 |
F254: Flute Duet
by David Amram. Peters, 2006, 2 pages in score format. American David
Amram (1930-) is a composer, conductor, musician and writer. This short
duet (which is really more of a flute solo with a very easy flute
accompaniment) was premiered in 1991 by Julius Baker and the composer
but not published until now. Marked ben cantare, mm=56. Duration about
2:28.
Free Media Mail shipping on this
music
to US, IF ordered with another item.
(Except other items with
free
shipping.)
|
4.95

|
 |
WW125:
Le Calme de la Mer Trio for Flute, Clarinet and Piano
by Tony Aubin. Alphonse Leduc, 1964, SS, (includes parts and piano
score). A suggested piece for this combination. It is at an unhurried
tempo (Lento, ma non troppo) and should be playable by many high school
students although the flute part goes up to C7. |
16.05

|
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F166: Bach Partita in A minor Flute Solo BWV 1013
by
Johann Sebastian Bach edited by Hans Eppstein. Henle, 1990, SS. In four
movements: Allemande, Corrente, Sarabande, and Bourrée Angloise.
Includes notes on the piece and the editing.
Free Media Mail shipping on this
music
to US, IF ordered with another item.
(Except other items with
free
shipping.)
|
8.95

|
 |
F164: Bach Sonatas in C major, E-flat major, and G
minor for Flute edited
by Alfred Dürr. Baerenreiter (BA5220), 1975.
This is an edition of the music attributed to Bach, but of which
there is some doubt: Sonata in C major for Flute and Basso continuo
(BWV 1033), Sonatas in E-flat Major (BWV 10310) and G minor (BWV 1020)
for Flute and Obbligato Harpsichord. This
edition includes scores with the Basso continuo realization, Basso
continuo parts, flute parts, and a preface (in English and German) on
the questions surrounding these
pieces. |
22.95

|
 |
F246: Bach Trio Sonata from "Musikalischen Opfer"
(1747) for
Flute (or Violin), Violin, and Continuo (cello & harpsichord) edited
by Friedirich Hermann. C.F. Peters.
Includes a play-along CD of the accompaniment to the solo part. A very
nicely prepared edition. |
26.95

|
 |
F190: Suite for Piccolo and Piano
by Bela Bartok adapted by Dan Fox. Alry, 1983, SS, 16 + 6 pages. Three
pieces (I. Allegro giocoso, II. Rubato sostenuto accelerando, III.
Valse [Presto]) drawn from Fourteen Bagatelles Op. 6. The arranger was
fascinated with the many possibilities for recasting these pieces that
feature bitonality, octaveless scales, incisive rhythms, and folk
melodies in dissonant settings for other instrumental settings.
This suite, inspired by Larry Trott's brilliant piccolo playing, is one
result.
Free Media Mail shipping on this
music
to US, IF ordered with another item.
(Except other items with
free
shipping.)
|
15.95

|
 |
F165: Sonate for Flute and Piano by
Günter Bialas. Baerenreiter, 1946, SS, 16 + 6 pages. In four
movements: Allegro, Andante con espressione, Vivace, and Finale (Frei,
Allegro molto, Presto). |
22.95

|
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WW30: Beethoven Trio for Piano, Flute and Bassoon WoO
37
by Ludwig van Beethoven edited by Friedhelm Klugman with piano
fingerings
by Hans-Martin Theopold. Henle, 1981, SS. Includes performance parts
for flute, bassoon, and piano (which includes the other parts in the
score). This trio was
written between 1786-90.
|
22.95

|
 |
F292:
Suite Modal for Flute and
Piano
by Ernest Bloch. Brode Brothers Ltd., 1958, SS, 14 + 6 pages. Ernest
Bloch (1880-1959)
was born in Switzerland and after 1916 lived primarily in the United
States. His Jewish heritage influenced much of his
music although it is less apparent in this piece, one of his
last works (1956). In four movements: I. Moderato, II. L’istesso
tempo, III. Allegro giocoso, and IV. Adagio/Allegro deciso. A popular
and frequently recorded part of the flute repertoire. Early college
level. String orchestra parts are available as a rental. |
14.95

|
 |
F265: Modern Suite for 4
Flutes
by Josef Bönisch. Zimmermann, 2006, SS, (includes score and
parts). Five original pieces make up this intermediate level flute
quartet by German composer and flutist Bönisch (1935-). They are
titled Fascination, Waltz, Barocco in Blue, Mexico, and Little Boy. The
parts are relatively equal although the first part has the melody and
some solos.
|
21.95

|
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F188: Suite for Flute and Jazz Piano Trio by
Claude Bolling. Hal Leonard, 1973. This is a large scale work for the
classical flutist and a jazz piano trio (although it can be performed
without the drums and bass). The piece is designed to highlight the
difference in styles, even humorously at times. It is in seven parts:
Baroque and Blue, Sentimetale, Javanaise, Fugace, Irlandaise, Versatile
(the first half calls for bass flute), and Veloce. Includes performance
parts
for flute, piano, drums and bass. We have a DVD (with Jean-Pierre
Rampal and the composer) and a Music Minus One
CD of this work.
 
|
44.95

|
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F260: Fantaisie Brillante
sur L'Africaine for Flute and
Piano
by François Borne edited by Henrik Wiese. Zimmermann, 2006, SS,
21 + 9 pages. François Borne (1840?-1920?) about whom there is
limited information, wrote several other fantasies. Originally
published in 1885, this work is based on passages from Meyerbeer's
opera L'Africaine which, in a change from the original concept, is set
in India rather than Africa. This edition contains notes on the
composition and the editing in German, English, and French.
|
24.95

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WW42: Trois Mouvements (Three Movements) for Flute and
Clarinet in B-flat
by Eugene Bozza. Alphonse Leduc, 1974. Includes two copies of the parts
in score format. The three movements are Allegretto; Moderato,
espressivo; and Allegro giocoso. Suitable for college or professional
recitals.

|
24.45

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WW132:
Shadows Duo for Flute and Clarinet
by Jane Brockman. Arsis Press, 1985, SS, 7 pages (score format). The
tradition of imitation which has historically inspired two-voice music
can be likened to an object and its shadow, continually evident in this
composition. At times, the instrumental identities become obscured, and
one is not certain which instrument is playing which line. Also, the
musical language of
Richard Wagner still has much relevance for this composer. It is his
shadow which is 'felt' throughout the work as the leitmotiv of Kundry
(from Parsifal) is employed melodically, but without its
characteristic rhythm--and in a new context. A college level work with
a duration of about 6 minutes. |
6.95

|

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F194: Fantasy Sonata for
Flute and Piano
by John Carmichael edited by Roger Armstrong. Southern Music Co., 2005,
SS, 32 + 8 pages. Carmichael (born 1930) is an Australian composer who
settled in Britain in 1954. The composer wrote: ". . . in the first
movement, there are two main themes: the first, a short motif, is
stated at the very opening: the second theme is more lyrical, with a
characteristic falling interval of a minor sixth. These two motifs
appear and reappear in different guises until the they quietly confront
each other, unaccompanied, just before the recapitulation. . . In
the slow movement, the piano with its rising motif constantly threatens
to overwhelm the flute, but it is the latter's persuasive eloquence
which finally wins the day in a hushed conclusion. The last movement
has a play of different moods, ranging from jauntiness to mock
innocence. A short cadenza for the flute leads to a race between the
flute and piano to be first at the double bar." For advanced
performers. |
14.95

|

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WW157:
Three Bagatelles for
Flute or Clarinet and Piano
by Paul Carr. Cramer Music, 1883, SS, 12 + 4 pages. Paul Carr (born
1961) is an English composer whose early interested focused wind
chamber music like this, but is now composing primarily for film and
TV. The Three Bagatelles are I. Moderato, II. Andante, and III.
Allegro. They include quite a bit of mixed meter but it is of the
easier 6/8, 2/4, 3/4 variety. Advanced high school/early college level.
|
9.95

|

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F257: Five Sonatas for
Flute (or Oboe) and Guitar Volume 1
by Domenico Cimarosa arranged by Carstin Linck. Zimmermann, 2005,
SS, 35 + 14 pages. Domenico Cimarosa
(1749-1801) was born near Naples but also lived and worked in St.
Petersburg and Vienna. Most of his work was operas and liturgical works
but these arrangements are from his Sonatas for Harpsichord which the
arranger thinks are ideally suited for playing on a wind instrument
with guitar accompaniment. This volume has Sonata 1 in G major and
Sonata 2 in A minor.
F294: Five Sonatas for
Flute (or Oboe) and Guitar Volume 2
by Domenico Cimarosa arranged by Carstin Linck. Zimmermann, 2005,
SS, 39 + 14 pages. This volume has Sonata 3 in A major, Sonata 4 in D
major, and Sonata 5 in C major.
|
Vol. 1
39.95

Vol. 2
39.95

|

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V10: As it Fell Upon A Day
by Aaron Copland. Boosey & Hawkes, 1929, SS. For soprano voice,
flute, and clarinet. The words are from Richard Barnefield (1574-1627).
This is a one-movement sectional piece. It features an interesting
dialogue between the flute and clarinet which adds to the texture with
independent material when playing with voice. It is a very nice recital
piece for college level and professional performers. |
19.95

|

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F195: Voyage for Flute and
String Quintet
by John Corigliano arranged by Clare Hoffman. G. Schirmer, 1998. Voyage is an instrumental version
of a 1971 a cappella choral work that was a setting of a translation of
Baudelaire's famous poem "L'Invitation
au voyage." A version for flute and string
orchestra has been recorded by James Galway. The string and flute parts
are not difficult and can be played by good high school musicians.
Includes score and parts. |
19.95

|

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WW31: Sinfonia Concertante for Flute, Clarinet and
Orchestra Op. 41
by Franz Danzi edited by John P. Newhill.
Music Rara, 1982, PB, 57 + 9 + 10 pages. Piano reduction. In three
movements: Allegro Moderato, Larghetto, and Allegretto polonaise.
Includes extensive notes by the editor.

|
31.95

|
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F183: Prelude to the Afternoon of a Faun by
Claude Debussy arranged for flute and piano by Donald Peck. Progress
Press, 2004, SS, 11 + 5 pages. For advanced performers. |
11.95

|

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WW138:
Prélude à l'après-midi d'un faune
(Prelude to the Afternoon of a Faun) arranged for
Flute, Clarinet and Piano by Claude Debussy arranged by Michael
Webster. International Music, 1994, SS. This piece is one of the most
popular flute solos in the repertoire, but as the arranger writes,
adapting it for flute and piano has not been very successful because
there is too much music to be covered by two instruments. Adding the
clarinet produces a more satisfactory result. Both A and B-flat
clarinet parts are included. The duration is about 9:20.

|
13.75

|
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F167: Syrinx for Flute Solo
by Claude Debussy edited by Ernst-Günter Heinemann. Henle, 1994,
SS, 4 pages. This edition was prepared from the first edition and
includes a page of notes in French, English, and German.

Free Media Mail shipping on this
music
to US, IF ordered with another item.
(Except other items with
free
shipping.)
|
8.95

|
 |
F171: Syrinx for Flute Solo
by Claude Debussy edited by Erich List. C.F. Peters, 1969,
SS, 4 pages. Brief notes in French, English, and German and a
trilingual translation of the French markings.

Free Media Mail shipping on this
music
to US, IF ordered with another item.
(Except other items with
free
shipping.)
|
8.75

|

|
WW141:
Four Little Duos for
Flute
and Clarinet
by Robert Dickow. Manduca Music, 1997, SS, 8 pages. In score
format with two copies. Robert Dickow (1949-) is an American composer
who teaches horn, composition, and theory at the University of Idaho.
These four duets are at the advanced college level and feature mixed
meter. The publisher describes them as "Really nice recital
material for good players. Stravinskyesque technique and textures." The
duration is 8:30.
|
9.95

|

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WW124: Three Romances for
Flute
and B-flat Clarinet
by Daniel Dorff. Tenuto Publications, 2007, SS, 8 pages. In score
format with two copies. The three
romances are: 1. Languid (Allegro pastorale), 2. Sultry (Tango
drammatico), and 3. Frisky (Brisk allegro). The music is lyrical,
tonal, and rhythmic. It will be premeried by flutist Gary Schocker with
the composer on clarinet at the 2007 National Flute Association's
annual convention. Early college level. Duration about 8 minutes.
|
11.95

|

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WW158: Two Cats for
Flute and B-flat Clarinet
by Daniel Dorff. Tenuto Publications, 2008, SS, 8 pages. In score
format with two copies. Close on the heels (paws?) of his already
popular Three Romances,
composer Daniel Dorff has presented us with another flute and clarinet
duet. The composer's program notes are as follows: "Being quite fond of
my flutist-partner's two cats, I chose this opportunity to make musical
portraits of Hootie, a handsome and elegant 20-pound tuxedo cat, and
Tiki, a petite bengal princess. Hootie's music is generally in a slow
pulse with lyrical 16ths flowing, just as Hootie is pensive and
outwardly still, while clearly being very busy inside. The final phrase
is marked snoozendo poco a poco. The final measures of the Hootie
movement are identical to the beginning of the Tiki movement, just as
in reality one cat's end is sometimes notably close to the other's
beginning. After a 'peacefully lurking' introduction, Tiki's remarkable
showcat grace and playful lightness are set as an effervescent scherzo,
including some double-tonguing (after all, her name is ti-ki), a bit of
fluttertonguing as Tiki can sound herself, and with a regally strutted
circus march in the middle of the scherzo." College level with a
duration of about 8:15.
|
11.95

|
 |
G155: Rumanian Folk
Dances for Flute (or
Clarinet, Violin, or Viola) and Piano
by
Ferenc Farkas, Editio Musica Budapest, 1953, SS, 15 + 4 pages.
Subtitled: from the collection
of Béla Bartók of the County Bihar. Characteristic
Eastern European folk dances similar to much of Farkas's work. At four
pages, this is a
relatively extended work for this genre. The tempo is Allegro moderato
with brief accelerations and rubato moments. |
15.95

|
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F259: Recollection
of Mozart (Erinnerung an Mozart)
for Magic Flute Solo
by Jindrich Feld. Zimmermann, 2005, SS, 8 pages (including notes).
Jindrich Feld (1925-2007) was a Czech composer who was especially
active in composing instrumental music. This virtuoso piece was
inspired by the march from the second act of The Magic Flute. The flutist (using
some special techniques described in the notes) plays all the parts
hence the call for a "Magic Flute." The notes are in German,
English, and French.
Free Media Mail shipping on this
music to US, IF ordered with another item.
(Except other items with
free shipping.)
|
9.95

|
 |
F262: Sonate
for Flute and Piano (or Pianoforte) by
Reinhold Finkbeiner. Zimmermann, 2006, 23 + 8 pages. This piece was
written by German composer and organist Finkbeiner (1929-) in 1953 but
was not premiered until 2004 and was published in 2006. The work is
described as an intense and intricate contrapuntal work, which lends
the Sonate a feeling of constant flux, while still allowing the melodic
themes and motives to continually shine through. It is in two
movements: I. Allegro and II. Arietta, a theme with four variations and
a coda. |
26.95

|
 |
F313: Sicilienne
for Flute and Piano by
Philippe Gaubert. Heugel, 1914, SS, 4 + 2 pages. A popular piece in the
Sicilienne style (6/8, Allegretto moderato). Upper intermediate level.
|
12.75

|
 |
F301: Third
Sonate
for Flute and Piano by
Harald Genzmer. Ries & Erler, 2006, 23 + 8 pages. This piece by
German composer Genzmer (1909-2007) was written in 2003 and recently
published. The Sonate is in three movements: I. Allegro moderato, II.
Ruhig fließend, and III. Finale (Vivace, marcato). Early college
level. |
19.95

|
 |
F177: Concerto for Flute and Orchestra (Piano
Reduction) by
Morton Gould. G. Schirmer, 1985, SS, 79 + 27 pages. Commissioned for
Donald Peck, Sir George Solti, and the Chicago Symphony Orchestra and
premiered in 1985.
Four movements: Rhapsodic, Elegiac Variations, Intermezzo, and Rondo
(Finale). Duration is about 34 minutes and the orchestral parts are
available as a rental. |
24.95

|
 |
WW075: Waltz and Interlude Duet for Flute and
B-flat Clarinet
with Piano Accompaniment by Clare Grundman. Boosey & Hawkes,
1964, SS, (includes piano score and individual parts). This is an
intermediate duet with an easy piano part. It is in three sections: a
waltz (Moderato con moto), then the interlude in 4/4 (Meno), followed
by a return to the waltz in the original tempo. The flute part goes to
a high G while the clarinet part does not go higher than a B above the
staff and is frequently in the lower register.
Free Media Mail shipping on this
music to US, IF ordered with another item.
(Except other items with
free shipping.)
|
14.95

|
 |
F238: Six
Trios for 2 Flutes and Basso continuo Op 3 (1-3) by
Friedrich Hartmann Graf edited by Ingo Gronefeld with Basso continuo
realized by Friedrich Grünke. Edition Kunzelmann, 2005. The first
three of six trios by Graf (1727-1795) which are available in a modern
edition for the first time. Includes separate parts for each performer
(with no page turn
problems!) and a score with the realized BC part. Each trio has two
movements and are (in the flute parts) 3-4 pages long. They are D major
(Moderato/Grazioso), G major (Allegro moderato/Presto), and C major
(Adagio/Allegro ma no tropo). |
29.95

|
 |
F239: Six
Trios for 2 Flutes and Basso continuo Op. 3 4-6 by
Friedrich Hartmann Graf edited by Ingo Gronefeld with Basso continuo
realized by Friedrich Grünke. Edition Kunzelmann, 2005. The second
of six trios by Graf (1727-1795) which are available in a modern
edition for the first time.
Includes separate parts for each performer (with no page turn
problems!) and a score with the realized BC part. Each trio has two
movements and are (in the flute parts) 3-4 pages long. They are E minor
(Andante/Grazioso), F major (Moderato/Menuetto), and D major
(Allegro/Grazioso). |
27.95

|
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F163: Handel Eleven Sonatas for Flute and Basso
continuo edited
by Hans-Peter Schmitz with realization of the continuo by Max
Schneider. Baerenreiter (BA4225), 1995, 73 + 43 + 45 pages.
Baerenreiter urtext editions
of seven sonatas for flute (HWV 379, 359b, 363b, 367b, and 374-376 )and
four for recorder (HWV 360, 362, 365, 369). Three of the flute
sonatas (HWV 374-376) are of doubtful authenticity and appear as an
appendix. This
edition includes scores with the Basso continuo realization, Basso
continuo parts, and flute/recorder parts. There are also several
pages of notes (in English and German) on the issues surrounding these
pieces. This is a real bargin especially for an import! |
21.95

|
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F247: Handel Three Sonatas for
Flute (or Violin) and
Basso continuo edited
and realization of the continuo by Waldemar Woehl. C.F. Peters.
Includes a play-along CD of the accompaniment to the solo part. This
edition includes Sonata in E minor HWV 359b, Sonata in G major HWV
363b, and Sonata in B minor (Fitzwilliam Sonata III) HWV 367b. Parts
for the cello (or viola da gamba) and harpsichord (or piano) are
included.
|
29.50

|
 |
F248: Handel Three Halle
Sonatas for Flute (or Violin)
and Basso continuo edited and realization of the continuo by
Waldemar Woehl. C.F. Peters. Includes a play-along CD of the
accompaniment to the solo part. This
edition includes Sonata in A minor HWV 374, Sonata in E minor HWV
375, and Sonata in B minor HWV 376. Parts
for the cello (or viola da gamba) and harpsichord are
included.
|
21.95

|
 |
F263: FdQ-Rag
for 2 Flutes, 3 Flutes, or 3 Flutes and Alto Flute by
Alexander Hanselmann. Zimmermann, 2005, SS, (includes score and parts).
A very flexible piece by Swiss composer and flutist Hanselmann
(1956-). This was written in celebration of the organization Freunde der Querflöte (FdQ -
Friends of the Flute). A short and striking intro is followed by
module-like themes that constantly change from part to part. Upper
intermediate level and can also be played by two piccolos.
|
17.95

|
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F134: Sonata Rubata
for Flute and Piano by Steven Harlos. Southern Music Co., 2004,
SS, 35 + 12 pages. Composed over a period of about hour years, the
title
means "stolen sonata," a reference to the numerous quotes that occur
along
the way. If desired, the opening portion of the second movement may be
played on alto flute instead of C flute (both parts are shown) and the
final portion of the last movement on piccolo. |
14.95

|
 |
G89: Haydn
Six Divertimentos Hob. IV:6-11 for Violin or Flute, Violin and
Violoncello
by Joseph Haydn edited by Andreas Friesenhagen. Henle, 2005.
Haydn's six Divertimentos belong to a group of works that he sold
to London publisher William Forster during the first half of the 1780s.
They are Haydn's first pieces of chamber music that expressly call for
the flute. This new edition is very well printed and contains an
explanatory preface and comments on the editing. These trios can
be enjoyed by proficient players at the high school level and up. Overstock
Special! $7.00 off regular
price of $46.95 while supplies last. |
39.95

|
 |
F186: Haydn
Trios Hob. IV:1-4 for Two Flutes and Violoncello (London Trios) by
Joseph Haydn edited by Andreas Friesenhagen. Henle, 2005.
Haydn's for two flutes and cello were written in 1794 during his second
journey to England. There are a total of eight movements of which seven
in the hand of the composer have survived. This new edition is
very well printed and contains an
extended preface with the history of these works and comments on the
editing. Proficient players at the high school level and up can enjoy
these trios. Overstock Special! $4.00 off regular
price of $33.95 while supplies last. |
29.95

|
 |
F295: Six
Duets Op 16. for Two Flutes by Franz
Anton Hoffmeister edited by Henner Eppel. Zimmermann, 2006, PB, 83
pages. Hoffmeister (1754-1812) was a Viennese who was a music
publisher as well as a composer. These duets were first published
around 1796. They are at the upper intermediate level, in score format,
and this edition has been prepared with some attention to page turns.
It also includes notes on the composer and the editing.
|
44.95

|
 |
WW72: Six Ragtimes for
flute or clarinet or bassoon and piano by Scott Joplin edited by
Dieter H. Förster. Kunzelmann, 1979, with play-along CD. Six
familiar Joplin rags: Original Rags, Elite Synchopations, The
Entertainer, The Favorite, The Chrysanthemum, and The Ragtime Dance.
Includes a CD of the piano accompaniment.
|
24.95

|
 |
F198: Monolog
1 Flute by
Erland von Koch. Gehrmans, 1997, SS, 5 pages. This piece for solo flute
was written in 1975. It is
in two parts (which may be played separately). Fantasie is Part I and
is marked
Andante espressivo, and is made up of short segments with occasional
dotted
bar lines to indicate the phrasing.. Part II
(Caprice) is Molto vivace and alternates between 6/8 and 2/4. Each part
includes flutter tonguing. Upper college level.
Free Media Mail shipping on this
music
to US, IF ordered with another item.
(Except other items with
free
shipping.)
|
12.95

|
 |
F255: Three
Serenades for Flute and Piano by
Ernesto Köhler (Koehler). Zimmermann, 2005, SS, 18 + 7
pages. Köhler (1849-1907) is, of course, very well known for
his instructional works. These serenades (from Op. 59) are typical
examples of salon pieces that were extremely popular at the end of the
19th century. They are: Serenade (Morceau de Salon),
Orientalische Serenade, and Italienische Serenade. College level. |
21.95

|
 |
F261: Trio
Op. 34 for 3 Flutes by Joseph Küffner
edited by Thomas Richter. Zimmermann, 2005, SS, includes score and
parts. An interesting and very well printed trio by Küffner
(1776-1856) which was originally published in 1815. In four movements:
Allegro, Andante, Menuetto, and Polonaise. Includes notes on the
performance of the ornaments. The first part is the most difficult, and
the third part is much easier, with the second part in between. |
27.95

|
 |
F107: Frank Martin Ballade pour flûte et piano,
Paula Robison
Masterclass by Paula Robison. Universal Edition, 2002. SS, 21+
14 pages. A master class on Martin's Ballade pour flûte
et piano which was written as the required piece for the 1939
Geneva
International Competition. Includes both the flute and piano parts |
19.95

|

|
WW52: Barn Dances for Flute, Clarinet and Piano
by Libby Larsen. Oxford, 2004. SS, 24 + 8 + 8 pages. The composer
wrote: "Barn Dances
is a set of four abstract pieces. . . Each pieces draws from the name
of a particular dance step used in cowboy dances. Taking the name of
the step as a point of departure, my idea was to take a flight of fancy
in each movement and to create the musical equivalent of a character
drawing." The movements are: Forward Six and Fall Back Eight, Divide
the Ring, Varsouvianna (a simple dream waltz), and Rattlesnake Twist.
Upper college level.
|
24.95

|

|
WW66: Blue
Third Pieces for Flute or Clarinet and Guitar by
Libby Larsen.
Oxford University Press, 2000, SS. This is a little homage to the
interval of the third and its place in the blues. The first piece,
"Deep Blue," is quite and lyrical. The second piece is "Salt Peanuts"
and was inspired by the Dizzy Gillespie and Kenny Clark jazz piece of
the same name.
|
29.95

|

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WW126:
Music for the
Middle of the Day
for Flute, Clarinet in B-flat, and Piano by Joseph Makholm.
Billaudot, 2006, SS. This piece was written for the Webster trio.
Michael Webster describes it as "Sophisticated jazz. Joe
has written everything out to
sound natural, almost improvised at times, with lush chord changes and
inventive melodies and rhythms. It is an outstanding example of
its
genre." In four movements: 1. Late One Afternoon (At a lazy, but
regular,
pace), 2. Dolores' Kitchen (Up-tempo bossa), 3. December (Molto
rubato), and 4. You Think You Know, But You Don't (Up-tempo swing). The
first and last movements should be swung. College level with a duration
of about 9 minutes. |
55.95

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F242: Les
Folies d'Espagne for Solo Flute by
Marin Marais edited by Hans-Peter Schmitz. Baerenreiter (BA33110),
1956, SS, 8 pages. Originally written for gamba by Marin Marais
(1656-1728) these 25 variations have become a popular work for flute
and other instruments.
Free Media Mail shipping on this
music
to US, IF ordered with another item.
(Except other items with
free
shipping.)
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12.50

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F256: Sénanque
for Solo Flute with use of Pars-pro-Toto-playing techniques by
Andreas Mazur. Zimmermann, 2005, SS, 15 pages (7 pages of music). This
piece uses a variety of extended techniques including tongue and key
clicks, wind sounds, multiphonics, harmonics, and especially playing on
parts of the flute. Includes an explanation of the techniques required.
Sénanque is the name of a Cistercain monastery in the Provence
region of France. This piece is the impressions of the monastery on a
summer day.
Free Media Mail shipping on this
music
to US, IF ordered with another item.
(Except other items with
free
shipping.)
|
23.95

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F266: Mozart Andante and
Rondo
in G major K. 250 for Flute and Piano
transcribed and edited by Robert Stallman. International Music Co.,
2006, SS, 24 + 12 pages. K. 250 is the Haffner Serenade which includes
a violin concerto within its eight movements. Stallman has taken two of
these movements and produced a virtuoso work which is well suited for
the flute. |
18.95

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F192: Mozart
Concerto in G major for Flute and Orchestra KV 313 Piano
reduction
edited by Franz Giegling. Baerenreiter (BA 4854a), 2003. This
publication is based on Giegling's edition as found in the New Mozart
Edition (NMA V/14/3). It includes a preface, brief notes on the
editing, an easy to play
keyboard reduction, and 10 pages of
cadenzas and "Eingänge" by Rachel Brown, Konrad Hünteler, and
Karl Engel
with accompanying notes.
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18.95

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F193: Mozart Concerto in D
major for Flute and Orchestra KV 314 Piano reduction
edited by Franz Giegling. Baerenreiter (BA 4855a), 2005. This
publication is based on Giegling's edition as found in the New Mozart
Edition (NMA V/14/3). This new edition includes a preface, brief notes
on the editing, an easy to play
keyboard reduction, a reference score for
comparing the flute and oboe versions of this work, and 10 pages of
cadenzas and "Eingänge" by Rachel Brown and Konrad Hünteler
with accompanying notes. (Note: there were some errors in the original
publication of this edition. This is the corrected version.)
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18.95

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F314: Mozart Quartet in D
Major K 311 for Flute (or Violin), Violin, Viola, and Cello
edited
by Robert Stallman. International Music Co.,
2008, SS, includes parts and score. This edition was arranged
from the piano sonata. In three movements: I. Allegro con spirito, II.
Andante con espressione, and III. Rondo (Allegro).
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27.95

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F119: Mozart Quartets for Flute Performance Parts
edited
by Jaroslav Pohanka. Baerenreiter (BA4405), 2002. Baerenreiter urtext
editions
of four quartets for flute, violin, viola, and cello. Included are
Quartet
in D KV 285, Quartet in G KV 285a, Quartet in C KV Anh. 171 (285b), and
Quartet in A KV 298. |
20.95

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WW37: Duos for Flute and Clarinet Op. 24
by Robert Muczynski. G. Schirmer, 1991, SS, 13 pages. Includes two
copies of the six duets which are in score format.
Probably early college level but might be attempted by younger players
if the flutist has good command of the third octave.

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14.95

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F144: Trio in B minor for two Flutes and Basso continuo
by Christoph Nichelmann edited by Ingo Gronefeld. Edition Kunzelmann,
2004, SS. Nichelmann (1717-1762) studied with Wilhelm Friedemann Bach
and with Johann Joachim Quantz and was a contemporary and colleague of
Carl Philipp Emanuel Bach. This edition has
separate parts for each flute and the basso continuo, plus a fully
realized basso continuo part for keyboard in the score.
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27.50

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F293:
Histoire
du Tango for Flute and Guitar by
Astor Piazzolla transcribed by Pierre-André Valade and Roberto
Aussel.
Editions Henry Lemoine, 1986. This is a wonderful
and challenging piece which has been transcribed for a variety of
instruments and combinations of instruments with this being one of the
most popular. The four scenes portrayed
are: Bordel 1900, Café 1930, Night-club 1960, and Concert
d'auhourd'hui (Modern Day Concert). This edition has been prepared with
particular attention to page turns.
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42.95

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F214: Libertango for flute and guitar
by Astor Piazzolla edited by Klaus Jäckle. Edition Margaux,
1974, SS. "Libertango
stands for the freedom which I allow for my musicians. Their limits are
defined solely by the extent of their own capabilities and not through
any external pressure."Piazzolla wrote this piece for his octet which
he formed in 1954. It includes two parts in score format.
Free Media Mail shipping on this
music
to US, IF ordered with another item.
(Except other items with
free
shipping.)
|
9.95

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F297: 12
Sonatas for 2 Flutes
by Ignaz Pleyel edited by Gerhard Braun. Heinrichsofen, 2006, SS, 36
pages.
These duos (based on violin pieces) enjoyed considerable
popularity in their time because of their easy melodic writing and
formal simplicity. They are at the middle and upper intermediate
level. |
17.50

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F300:
Album for Flute and Piano
by
Wilhelm Popp edited by Wolfgang Kossack. Edition Kossack, 2001, 18 + 7
pages. Wilhelm Popp (1828-1902) was a German composer of nearly 600
pieces, mostly for flute and piano. This book has three pieces:
Spanischer Tanz, Spanische Serenade, and Nachtigallenserenade. The
Spanischer Tanz is an intermediate level piece while the other two are
somewhat more difficult. |
18.50

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F306:
Blumenstück, Romance for Flute and Piano Op. 383
by
Wilhelm Popp edited by Ute Widdermann. Edition Kossack, 2001, 8 + 2
pages. A shorter piece than some many Popp featured here. It is in 6/8
time and marked Andante molto espressivo. College level.
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