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	WW16: The Classical Woodwind Cadenza, A Workbook by David Lasocki & Betty Bang Mather. McGinnis & Marx, 1979, SS, 60 pages. This workbook is designed to involve the performer of eighteenth-century woodwind music in the composition of classical cadenzas. Included are examples of the few surviving cadenzas preserved in published and manuscript form.	15.95
	WW14: Free Ornamentation in Woodwind Music 1700-1775 by Betty Bang Mather & David Lasocki. McGinnis & Marx, 1976, SB, 158 pages. This book on free ornamentation is intended for woodwind performers. The authors have found written out examples of ornamentation in manuscripts of the period and presented them along with guidelines for various composers and schools of playing (Italian, French, etc.)	21.95
	WW15: Interpretation of French Music from 1675 to 1775 by Betty Bang Mather. McGinnis & Marx, 1973, SS, 104 pages. Subtitled: For Woodwind and Other Performers, Additional Comments on German and Italian Music. This book focuses on the 50 years from 1700 to 1750 when woodwind (especially flute) music was popular and the performance practices for French music were distinctive. The three principal subjects are rhythmic inequality, articulation, and ornamentation. The book is packed with musical examples and includes appendices, bibliography, and index.	19.95

	WW34: Duos Concertants for Flute or Oboe and Clarinet 1st Series compiled, transcribed, and revised by Albert J. Andraud. Southern Music Company, 1935, SS, 23 pages (two copies). All duets are in score format. This book contains six duets from the works of Bach, three from Handel and three from Mozart. For good high school players or better. WW35: Duos Concertants for Flute or Oboe and Clarinet 2nd Series compiled, transcribed, and revised by Albert J. Andraud. Southern Music Company, 1946, SS, 40 pages (two copies). This book has two duos concertants by G. Kummer (not in score format, all the rest are), and Symphony Concertante by Mozart KV 364 for violin, viola and orchestra or piano (accompaniment not included) transcribed, and shorter works by Bach, Handel, and Krebs. Some of the material in this book is more difficult than the first book. WW36: Duos Concertants for Flute or Oboe and Clarinet 3rd Series compiled, transcribed, and revised by Albert J. Andraud. Southern Music Company, 1946, SS, 40 pages (two copies). This book has three duos concertants by J.B. Gambaro (not in score format, all the rest are), 12 duets for 2 basset horns by Mozart (not transposed) and extended duet by J. Sellner, and shorter works by Bach, Handel, Lacome, and Rameu. A mix of difficulty levels similar to the second book.	Series 1 12.50 Series 2 12.50 Series 3 9.95
	WW071: Duo Op. 25 Oboe and Clarinet by Marion Bauer. C.F. Peters, 1953, SS, 9 pages (score format). Marion Bauer (1892-1955) was a composer, critic, author, lecturer and teacher. She was also the first American student of Boulanger in Paris. This is a suite of four duets: Prelude (Allegretto Con Moto), Improvisation (Andante Expressivo e rubato), Pastoral (Allegretto), and Dance (Allegro Giocoso). Early college level. Free shipping on this music to the US IF ordered with another item. (Except other items with free shipping.)	14.95
	WW152: Three Duets WoO 27 for Clarinet and Bassoon by Ludwig van Beethoven edited by Jerry Kirkbride and Jane Taylor. International Music Co., 1979, SS, 13 pages for each part (no score). While there is some doubt that Beethoven wrote these pieces, they are popular nonetheless. I. Allegro commodo, Larghetto sostenuto, Rondo (Allegretto); II. Allegro affecttuoso, Aria (Larghetto), Rondo (Allegro moderato); and III. Allegro sostenuto, Andantino con moto, Allegro assai.	15.50
	WW113: Contrastes III for Clarinet and Bassoon by Eugene Bozza. Alphonse Leduc, 1977, SS, 12 pages. Includes two copies of the parts in score format. There are eight short movements in this piece. Early college level.	24.80
	WW42: Trois Mouvements (Three Movements) for Flute and Clarinet in B-flat by Eugene Bozza. Alphonse Leduc, 1974. Includes two copies of the parts in score format. The three movements are Allegretto; Moderato, espressivo; and Allegro giocoso. Suitable for college or professional recitals.	24.45
	WW132: Shadows Duo for Flute and Clarinet by Jane Brockman. Arsis Press, 1985, SS, 7 pages (score format). The tradition of imitation which has historically inspired two-voice music can be likened to an object and its shadow, continually evident in this composition. At times, the instrumental identities become obscured, and one is not certain which instrument is playing which line. Also, the musical language of Richard Wagner still has much relevance for this composer. It is his shadow which is 'felt' throughout the work as the leitmotiv of Kundry (from Parsifal) is employed melodically, but without its characteristic rhythm--and in a new context. A college level work with a duration of about 6 minutes.	6.95
	WW141: Four Little Duos for Flute and Clarinet by Robert Dickow. Manduca Music, 1997, SS, 8 pages. In score format with two copies. Robert Dickow (1949-) is an American composer who teaches horn, composition, and theory at the University of Idaho. These four duets are at the advanced college level and feature mixed meter. The publisher describes them as "Really nice recital material for good players. Stravinskyesque technique and textures." The duration is 8:30.	9.95
	WW124: Three Romances for Flute and B-flat Clarinet by Daniel Dorff. Tenuto Publications, 2007, SS, 8 pages. In score format with two copies. The three romances are: 1. Languid (Allegro pastorale), 2. Sultry (Tango drammatico), and 3. Frisky (Brisk allegro). The music is lyrical, tonal, and rhythmic. It will be premeried by flutist Gary Schocker with the composer on clarinet at the 2007 National Flute Association's annual convention. Early college level. Duration about 8 minutes.	11.95
	WW158: Two Cats for Flute and B-flat Clarinet by Daniel Dorff. Tenuto Publications, 2008, SS, 8 pages. In score format with two copies. Close on the heels (paws?) of his already popular Three Romances, composer Daniel Dorff has presented us with another flute and clarinet duet. The composer's program notes are as follows: "Being quite fond of my flutist-partner's two cats, I chose this opportunity to make musical portraits of Hootie, a handsome and elegant 20-pound tuxedo cat, and Tiki, a petite bengal princess. Hootie's music is generally in a slow pulse with lyrical 16ths flowing, just as Hootie is pensive and outwardly still, while clearly being very busy inside. The final phrase is marked snoozendo poco a poco. The final measures of the Hootie movement are identical to the beginning of the Tiki movement, just as in reality one cat's end is sometimes notably close to the other's beginning. After a 'peacefully lurking' introduction, Tiki's remarkable showcat grace and playful lightness are set as an effervescent scherzo, including some double-tonguing (after all, her name is ti-ki), a bit of fluttertonguing as Tiki can sound herself, and with a regally strutted circus march in the middle of the scherzo." College level with a duration of about 8:15.	11.95
	WW37: Duos for Flute and Clarinet Op. 24 by Robert Muczynski. G. Schirmer, 1991, SS, 13 pages. Includes two copies of the six duets which are in score format. Probably early college level but might be attempted by younger players if the flutist has good command of the third octave.	14.95
	WW38: Sonata for Clarinet and Bassoon by Francis Poulenc. Chester Music, 1924, SS, 12 pages. The music is in score format. Somewhat similar in style to Sonata for Two Clarinets, it has three movements: Allegro, Romance, and Final. While the bassoonist faces some endurance issues in the second and third movements, this is excellent recital repertoire. Free Media Mail shipping on this music to US, IF ordered with another item. (Except other items with free shipping.)	11.95
	WW51: Three American Miniatures For Flute and Clarinet in B-flat by John Rutter. Oxford, 1981, SS, 8 pages. One of the foremost living composers and conductors of choral music, John Rutter has also written orchestral and instrumental music. This piece for unaccompanied flute and clarinet is in three movements: Fanfare and Proclamation (Vivace), Blues (Andante expressivo), and Rag (Allegretto).  Early college level. Score format. Free Media Mail shipping on this music to US, IF ordered with another item. (Except other items with free shipping.)	8.50
	WW39: 18 Trios Vol. 1 by Anton Stadler. International Music Diffusion, 1996. Originally written for basset horns, this edition includes parts so that these trios can be played by 3 basset horns; 3 clarinets; 2 clarinets and bass clarinet or bassoon; oboe or flute, clarinet, and bassoon.  Volume 1 has trios 1-5. WW40: 18 Trios Vol. 2 by Anton Stadler. International Music Diffusion, 1996. Parts are the same as volume 1. Volume 2 has trios 6-18	Vol. 1 16.90 Vol. 2 18.95
	WW133: Three Duets for Flute and Clarinet by Don Stewart. Trillenium Music, 1999, SS, 8 pages (two parts in score format). Don Stewart (1935-) is an American composer and woodwind performer. This piece was written in 1959 and is one of his earliest compositions. The first duet is a perfect canon but with contrasting sections. The second which the composer originally regarded as "flamenco" in derivation, alternates an intensive melody with a brittle rhythmic background. The third is short and formally simple but polytonal. Early college level.	9.95
	WW108: Duo for Flute and Clarinet by Antoni Szalowski. Chester, 1948, SS, 14 pages. Szalowski (1907-1973) was a Polish born composer who studied in Warsaw and Paris (with Boulanger). While most of his work was written for strings it is his pieces for winds that are most popular today. He has been described as a neo-classicist, favoring established forms, clear musical content, and contrapuntal writing.  This is one of the more popular (advanced college level) flute and clarinet duets. It is in three movements: I. Allegro, II. Andante, and III. Allegro. It is in score format and has been printed without regard for page turns, so some preparation will be required for performance. Duration is about 8 minutes. Free Media Mail shipping on this music to US, IF ordered with another item. (Except other items with free shipping.)	25.95
	WW17: 78 Duets for Flute and Clarinet Vol. 1 (1-55) Easy-Medium by Himie Voxman. Rubank, 1960, SS, 72 pages. Adapted from the works of the Bachs, the Mozarts, Boismortier, Dietter, Handel and others. WW18: 78 Duets for Flute and Clarinet Vol. 2 (56-78) Advanced by Himie Voxman. Rubank, 1960, SS, 72 pages. Adapted from the works of Bach, Mozart, Geminiani, Muffat, Quantz, Rameau, and C. Stamitz.	Vol. 1 8.95 Vol. 2 8.95

	WW125: Le Calme de la Mer Trio for Flute, Clarinet and Piano by Tony Aubin. Alphonse Leduc, 1964, SS, (includes parts and piano score). A suggested piece for this combination. It is at an unhurried tempo (Lento, ma non troppo) and should be playable by many high school students although the flute part goes up to C7.	16.05
	WW109: Pastorale in A Minor for Oboe (Flute, Violin), Bassoon (Cello, Viola de Gamba) and Continuo by Carl Philipp Emanuel Bach edited by Kurt Walther. Zimmermann, 1975. This piece has a "real" bassoon part as a featured instrument along with the oboe. It also includes a continuo part for cello, and a realized keyboard part for harpsichord, piano, or organ. Free Media Mail shipping on this music to US, IF ordered with another item. (Except other items with free shipping.)	12.95
	WW30: Beethoven Trio for Piano, Flute and Bassoon WoO 37 by Ludwig van Beethoven edited by Friedhelm Klugman with piano fingerings by Hans-Martin Theopold. Henle, 1981, SS. Includes performance parts for flute, bassoon, and piano (which includes the other parts in the score). This trio was written between 1786-90.	22.95
	WW069: Trio in D minor for Oboe (Clarinet), Bassoon (Viola/Bass Clarinet/Basset Horn) and Piano by Alexander Brent-Smith. Rosewood, 2003, (includes piano score and all parts). Alexander Brent-Smith (1889-1950) was a British composer, author, and teacher. This work was first performed in 1943. It is in three movements I. Allegro Moderato, II. Andante, and III. Allegretto. It should be playable by those at the early college level (and adult amateurs).	33.95
	WW31: Sinfonia Concertante for Flute, Clarinet and Orchestra Op. 41 Piano Reduction by Franz Danzi edited by John P. Newhill. Music Rara, 1982, PB, 57 + 9 + 10 pages. In three movements: Allegro Moderato, Larghetto, and Allegretto polonaise. Includes extensive notes by the editor.	31.95
	WW138: Prélude à l'après-midi d'un faune (Prelude to the Afternoon of a Faun) arranged for Flute, Clarinet and Piano by Claude Debussy arranged by Michael Webster. International Music, 1994, SS. This piece is one of the most popular flute solos in the repertoire, but as the arranger writes, adapting it for flute and piano has not been very successful because there is too much music to be covered by two instruments. Adding the clarinet produces a more satisfactory result. Both A and B-flat clarinet parts are included. The duration is about 9:20.	13.75
	WW49: Trio Pathétique for Clarinet, Bassoon (Violoncello) and Piano by Michail Glinka. Music Rara, 1957, SS. In four movements: Allegro Moderato, Scherzo, Largo and Allegro con spirito. This is a major work that brings out the best qualities of each instrument. The clarinet and bassoon parts are not especially difficult but it requires an excellent pianist.	19.95
	WW075: Waltz and Interlude Duet for Flute and B-flat Clarinet with Piano Accompaniment by Clare Grundman. Boosey & Hawkes, 1964, SS, (includes piano score and individual parts). This is an intermediate duet with an easy piano part. It is in three sections: a waltz (Moderato con moto), then the interlude in 4/4 (Meno), followed by a return to the waltz in the original tempo. The flute part goes to a high G while the clarinet part does not go higher than a B above the staff and is frequently in the lower register. Free Media Mail shipping on this music to US, IF ordered with another item. (Except other items with free shipping.)	14.95
	WW52: Barn Dances for Flute, Clarinet and Piano by Libby Larsen. Oxford, 2004. SS, 24 + 8 + 8 pages. The composer wrote: "Barn Dances is a set of four abstract pieces. . . Each pieces draws from the name of a particular dance step used in cowboy dances. Taking the name of the step as a point of departure, my idea was to take a flight of fancy in each movement and to create the musical equivalent of a character drawing." The movements are: Forward Six and Fall Back Eight, Divide the Ring, Varsouvianna (a simple dream waltz), and Rattlesnake Twist. Upper college level.	24.95
	WW126: Music for the Middle of the Day for Flute, Clarinet in B-flat, and Piano by Joseph Makholm. Billaudot, 2006, SS. This piece was written for the Webster trio. Michael Webster describes it  as "Sophisticated jazz.  Joe has written everything out to sound natural, almost improvised at times, with lush chord changes and inventive melodies and rhythms.  It is an outstanding example of its genre." In four movements: 1. Late One Afternoon (At a lazy, but regular, pace), 2. Dolores' Kitchen (Up-tempo bossa), 3. December (Molto rubato), and 4. You Think You Know, But You Don't (Up-tempo swing). The first and last movements should be swung. College level with a duration of about 9 minutes.	55.95
	WW121: Tarentelle Op. 6 for Flute, Clarinet in A and Piano by Camille Saint-Saëns. Kalmus, SS, (includes parts and piano score). Originally with orchestral accompaniment, this is one of Saint-Saëns earlier adult works. While traditional in many respects it includes a surprising Prestissimo conclusion in 2/4. College level with a duration of about 6 minutes.	9.95
	WW122: Concertino en Trio Op. 85 for Flute, Clarinet in A and Harpsichord or Piano by Florent Schmitt. Durand, 1935, SS, includes parts and harpsichord/piano score. This is one of the more popular pieces for this combination. It is in four movements: I. Assez animé, II. Assez vif, III. Très lent, and IV. Animé. The flute and clarinet parts generally move together in harmony. College level with a duration of about 8 minutes.	39.95
	WW123: Four Waltzes for Flute, Clarinet, and Piano by Dmitri Shostakovich arranged by Levon Atovmian. Sikorski, 1958, SS, includes parts and piano score. A somewhat unusual arrangement in that the first waltz is for clarinet and piano and the second is for flute and piano with only the last two for all three instruments. The waltzes are I. Spring Waltz, II. Waltz Joke, III, Waltz, and IV. Barrel-Organ Waltz (piccolo instead of flute). Early college level.	36.95
	WW43: Duet-Concertino for Clarinet and Bassoon with String Orchestra and Harp (Piano Reduction) by Richard Strauss. Boosey & Hawkes, 1949, SS. Includes two copies of duet parts and the piano reduction in score format. The Concertino is in three movements: Allegro moderato, Rondo, and Tempo primo.	54.95

	WW56: Divertimento for Flute, Oboe and Clarinet (Op. 37) by Malcolm Arnold. Paterson's Publications, 1952. This popular work is in six sections: Allegro energico, Languido, Vivace, Andantino, Maestoso/Prestissimo, and Piacevole. College level. Duration about 8:30. Free Media Mail shipping on this music to US, IF ordered with another item. (Except other items with free shipping.)	17.95
	WW41: Suite Brève en Trio Op. 67 by Eugene Bozza. Alphonse Leduc, 1947. For oboe, clarinet, and bassoon. Includes individual parts and the score. This is a four movement work: Allegro moderato, Allegro vivo, Adagio expressivo, and Allegro vivo. College level.	30.10
	WW73: Trio No. 2 for Oboe, Clarinet and Bassoon Op. 31 by Charles Huguenin edited by R. Mark Rogers. Southern Music Co., 2006. SS. Includes a score and individual parts. Charles Huguenin (1870-1939) was a Swiss composer, violinist, and choir master. This Trio is in four movements: 1. Rèverie (Daydream) Andante; 2. La Fileuse au Rouet  (The Maiden at the Spinning Wheel) Allegretto; 3. Le Chantre de mon Village (The Cantor of My Village) Grave et lent; and 4. La Poule, l'Âne et le Coucou (The Chicken, the Ass and the Cuckoo) Allegro. This edition includes the original clarinet part that calls for A clarinet in movements 1, 2, and 4; plus a version with all movements on B-flat clarinet. General at an early college level and may also be enjoyed by adult amateur players.	9.95
	WW131: Three Pieces for Flute, Clarinet and Bassoon by Walter Piston. Associated Music Publishers, 1933. Parts only. Walter Piston (1894-1976) was an American composer and music theorist. This piece was written in 1926 and is one of his earliest published works. It is in three movements I. Allegro scherzando/Andante, II. Lento, and III Allegro/Moderato. College level. Duration about 10 minutes. Free Media Mail shipping on this music to US, IF ordered with another item. (Except other items with free shipping.)	18.50
	WW155: Verdi Three Arias for Two Clarinets and Bassoon by Giuseppe Verdi arranged by Michael Drapkin. Roncorp, 1983. Arrangements of "La donna è mobile" from Rigoletto, "Un di felice, etera" from La Traviata, and "Parigi, o cara" also from La Traviata. The parts are a neat manuscript and include portions of the other parts when they are helpful to ensure a good ensemble.	15.00

	WW111: Trois Pièces Pour Une Musique de Nuit by Eugene Bozza. Alphonse Leduc, 1954. For flute, oboe, clarinet, and bassoon. Includes individual parts and the score. In three movements:: Andantino, Allegro vivo, and Moderato. This is not a difficult work, but frequently appears on professional recitals.	21.75
	WW112: Les Trois Mousquetaires, Divertissement for Oboe, Clarinet, Alto Saxophone (or second Clarinet) and Bassoon by Pierre Max Dubois. Leduc, 1966, includes individual parts and the score. Five movements:: Lentement (Recitativo), Allegrement, Allegro, Andante, Andante/Presto. Early college level and could also be played by very good high school ensembles.	44.00
	Histories is a very popular set of ten pieces by Ibert. Originally for piano it has been arranged for many instruments with this set of six for an unusual combination. G150. Histories Vol. I for Oboe, Clarinet, Tenor Saxophone, and Bassoon by Jacques Ibert arranged by Jean-Pierre Ballon. Alphonse Leduc, 2006, SS. Volume I  has the pieces A Giddy Girl... and Le Cortège de Balkis... College level. G151. Histories Vol. II for Oboe, Clarinet, Alto Saxophone, and Bassoon by Jacques Ibert arranged by Jean-Pierre Ballon. Alphonse Leduc, 2006, SS. Volume II has the pieces La Cage de Cristal... and La Meneuse de Tortues d'Or... College level. G152. Histories Vol. III for Oboe, Clarinet, Soprano Saxophone, and Bassoon by Jacques Ibert arranged by Jean-Pierre Ballon. Alphonse Leduc, 2006, SS. Volume III  has the pieces La Marchande d'Eau Fraîche.... and Le Petit Âne Blanc... College level. This volume has parts for both A and B-flat clarinet.	Vol. I 19.60 Vol. II 19.60 Vol. III 31.45

	WW32: Beethoven Quintet for Piano and Wind Instruments in E flat major Op. 16 by Ludwig van Beethoven edited by Siegfried Kross with piano fingerings by Hans-Martin Theopold. Henle, 1964, SS. Includes performance parts for oboe, clarinet in B flat, horn in E flat, bassoon, and piano (which includes the other parts in the score). This piece was written in 1796.	38.95
	WW67: Quintet Opus 38 by William Edmonstoune Duncan. Rosewood, 2000. For flute, clarinet, bassoon, horn, and piano. Duncan (1966-1920) was a British writer, critic, and composer who trained at the Royal College of Music in London. This is a fairly long work (the score and piano part is 90 pages) in three movements (I. Moderately fast, II.  Moderately slow, and III. Rondo: Brightly, and somewhat fast). College level.	24.95
	WW27: Mozart Quintet in E-flat major (for Piano, Oboe, Clarinet, Horn, & Bassoon) KV 452 edited by Hellmut Federhofer. Baerenreiter, 1986. Includes notes by the editor.	21.95
	WW68: Quintet in A minor Op. 80 by Ferdinand Thieriot. Rosewood, 2006, SB, (includes parts and piano score). For oboe, clarinet (in A and B-flat), bassoon, horn, and piano. Thieriot (1838-1919) was a North German composer, teacher, and choral conductor. In four movements: I. Allegro non troppo, II. Allegretto, III. Adagio, and IV. Allegro Vivace. College level with an important piano part. (Alternative string parts are available but are not supplied with this version.)	33.95

	WW105: Coriolan Overture Op 62 for Woodwind Quintet by Ludwig van Beethoven arranged by Joachim Linkelmann. Baerenreiter (BA 8601), 2003, SS, (includes parts and score). The Coriolan Overture was composed in 1807 after a tragedy based on the Roman general Coriolanus. For college level or adult woodwind quintets.	28.50
	WW101: Marche Hongroise for Woodwind Quintet by Hector Berlioz arranged by Joachim Linkelmann. Baerenreiter (BA 6877), 1998, (parts only). This familiar piece is based on Berlioz's orchestral arrangement of a military march. Advanced high school/early college level or adult woodwind quintets. The clarinet part is for clarinet in A.	19.95
	WW28: Seventeen Variations for Woodwind Quintet Op. 22 by Jean-Michel Damase. Alphonse Leduc, 1952. French title: Dix-Sept Variations pour Quintette à vent. Includes score.	45.75
	WW100: The Children's Corner for Woodwind Quintet by Claude Debussy arranged by Joachim Linkelmann. Baerenreiter (BA 6876), 1997, SS, (includes parts and score). This popular piano piece was written between 1906 and 1908 and dedicated to Debussy's daughter. It includes the pieces (which can be performed individually): Doctor Gradus ad Parnassum, Jimbo's Lullaby, Serenade for the Doll, The Snow is Dancing, The Little Shepherd, and Golliwog's Cake Walk.  For college level or adult woodwind quintets. Both B-flat and A clarinets are needed to perform this work and the flute part includes piccolo.	31.95
	WW70: Suite of Folk-Tunes from Transylvania and Banat for Wind Quintet by Roderick Elmer. Rosewood, 1998. For flute, oboe, clarinet in A (with alternate part in B-flat), bassoon, and horn. Roderick (1947-) is a British music educator and composer. This work, which includes 10 mostly Romanian folk songs and dances, was inspired by the work of Bartok and Kodaly and is based on folk tunes collected in Romania in the 1930s. It should be playable by a good high school quintet.	22.95
	WW128: Early Hungarian Dances from the 17th Century for wind quintett by Ferenc Farkas. Editio Musica Budapest, 1959. This quintet is fun for both the performers and the audience. The five dances are Intrada, Slow Dance, Shoulder-Blade Dance, Chorea, and Leaping Dance. Clarinet in B-flat and A. Early college level, adult amateurs, and up. Includes the score. This version has one more dance (Chorea) than the clarinet quartet and saxophone quartet versions..	25.95
	WW135: Three Preludes by George Gershwin transcribed and arranged for Woodwind Quintet by Don Stewart. Trillenium Music, 2007, SS, (score and parts). This set of three piano preludes written in 1924 was so popular a few years ago that it may have suffered from overexposure. (I recall hearing a version for electric violin while watching an ice skating competition.) However, it is probably safe to perform this wonderful music again.	39.95
	WW107: Peer Gynt Suite No. 1 Op. 46 for Woodwind Quintet by Edvard Grieg arranged by Joachim Linkelmann. Baerenreiter (BA 8603), 2006, SS, (includes parts and score). A very popular suite arranged for college or adult woodwind quintets. Includes the pieces (which can of course be performed individually): Morning Mood, The Death of Åse, Anitra's Dance, and In the Hall of the Mountain King. The clarinet part is for clarinet in A.	37.95
	WW146: Sechs Bagatellen for Wind Quintet by György Ligeti. Schott, 1973, SS, (parts only; the score is also available). An interesting quintet written in 1953. Ligeti is said to have been influenced by Bartok during this period (listening to it reminds me of the music of Leonard Bernstein). The six bagatelles are I. Allegro con spirito, II. Rubato, Lamentoso, III. Allegri grazioso, IV. Presto ruvido, V. Béla Bartók in memoriam (Adagio, Mesto), and VI. Moto vivace, Capriccioso. Upper college level with a duration of about 12 minutes.	38.95
	WW097: The Magic Flute Overture for Woodwind Quintet by Wolfgang Amadeus Mozart arranged by Joachim Linkelmann. Baerenreiter (BA 6872 ), 2003, (parts only). A woodwind quintet arrangement of this popular and familiar overture. Advanced high school/early college level or adult woodwind quintets.	16.95
	WW106: Symphony in G min KV 550 for Woodwind Quintet by Wolfgang Amadeus Mozart arranged by Joachim Linkelmann. Baerenreiter (BA 8602), 2003, SS, (includes parts and score). This symphony was completed in 1788 and is one of only two Mozart wrote in a minor key. For college level or adult woodwind quintets.	35.95
	WW103: Pictures at an Exhibition for Woodwind Quintet by Modest Mussorgsky arranged by Joachim Linkelmann. Baerenreiter (BA 6879), 1999, SS, (includes parts and score). Written by Mussorgsky for piano in 1874, this is a substantial work for woodwind quintet. For college level or adult woodwind quintets. Both B-flat and A clarinets are needed to perform this work.	54.95
	WW117: Le Tombeau de Couperin by Maurice Ravel transcribed for woodwind quintet by Mason Jones. Durand, 1970, (parts only). A very popular transcription of this enjoyable piece. 1. Prelude (Vif), 2. Fugue (Allegro Moderato), 3. Menuet (Allegro Moderato), 4. Rigaudon (Assez vif) The score may also be ordered. For better college level or adult woodwind quintets. The clarinet part calls for both clarinet in A and B-flat.	34.95
	WW137: Mother Goose Suite (Ma Mère l'Oye) for Woodwind Quintet by Maurice Ravel by Joachim Linkelmann. Baerenreiter (BA 8605), 2008, (parts only). The Mother Goose Suite was composed as a piano duet and was first published in 1910. Each of the movements is inspired by a fairly tale. For college level or adult woodwind quintets. The flute part includes piccolo..	36.95
	WW098: The Barber of Seville Overture for Woodwind Quintet by Gioacchino Rossini arranged by Joachim Linkelmann. Baerenreiter (BA 6873), 1996, (parts only). For college level or adult woodwind quintets. The clarinet part is for clarinet in A.	19.50
	WW102: La Forza del Distino Overture for Woodwind Quintet by Giuseppe Verdi arranged by Joachim Linkelmann. Baerenreiter (BA 6878), 1998, SS, (parts only). This opera (The Power of Destiny) was completed in 1862 and is a work of Verdi's late period. For college level or adult woodwind quintets. The clarinet part is for clarinet in A and the flute part includes piccolo.	20.95
	WW099: Nabucco Overture for Woodwind Quintet by Giuseppe Verdi arranged by Joachim Linkelmann. Baerenreiter (BA 6875), 1997, SS, (parts only). Nabucco was Verdi's third opera and one of his most popular. For college level or adult woodwind quintets. The clarinet part is for clarinet in A and the flute part includes piccolo.	16.95
	WW134: Wind Quintets 9 & 10 by Alec Wilder. Trillenium Music, 2007, SS, (parts only; score is also available). Two late quintets from American Alec Wilder (1907-1980) whose compositions combined elements of classical, jazz, and popular music. Upper college level.	49.95

	WW21: Mozart Serenade in B-flat major “Gran Partita” KV 361 Performance Parts edited by Daniel N. Leeson and Neal Zaslaw. Baerenreiter, 1979. Includes alternate clarinet parts to replace the basset horns. WW20: Mozart Serenade in B-flat major “Gran Partita” KV 361 Study Score edited by Daniel N. Leeson and Neal Zaslaw. Baerenreiter, 1979, SS, 82 pages.	Parts 52.95 Score 12.95
	WW25: Mozart Serenade in C minor KV 388 Performance Parts edited by Daniel N. Leeson and Neal Zaslaw. Baerenreiter, 1979. An octet for two oboes, two clarinet, two horns, and two bassoons. WW24: Mozart Serenade in C minor KV 388 Study Score edited by Daniel N. Leeson and Neal Zaslaw. Baerenreiter,1979, SS, 44 pages.	Parts 24.95 Score 10.95
	WW50: Mozart Serenade in C minor KV 388 Performance Parts edited by Henrik Wiese. Henle, 2005. A new edition of this wind octet. It includes a page of notes (in German, English, and French) explaining the origin of this work and the issues surrounding it. There is also a page detailing the editing decisions and their rational. Very well printed and with attention to page turns.	40.95
	WW95: Mozart Serenade in E-flat major KV 375 Sextet Version - Performance Parts edited by Daniel N. Leeson and Neal Zaslaw. Baerenreiter, 1979. For two clarinets, two horns, and two bassoons. WW23: Mozart Serenade in E-flat major KV 375 Octet Version - Performance Parts edited by Daniel N. Leeson and Neal Zaslaw. Baerenreiter, 1979. For two oboes, two clarinets, two horns, and two bassoons. WW22: Mozart Serenade in E-flat major KV 375 Study Score edited by Daniel N. Leeson and Neal Zaslaw. Baerenreiter, 1979, SS, 96 pages. Includes both sextet and octet versions.	Sextet 24.50 Octet 25.95 Score 11.50
	WW127: Sextuor for Woodwind Quintet and Piano by Francis Poulenc. Wilhelm Hansen, 1945. Includes parts and piano score. Clarinet is in B-flat. A popular piece for this combination. In three movements: I. Allegro vivace, II. Divertissement, and III. Finale.	29.95

Bindings:  HB: Hard Bound,  PB: Perfect Bound (paperback with square spine),  SS: Saddle Stitch (paper, folded and stapled),  LB: Library Tape Bound (perfect binding finished with library tape),  SB: Spiral Bound (plastic or metal)