the second movement may be played on alto flute instead of C flute (both parts are shown) and the final portion of the last movement on piccolo.
14.95

G89: Haydn Six Divertimentos Hob. IV:6-11 for Violin or Flute, Violin and Violoncello by Joseph Haydn edited by Andreas Friesenhagen. Henle, 2005. Haydn's six Divertimentos belong to a group of works that he sold to London publisher William Forster during the first half of the 1780s. They are Haydn's first pieces of chamber music that expressly call for the flute. This new edition is very well printed and contains an explanatory preface and comments on the editing. These trios can be enjoyed by proficient players at the high school level and up. Overstock Special! $7.00 off regular price of $46.95 while supplies last.
39.95

F186: Haydn Trios Hob. IV:1-4 for Two Flutes and Violoncello (London Trios) by Joseph Haydn edited by Andreas Friesenhagen. Henle, 2005. Haydn's for two flutes and cello were written in 1794 during his second journey to England. There are a total of eight movements of which seven in the hand of the composer have survived. This new edition is very well printed and contains an extended preface with the history of these works and comments on the editing. Proficient players at the high school level and up can enjoy these trios. Overstock Special! $4.00 off regular price of $33.95 while supplies last.
29.95

F295: Six Duets Op 16. for Two Flutes by Franz Anton Hoffmeister edited by Henner Eppel. Zimmermann, 2006, PB, 83 pages. Hoffmeister (1754-1812) was a Viennese who was a music publisher as well as a composer. These duets were first published around 1796. They are at the upper intermediate level, in score format, and this edition has been prepared with some attention to page turns. It also includes notes on the composer and the editing.

44.95

WW72: Six Ragtimes for flute or clarinet or bassoon and piano by Scott Joplin edited by Dieter H. Förster. Kunzelmann, 1979, with play-along CD. Six familiar Joplin rags: Original Rags, Elite Synchopations, The Entertainer, The Favorite, The Chrysanthemum, and The Ragtime Dance. Includes a CD of the piano accompaniment.

24.95

F198: Monolog 1 Flute by Erland von Koch. Gehrmans, 1997, SS, 5 pages. This piece for solo flute was written in 1975. It is in two parts (which may be played separately). Fantasie is Part I and is marked Andante espressivo, and is made up of short segments with occasional dotted bar lines to indicate the phrasing.. Part II (Caprice) is Molto vivace and alternates between 6/8 and 2/4. Each part includes flutter tonguing. Upper college level.
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12.95

F255: Three Serenades for Flute and Piano by Ernesto Köhler (Koehler). Zimmermann, 2005, SS, 18 + 7 pages. Köhler (1849-1907) is, of course, very well known for his instructional works. These serenades (from Op. 59) are typical examples of salon pieces that were extremely popular at the end of the 19th century. They are: Serenade (Morceau de Salon), Orientalische Serenade, and Italienische Serenade. College level.
21.95

F261: Trio Op. 34 for 3 Flutes by Joseph Küffner edited by Thomas Richter. Zimmermann, 2005, SS, includes score and parts. An interesting and very well printed trio by Küffner (1776-1856) which was originally published in 1815. In four movements: Allegro, Andante, Menuetto, and Polonaise. Includes notes on the performance of the ornaments. The first part is the most difficult, and the third part is much easier, with the second part in between.
27.95

F107: Frank Martin Ballade pour flûte et piano, Paula Robison Masterclass by Paula Robison. Universal Edition, 2002. SS, 21+ 14 pages. A master class on Martin's Ballade pour flûte et piano which was written as the required piece for the 1939 Geneva International Competition. Includes both the flute and piano parts
19.95

WW52: Barn Dances for Flute, Clarinet and Piano by Libby Larsen. Oxford, 2004. SS, 24 + 8 + 8 pages. The composer wrote: "Barn Dances is a set of four abstract pieces. . . Each pieces draws from the name of a particular dance step used in cowboy dances. Taking the name of the step as a point of departure, my idea was to take a flight of fancy in each movement and to create the musical equivalent of a character drawing." The movements are: Forward Six and Fall Back Eight, Divide the Ring, Varsouvianna (a simple dream waltz), and Rattlesnake Twist. Upper college level.

24.95

WW66: Blue Third Pieces for Flute or Clarinet and Guitar by Libby Larsen. Oxford University Press, 2000, SS. This is a little homage to the interval of the third and its place in the blues. The first piece, "Deep Blue," is quite and lyrical. The second piece is "Salt Peanuts" and was inspired by the Dizzy Gillespie and Kenny Clark jazz piece of the same name.

29.95

WW126: Music for the Middle of the Day for Flute, Clarinet in B-flat, and Piano by Joseph Makholm. Billaudot, 2006, SS. This piece was written for the Webster trio. Michael Webster describes it as "Sophisticated jazz. Joe has written everything out to sound natural, almost improvised at times, with lush chord changes and inventive melodies and rhythms. It is an outstanding example of its genre." In four movements: 1. Late One Afternoon (At a lazy, but regular, pace), 2. Dolores' Kitchen (Up-tempo bossa), 3. December (Molto rubato), and 4. You Think You Know, But You Don't (Up-tempo swing). The first and last movements should be swung. College level with a duration of about 9 minutes.
55.95

F242: Les Folies d'Espagne for Solo Flute by Marin Marais edited by Hans-Peter Schmitz. Baerenreiter (BA33110), 1956, SS, 8 pages. Originally written for gamba by Marin Marais (1656-1728) these 25 variations have become a popular work for flute and other instruments.
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12.50

F256: Sénanque for Solo Flute with use of Pars-pro-Toto-playing techniques by Andreas Mazur. Zimmermann, 2005, SS, 15 pages (7 pages of music). This piece uses a variety of extended techniques including tongue and key clicks, wind sounds, multiphonics, harmonics, and especially playing on parts of the flute. Includes an explanation of the techniques required. Sénanque is the name of a Cistercain monastery in the Provence region of France. This piece is the impressions of the monastery on a summer day.
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23.95

F266: Mozart Andante and Rondo in G major K. 250 for Flute and Piano transcribed and edited by Robert Stallman. International Music Co., 2006, SS, 24 + 12 pages. K. 250 is the Haffner Serenade which includes a violin concerto within its eight movements. Stallman has taken two of these movements and produced a virtuoso work which is well suited for the flute.
18.95

F192: Mozart Concerto in G major for Flute and Orchestra KV 313 Piano reduction edited by Franz Giegling. Baerenreiter (BA 4854a), 2003. This publication is based on Giegling's edition as found in the New Mozart Edition (NMA V/14/3). It includes a preface, brief notes on the editing, an easy to play keyboard reduction, and 10 pages of cadenzas and "Eingänge" by Rachel Brown, Konrad Hünteler, and Karl Engel with accompanying notes.

18.95

F193: Mozart Concerto in D major for Flute and Orchestra KV 314 Piano reduction edited by Franz Giegling. Baerenreiter (BA 4855a), 2005. This publication is based on Giegling's edition as found in the New Mozart Edition (NMA V/14/3). This new edition includes a preface, brief notes on the editing, an easy to play keyboard reduction, a reference score for comparing the flute and oboe versions of this work, and 10 pages of cadenzas and "Eingänge" by Rachel Brown and Konrad Hünteler with accompanying notes. (Note: there were some errors in the original publication of this edition. This is the corrected version.)

18.95

F314: Mozart Quartet in D Major K 311 for Flute (or Violin), Violin, Viola, and Cello edited by Robert Stallman. International Music Co., 2008, SS, includes parts and score. This edition was arranged from the piano sonata. In three movements: I. Allegro con spirito, II. Andante con espressione, and III. Rondo (Allegro).

27.95

F119: Mozart Quartets for Flute Performance Parts edited by Jaroslav Pohanka. Baerenreiter (BA4405), 2002. Baerenreiter urtext editions of four quartets for flute, violin, viola, and cello. Included are Quartet in D KV 285, Quartet in G KV 285a, Quartet in C KV Anh. 171 (285b), and Quartet in A KV 298.
20.95

WW37: Duos for Flute and Clarinet Op. 24 by Robert Muczynski. G. Schirmer, 1991, SS, 13 pages. Includes two copies of the six duets which are in score format. Probably early college level but might be attempted by younger players if the flutist has good command of the third octave.

14.95

F144: Trio in B minor for two Flutes and Basso continuo by Christoph Nichelmann edited by Ingo Gronefeld. Edition Kunzelmann, 2004, SS. Nichelmann (1717-1762) studied with Wilhelm Friedemann Bach and with Johann Joachim Quantz and was a contemporary and colleague of Carl Philipp Emanuel Bach. This edition has separate parts for each flute and the basso continuo, plus a fully realized basso continuo part for keyboard in the score.

27.50

F293: Histoire du Tango for Flute and Guitar by Astor Piazzolla transcribed by Pierre-André Valade and Roberto Aussel. Editions Henry Lemoine, 1986. This is a wonderful and challenging piece which has been transcribed for a variety of instruments and combinations of instruments with this being one of the most popular. The four scenes portrayed are: Bordel 1900, Café 1930, Night-club 1960, and Concert d'auhourd'hui (Modern Day Concert). This edition has been prepared with particular attention to page turns.

42.95

F214: Libertango for flute and guitar by Astor Piazzolla edited by Klaus Jäckle. Edition Margaux, 1974, SS. "Libertango stands for the freedom which I allow for my musicians. Their limits are defined solely by the extent of their own capabilities and not through any external pressure."Piazzolla wrote this piece for his octet which he formed in 1954. It includes two parts in score format.
Free Media Mail shipping on this music to US, IF ordered with another item.
(Except other items with free shipping.)
9.95

F297: 12 Sonatas for 2 Flutes by Ignaz Pleyel edited by Gerhard Braun. Heinrichsofen, 2006, SS, 36 pages. These duos (based on violin pieces) enjoyed considerable popularity in their time because of their easy melodic writing and formal simplicity. They are at the middle and upper intermediate level.
17.50

F300: Album for Flute and Piano by Wilhelm Popp edited by Wolfgang Kossack. Edition Kossack, 2001, 18 + 7 pages. Wilhelm Popp (1828-1902) was a German composer of nearly 600 pieces, mostly for flute and piano. This book has three pieces: Spanischer Tanz, Spanische Serenade, and Nachtigallenserenade. The Spanischer Tanz is an intermediate level piece while the other two are somewhat more difficult.
18.50

F306: Blumenstück, Romance for Flute and Piano Op. 383 by Wilhelm Popp edited by Ute Widdermann. Edition Kossack, 2001, 8 + 2 pages. A shorter piece than some many Popp featured here. It is in 6/8 time and marked Andante molto espressivo. College level.

	F070: Bel Canto Flute: The Rampal School by Sheryl Cohen. Winzer Press, 2003, SB, 221 pages. This book offers an inspiring and artistic application of the teachings of Jean-Pierre Rampal and Alain Marion to daily studies, etudes, and traditional repertoire. In twelve chapters Sheryl Cohen explores the Rampal School's poetic approach to expressive phrasing as a foundation to develop musical artistry, creative practice methods, breath control tone, articulation, and technique, all while searching to free the artist from within. It includes 34 etudes, 33 solo movements, and daily studies.	35.95
	F106: Music of Paul Hindemith, Paula Robison Flute Masterclass by Paula Robison. Schott, 1996, SS, 76 pages + CD. This maser class includes 8 pieces for Solo Flute, Sonatine in Canon Style, Sonata for Flute and Piano, Echo and Sing on There in the Swamp. The parts have been annotated in red by the author. This book also includes biographical information on Hindemith, photographs, and charming illustrations taken from his drawings. The accompanying CD is a performance of the Sonata for Flute and Piano by Paula Robison with Jong Hwa Park, piano.	24.95
	F107: Frank Martin Ballade pour flûte et piano, Paula Robison Masterclass by Paula Robison. Universal Edition, 2002. SS, 21+ 14 pages. A master class on Martin's Ballade pour flûte et piano which was written as the required piece for the 1939 Geneva International Competition. Includes both the flute and piano parts.	19.95
	F302: Protocol: A Guide to the Collegiate Audition Process for Flute compiled and edited by Larry Clark and Daniel Schmidt. Carl Fischer, 2007, SS, 45 pages (plus piano accompaniment 35 pages). The purpose of this book is to provide high school students with or without a private teacher with a comprehensive collection of materials that will satisfy the needs of most college music auditions. It includes information on how to take an audition, music placement exams, selecting a college, and repertoire of the most often requested material. This includes Scales and Arpeggios, Orchestral Excerpts (Debussy Prélude à l'après-midi d'un faune, Dvorak Symphony No. 8 Op. 88 Movement IV, Brahms Symphony No. 4 Op. 98 Movement IV, Mendelssohn A Midsummer Night's Dream Op. 61 Scherzo, and Beethoven Leonore Overture No. 3 Op. 72b), Technical Etudes (Boehm Etude No, 20 from 24 Caprices Op. 26, Andersen Etude No. 7 from Etudes Op. 63 and Etude No. 6 from 24 Etudes Op. 33) and two complete pieces with piano accompaniment (Fauré Sicilienne Op. 80 and Mozart Concerto No. 1 in G Major).	24.95
	Jazz F268: Essential Jazz Lines in the Style of Charlie Parker Flute Edition by Corey Christiansen. Mel Bay Publications, 2001, SS, 32 pages + CD. This text presents numerous jazz lines in Charlie's style, grouped by their application in a given harmonic content. Students will learn to connect lines to play over ii-V-I progressions, turnarounds and other harmonic frameworks. To facilitate proficiency in all twelve keys, each section of the book has a chordal play-along that modulates around the circle of fourths. Some of the techniques used in Charlie Parker style are also discussed with examples provided. This helps musicians analyze each of the ideas presented, further ensuring their mastery.	17.95

	F070: Bel Canto Flute: The Rampal School by Sheryl Cohen. Winzer Press, 2003, SB, 221 pages. This book offers an inspiring and artistic application of the teachings of Jean-Pierre Rampal and Alain Marion to daily studies, etudes, and traditional repertoire. In twelve chapters Sheryl Cohen explores the Rampal School's poetic approach to expressive phrasing as a foundation to develop musical artistry, creative practice methods, breath control tone, articulation, and technique, all while searching to free the artist from within. It includes 34 etudes, 33 solo movements, and daily studies.	35.95
	F043: The Complete Flute Player, Omnibus Edition by John Sands. Wise Publications, PB, 190 pages. This method is based on popular songs, show tunes, and light classics and may be especially suitable for the adult beginner or a younger student who rejects more traditional methods. Features large print. This is the complete edition which includes all four individual books.	29.95
	F102: Complete Jazz Flute Book by William Bay. Mel Bay Publications, 1980, PB, 144 pages. A comprehensive study text for students beginning a serious study of jazz. The first part of the book begins by teaching elements of jazz phrasing, articulation, vibrato and interpretation of rhythms through exercises and original pieces. Next, the book encourages improvisational skills through both theoretical and technical studies of scales and chords. The second half of the book builds on the skills learned in the first part with an in-depth study of the theory, which underlies improvisational techniques including scales, modal concepts and chord construction. Ear training, particularly the development of the ability to hear chord progressions is also emphasized.	12.95
	F099: Fast-track Flute by David Sumbler. Kevin Mayhew Ltd, 1997, SS, 96 pages. This book is intended for beginning flutists who already know how to read music. It may be used for self-instruction or with a teacher. It includes instruction of getting started, articulation, the upper register, the top register, the thumb b-flat, care of the flute, and a glossary. This book includes scales and etudes in a wider range of keys than are usually seen in a method for beginners.	12.50
	F041: FLUTE FUNdamentals by Marlee Lindon. Fluteplace Music, 2002, SB, 66 pages. This book is a useful supplement to any lesson book since it goes beyond where teaching methods leave off. Flute instructors will find it useful for beginners through high schoolers (each student needs their own copy). Adult amateurs will find it a great resource for self-study or with a teacher, as will anyone wishing for some new insights and inspirations for their basic technical issues. Click on the cover image to view Table of Contents. Use your browser's Back button to return.	19.95
	F115: Flute Handbook by Mizzy McCaskill and Dona Gilliam. Mel Bay, 1994, SS, 56 pages + CD. A handy text filled with notes on embouchure, hand position, and breath support, daily warm-ups, major and minor scales and arpeggios, lower octave etudes, contemporary etudes, and a trill and note fingering chart. The easy-to-use format makes it an excellent companion to any beginning to intermediate method. The included CD is an ideal way for the developing flutist to listen to and practice with the solo etudes found in the book. It contains contemporary etudes, lower-octave etudes, and extended range etudes	12.95
	F152: Flute Lessons by Simon Hunt. Pan Educational Music (UK), SS, 40 pages. Subtitled: A Practical Workbook. Concise progressive lessons for the beginner with more than 50 duets. The book moves fairly fast so it is probably most suitable for a teen aged or older student.	20.95
	F155: Flute Methods, Studies and Ensembles. CD Sheet Music, 2006. Version 2.0 including notes from the 1911 Grove's Dictionary on many of the composers. This CD contains more than 1800 pages of methods, studies and ensembles (mostly the latter two). It includes works from the following and more: Altès, W.F. Bach, Andersen, Gariboldi, Hughes, Karg-Elert, Köhler, Reichert, de la Barre, Beethoven, Berbiguier, Boismortier, Bordet, Briccialdi, Chinzer/Bordet, Devienne, Dietter, Finger, Fürstenau, Gariboldi, Hotteterre, Hugot/Wunderlich, Koechlin, Köhler, Kuhlau, Kummer, di Lasso, Legoux/Bordet, Le Loup, Loeillet, Mozart, Müller, Naudot, Quantz, Reicha, Soussmann, Stamitz, Sweelinck, Telemann, Tulou. Click on the cover for a full listing of the contents. Use your browser's Back button to return.	19.95
	F191: The Flutist's Companion by Mizzy McCaskill and Dona Gilliam. Mel Bay, 1983, PB, 112 pages. This comprehensive method for the beginner to advanced is especially designed for use in private lessons. It introduces each new concept with fingering exercises, scale exercises, and etudes. Advanced techniques and concepts such as harmonics, vibrato, trills, interpretation, and phrasing are outlined succinctly through descriptive text and musical examples. A segment called "Representative Literature" contains exemplary flute music and photographs of flutes from the Renaissance, Baroque, Classical, Romantic, and Contemporary periods giving students a broad historical perspective of both flute literature and the development and use of various types of flutes.	12.95
	F084: The Flutist's Progress by Walfrid Kujala. Progress Press, 1970, PB, 96 pages. A method for self-teaching or teacher instruction for the rank beginner, musical beginner, doubler, flutists need remedial work, and the college-level music education major. This method moves at slow-moderate pace with many musical examples and explanations.	13.95
	F161: Foundation to Flute Playing by Ernest F. Wagner. Carl Fischer, 1918, PB, 120 pages. A traditional elementary flute method which still has a lot to offer in terms of exercises and etudes. Includes a fingering chart with regular, auxiliary, and trill fingerings.	20.95
	F005: How to Love Your Flute by Mark Shepard, Shepard Publications, PB, 97 pages. This book was inspired by the authors love of the flute and his desire to share his love by providing information in a more information setting than traditional texts. Subject covered include the world family of flutes, the story of the western flute, finding your flute, caring for your flute, flute technique, making music, modern folk flutes, how the flute works, fingering charts (modern flute, eight key flute, baroque one key flute).	14.95
	F009: How to Play the Flute by Howard Harrison. St. Martin's Griffin, PB, 111 pages. This book combines more than fifty carefully selected musical pieces with illustrations, diagrams, and text to give a full, clear explanation of the basics of lute playing. It includes how to purchase and care for your instrument, how to read music, breathing techniques, correct finger position, how to improve tone, and more. Some of the pieces include guitar chords and there are several with piano accompaniment.	10.95
	F013: Illustrated Fluteplaying by Robin Soldan and Jeanie Mellersh. London-Minstead Publications, 3rd revised edition 2004, PB, 81 pages. A delightful and comprehensively illustrated (over 350) guide to the flute. Part I covers getting started, starting to blow (11 pages!), holding the flute, posture, hand positions, shoulders & elbows and tonguing. Part II includes breathing (12 pages), dynamics and tuning, vibrato, and blowing problems.	39.95
	F101: Illustrated Method for Flute by Sheridon Stokes & Richard Condon. Mel Bay, 2001, SB, 67 pages. Unlike many flute books which give long series of exercises, but no instruction on how to play the flute, the Illustrated Method for Flute uses the resources of language, illustration, and photography to help you to learn to play the flute quickly and successfully. It is based not only on the musical and teaching experience of its authors, but also on current research in the physics of sound production in the flute and physiological and anatomical aspects of flute playing. Great care was taken to carefully describe the workings of the muscles, the breathing aperture, the acoustical principles, and the common phenomena (such as vibrato) associated with the flute. It also includes five written etudes and a easy to use fingering chart. Because this book contains only a limited number of excercises and etudes, beginners should purchase another book of music to use while learning the techniques illustrated here.	9.95
	F208: High Performance Flute by Robert Winn. AMA Verlag/Mel Bay, 2004, SS, 71 + 72 pages. Includes a CD with listening examples and orchestral play along tracks and a separate book with piano accompaniment. This book is intended to enable students to progress from the beginning to the intermediate level. It includes key studies and long tone exercises but is primarily composed of music for the student to play which is drawn from many well known melodies, jazz pieces, and opera excerpts. In German and English.	22.95
	F168: Method for the Boehm Flute by Henri Altès. Carl Fischer, 1918, SS, 98 pages. A traditional flute method including basic music theory, how to hold the flute, and fingering charts. The lessons, virtually all of which are presented in duet format, work through the basics and to the major keys A and E flat introducing additional fingerings along the way.	17.95
	F011: A Method for the Flute by Jean-Louis Tulou, translated and edited by Janice Dockendorff Boland and Martha F. Cannon. Indiana University Press, SB, 131 pages. Jean-Louis Tulou (1786-1865) was a highly influential flute player and teacher. His method was first published in 1835 and was adopted by the Paris Consveratoire during the period (1842-1856) when Tulou was Professor of Flute. The method was written for the pre-Boehm conical wooden flute. This is a valuable book for those with an interest in the flutes of that era and the history of flute pedagogy.	24.95
	F019: Method for the One-Keyed Flute *- Baroque and Classical* by Janice Dockendorff Boland. University of California Press, PB, 228 pages. This book is the first complete method for the eighteenth-century flute written in modern times. It also includes valuable information for those playing baroque and classical repertoire on the Boehm flute. Subjects covered include the history and construction of the flute, pitch, choosing a flute, care, learning how to play, holding the flute, tone, vibrator, intonation, articulation, fingering, and trills. The book also includes exercises, modern studies, a list of eighteenth-century flute tutors, repertoire, and two annotated bibliographies.	27.50
	F092: Popular Method for Piccolo (Metodo Popolare per Ottavino) by Jean Louis Tulou edited by Carlo Anderoni. Ricordi, 1957, SS, 26 pages. A basic method for piccolo including scales and short etudes in all keys. Fingering charts and trills for the Boehm and Ziegler system instruments.	12.95
	F122: Practice Book for the Flute Book 1 Tone by Trevor Wye. Novello, SS, 43 pages. Here you will find tone exercises (harmonics, low register, middle register, high register), gnomes, tone color, breath control, flexibility, pitch control, and examples from the repertoire that illustrate the concepts taught in this book.	13.95
	F123: Practice Book for the Flute Book 1 Tone CD Edition by Trevor Wye. Novello, SS, 43 pages. The contents are the same as above, but with a CD that contains playing examples from the book.	19.95
	F124: Practice Book for the Flute Book 2 Technique by Trevor Wye. Novello, SS, 43 pages. This book is on the subjects of technique (with five sets of exercises), relaxing, trills, sequences, and examples from the flute repertoire that illustrate the points raised in the book.	13.95
	F125: Practice Book for the Flute Book 3 Articulation by Trevor Wye. Novello, SS, 32 pages. This book covers articulation including: slurs; single, double, and triple tonguing; the E flat problem; and has some examples. It also covers the subject of nerves.	13.95
	F126: Practice Book for the Flute Book 4 Intonation & Vibrato by Trevor Wye. Novello, SS, 34 pages. This book is concerned with everything that affects or relates to playing in tune. It covers the chord of nature, scales, flute harmonics, difference tones, the flute scale, perfect pitch, tuning up, vibrato, 24 studies for intonation, and concludes with examples of intonation problems in musical works.	13.95
	F127: Practice Book for the Flute Book 5 Breathing & Scales by Trevor Wye. Novello, SS, 53 pages. The topics of this book are breathing plus expressive scales and arpeggios, technical scales and arpeggios, scales in thirds and broken arpeggios, improvisation, and playing from memory.	13.95
	F128: Practice Book for the Flute Book 6 Advanced Practice by Trevor Wye. Novello, SS, 37 pages. This is the final book for the flute in this series. Much of it is a continuation of the exercises set out in the earlier books; some of it breaks new ground. Most of it is for advanced players; some of it for the beginner and advanced player alike. Primary subjects covered are: tone, posture, technique, articulation, the top register, breathing and intonation.	13.95
	F129: Practice Books for the Flute Omnibus Edition Books 1-5 by Trevor Wye. Novello, SB, 200 pages. This book contains Book 1: Tone, Book 2: Technique, Book 3: Articulation, Book 4: Intonation & Vibrato, and Book 5: Breathing & Scales.	39.95
	F130: Proper Flute Playing by Trevor Wye. Novello, 1988, SS, 57 pages. This is not music, but a text companion to the Trevor Wye Practice Books. It covers the subjects of Finding a Teacher; Flute Schools; Practicing; The Basic Elements of Technique, Tone; Some Tone Experiments; Auditions; The Piccolo; The Baroque Flute; Contemporary or Extended Flute Techniques; Expression, Phrasing and Style; Concerts and Competitions; Recitalists and Competitors; The Proper Pupil; The Proper Teacher; Common Problems in Teaching; Recommended Study Material and more. Some topics are covered briefly (often with references for further investigation), with the rest treated in more detail.	19.95
	F218: Rubank Elementary Method Flute or Piccolo by A.C. Petersen. Rubank, 1934, SS, 48 pages. Famous beginning method for individual or like-instrument class instruction. Includes fingering charts.	5.95
	F219: Rubank Intermediate Method Flute or Piccolo by J.E. Skornicka and A.C. Petersen. Rubank, 1939, SS, 48 pages. A follow up course for individual or like-instrument class instruction. Introduces many techniques and concepts such as expression markings and accents, various types of articulation, grace notes, trills (includes trill fingering charts), scale and chord studies. A number of duets and one trios are included. Also has a fingering chart.	5.95
	F220: Rubank Advanced Method Flute Vol. 1 by Wm. Gower and H. Voxman. Rubank, 1940, SS, 72 pages. This book is intended to follow any beginning or intermediate method. It includes scales and chords studies, studies in melodic interpretation (all duets), studies in articulation, fingering exercises, and ornamentation. All of the material in this books is in keys with no more than two sharps or flats. Fingering chart has higher range than beginning and intermediate methods.	6.95
	F221: Rubank Advanced Method Flute Vol. 2 by Wm. Gower and H. Voxman. Rubank, 1954, SS, 80 pages. This book covers similar material to volume 1 of the Advanced Method but in keys from three to five sharps and flats. Includes the same fingering charts as Vol 1.	6.95