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	WW16: The Classical Woodwind Cadenza, A Workbook by David Lasocki & Betty Bang Mather. McGinnis & Marx, 1979, SS, 60 pages. This workbook is designed to involve the performer of eighteenth-century woodwind music in the composition of classical cadenzas. Included are examples of the few surviving cadenzas preserved in published and manuscript form.	15.95
	WW14: Free Ornamentation in Woodwind Music 1700-1775 by Betty Bang Mather & David Lasocki. McGinnis & Marx, 1976, SB, 158 pages. This book on free ornamentation is intended for woodwind performers. The authors have found written out examples of ornamentation in manuscripts of the period and presented them along with guidelines for various composers and schools of playing (Italian, French, etc.)	21.95
	WW15: Interpretation of French Music from 1675 to 1775 by Betty Bang Mather. McGinnis & Marx, 1973, SS, 104 pages. Subtitled: For Woodwind and Other Performers, Additional Comments on German and Italian Music. This book focuses on the 50 years from 1700 to 1750 when woodwind (especially flute) music was popular and the performance practices for French music were distinctive. The three principal subjects are rhythmic inequality, articulation, and ornamentation. The book is packed with musical examples and includes appendices, bibliography, and index.	19.95

	WW34: Duos Concertants for Flute or Oboe and Clarinet 1st Series compiled, transcribed, and revised by Albert J. Andraud. Southern Music Company, 1935, SS, 23 pages (two copies). All duets are in score format. This book contains six duets from the works of Bach, three from Handel and three from Mozart. For good high school players or better. WW35: Duos Concertants for Flute or Oboe and Clarinet 2nd Series compiled, transcribed, and revised by Albert J. Andraud. Southern Music Company, 1946, SS, 40 pages (two copies). This book has two duos concertants by G. Kummer (not in score format, all the rest are), and Symphony Concertante by Mozart KV 364 for violin, viola and orchestra or piano (accompaniment not included) transcribed, and shorter works by Bach, Handel, and Krebs. Some of the material in this book is more difficult than the first book. WW36: Duos Concertants for Flute or Oboe and Clarinet 3rd Series compiled, transcribed, and revised by Albert J. Andraud. Southern Music Company, 1946, SS, 40 pages (two copies). This book has three duos concertants by J.B. Gambaro (not in score format, all the rest are), 12 duets for 2 basset horns by Mozart (not transposed), an extended duet by J. Sellner, and shorter works by Bach, Handel, Lacome, and Rameu. A mix of difficulty levels similar to the second book.	Series 1 12.50 Series 2 12.50 Series 3 9.95
	WW171: Fantasy for flute and clarinet by Malcolm Arnold. Queen's Temple Publications, 2003, SS, 2 pages (score format). A miniature (duration 1:30) Arnold wrote for his children to play together. Opens and closes with the flute playing a melody over arpeggios in the clarinet and has a contrasting interlude in between. Some pleasing dissonance in spots. Early high school level. Free Media Mail shipping on this music to US, IF ordered with another item. (Except other items with free shipping.)	6.95
	WW071: Duo Op. 25 Oboe and Clarinet by Marion Bauer. C.F. Peters, 1953, SS, 9 pages (score format). Marion Bauer (1892-1955) was a composer, critic, author, lecturer and teacher. She was also the first American student of Boulanger in Paris. This is a suite of four duets: Prelude (Allegretto Con Moto), Improvisation (Andante Expressivo e rubato), Pastoral (Allegretto), and Dance (Allegro Giocoso). Early college level. Free shipping on this music to the US IF ordered with another item. (Except other items with free shipping.)	14.95
	WW152: Three Duets WoO 27 for Clarinet and Bassoon by Ludwig van Beethoven edited by Jerry Kirkbride and Jane Taylor. International Music Co., 1979, SS, 13 pages for each part (no score). While there is some doubt that Beethoven wrote these pieces, they are popular nonetheless. I. Allegro commodo, Larghetto sostenuto, Rondo (Allegretto); II. Allegro affecttuoso, Aria (Larghetto), Rondo (Allegro moderato); and III. Allegro sostenuto, Andantino con moto, Allegro assai.	15.50
	WW113: Contrastes III for Clarinet and Bassoon by Eugene Bozza. Alphonse Leduc, 1977, SS, 12 pages. Includes two copies of the parts in score format. There are eight short movements in this piece. Early college level.	29.85
	WW42: Trois Mouvements (Three Movements) for Flute and Clarinet in B-flat by Eugene Bozza. Alphonse Leduc, 1974. Includes two copies of the parts in score format. The three movements are Allegretto; Moderato, espressivo; and Allegro giocoso. Suitable for college or professional recitals.	25.55
	WW132: Shadows Duo for Flute and Clarinet by Jane Brockman. Arsis Press, 1985, SS, 7 pages (score format). The tradition of imitation which has historically inspired two-voice music can be likened to an object and its shadow, continually evident in this composition. At times, the instrumental identities become obscured, and one is not certain which instrument is playing which line. Also, the musical language of Richard Wagner still has much relevance for this composer. It is his shadow which is 'felt' throughout the work as the leitmotiv of Kundry (from Parsifal) is employed melodically, but without its characteristic rhythm--and in a new context. A college level work with a duration of about 6 minutes.	6.95
	WW197: Duo Suite on Mexican Themes for Flute and Clarinet by Mike Curtis. Advance Music, 1997, SS, 15 pages in score format. There are six pieces: I. Plaza del Baratillo, II. El Burro Viejo, III. La Banda del Estado, IV. Dulcinea, V. Sancho Danza, and VI. La Rana Loca. Better high school players and up.	10.95
	WW204: Petite Suite arranged for Flute, Clarinet in A and Piano by Claude Debussy arranged by Michael Webster. International Music, 2009, SS. A wonderful arrangement of a wonderful piece (originally for piano four hands). Four movements: I. En Bateau, II. Cortège, III. Menuet, and IV. Ballet. Generally college level. The duration is about 12:30.	27.95
	WW138: Prélude à l'après-midi d'un faune (Prelude to the Afternoon of a Faun) arranged for Flute, Clarinet and Piano by Claude Debussy arranged by Michael Webster. International Music, 1994, SS. This piece is one of the most popular flute solos in the repertoire, but as the arranger writes, adapting it for flute and piano has not been very successful because there is too much music to be covered by two instruments. Adding the clarinet produces a more satisfactory result. Both A and B-flat clarinet parts are included. The duration is about 9:20.	13.95
	WW141: Four Little Duos for Flute and Clarinet by Robert Dickow. Manduca Music, 1997, SS, 8 pages. In score format with two copies. Robert Dickow (1949-) is an American composer who teaches horn, composition, and theory at the University of Idaho. These four duets are at the advanced college level and feature mixed meter. The publisher describes them as "Really nice recital material for good players. Stravinskyesque technique and textures." The duration is 8:30.	9.95
	WW124: Three Romances for Flute and B-flat Clarinet by Daniel Dorff. Tenuto Publications, 2007, SS, 8 pages. In score format with two copies. The three romances are: 1. Languid (Allegro pastorale), 2. Sultry (Tango drammatico), and 3. Frisky (Brisk allegro). The music is lyrical, tonal, and rhythmic. It will be premeried by flutist Gary Schocker with the composer on clarinet at the 2007 National Flute Association's annual convention. Early college level. Duration about 8 minutes.	11.95
	WW158: Two Cats for Flute and B-flat Clarinet by Daniel Dorff. Tenuto Publications, 2008, SS, 8 pages. In score format with two copies. Close on the heels (paws?) of his already popular Three Romances, composer Daniel Dorff has presented us with another flute and clarinet duet. The composer's program notes are as follows: "Being quite fond of my flutist-partner's two cats, I chose this opportunity to make musical portraits of Hootie, a handsome and elegant 20-pound tuxedo cat, and Tiki, a petite bengal princess. Hootie's music is generally in a slow pulse with lyrical 16ths flowing, just as Hootie is pensive and outwardly still, while clearly being very busy inside. The final phrase is marked snoozendo poco a poco. The final measures of the Hootie movement are identical to the beginning of the Tiki movement, just as in reality one cat's end is sometimes notably close to the other's beginning. After a 'peacefully lurking' introduction, Tiki's remarkable showcat grace and playful lightness are set as an effervescent scherzo, including some double-tonguing (after all, her name is ti-ki), a bit of fluttertonguing as Tiki can sound herself, and with a regally strutted circus march in the middle of the scherzo." College level with a duration of about 8:15.	12.95
	WW168: Dialogues Op. 158 for Flute and Clarinet by Michael Kibbe. Michael Kibbe, 2006, SB, (includes score and parts). This work is in three movements: I. Allegretto, II. Andante, and III. Vivo. Duration about 8:30 minutes. Early college level.	19.95
	WW167: Duo Op. 73 for Clarinet and Bassoon by Michael Kibbe. Michael Kibbe, 2007, SB, (includes score and parts). Premiered in 1983, this revised edtion was published in late 2007. The work is in three movements: I. Briskly, II. Quietly Moving, and III. Very fast. Duration about 8 minutes. Early college level.	19.95
	C1158: Pink Flamingos Tango for Clarinet and Bass Clarinet (or Bassoon) by Michael Kibbe. Michael Kibbe, 2006, (includes all parts). Originally written for wind quintet, the composer has adapted this piece for two players. At an Allegro sensuoso tempo, this should be playable by good high school/adult amateur performers and beyond. Free Media Mail shipping on this music to US, IF ordered with another item. (Except other items with free shipping.)	7.95
	WW163: Sonatina for Flute and Clarinet Op. 92/2b by Ernst Krenek. Baerenreiter, 1960, SS, 5 pages (in score format). Ernst Krenek (1900-1991) was an Austrian born composer (of Czech heritage) who lived in the United States from 1938 on. In three movements: I. Allegretto comodo, II. Adagio, and III. Vivace. This piece, which as written in 1942, looks like a good piece for a college recital. The duration is about 8 minutes. Free Media Mail shipping on this music to US, IF ordered with another item. (Except other items with free shipping.)	19.95
	WW139: Caribbean Sketches for Flute and Clarinet by Gordon Lewin. Boosey & Hawkes, 1962, SS, (includes parts and score). Gordon Lewin (1921-2008) was a British composer, clarinetist, and saxophonist, who studied at the Royal College of Music and performed on more than 100 film scores.  This piece has two movements: 1. Palm Tree Song (1:30) and  2. Cuban Calypso (2:10). The first could probably be performed by many good high school duos, while the second, which is mostly in 5/4 at Allegro giocoso con ritmo (mm=160-168), will require a somewhat higher skill level. Free Media Mail shipping on this music to US, IF ordered with another item. (Except other items with free shipping.)	23.95
	WW130: Duo Flute and Clarinet by David Liptak. MMB Music, 1992, SB, 9 pages. David Liptak (1949-) is an American composer and music educator. This piece was commissioned for the 1979 Rock Mountain Chamber Festival and was first perform by Doriot Anthony Dwyer flute and David Harman clarinet at Fort Collins, Colorado the same year. It was revised by the composer in 1992. It is in four movements: Andante con moto, Con forza, Andante languido, and Presto. It is in score format (11 x 17 size) with a copy for each performer. This is an advanced work with a duration of  about 9 minutes.	29.95
	WW37: Duos for Flute and Clarinet Op. 24 by Robert Muczynski. G. Schirmer, 1991, SS, 13 pages. Includes two copies of the six duets which are in score format. Probably early college level but might be attempted by younger players if the flutist has good command of the third octave.	14.95
	WW38: Sonata for Clarinet and Bassoon by Francis Poulenc. Chester Music, 1924, SS, 12 pages. The music is in score format. Somewhat similar in style to Sonata for Two Clarinets, it has three movements: Allegro, Romance, and Final. While the bassoonist faces some endurance issues in the second and third movements, this is excellent recital repertoire. Free Media Mail shipping on this music to US, IF ordered with another item. (Except other items with free shipping.)	11.95
	WW51: Three American Miniatures For Flute and Clarinet in B-flat by John Rutter. Oxford, 1981, SS, 8 pages. One of the foremost living composers and conductors of choral music, John Rutter has also written orchestral and instrumental music. This piece for unaccompanied flute and clarinet is in three movements: Fanfare and Proclamation (Vivace), Blues (Andante expressivo), and Rag (Allegretto).  Early college level. Score format. Free Media Mail shipping on this music to US, IF ordered with another item. (Except other items with free shipping.)	8.95
	WW39: 18 Trios Vol. 1 by Anton Stadler. International Music Diffusion, 1996. Originally written for basset horns, this edition includes parts so that these trios can be played by 3 basset horns; 3 clarinets; 2 clarinets and bass clarinet or bassoon; oboe or flute, clarinet, and bassoon.  Volume 1 has trios 1-5. WW40: 18 Trios Vol. 2 by Anton Stadler. International Music Diffusion, 1996. Parts are the same as volume 1. Volume 2 has trios 6-18	Vol. 1 19.50 Vol. 2 20.95
	WW133: Three Duets for Flute and Clarinet by Don Stewart. Trillenium Music, 1999, SS, 8 pages (two parts in score format). Don Stewart (1935-) is an American composer and woodwind performer. This piece was written in 1959 and is one of his earliest compositions. The first duet is a perfect canon but with contrasting sections. The second which the composer originally regarded as "flamenco" in derivation, alternates an intensive melody with a brittle rhythmic background. The third is short and formally simple but polytonal. Early college level.	9.95
	WW108: Duo for Flute and Clarinet by Antoni Szalowski. Chester, 1948, SS, 14 pages. Szalowski (1907-1973) was a Polish born composer who studied in Warsaw and Paris (with Boulanger). While most of his work was written for strings it is his pieces for winds that are most popular today. He has been described as a neo-classicist, favoring established forms, clear musical content, and contrapuntal writing.  This is one of the more popular (advanced college level) flute and clarinet duets. It is in three movements: I. Allegro, II. Andante, and III. Allegro. It is in score format and has been printed without regard for page turns, so some preparation will be required for performance. Duration is about 8 minutes. Free Media Mail shipping on this music to US, IF ordered with another item. (Except other items with free shipping.)	25.95
	WW17: 78 Duets for Flute and Clarinet Vol. 1 (1-55) Easy-Medium by Himie Voxman. Rubank, 1960, SS, 72 pages. Adapted from the works of the Bachs, the Mozarts, Boismortier, Dietter, Handel and others. WW18: 78 Duets for Flute and Clarinet Vol. 2 (56-78) Advanced by Himie Voxman. Rubank, 1960, SS, 72 pages. Adapted from the works of Bach, Mozart, Geminiani, Muffat, Quantz, Rameau, and C. Stamitz.	Vol. 1 8.95 Vol. 2 8.95

	WW125: Le Calme de la Mer Trio for Flute, Clarinet and Piano by Tony Aubin. Alphonse Leduc, 1964, SS, (includes parts and piano score). A suggested piece for this combination. It is at an unhurried tempo (Lento, ma non troppo) and should be playable by many high school students although the flute part goes up to C7.	19.15
	WW109: Pastorale in A Minor for Oboe (Flute, Violin), Bassoon (Cello, Viola de Gamba) and Continuo by Carl Philipp Emanuel Bach edited by Kurt Walther. Zimmermann, 1975. This piece has a "real" bassoon part as a featured instrument along with the oboe. It also includes a continuo part for cello, and a realized keyboard part for harpsichord, piano, or organ. Free Media Mail shipping on this music to US, IF ordered with another item. (Except other items with free shipping.)	12.95
	WW30: Beethoven Trio for Piano, Flute and Bassoon WoO 37 by Ludwig van Beethoven edited by Friedhelm Klugman with piano fingerings by Hans-Martin Theopold. Henle, 1981, SS. Includes performance parts for flute, bassoon, and piano (which includes the other parts in the score). This trio was written between 1786-90.	24.95
	WW195: Lluna for flute, clarinet and piano by Daniel Bimbi. Emerson Edition, 2008, SS, (includes parts and piano score). Daniel Bimbi (1971-) was born in Carcassonne in Southern France. He studied clarinet with Guy Deplus and more recently has been studying composition with Jan Van der Roost. Lluna was originally intended to be the theme of a Children's Opera based upon "The Child and the Moon." The themes are very sultry and nostalgic in a Latin, Mediterranean style, finished with a brilliant pyrotechnical finale, both humorous and exciting. College level with a duration of about 7 minutes.	19.95
	WW069: Trio in D minor for Oboe (Clarinet), Bassoon (Viola/Bass Clarinet/Basset Horn) and Piano by Alexander Brent-Smith. Rosewood, 2003, (includes piano score and all parts). Alexander Brent-Smith (1889-1950) was a British composer, author, and teacher. This work was first performed in 1943. It is in three movements I. Allegro Moderato, II. Andante, and III. Allegretto. It should be playable by those at the early college level (and adult amateurs).	33.95
	WW31: Sinfonia Concertante for Flute, Clarinet and Orchestra Op. 41 Piano Reduction by Franz Danzi edited by John P. Newhill. Music Rara, 1982, PB, 57 + 9 + 10 pages. In three movements: Allegro Moderato, Larghetto, and Allegretto polonaise. Includes extensive notes by the editor.	41.95
	WW138: Prélude à l'après-midi d'un faune (Prelude to the Afternoon of a Faun) arranged for Flute, Clarinet and Piano by Claude Debussy arranged by Michael Webster. International Music, 1994, SS. This piece is one of the most popular flute solos in the repertoire, but as the arranger writes, adapting it for flute and piano has not been very successful because there is too much music to be covered by two instruments. Adding the clarinet produces a more satisfactory result. Both A and B-flat clarinet parts are included. The duration is about 9:20.	13.75
	WW49: Trio Pathétique for Clarinet, Bassoon (Violoncello) and Piano by Michail Glinka. Music Rara, 1957, SS. In four movements: Allegro Moderato, Scherzo, Largo and Allegro con spirito. This is a major work that brings out the best qualities of each instrument. The clarinet and bassoon parts are not especially difficult but it requires an excellent pianist.	26.95
	WW075: Waltz and Interlude Duet for Flute and B-flat Clarinet with Piano Accompaniment by Clare Grundman. Boosey & Hawkes, 1964, SS, (includes piano score and individual parts). This is an intermediate duet with an easy piano part. It is in three sections: a waltz (Moderato con moto), then the interlude in 4/4 (Meno), followed by a return to the waltz in the original tempo. The flute part goes to a high G while the clarinet part does not go higher than a B above the staff and is frequently in the lower register. Free Media Mail shipping on this music to US, IF ordered with another item. (Except other items with free shipping.)	14.95
	WW170: Five Waltzes for Flute, Clarinet and Piano by Paul Harris. Queen's Temple Publications, 1998, SS, 24 + 3 + 3 pages. The five waltzes are: I. Allegro, II Allegro grazioso, III. Moderato, IV. Allegretto, and V. Allegro con moto. High school level and the piano part is easy.	15.95
	WW52: Barn Dances for Flute, Clarinet and Piano by Libby Larsen. Oxford, 2004, SS, 24 + 8 + 8 pages. The composer wrote: "Barn Dances is a set of four abstract pieces. . . Each pieces draws from the name of a particular dance step used in cowboy dances. Taking the name of the step as a point of departure, my idea was to take a flight of fancy in each movement and to create the musical equivalent of a character drawing." The movements are: Forward Six and Fall Back Eight, Divide the Ring, Varsouvianna (a simple dream waltz), and Rattlesnake Twist. Upper college level.	24.95
	WW126: Music for the Middle of the Day for Flute, Clarinet in B-flat, and Piano by Joseph Makholm. Billaudot, 2006, SS. This piece was written for the Webster trio. Michael Webster describes it  as "Sophisticated jazz.  Joe has written everything out to sound natural, almost improvised at times, with lush chord changes and inventive melodies and rhythms.  It is an outstanding example of its genre." In four movements: 1. Late One Afternoon (At a lazy, but regular, pace), 2. Dolores' Kitchen (Up-tempo bossa), 3. December (Molto rubato), and 4. You Think You Know, But You Don't (Up-tempo swing). The first and last movements should be swung. College level with a duration of about 9 minutes.	55.95
	WW46: Jazzy Duets Flute & Clarinet by James Rae. Universal Edition, 1991, 11 pages. This book has five original duets in score format.  They are intended for young players (about third or fourth year or so).	14.95
	WW121: Tarentelle Op. 6 for Flute, Clarinet in A and Piano by Camille Saint-Saëns. Kalmus, SS, (includes parts and piano score). Originally with orchestral accompaniment, this is one of Saint-Saëns earlier adult works. While traditional in many respects it includes a surprising Prestissimo conclusion in 2/4. College level with a duration of about 6 minutes.	9.95
	WW122: Concertino en Trio Op. 85 for Flute, Clarinet in A and Harpsichord or Piano by Florent Schmitt. Durand, 1935, SS, includes parts and harpsichord/piano score. This is one of the more popular pieces for this combination. It is in four movements: I. Assez animé, II. Assez vif, III. Très lent, and IV. Animé. The flute and clarinet parts generally move together in harmony. College level with a duration of about 8 minutes.	39.95
	WW123: Four Waltzes for Flute, Clarinet, and Piano by Dmitri Shostakovich arranged by Levon Atovmian. Sikorski, 1958, SS, includes parts and piano score. A somewhat unusual arrangement in that the first waltz is for clarinet and piano and the second is for flute and piano with only the last two for all three instruments. The waltzes are I. Spring Waltz, II. Waltz Joke, III, Waltz, and IV. Barrel-Organ Waltz (piccolo instead of flute). Early college level.	36.95
	WW202: Concerto in B-flat for Clarinet, Bassoon and Orchestra (Piano Reduction) by Karl Stamitz edited by Johannes Wojciechowski. Sikorski, 1954, 28 + 8 + 8 pages (includes both parts and piano score). In three movements: II. Allegro moderato, and III. Rondo. The parts are well laid out with excellent page turns. Cues are often provided before entrances and the other solo part is provided for the two joint cadenzas. The 1954 publication of this work was the first time it had been published.	34.95
	WW43: Duet-Concertino for Clarinet and Bassoon with String Orchestra and Harp (Piano Reduction) by Richard Strauss. Boosey & Hawkes, 1949, SS. Includes two copies of duet parts and the piano reduction in score format. The Concertino is in three movements: Allegro moderato, Rondo, and Tempo primo.	54.95
	WW156: Suite for Flute, Clarinet, and Piano by Alec Wilder. Margun Music, 1980, SS, (includes parts and piano score). American composer Alec Wilder's (1907-1980) music combined elements of the jazz, popular, and classical realms. This is a college level work in four movements.	15.95

	WW56: Divertimento for Flute, Oboe and Clarinet (Op. 37) by Malcolm Arnold. Paterson's Publications, 1952. This popular work is in six sections: Allegro energico, Languido, Vivace, Andantino, Maestoso/Prestissimo, and Piacevole. College level. Duration about 8:30. The score is available separately. Free Media Mail shipping on this music to US, IF ordered with another item. (Except other items with free shipping.)	Parts 17.95 Score 13.95
	Ob185: Beethoven Trio in C Major Op. 87 & Variations in C Major WoO 28 for 2 Oboes and English Horn by Ludwig van Beethoven edited by Egon Voss. Henle, 2009, SS, (parts only). This new edition of these two Beethoven trios has a Preface with information on these pieces and their histories and notes on the editing. All text is in German, English, and French.	39.95
	WW41: Suite Brève en Trio Op. 67 by Eugene Bozza. Alphonse Leduc, 1947. For oboe, clarinet, and bassoon. Includes individual parts and the score. This is a four movement work: Allegro moderato, Allegro vivo, Adagio expressivo, and Allegro vivo. College level.	37.80
	C1144: Bachanale for Clarinet Trio by Zefir Brezeanu. Woodwindiana, 2005, (includes score and parts). This piece is for two B-flat clarinets and bass clarinet (or bassoon). It is based on Bach's Invention XIII, using a jazz approach to give the familiar melody a new life. College level.	12.95
	WW221: Habenera from Aires Tropicales for Woodwind Trio (Flute or Oboe, B-flat Clarinet and Bassoon) by Paquito D'Rivera. InternationalOpus, 1994. A movement from the Aires Tropicales (Suite) with challenging contrapuntal lines in a Latin style similar to the Ravel Habanera. Free Media Mail shipping on this music to US, IF ordered with another item. (Except other items with free shipping.)	11.95
	WW177: Tre Bagattelle for flute, clarinet and bassoon by Ferenc Farkas. Berben, 1993, SS, (includes score and parts). Ferenc Farkas (1905-2000) was a Hungarian composer and music educator who composed a number of popular pieces for woodwinds. In three movements: I. Allegretto, II. Andante, and III. Allegro. Suitable for early college level, amateur adult trios, and better high school ensembles.	17.95
	WW169: Trio for flute, oboe and clarinet by Paul Harris. Queen's Temple Publications, 1998, SS, (includes score and parts). The movements are: 1. Prologue (Allegro scherzando), 2. Meditation (adagio sostenuto e cantabile), 3. Waltz (Allegro ma non troppo), 4. Dance (Con moto), 5. Soliloquy (Andante), and 6. Burlesque (Allegro energico).  24 + 3 + 3 pages. The five waltzes are: I. Allegro, II Allegro grazioso, III. Moderato, IV. Allegretto, and V. Allegro con moto. Advanced high school or early college level.	15.95
	WW73: Trio No. 2 for Oboe, Clarinet and Bassoon Op. 31 by Charles Huguenin edited by R. Mark Rogers. Southern Music Co., 2006. SS. Includes a score and individual parts. Charles Huguenin (1870-1939) was a Swiss composer, violinist, and choir master. This Trio is in four movements: 1. Rèverie (Daydream) Andante; 2. La Fileuse au Rouet  (The Maiden at the Spinning Wheel) Allegretto; 3. Le Chantre de mon Village (The Cantor of My Village) Grave et lent; and 4. La Poule, l'Âne et le Coucou (The Chicken, the Ass and the Cuckoo) Allegro. This edition includes the original clarinet part that calls for A clarinet in movements 1, 2, and 4; plus a version with all movements on B-flat clarinet. General at an early college level and may also be enjoyed by adult amateur players.	9.95
	WW215: Introduction and Fugue for Piccolo, Flute, and Alto Flute or Clarinet by Gordon Jacob. Emerson Edition, 1983, SS. Includes the score and parts. The Introduction is Poco Adagio (mm=60) while the Fuge is Allegro (mm=120). Advanced high school level.	15.95
	WW222: Three Celtic Tunes for Wind Trio (Oboe or Flute, Clarinet and Bassoon) by Turlough O'Carolan arranged by Peter Simpson. InternationalOpus, 2003, SS. Includes the score and parts. Turlough O'Carolan (1670-1738) was an Irish musician and composer of hundreds of tunes about 200 of which survive. The three tunes are Captain O'Kane (Moderately slow), Lord Inchinquin (9/8 in one at about mm=60), and Planxty Drury (Moderately Fast). Suitable for adult (amateur) trios who may find this of most interest. There are clarinet parts for both B-flat and A instruments (the A will be easier for the second and third pieces) and the bassoon part has some tenor clef .	29.95
	WW131: Three Pieces for Flute, Clarinet and Bassoon by Walter Piston. Associated Music Publishers, 1933. Parts only. Walter Piston (1894-1976) was an American composer and music theorist. This piece was written in 1926 and is one of his earliest published works. It is in three movements I. Allegro scherzando/Andante, II. Lento, and III Allegro/Moderato. College level. Duration about 10 minutes. Free Media Mail shipping on this music to US, IF ordered with another item. (Except other items with free shipping.)	19.95
	WW198: Caprice en Trio for Flute, Clarinet and Bassoon by Thomas L. Read. Tunbridge Music, 2008, SS. Includes score and parts. Thomas L. Read (1938-) is an American violinist, composer, and music educator. This trio was commissioned by the Vermont Contemporary Music Ensemble and composed in June 2006. It is in one extended (8:17) movement with mixed meter and a number of tempo changes. The composer wrote that it is "fanciful and somewhat mutable in texture and style, setting 'learned' counterpoint against free lyricism, while also encompassing tonal and non-tonal harmonies and conjuring humorous and bizarre episodes."  Upper college/professional level.	39.95
	WW115: Liebelei-Walzer for Two Clarinets and Bassoon by Arthur Schnitzler arranged by Wolfgang Danzmayr. Musikverlag Alexander Mayer, 2004, SS, (includes parts and score). Arthur Schnitzler (1862-1931) was an Austrian who trained as a physician and had a deep interest in psychiatry, but is best known as a playwright and writer (he was also an amateur pianist). Liebelie (playing with love or a flirtation) is the name of one of his early plays. He also wrote the novel that was the inspiration for Stanley Kubrick's last film, Eyes Wide Shut. Intermediate level (although the first clarinet part goes up to an altissimo F). Free Media Mail shipping on this music to US, IF ordered with another item. (Except other items with free shipping.)	9.95
	WW155: Verdi Three Arias for Two Clarinets and Bassoon by Giuseppe Verdi arranged by Michael Drapkin. Roncorp, 1983. Arrangements of "La donna è mobile" from Rigoletto, "Un di felice, etera" from La Traviata, and "Parigi, o cara" also from La Traviata. The parts are a neat manuscript and include portions of the other parts when they are helpful to ensure a good ensemble.	15.00
	WW164: Trio for oboe, clarinet, and bassoon by Heitor Villa-Lobos. Eschig, 1954. Parts only. This piece was written in 1927. Three movements: I.Anime, II. Languissammente, and III. Vivo. An advanced work with a duration of about 17:30.	32.95
	WW173: Caprice on Danish and Russian Airs Op. 79 for flute, oboe, clarinet and piano by Camille Saint-Saëns. International Music Company, 1971. Includes parts and piano score. This caprice was written in 1887 by Saint-Saëns for a trip to St. Petersburg where is was performed by the composer along with Paul Taffanel flute, Ernest Gillet oboe, and Charles Turban clarinet.  It is a sectional, college level piece with a duration of about 11:45.	18.75
	WW220: Prelude and Fugue for Two Clarinets and Bassoon (or Bass Clarinet) by Richard Walthew. Rosewood Publications, 1997, SB. Includes parts and score. Richard Walthew (1872-1951) was a British composer with a special affinity for chamber music. The Prelude is Andante Moderato and the Fugue is Andante espressivo. There are a few low Ds in the bass clarinet part. All of the parts are important and challenging at the early college level.	7.95

	WW166: Bach Three Quartets for Three Flutes and Alto Flute (or Clarinet) edited by Paul Renzi. International Music, 2008, includes score and all parts. These three quartets for flutes and alto flute (with a clarinet part as an alternative to the alto flute) are from: Aria "Qui tollis peccata mundi" (Gloria) from the Mass in A major s. 234, Aria "Jesu, deine Gnaden blikke" from Cantata Lobet Gott in seinen Reichen S. 11, and Aria "Doch Jesus will auch bei der Strafe" from Cantata Schauet doch und sehet S. 46. All of these works originally had two flutes with voice and other instruments. They are at the upper intermediate level and each work is one and a half to two pages long.	34.95
	WW111: Trois Pièces Pour Une Musique de Nuit by Eugene Bozza. Alphonse Leduc, 1954. For flute, oboe, clarinet, and bassoon. Includes individual parts and the score. In three movements:: Andantino, Allegro vivo, and Moderato. This is not a difficult work, but frequently appears on professional recitals.	26.15
	WW112: Les Trois Mousquetaires, Divertissement for Oboe, Clarinet, Alto Saxophone (or second Clarinet) and Bassoon by Pierre Max Dubois. Leduc, 1966, includes individual parts and the score. Five movements:: Lentement (Recitativo), Allegrement, Allegro, Andante, Andante/Presto. Early college level and could also be played by very good high school ensembles.	52.90
	Histories is a very popular set of ten pieces by Ibert. Originally for piano it has been arranged for many instruments with this set of six for an unusual combination. G150. Histories Vol. I for Oboe, Clarinet, Tenor Saxophone, and Bassoon by Jacques Ibert arranged by Jean-Pierre Ballon. Alphonse Leduc, 2006, SS. Volume I  has the pieces A Giddy Girl... and Le Cortège de Balkis... College level. G151. Histories Vol. II for Oboe, Clarinet, Alto Saxophone, and Bassoon by Jacques Ibert arranged by Jean-Pierre Ballon. Alphonse Leduc, 2006, SS. Volume II has the pieces La Cage de Cristal... and La Meneuse de Tortues d'Or... College level. G152. Histories Vol. III for Oboe, Clarinet, Soprano Saxophone, and Bassoon by Jacques Ibert arranged by Jean-Pierre Ballon. Alphonse Leduc, 2006, SS. Volume III  has the pieces La Marchande d'Eau Fraîche.... and Le Petit Âne Blanc... College level. This volume has parts for both A and B-flat clarinet.	Vol. I 23.25 Vol. II 19.60 Vol. III 31.45
	WW178: Andante, e Tema con Variazioni for Flute, Clarinet (in C), Horn and Bassoon by Gioachino Rossini edited by Philip Gossett. Baerenreiter, 2008, includes individual parts and the score. This is a new edition of one of seven known chamber works without piano by Rossini (1792-1868). It includes a preface (explaining why there is some doubt that it was written in 1812 as noted by the composer many years later) and notes on the editing. This looks like a lot of fun. The duration is about 10 minutes and it is at the early college level.	31.50

	WW32: Beethoven Quintet for Piano and Wind Instruments in E flat major Op. 16 by Ludwig van Beethoven edited by Siegfried Kross with piano fingerings by Hans-Martin Theopold. Henle, 1964, SS. Includes performance parts for oboe, clarinet in B flat, horn in E flat, bassoon, and piano (which includes the other parts in the score). This piece was written in 1796.	38.95
	WW67: Quintet Opus 38 by William Edmonstoune Duncan. Rosewood, 2000. For flute, clarinet, bassoon, horn, and piano. Duncan (1966-1920) was a British writer, critic, and composer who trained at the Royal College of Music in London. This is a fairly long work (the score and piano part is 90 pages) in three movements (I. Moderately fast, II.  Moderately slow, and III. Rondo: Brightly, and somewhat fast). College level.	24.95
	WW27: Mozart Quintet in E-flat major (for Piano, Oboe, Clarinet, Horn, & Bassoon) KV 452 edited by Hellmut Federhofer. Baerenreiter, 1986. Includes notes by the editor.	26.95
	WW172: Quintet in G minor for flute, clarinet, bassoon, horn & piano by William Hurlstone edited by Jonathan Kershaw. Emerson Edition, 1998, SS/SB. William Yates Hurlstone (1876-1906) was a talented British composer whose untimely death, before he could reach full maturity as a composer, has resulted in undeserved obscurity. In three movements: Allegro Moderato, Andante cantabile, and Finale (Allegro Scherzando). All movements have tempo changes within them. College level.	54.95
	WW68: Quintet in A minor Op. 80 by Ferdinand Thieriot. Rosewood, 2006, SB, (includes parts and piano score). For oboe, clarinet (in A and B-flat), bassoon, horn, and piano. Thieriot (1838-1919) was a North German composer, teacher, and choral conductor. In four movements: I. Allegro non troppo, II. Allegretto, III. Adagio, and IV. Allegro Vivace. College level with an important piano part. (Alternative string parts are available but are not supplied with this version.)	33.95

	WW153: Encore Pieces Vol. #1 for Woodwind Quintet by Henry Aaron. Houston Publishing, 1988, SS. These quintets are in individual booklets for each instrument. This wonderful collection of woodwind quintet encores was originally arranged for the Chicago Symphony Woodwind Quintet and is suitable for high school level and all those looking for familiar pieces. They are: Peter Ilyich Tchaikovsky Humoresque Op. 10. No. 2, Claude Debussy The Girl With The Flaxen Hair, Joseph Haydn Capriccio in A minor, Bela Bartok Diary Of A Fly (from Mikrokosmos Suite), Cecile Chaminade Scarf Dance, Edward MacDowell In Autumn (from Woodland Sketches Op. 51), Felix Mendelssohn Scherzo In E Minor Op. 16 No. 2, Dimitri Shostakovitch Polka (from Golden Age Ballet) Edvard Grieg Norwegian Dance in G major Op. 35 No. 12,  Modest P. Moussorgsky Gopak, Charles Gounod Funeral March of a Marionette , Johann Strauss Tritsch-Tratsch Polka. Available as a complete set or individual books.	Set 24.95 Flute 5.00 Oboe 5.00 Clarinet 5.00 Bassoon 5.00 Horn 5.00
	WW193: Five Easy Dances for Woodwind Quintet by Denes Agay. Presser, 1956, SS, (includes parts and score). Denes Agay (1912-2007) was born in Hungary and studied in Budapest. He moved to New York in 1939 and became an American citizen. He was a teacher, composer and arranger and conductor. As the title suggests, this is a good work for a high school level quartet. The five dances are: 1. Polka (Bright and happy), 2. Tango (Moderately), 3. Bolero (Animated), 4. Waltz (With steady, gentle motion), and 5. Rumba (Very lively and rhythmically).	19.95
	WW203: Scenes from a Comedy for Wind Quintet by Christopher Ball. Emerson Edition, 2007, SS, (includes parts and score). British composer Christopher Ball has used an imaginary comedy as the inspiration for this work which was first performed in 1990 by students from Trinity College of Music. The movements are: 1. Comedy Overture, 2. Hilda Broods and Hatches a Plot, 3. March Past of the Jaunty Boys, 4. Waltzing with Hilda, 5. Clandestine Lovers, and 6. All's well that Ends Well. The flute part includes piccolo. Duration is about 13:00.	29.95
	WW175: Summer Music Op. 31 for Woodwind Quintet by Samuel Barber. G. Schirmer, 1967, SS, (includes parts and score). This work which had its premier in 1956 is in one continuos movement. It is an advanced work which highlights each member of the quintet.  Duration about 11 minutes. (I heard this on the radio and thought it was very nice.)	29.95
	WW159: Rhapsody on a Chassidic Tune for Wind Quintet by Samuel Baron. Oxford University Press, 2005, SS, (includes parts and score). This work is by Samuel Baron (1925-1997) a famous flutist and founding member of the New York Woodwind Quintet. It has alternating slow and fast sections with all of the quintet members having at least one solo. College level or adult woodwind quintets.	37.50
	WW105: Coriolan Overture Op 62 for Woodwind Quintet by Ludwig van Beethoven arranged by Joachim Linkelmann. Baerenreiter (BA 8601), 2003, SS, (includes parts and score). The Coriolan Overture was composed in 1807 after a tragedy based on the Roman general Coriolanus. For college level or adult woodwind quintets.	28.50
	WW200: Quintet in E-flat for Woodwind Quintet by Ludwig van Beethoven arranged from the Sextet Op 71 by the Philadelphia Woodwind Quintet. Presser, 1964, SS, (includes parts and score). A popular arrangement of this piece. The movements are: I. Adagio/Allegro, II. Adagio, III. Menuetto, and IV. Rondo (Allegro).	27.95
	WW101: Marche Hongroise for Woodwind Quintet by Hector Berlioz arranged by Joachim Linkelmann. Baerenreiter (BA 6877), 1998, (parts only). This familiar piece is based on Berlioz's orchestral arrangement of a military march. Advanced high school/early college level or adult woodwind quintets. The clarinet part is for clarinet in A.	19.95
	WW206: A Day in the Forest of Dreams for Woodwind Quintet and Piano by Billy Childs. Southern Music, 2009, (includes parts and piano score). Billy Childs (1957-) is an American composer and jazz pianist who won the 2009 Guggenheim Award for music composition. This work was commissioned by the Dorian Wind Quintet in 1997 and is inspired by the sounds of nature in an enchanted forest. There are two movements: First Glimpses of Sunlight and Afternoon Dance. An advanced piece with a duration of about 21 minuets.	24.95
	WW28: Seventeen Variations for Woodwind Quintet Op. 22 by Jean-Michel Damase. Alphonse Leduc, 1952. French title: Dix-Sept Variations pour Quintette à vent. Includes score.	61.60
	WW100: The Children's Corner for Woodwind Quintet by Claude Debussy arranged by Joachim Linkelmann. Baerenreiter (BA 6876), 1997, SS, (includes parts and score). This popular piano piece was written between 1906 and 1908 and dedicated to Debussy's daughter. It includes the pieces (which can be performed individually): Doctor Gradus ad Parnassum, Jimbo's Lullaby, Serenade for the Doll, The Snow is Dancing, The Little Shepherd, and Golliwog's Cake Walk.  For college level or adult woodwind quintets. Both B-flat and A clarinets are needed to perform this work and the flute part includes piccolo.	39.95
	WW70: Suite of Folk-Tunes from Transylvania and Banat for Wind Quintet by Roderick Elmer. Rosewood, 1998. For flute, oboe, clarinet in A (with alternate part in B-flat), bassoon, and horn. Roderick (1947-) is a British music educator and composer. This work, which includes 10 mostly Romanian folk songs and dances, was inspired by the work of Bartok and Kodaly and is based on folk tunes collected in Romania in the 1930s. It should be playable by a good high school quintet.	15.95
	WW196: Cascadian Concerto for Woodwind Quintet and Orchestra (Piano Reduction) by Eric Ewazen. Southern Music, 2009, SS, includes parts and piano score. Commissioned and dedicated to the Cascadian Wind Quintet of Seattle, Washington. This is a four-movement concerto gross in which each movement evokes a musical image of the Pacific Northwest: Sundrenched, Windswept, Snowcapped, and Glistening. An advanced college level quintet or better will be required. This is an introductory sale price. The regular price is $50.00.	39.95
	WW128: Early Hungarian Dances from the 17th Century for wind quintett by Ferenc Farkas. Editio Musica Budapest, 1959. This quintet is fun for both the performers and the audience. The five dances are Intrada, Slow Dance, Shoulder-Blade Dance, Chorea, and Leaping Dance. Clarinet in B-flat and A. Early college level, adult amateurs, and up. Includes the score. This version has one more dance (Chorea) than the clarinet quartet and saxophone quartet versions..	22.95
	WW135: Three Preludes by George Gershwin transcribed and arranged for Woodwind Quintet by Don Stewart. Trillenium Music, 2007, SS, (score and parts). This set of three piano preludes written in 1924 was so popular a few years ago that it may have suffered from overexposure. (I recall hearing a version for electric violin while watching an ice skating competition.) However, it is probably safe to perform this wonderful music again.	39.95
	WW107: Peer Gynt Suite No. 1 Op. 46 for Woodwind Quintet by Edvard Grieg arranged by Joachim Linkelmann. Baerenreiter (BA 8603), 2006, SS, (includes parts and score). A very popular suite arranged for college or adult woodwind quintets. Includes the pieces (which can of course be performed individually): Morning Mood, The Death of Åse, Anitra's Dance, and In the Hall of the Mountain King. The clarinet part is for clarinet in A.	37.95
	WW205: Trois pièces brèves for Wind Quintet by Jacques Ibert. Alphonse Leduc, 1930, SS, includes parts and score. The three pieces are: I. Allegro, II Andante, and III. Assez lent/Allegro scherzando/Vivo. College level.	41.70
	WW160: Klezmer Dances for Woodwind Quintet arranged by Gene Kavadlo and adapted for woodwind quintet by Adam Lesnick. International Opus, 2005, SS, (includes parts and score). Four traditional klezmer dances: Freylekh, Khosidl, Kolomeyke, and Kamariska arranged by clarinetist Kavadlo. The clarinet does the heavy lifting in these arrangements, although the flute and oboe have their moment. Some performance notes for classical clarinetists are included.	34.95
	WW146: Sechs Bagatellen for Wind Quintet by György Ligeti. Schott, 1973, SS, (parts only; the score is also available). An interesting quintet written in 1953. Ligeti is said to have been influenced by Bartok during this period (listening to it reminds me of the music of Leonard Bernstein). The six bagatelles are I. Allegro con spirito, II. Rubato, Lamentoso, III. Allegri grazioso, IV. Presto ruvido, V. Béla Bartók in memoriam (Adagio, Mesto), and VI. Moto vivace, Capriccioso. Upper college level with a duration of about 12 minutes.	38.95
	WW097: The Magic Flute Overture for Woodwind Quintet by Wolfgang Amadeus Mozart arranged by Joachim Linkelmann. Baerenreiter (BA 6872 ), 2003, (parts only). A woodwind quintet arrangement of this popular and familiar overture. Advanced high school/early college level or adult woodwind quintets.	21.95
	WW106: Symphony in G min KV 550 for Woodwind Quintet by Wolfgang Amadeus Mozart arranged by Joachim Linkelmann. Baerenreiter (BA 8602), 2003, SS, (includes parts and score). This symphony was completed in 1788 and is one of only two Mozart wrote in a minor key. For college level or adult woodwind quintets.	45.95
	WW103: Pictures at an Exhibition for Woodwind Quintet by Modest Mussorgsky arranged by Joachim Linkelmann. Baerenreiter (BA 6879), 1999, SS, (includes parts and score). Written by Mussorgsky for piano in 1874, this is a substantial work for woodwind quintet. For college level or adult woodwind quintets. Both B-flat and A clarinets are needed to perform this work.	54.95
	WW161: Oblivion for Woodwind Quintet by Astor Piazzolla arranged by Jeff Scott. International Opus, 1984, SS, (includes parts and score). Piazzolla’s haunting and seductive milonga shows off the slow and sultry side of tango, giving all five players a chance to play expressive solos. While the publisher says this is suitable for high school students, it would probably take some coaching to bring it off.	31.95
	WW117: Le Tombeau de Couperin by Maurice Ravel transcribed for woodwind quintet by Mason Jones. Durand, 1970, (parts only). A very popular transcription of this enjoyable piece. 1. Prelude (Vif), 2. Fugue (Allegro Moderato), 3. Menuet (Allegro Moderato), 4. Rigaudon (Assez vif) The score may also be ordered. For better college level or adult woodwind quintets. The clarinet part calls for both clarinet in A and B-flat.	34.95
	WW137: Mother Goose Suite (Ma Mère l'Oye) for Woodwind Quintet by Maurice Ravel by Joachim Linkelmann. Baerenreiter (BA 8605), 2008, (parts only). The Mother Goose Suite was composed as a piano duet and was first published in 1910. Each of the movements is inspired by a fairly tale. For college level or adult woodwind quintets. The flute part includes piccolo..	37.95
	WW098: The Barber of Seville Overture for Woodwind Quintet by Gioacchino Rossini arranged by Joachim Linkelmann. Baerenreiter (BA 6873), 1996, (parts only). For college level or adult woodwind quintets. The clarinet part is for clarinet in A.	19.50
	WW116: Short Developments for Flute, Oboe, Clarinet, Horn and Bassoon by Mathias Rüegg. Musikverlag Alexander Mayer, 1996, SS, (includes score and parts). Mathias Rüegg (1952-) is a Swiss born composer who has resided in Vienna since 1976. He is best known as the founder and director of the Vienna Art Orchestra. This piece has many short sections at differing tempos and time signatures. Probably best suited for an upper level college or graduate quartet.	34.95
	WW162: Miniatures for Woodwind Quintet by William Grant Still arranged by Adam Lesnick. International Opus, 1996, SS, (includes parts and score). This is an arrangement of the original work which was for flute, oboe and piano. The five contrasting movements display a variety of Afro, Anglo, Latino and Native American musical styles; I Ride An Old Paint (Cowboy Song - U.S.A.), Adolorido (Mexico), Jesus Is A Rock In The Weary Land (Spiritual, bluesy clarinet solo - U.S.A.), Yaravi (Peru) and A Frog Went A-Courtin’ (U.S.A.). Advanced high school or early college level.	25.95
	WW140: Quintet for Winds by Endre Szervánsky. Edition Musica Budapest, 1959, SS, (includes parts and score). Endre Szervánsky (1911-1977) was a Hungarian composer and composition professor. This work was written for the Budapest Wind Quintet in 1953. In four movements: I. Adagio, II. Allegro scherzoso, III. Andante, and IV. Allegro vivace. An upper level college work with a duration of about 16:30.	44.95
	WW208: Overture to The Nutcracker Ballet for Woodwind Quintet by Peter Ilyich Tschaikowsky arranged by Earl C. North. Kendor Music, 1993, SS, (includes parts and score). The publisher rates this as (US) grade 5. The flute part also calls for piccolo. The duration is 3:15.	11.95
	WW207: The Nutcracker - Three Movements for Woodwind Quintet by Peter Ilich Tchaikovsky arranged by Tom Kennedy. Masters Music, 1991, SS, (includes parts and score). The three movements are 1. Marche, 2. Arab Dance, and 3. Russian Dance - Trepak.	12.95
	WW102: La Forza del Distino Overture for Woodwind Quintet by Giuseppe Verdi arranged by Joachim Linkelmann. Baerenreiter (BA 6878), 1998, SS, (parts only). This opera (The Power of Destiny) was completed in 1862 and is a work of Verdi's late period. For college level or adult woodwind quintets. The clarinet part is for clarinet in A and the flute part includes piccolo.	20.95
	WW099: Nabucco Overture for Woodwind Quintet by Giuseppe Verdi arranged by Joachim Linkelmann. Baerenreiter (BA 6875), 1997, SS, (parts only). Nabucco was Verdi's third opera and one of his most popular. For college level or adult woodwind quintets. The clarinet part is for clarinet in A and the flute part includes piccolo.	16.95
	WW134: Wind Quintets 9 & 10 by Alec Wilder. Trillenium Music, 2007, SS, (parts only; score is also available). Two late quintets from American Alec Wilder (1907-1980) whose compositions combined elements of classical, jazz, and popular music. Upper college level.	49.95

	WW165: Molly on the Shore Music for Woodwind Band by Percy Aldridge Grainger adapted by R. Mark Rogers. Southern Music, 2007, (includes parts and conductor's score). This edition of this popular Irish reel is based on Granger's setting for military band. The instrumentation includes all woodwinds normally found in a large concert band plus 3rd flute (alternate for E-flat clarinet), 4th clarinet, soprano saxophone (which has a short solo), and 2nd tenor saxophone. Also included are optional parts for string bass and percussion. US grade 4 (of 6) with most of the difficulty in the upper woodwinds.  The list price of this new arrangement is $50. Since it is a bit out of our usual line we are selling it for $34.95.	34.95
	WW21: Mozart Serenade in B-flat major “Gran Partita” KV 361 Performance Parts edited by Daniel N. Leeson and Neal Zaslaw. Baerenreiter, 1979. Includes alternate clarinet parts to replace the basset horns. WW20: Mozart Serenade in B-flat major “Gran Partita” KV 361 Study Score edited by Daniel N. Leeson and Neal Zaslaw. Baerenreiter, 1979, SS, 82 pages.	Parts 52.95 Score 15.95
	WW25: Mozart Serenade in C minor KV 388 Performance Parts edited by Daniel N. Leeson and Neal Zaslaw. Baerenreiter, 1979. An octet for two oboes, two clarinet, two horns, and two bassoons. WW24: Mozart Serenade in C minor KV 388 Study Score edited by Daniel N. Leeson and Neal Zaslaw. Baerenreiter,1979, SS, 44 pages.	Parts 24.95 Score 10.95
	WW50: Mozart Serenade in C minor KV 388 Performance Parts edited by Henrik Wiese. Henle, 2005. A new edition of this wind octet. It includes a page of notes (in German, English, and French) explaining the origin of this work and the issues surrounding it. There is also a page detailing the editing decisions and their rational. Very well printed and with attention to page turns.	40.95
	WW95: Mozart Serenade in E-flat major KV 375 Sextet Version - Performance Parts edited by Daniel N. Leeson and Neal Zaslaw. Baerenreiter, 1979. For two clarinets, two horns, and two bassoons. WW23: Mozart Serenade in E-flat major KV 375 Octet Version - Performance Parts edited by Daniel N. Leeson and Neal Zaslaw. Baerenreiter, 1979. For two oboes, two clarinets, two horns, and two bassoons. WW22: Mozart Serenade in E-flat major KV 375 Study Score edited by Daniel N. Leeson and Neal Zaslaw. Baerenreiter, 1979, SS, 96 pages. Includes both sextet and octet versions.	Sextet 24.50 Octet 25.95 Score 16.95
	WW127: Sextuor for Woodwind Quintet and Piano by Francis Poulenc. Wilhelm Hansen, 1945. Includes parts and piano score. Clarinet is in B-flat. A popular piece for this combination. In three movements: I. Allegro vivace, II. Divertissement, and III. Finale.	33.95
	WW192: Bachianas Brasilieras No. 5 Aria Woodwind Choir by Heitor Villa-Lobos arranged by John Krance. Associated Music Publishers, 1947. Includes optional parts for Spanish Guitar and Bells, two copies of each part for the flute and B-flat clarinet parts, and a full score. As most parts are doubled or cued, this piece can be played by a choir that is missing a few instruments as long as the full spectrum of voices are covered. High school level and above.	34.95

Bindings:  HB: Hard Bound,  PB: Perfect Bound (paperback with square spine),  SS: Saddle Stitch (paper, folded and stapled),  LB: Library Tape Bound (perfect binding finished with library tape),  SB: Spiral Bound (plastic or metal)