Music
marked "New!" in gold type
is a new publication. Music marked "New!" in teal type is
new to our stock.![]()
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C181: 8 Great Studies for Melodic Technique (Huit Grandes Etudes de Technique Melodique) by Giacomo Miluccio. Alphonse Leduc, 1956, SS, 15 pages (page size 10.5 x 16 inches). These studies by the Italian clarinetist Miluccio, feature frequent tempo and meter changes. Moderate to difficult. | |
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C364: 10 Clarinet Etudes for a Virtuoso Technique (Zehn Etüden) by Rudolf Jettel. Doblinger, 1983, SS, 27 pages. Advanced studies for developing technique. | |
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C884: 10 Intermediate Phrasing
Etudes for Clarinet
edited by
William R. Robinson. Ligature Publications, 2006, SB, 32 pages.
Woodwind pedagogue Robinson has assembled this book for intermediate
students. It includes long tone exercises, slurred arpeggio warm-ups,
major scales with tonic arpeggios, scales in thirds, the chromatic
scale to altissimo G, major and minor (3 types) of the diatonic scale,
and 10 phrasing studies adapted from the work of Verdi, Rossini, and
Barret. |
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C182: 10 Modern Studies of Great Difficulty (Dix Études Modernes de Grande Difficulté) by Agostino Gabucci. Alphonse Leduc, 1960, SS, 22 pages (page size 10.5 x 16 inches). While we don't see anything especially modern in these etudes, the difficulty is certainly there. | |
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C365: 10 Small Exercises for Clarinet and Piano by Rudolf Jettel. Doblinger, 1949, SS, 23 + 12 pages. Not many exercises intended for clarinet have piano accompaniment, but this one does. Intermediate level. | |
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C371: 11 Modern Etudes by Henri Druart. Leblanc Educational Publications, SS, 26 pages. Druart was the solo clarinetist of the Garde Republicaine Band. These exercises are described by Himie Voxman as a worthy modern supplement to the 32 Etudes by Rose. | |
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C260: 11 Studies in Karnatic Modes for Clarinet by Eugène Bozza. Alphonse Leduc, 1972, SS, 11 pages. These eleven difficult etudes are based on Karnatic modes which are the foundation of the classical music of Southern India. | |
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C179: 12 Etudes for Clarinet (Douze Études pour Clarinette) by Eugène Bozza. Alphonse Leduc, 1953, SS, 15 pages. Etudes by French composer and conductor Eugène Bozza (1905-1991). These etudes are at about the same level as Rose. | |
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C150: 12 Etudes for Clarinet by Victor Polatschek. Marks Music Co., 1947, SS, 23 pages. These etudes are designed to develop an even and precise finger technique. Two staccato exercises help achieve synchronization of fingers and tongue. | |
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C202: 14 Caprices from Op. 1 by Nicolò Paganini edited by Alamiro Giampieri. Ricordi, 2002, SS, 24 pages. These 14 caprices (plus Moto Perpetuo Op. 11) from the violin works of Paganini should provide a challenge for many clarinetists. They include the wide interval leaps and rapid passages characteristic of virtuoso violin music. | |
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C261: 14
Études de Mécanisme by Eugène Bozza.
Alphonse Leduc, 1948, SS, 19 pages. Advanced exercises for the
development of technique.
(Except other items with free shipping.) |
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C193: 15 Advanced Etudes for Clarinet by Randall Cunningham. Woodwindiana, 1999, SS, 32 pages. These etudes are intended for the advanced clarinet student, high school through university level. They have been written in the tradition and spirit of the Rose etudes and studies. Each etude is in a different major or minor key and emphasizes one or more aspects of playing. This book introduces commonly used alternate fingerings and presents situations in which they should be used. | |
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C244: 16 Etudes (Études Modernes) by Paul Jeanjean edited by Jean & David Hite. Southern Music Co., 2003, SS, 64 pages. In addition to the etudes, this book contains a glossary of scales, glossary of chords, glossary of fingerings, and notes on the etudes. Each glossary has direct application to the etudes. | |
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C132: 16 Modern Etudes by Paul Jeanjean. Alphonse Leduc, 1951, SS, 44 pages. French title: Seize Études Modernes pour la Clarinette. | |
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C177: 16 Modern Etudes for Clarinet Op. 14 by František Zítek edited by Himie Voxman. Rubank, 1966, SS, 35 pages. A relatively advanced set of etudes which feature rapidly changing time signatures and no key signatures. | |
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C621: 17 Caprices by
Nicolò
Paganini adapted for the clarinet by Ulysse Delécluse. Leduc,
1953, SS, 29 pages. This book has 17 violin studies plus Perpetual
Motion adapted for the clarinet. This book includes all of the pieces
in C202 plus three more. The printing in this edition is clearer
and it is on better paper. |
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C684: 17 Staccato Studies for
Clarinet
by Reginald Kell. International Music
Company, 1958, SS, 24 pages. These studies have quite a bit of
rhythmic variety and are in a number of keys. They should be very
useful for staccato practice. |
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C149: 18 Etudes for the Clarinet by Paul Jeanjean. Alfred Publishing Co., SS, 64 pages. Originally published in 1928, these etudes were intended to prepare the student for the works of the "Modernists." Generally these etudes are more difficult then the standard fare and many are in extended key signatures. | |
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C194: 18 Preludes for Clarinet by Randall Cunningham. Woodwindiana, 1999, SS, 32 pages. Features pieces in major and minor keys through four flats and four sharps. They are in a variety of styles and meters and include fingering suggestions. For most students these would be appropriate for the third and forth year of studies. | |
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C140: 18 Selected Studies for Alto and Bass Clarinet edited by William E. Rhoads. Etudes taken from the work of Lazurus, Rose, Demnitz, Rode, Baermann, Kietzer, Mazas, Muller, and Capelle. Major and minor keys from 4 flats to 4 sharps. Conservative range. | |
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C366: 18 Studies (18 Etüden) by Rudolf Jettel. Doblinger, 1983, SS, 39 pages. There is a good variety of keys, rhythms, and musical material in these studies. They will be a good workout since they are all are marked allegro. | |
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C682: 20 Characteristic Studies
for Clarinet
by
Hyacinthe Klosé edited by Stanley Drucker. International Music
Company, 1971, SS, 41 pages. Twenty upper intermediate/advanced studies
many of which are exercise like (similar figures repeated). |
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![]() C963: 20 Fairly Easy Progressive and Melodic Studies (Vingt Études Progressive et Mélodiques Assez Faciles pour Clarinette) Book 1 by Paul Jeanjean. Alphonse Leduc, 1928, SS, 20 pages. This book has 20 etudes in keys through two sharps and two flats. Despite the title these studies are all at the intermediate level or harder. C964: 20 Progressive and Melodic Studies (Moderate Difficulty) (Vingt Études Progressive et Mélodiques Moyenne Force pour Clarinette) Book 2 by Paul Jeanjean. Alphonse Leduc, 1929, SS, 39 pages. This book has 20 etudes in keys from three to five sharps and three and four flats. Somewhat more difficult than Book 1. C965: 20 Graded and Melodic Exercises (Fairly Difficult) (Vingt Études Progressive et Mélodiques Assez Difficiles pour Clarinette) Book 3 by Paul Jeanjean. Alphonse Leduc, 1929, SS, 39 pages. This book has 20 etudes in the rest of the keys through seven sharps and seven flats. |
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C159: 20 Studies for Clarinet from the Works of Rode arranged by Harry Bettoney. Carl Fischer, 1913, SS, 45 pages. Pierre Rode (1744-1830) was a French violinist. Some courses of study have this after Rose. Keys range from 1 sharp to 4 flats. | |
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C200: 20 Studies of Medium Difficulty for Clarinet by Agostino Gabucci. Ricordi, 1942, SS, 25 pages. This book contains 20 interesting etudes primarily in keys to two flats and two sharps. Good practice for meter changes, articulation, and many rhythmic patterns. | |
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C683: 20 Technical Studies
for Clarinet
by
Hyacinthe Klosé edited by Stanley Drucker. International Music
Company, 1973, SS, 35 pages. Twenty upper intermediate studies,
slightly more etude like than the Characteristic Studies (C682) despite
the name. |
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C201: 21 Caprices for Clarinet by Vincenzo Gambaro edited by Alamiro Giampieri. Ricordi, 2001, SS, 29 pages. These caprices are at approximately the same level as the Rose etudes. Keys to three flats and three sharps. | |
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C195: 21 Chalumeau Studies for Clarinet by Randall Cunningham. Woodwindiana, 1999, SS, 25 pages. This book includes studies in both major and minor modes through three sharps and three flats and in a variety of musical forms and styles. It was intended for the composer's middle school students, although several of the studies will challenge the best students at that level. Includes fingering suggestions and a short glossary of musical terms. | |
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C141: 21 Foundation Studies for Alto and Bass Clarinet compiled and edited by William E. Rhoads. Etudes taken from the work of Lee, Dotzauer, Buchler, Platti, Schroder, Merck, Kummer, Franchomme, and Duport (several of these have been identified as composers of cello etudes). Keys from 4 flats to 2 sharps. Conservative range. | |
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C655: 22 Modern Etudes (Vingt-Deux Etudes Modernes) by Auguste Périer. Alphonse Leduc, 1930, SS, 34 pages. A collection of moderately difficult studies in a variety keys. | |
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C462: 22 Recreation Studies
by
Jerome Naulais. International Music Diffusion, 1990, SS, 23 pages. An
interesting set of intermediate etudes (about third year). Several are
dance forms (waltz, tango, Charleston) with many pieces having a
contemporary edge. The variety of tempos, meters, rhythmic
figures and keys (to four flats and sharps) should aid in the player's
development and would be good sight reading material for slightly more
experienced (early high school) students. |
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C700: 22 Studies for Clarinet
(22 Études) by Jacques Lancelot. Billaudot, 1974, SS, 23
pages. These 22 intermediate studies cover a number of areas but there
is particular emphasis on smooth and even playing of groups of notes
and between registers. |
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C367: 22 Studies for Clarinet (22 Etüden)
by
Iwan Müller edited by Leopold Wlach. Doblinger, 1946, SS, 43
pages. Müller (1786-1854) was a German
clarinetist and the developer of the 13 key clarinet in 1812. These
studies, in keys to three flats or sharps, are about the same level as
Rose. |
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C199: 24 Clarinet Studies for Beginners by
Victor Polatschek. Marks Music, 1948, SS, 20 pages. While this book
contains a few studies playable by students near the end of their
first year of study, most would be more appropriate for second and
third year students who are making good progress. Includes studies
that emphasize articulation, scales and intervals, and rhythms.
(Except other items with free shipping.) |
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C250: 24 Instructional Duets for Two Clarinets by Joseph Kuffner. Universal Edition, SS, 24 pages. These duets were originally published in 1827 and are progressive in difficulty. Suitable for second and third year students. | |
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C104: 24 Varied Scales and Exercises for Clarinet by J.B. Albert, revised by Paul de Ville. Carl Fischer, SS, 24 pages. This book is based on a page of scales and exercises that is repeated in each major and minor key. | |
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C296: 24 Virtuosity Studies Op. 51 Book 1 by
Robert Stark revised by Giuseppe Garbarino. Ricordi, 1982, SS, 32
pages. The first 12 studies in a wide range of keys and styles.
C155: 24 Virtuosity Studies Op. 51 Book 2 by Robert Stark revised by Giuseppe Garbarino. Ricordi, 1982, SS, 31 pages. The last 12 studies along the same lines as the first. |
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C757: 24 Virtuosity Studies Op. 51 Book 1 by Robert Stark edited by Eric Simon. International Music Company, 1959, SS, 30 pages. The first 12 studies in a wide range of styles and mostly flat keys. C758: 24 Virtuosity Studies Op. 51 Book 2 by Robert Stark edited by Eric Simon. International Music Company, 1959, SS, 27 pages The last 12 studies in mostly sharp keys. |
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C432: 25 Etudes by
Alfred Prinz. Woodwindiana, 1999, SS, 32 pages. This book of difficult
etudes was written in view of the final preparation for an audition in
a symphony or opera orchestra. The commonly required orchestra audition
excerpts have been worked into difficult technical etudes which, if
practiced thoroughly, should help in learning the original materials.
The etudes are based on Kodaly Dances of Galanta; Borodin Polovtsian
Dances; Strauss Zigeunerbaron and Rosenkavalier; Rossini Overture to
Semiramis and Barber of Seville;
Rimsky-Korasakov Golden Rooster and Scheherazade; Wagner
Tannhäuser, Meistersinger, and
Götterdammerung; Leoncavallo Bajazzo; Prokofiev Peter and the
Wolf; Mozart Gran Partita; Tchaikovsky Symphony No. 4 and Nutcraker;
Smetana The Bartered Bride; Lehar Der Graf von Luxemburg; Shostakovich
Symphony No. 9; Stravinsky Petrouchka; Mendelssohn Midsummer Night's
Dream; and Schumann Symphony No. 1. |
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![]() C966: 25 Technical and Melodious Studies (Vingt Cinq Études Techniques et Mélodiques pour Clarinette) Volume 1 by Paul Jeanjean. Alphonse Leduc, 1948, SS, 45 pages. These books are somewhat unusual in that many of the etudes have clarinet accompaniment parts (usually making a quartet). The etudes are at the upper intermediate and advanced level. Volume 1 has 7 solo etudes, 5 with three clarinet accompaniment parts, and 1 clarinet duets. There is a separate booklet with the second and third parts while the fourth part is printed below the solo part. C967: 25 Technical and Melodious Studies (Vingt Cinq Études Techniques et Mélodiques pour Clarinette) Volume 2 by Paul Jeanjean. Alphonse Leduc, 1958, SS, 44 pages. This book is similar to the first but with many of the etudes having odd meters. Volume 2 has 9 solo etudes, and 3 with three clarinet accompaniment parts. There is a separate booklet with the second and third parts while the fourth part is printed below the solo part. |
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C152: 30 Caprices for Clarinet by Ernesto Cavallini, edited by Alamiro Giampieri. Ricordi, PB, 66 pages. | |
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C756: 30 Etudes for
Clarinet
by Hyacinthe Klose edited by Jerry Kirkbride. International Music
Company, 1989, SS, 63 pages.
These mostly exercise like etudes are at the intermediate and advanced
intermediate level and are in keys from two flats to two sharps. |
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C755: 30 Interpretative
Studies for Clarinet
by Reginald Kell. International Music Company, 1958, SS, 63 pages.
These studies are in all major and minor keys and tend toward being
somewhat exercise like with many repeated figures. Upper intermediate
level and perhaps a bit beyond. |
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C046: The 32 Rose Studies: An Analysis and Study
Guide by Henry Larsen. Larsen Audiographics, SB, 166 pages.
The author studied with Pasquale Cardillo, Rosario Mazzeo, Simeon
Bellison, and Arthur Christmann; was the assistant principal
clarinet of the Hartford Symphony Orchestra from 1950-78; and a
teacher and conductor at the Hartt School from 1950 to 1988. Each
of the 32 studies is accompanied by extensive comments and
suggestions. The author includes other instructional material
independent of the studies including hand position studies and two
articles on reeds reprinted from The Clarinet
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C082: 32 Etudes for Clarinet by
Cyrille Rose edited by Melvin Warner. Carl Fischer, 2002, SS, 40
pages. In this new edition of the 32 Rose Etudes, the editor has
drawn on various editions of the 32 Etudes and the Ferling 48
Etudes on which they are based. He has corrected errors in
time signatures, notes, articulations, etc. He has not added any
breathing, tempo, or other markings not found in the
originals.![]() |
9.95
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C315: 32 Etudes for Clarinet by
Cyrille Rose. Carl Fischer, 1913, SS, 32
pages. The original Carl Fischer edition of the 32 Rose Etudes.![]() |
8.95
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C969: 32 Etudes & 40
Studies for Clarinet by
Cyrille Rose. Dover, 2007, PB, 80
pages. This is an unedited reproduction of the original Carl Fischer
editions of the 32 Rose Etudes (1913) and the 40 Studies (1910).![]() |
12.95
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C463: 33 Studies for Clarinet from Verdi
by
Jacques Merrer. International Music Diffusion, 1994, SS, 63 pages. This
unusual book is a series of etudes based on arias from Verdi's operas (La Forza del Destino, Il Trovatore,
Rigoletto, Traviata, Otello, Don Carlos, Nabucco, and Aida).
The text includes English and French descriptions of the operas and
where etudes fit. There is quite a range of difficulty levels from a
few which are easy intermediate to advanced intermediate (and possibly
a bit beyond). |
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C464: 35 Studies for Clarinet Vol. 1
by Gaetano Labanchi edited by David Weber and Robert Dilutis.
International Music Diffusion, 1998, SS, 63 pages. This book contains
18 of
Labanchi etudes in major and minor keys through 3 sharps and 3 flats.
It also includes a nine page clarinet duet. As editor, Weber has
corrected
notes and articulations and added more detailed dynamic and tempo
markings. These etudes are quite challenging and helpful for the
serious student to achieve the "Bel Canto" style of playing. Note: C148 includes these etudes (and more), but not the
duet. |
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C142: 35 Technical Studies for Alto or Bass Clarinet by William E. Rhoads. Southern Music Co., 1962, SS, 36 pages. A variety of useful exercises for low clarinets including studies on crossing the break, articulation, little fingers, chords, and in various keys. | |
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C086: 40 Modern Studies in Rhythm and Interpretation for Solo Clarinet by James Rae. Universal Edition, PB, 38 pages. This book has been written to familiarize the clarinetist with the various rhythms and phrasings encountered in modern music. Each study deals with a particular aspect of rhythmic playing ranging from jazz (swing) and rock to modern classical interpretation. The studies are presented in order of difficulty to enable the player to gauge their progress | |
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C097: 40 Progressive Melodies for Clarinet by A.M.R. Barret edited by David Hite. Southern Music Company, SS, 64 pages. This book is based on material from the Complete Method for Oboe by Barret (see the Oboe section for the original). All of the Barret pieces have parts for two clarinets. The book also includes 8 Progressive Exercises by J. Dont and a brief scale study by David Hite. | |
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C080: 40 Studies for Clarinet Book 1 by
Cyrille
Rose edited by Donald E. McCathren. Warner Bros. Publications, SS,
48 pages. Donald E. McCathren has prepared a lesson plan for each
study and annotated the studies with fingering recommendations.
Studies 1-20.
C081: 40 Studies for Clarinet Book 2 by Cyrille Rose edited by Donald E. McCathren. Warner Bros. Publications, SS, 48 pages. Studies 21-40. |
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C511: 40 Studies for Clarinet Book 1 arranged by Cyrille Rose. Carl Fischer, SS, 24 pages. Studies 1-20. C512: 40 Studies for Clarinet Book 2 arranged by Cyrille Rose. Carl Fischer, SS, 24 pages. Studies 21-40. |
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C096: 40 Studies for Clarinet by Cyrille Rose revised and edited by Jean & David Hite. Southern Music Company, SS, 53 pages. In preparing this edition the editors have found many opportunities to enhance the studies by adhering to the original violin notation. This book also includes information on the composers of the original etudes for violin that Rose transcribed and chronology of clarinet teachers and their students beginning with Klose. | |
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C083: 48 Studies for Clarinet Book 1 by Alfred
Uhl. Schott Musik International, SS, 32 pages. These studies were
originally published in 1940. The composer intended them to assist
students in becoming familiar with the difficulties peculiar to
modern instrumental music. Uhl was assisted by Leopold Wlach of the
Vienna Philharmonic Orchestra, who made suggestions and revisions
of these studies. Studies 1-24.
C084: 48 Studies for Clarinet Book 2 by Alfred Uhl. Schott Musik International, SS, 32 pages. Studies 25-48. |
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C667: 60 Divertimenti for
Clarinet by Agostino
Gabucci. Ricordi, 1942, SS, 26 pages. An interesting collection of
studies in a
variety of styles and key signatures. Generally at the
intermediate level but with a range of difficulty. These studies are
shorter (mostly about 24 to 32 measures) and somewhat easier than Rose.
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C105: 60 Rambles for Clarinet by Leon Lester. Carl Fischer, SS, 45 pages. One of the best books of supplemental pieces around. The melodic and rhythmic material in Lester's "rambles" will please not only young 2-3 year students, but adult beginners as well. | |
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![]() C957: 80 Graded Studies for Clarinet Book 1 selected and edited by John Davies & Paul Harris. Faber Music, 1986, SS, 21 pages. This book has studies 1-50 which range from absolute beginner to intermediate. (Note that there aren't any grades assigned to these, the title apparently referring the careful arrangement by progressive difficulty.) C958: 80 Graded Studies for Clarinet Book 2 selected and edited by John Davies & Paul Harris. Faber Music, 1986, SS, 32 pages. This book has studies 51-80 which range from the intermediate level to the advanced intermediate (with a few beyond that including a fiendishly fast mixed meter concoction from Harris). The studies are mostly from the usual suspects such as Müller, Demnitz, Baermann, Rose, Lazarus, Klose, etc. In addition to the students for which it was intended, this book may be useful to the adult clarinetist who doesn't own many etudes books and is looking for some variety. |
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C085: 100 Studies for Clarinet edited by Gunther Joppig and Stephen Trier. Universal Edition, PB, 74 pages. This book is a collection of classical studies for the clarinet that brings together important examples of clarinet music written for teaching purposes. It is intended for the intermediate student, includes etudes, exercises, and duets and is generally progressive. Composers include: Telemann, Lefevre, Berr, Müller, Klose, Baermann, Lazarus, and many more. | |
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C505: 331 Daily Exercises by Auguste
Périer. Alphonse
Leduc, 1932, SS, 11 pages. French title: 331 Exercices Journaliers
de Mécanisme.
This book contains 331 one measure exercises (usually 16 or 24
notes). They start at the bottom of the clarinet range and work
upwards to an altissimo G. Intermediate level. |
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C348: The Accomplished Clarinettist Book 1 by
Rudolf
Jettel. Josef Weinberger, 1951, SS, 27 pages. These studies are
designed to develop the proficiency
required for modern orchestral playing, especially with regard to
technique and rhythm. This book contains 15 etudes. C349: The Accomplished Clarinettist Book 2 by Rudolf Jettel. Josef Weinberger, 1952, SS, 31 pages. More challenging etudes (16) some of which are in more difficult keys than book 1. C350: The Accomplished Clarinettist Book 3 by Rudolf Jettel. Josef Weinberger, 1954, PB, 48 + 20 pages. Includes piano accompaniment. This book is something of a departure from the first two as it contains four concert etudes and a Sonate in four movements (all with piano accompaniment). |
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C653: Advanced Studies for the Clarinet by Victor Polatschek. G. Schirmer Inc., 1947, SS, 55 pages. Twenty-eight studies by Polatschek, many in the style of composers such as Bach or Beethoven, or based on specific works such as Scheherazde by Rimsky-Korsakov, Scaramouche by Milhaud, and Overture on Hebrew Themes by Prokofieff to name just a few. Better high school students will be able to play many of these etudes. | |
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C147: Advanced Studies from Julius Weissenborn Adapted for Alto and Bass Clarinets by William E. Rhoads. Southern Music Company, SS, 28 pages. Thirty-four studies adapted from Weissenborn bassoon studies. | |
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C146: The Advancing Clarinetist by Leon Lester. Carl Fischer, 1972, SS, 32 pages. "Etudes Freely Adapted from the Masters" such as Weissenborn, Lazarus, etc. Suitable for second or third year students | |
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C651: Altissimo Studies for
Clarinet 90 Melodious
Studies by Thomas J. Filas transcribed for the clarinet by William R.
Higgins.
Carl Fischer, 2005, SS, 32 pages. In today’s contemporary literature,
the clarinetist is obligated to play in the altissimo register more
often and for longer phrases than ever before. For this reason,
clarinetists need to be as proficient and relaxed in the altissimo
register as they are in the chalumeau and clarion registers. This
edition offers ninety exercises of Thomas J. Filas altissimo flute
etudes, transcribed in keys that focus on extending the clarinet’s
range gradually from D6 to A6. They are short, musically enjoyable, and
extremely effective for practicing altissimo studies. |
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C311: Amazing
Studies Clarinet by Howard Harrison. Boosey & Hawkes,
1997, SS, 62 pages. Howard Harrison has collected and arranged 76
pieces for unaccompanied clarinet. They include material drawn from
both classical and folk music, with many dances included. Each
piece was selected to develop a specific aspect of technique. There
is an index to help you find the right study for each technical
problem. This book is at the intermediate level.
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C231: Arpeggio Studies Op. 39 by Robert Stark. Billaudot, 2000, SS, 32 pages. Twelve studies covering intervals, triads in wide skips, triads and connecting scale passages, seventh chords and connecting scale passages, and triads and seventh chords. | |
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C093: Artistic Studies Book 1 - From the French School edited by David Hite. Southern Music Company, SS, 96 pages. This book contains studies transcribed by Cyrille Rose. They are the 40 Studies, the 32 Etudes, and the 9 Caprices. This book is being used for the 2007-08 Texas All-State auditions for clarinet and bass clarinet (and any other low clarinets). | |
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C094: Artistic Studies Book 2 - From the German School edited by David Hite. Southern Music Company, SS, 96 pages. This book contains studies by Carl Baermann. They are the 16 Studies from the Baermann Method Op. 64, Book 4, and 16 Concert Studies from the Baermann Method, Book 5 (complete), the 32 Etudes, and the 9 Caprices. There are also a high note fingering chart, trill chart, and biographical sketches of Heinrich and Carl Baermann and David Hite. | |
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C095: Artistic Studies Book 3 - From the Italian School edited by David Hite. Southern Music Company, SS, 96 pages. The book contains 30 Caprices by Ernesto Cavallini, 4 Studies by Gaetano Labanchi, 7 Etudes-Caprices by Aurelio Magnani, and 5 Caprices by Giovanni Battista Gambaro. It also includes biographical sketches of all of the composers and David Hite. | |
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C100: Barret Four Sonatas edited by David Hite. Southern Music Company, SS, 64 pages. A.M.R. Barret Four Sonatas for the Refinement of Musicianship with the accompaniment of a second clarinet (most of the second parts are easier), Delphin Alard Five Melodious Etudes, and Scales in Thirds by David Hite. | |
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C170: Bass Clarinet Scale Book by Martin Arnold. Aztecpress, Second Edition 2003, SB, 74 pages. This book was originally developed to assist those with a bass clarinet to low C gain proficiency in the extended range and in bass clef. The second edition, more than double in length, includes all of the original material and adds scales in treble clef for both low C and low E-flat instruments. It contains scales and chords of various types in all keys. It also includes technique exercises to develop fluency in the extended range. Click on the cover for more information from the author's web site. | |
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C656: The Clarinet Chromatic
Machine by Kalmen Opperman. Carl Fischer, 2006,
PB, 143 pages. This
new book provides a comprehensive series of 50 chromatic exercises,
plus 6 chromatic etudes, 5 orchestral excerpts, and the Flight of the
Bumblebee. It will be a very useful tool for students and others who
wish to hone their skill in playing chromatic passages and patterns. |
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C510: Clarinet Scales & Arpeggios annotated
by Avrahm Galper. Boosey & Hawkes, 1978,
SS, 40 pages. Includes all major and minor (both melodic and harmonic)
scales in tow octaves, thirds, arpeggios, dominant 7ths, diminished
7ths and whole tone scales and augmented triads and arpeggios. It also
contains chalumeau warm ups, transitions from high to low and
articulation exercises, and 138 mechanical exercises. Fingerings are
noted throughout and a fingering chart is included. Note: this book may
be more suitable for the intermediate student than the author's more
recent Upbeat Scales & Arpeggios,
as it has more supplemental exercises and a more limited upper range
(the top note is altissimo E). |
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C635: Clarinet Staccato from the Beginning by Reginald Kell. Boosey & Hawkes, 1968, SS, 46 pages. Many, many staccato exercises, of varying difficulty. Quite a few are in the form of duets. | |
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C163: Classical Studies for Clarinet transcribed and edited by Himie Voxman. Rubank, 1948, SS, 72 pages. An outstanding book of exercises based primarily on the works for solo violin and cello of Bach. Additional material is drawn from Bach flute and clavier pieces and three Handel suites for clavier. | |
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C919: The Complete Daniel
Bonade compiled and edited by Larry Guy. Rivernote Press,
2007, SB, 142 pages. This combines three Bonade educational books that
have not been available for several years. They are the Clarinetist's
Compendium, Sixteen Phrasing Studies for Clarinet, and the Bonade
Orchestral Studies for Clarinet. The editor has corrected typographical
errors and notes, rhythms, dynamics, and slur markings in the
Orchestral Studies. The Phrasing Studies were taken from the Rose 32
Etudes and have been edited by Bonade for "correct phrasing
marks, dynamics, punctuation and interpretation." |
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G61: Complete Method for Rhythmical Articulation by Pasquale Bona translated from the fourth Italian edition by Gustav Saenger. Carl Fischer, SS, 72 pages. This is the treble clef edition. This book is in three parts with the first two intended for vocalists and all three parts for instrumentalists. The exercises and etudes (120 in all) which focus on rhythm (not articulation) are progressively more difficult. Some of the exercises have a few notes below the range of the flute, oboe, and saxophone. | |
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G65: Rhythmical Articulation (for bass clef instruments) by Pasquale Bona selected and transcribed by William D. Fitch. Carl Fischer, 1969, SS, 47 pages. The bass clef edition has Parts II and III from the original, 41 etudes. Useful for bassoon, trombone, cello, euphonium, tuba, and bass clarinetist's who want to work on bass clef. | |
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C108: Contemporary Chordal Sequences for Clarinet -
276
Technical Studies by Kalmen Opperman. Carl Fischer, 1999, SS,
96
pages. Contemporary composers are writing more technical, exotic
lines for the clarinet, often because of the various register color
changes and the instrument's convenient extended range. The
exercises in this book are intended to support and extend the
technical expertise of students and professionals required to
perform this modern music. The chords are shown before the exercises
but not identified. |
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C575: Contemporary Chordal
Sequences for Intermediate Clarinet - 173
Technical Studies
by Kalmen Opperman. Carl Fischer, 2005, SS, 48
pages. This book is apparently intended to precede the one above. The
various triads, sixth, seventh, ninth, tenth, eleventh, and thirteenth
chords are identified by name and the exercises are simple arpeggios.
Chords are shown on 10 of the 12 notes of the scale (omitting
C-sharp/D-flat and D-sharp/E-flat) with a varying number of chords in
each key. |
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G68: Contemporary Rhythm & Meter Duets for Treble Clef Instruments by Elliot Del Borgo. Meredith Music Publications, 1996, SS, 31 pages. Based on the concept of Contemporary Rhythm & Meter Studies, these fourteen, two-page duets make extensive use of metric and rhythmic devices, and harmonic and tonal devices commonly found in 20th Century works. They are ideal for any instrument for developing sight-reading skills as well as recital performance, jury exams, and lesson material. | |
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G66: Contemporary Rhythm & Meter Studies for Treble Clef Instruments by Elliot Del Borgo. Meredith Music Publications, 1996, SS, 31 pages. These 28 etudes make extensive use of metric and rhythmic devices found in 20th century works. Composed as recital/performance pieces, all melodic material is derived from a variety of contemporary patterns including synthetic scales, 12-tone and 7-tone rows, cell-derived patterns, modal scales and traditional major and minor tonalities. | |
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C169: The Developing Clarinetist, 31 Clarinet Studies by Leon Lester. Theodore Presser, 1978, SS, 32 pages. This book contains 31 intermediate level etudes (2 original) that have been edited by Lester to meet the needs of present day clarinetists. Major and Minor keys to 4 flats and 4 sharps. | |
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C144: Etudes for Technical Facility for Alto and Bass Clarinet arranged and compiled by William E. Rhoads. Southern Music Co., 1965, SS, 24 pages. Twenty etudes for the student who has mastered the fundamentals of a correct embouchure and tone production and is now ready to attack the problem of moving the fingers quickly. In the keys of F, C, and G. | |
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C131: Foundation Studies for Clarinet (Baermann Book
3) expanded and edited by David Hite. Southern Music Co.,
SS, 96 pages. David Hite has arranged the scales, arpeggios, and
exercises in the Carl Baermann Method for Clarinet Book 3 in
order of keys. He has also included some suggested fingerings and
additional material. This book is not available at this
time. I spoke to the Southern Music production coordinator on 12
February and she said it would 6-8 weeks before the new printing was
ready. |
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C164: Fundamental Scale and Chord Studies for the Clarinet by Friedrich Demnitz. G. Schirmer, 1947, SS, 31 pages. Scale studies in major and minor keys from 4 flats to 4 sharps. Plus chord studies covering the same keys for a total of 36 exercises. | |
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C180: Gammes et Exercices (Scales and Exercises) for the Clarinet by Gaston Hamelin. Alphonse Leduc, SS, 26 pages. This book includes major and minor scales, chromatic scales, rhythmic exercises on major and minor scales, velocity exercises, and arpeggios. The text is in French, English, and Japanese. | |
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C162: Hand in Hand with Hanon by Buddy DeFranco. 2002, SB, 208 pages. This is several books in one. The title refers to the famous Hanon piano exercises which Buddy has transcribed for clarinet and rendered in all keys. There are jazz oriented scale and chord studies, blues and blues progressions, and more jazz studies. The book concludes with four jazz pieces including clarinet, piano, bass and drum parts. | |
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C139: Intermediate Style Etudes and Technical Exercises for Clarinet by Harry Gee. Southern Music Company, SS, 53 pages. Includes etudes from a variety of sources including Rose, Klose, symphonic literature, and original exercises. Includes 13 duets, a review of fundamentals (fingering and fingering studies), musical glossary, circle of keys, chords, scales, etc. | |
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C1045:
Jazz Scale Studies Clarinet
by James Rae. Universal Edition, 2006, 25 pages. The title of this book
is a bit deceptive as this is not a book of scale based exercises.
Instead it presents and describes the following scales: major scale,
Dorian mode, Mixolydian mode, minor pentatonic scale, jazz melodic
minor scale, blues scale, chromatic scale, whole-tone scale, and
diminished or octatonic scale and then provides two original jazz tunes
to demonstrate each scale in action. The first few tunes are quite easy
but they progress to the upper intermediate level by the end of the
book. In English, German, and French. |
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C109: Klosé Daily Exercises arranged by
Harry Bettoney. Carl Fischer, SS, 16 pages.
(Except other items with free shipping.) |
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C110: Klosé Scales and Exercises. Carl
Fischer, SS, 13 pages. Subtitled: "On all harmonic formations in
the major and minor keys."
(Except other items with free shipping.) |
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C111: Kroepsch 416 Progressive Daily Studies for the
Clarinet - Book 1, 167 Exercises. Revised by Simeon
Bellison. Carl Fischer, SS, 27 pages.
C112: Kroepsch 416 Progressive Daily Studies for the Clarinet - Book 2, 183 Exercises. Revised by Simeon Bellison. Carl Fischer, SS, 29 pages. |
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C113: Kroepsch 416 Progressive Daily Studies for the Clarinet - Book 3 40 Exercises. Revised by Simeon Bellison. Carl Fischer, SS, 24 pages. C114: Kroepsch 416 Progressive Daily Studies for the Clarinet - Book 4 26 Exercises. Revised by Simeon Bellison. Carl Fischer, SS, 30 pages. |
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Since the Carl Fischer editions of
these books have occasionally been unavailable, we have decided to
carry the International editions as well. These editions feature
slightly easier to read printing and paper, but each potential buyer
must decided if this justifies the higher price.
C738: Kroepsch 416 Studies for Clarinet - Book 1, 167
Exercises. Edited by Eric Simon.
International Music Co., 1957. SS, 28 pages.
C739: Kroepsch 416 Studies for Clarinet - Book 2, 183 Exercises. Edited by Eric Simon. International Music Co., 1957. SS, 31 pages. |
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C817: Kroepsch 416 Studies for Clarinet - Book 4, 26 Studies. Edited by Eric Simon. International Music Co., 1957. SS, 30 pages. | |
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C121: Master Studies for the Clarinet, 20 Technical Studies by Kalman Opperman, Carl Fischer, SS, 38 pages. Twenty studies of progressive difficulty suggested for after the Intermediate or Advanced Velocity Studies. | |
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C968: Melodic Etudes
by
Ted Hegvik. Northeastern Music Publications, 2007, SS, 30 pages.
Subtitled: A
Lyric Approach to the Clarinet. It contains a series of short
progressive studies for the development of tone, style, and basic
clarinet idioms. It is a supplemental book for use with any of the
standard methods from the very beginning to the early intermediate
level. It also includes a page on resonance fingerings and another on
the concept of resonance. |
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C098: Melodious and Progressive Studies, Book 1 edited by David Hite. Southern Music Company, SS, 96 pages. Contains F. Demnitz 18 Expressive Studies based upon scales and 18 Expressive Studies based upon chords, D Nocentini 24 Melodic Studies, C. Baermann 24 Melodic Studies (from Op. 63), and Klose Major and Minor Scales and Scales in Thirds. | |
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C099: Melodious and Progressive Studies, Book 2 edited by David Hite. Southern Music Company, SS, 64 pages. This book has Jean Baptiste Gambaro 20 Caprices, 16 Specialized Studies by various composers (including Hubert Ries, Robert Stark, Friederich Berr, Henry Lazarus, etc.), and Jakob Dont 15 Etudes from Op. 37. | |
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C207: Melodious Etudes for Clarinet compiled and edited by Larry Clark and Sean O'Loughlin. Carl Fischer, 2003, SS, 80 pages. These 54 etudes are a bit different from the familiar since they are based on vocalises of Marco Bordogni (1788-1856). The etudes are in a variety of keys and difficulty levels from perhaps mid-second year through fourth year of study. There are some pieces in keys with three or four flats or sharps that should prove useful to third year students. | |
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C070: Modern Daily Studies for the Clarinet - Book One 18 Studies and 3 Etudes by Kalmen Opperman. M. Baron Company, Inc., 1952, SS, 47 pages. The studies are left hand, right hand, chromatic, staccato, grace notes, octaves, and chords (one to four of each). The author also recommends them for practicing transposition. | |
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C071: Modern Daily Studies for the Clarinet - Book Two 16 Etudes by Kalmen Opperman. M. Baron Company, Inc., 1961, SS, 24 pages. | 10.50 |
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C072: Modern Daily Studies for the Clarinet - Book Three Intervallic Permutations by Kalmen Opperman. M. Baron Company, Inc., 1976, SS, 61 pages. This book contains 276 exercises which are designed to create heavy demands on the clarinetist's technique and powers of concentration. | |
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C890:
Patterns & Pieces for
practice below
"The Break" Clarinet & Piano by Colin Cowles.
Ricordi, 1995, SS, 15 + 15 pages. This is an unusual book in several
ways. It has six original pieces (with piano accompaniment) in the
chalumeu of progressive difficulty from late beginner to intermediate
level. Additionally, before each piece it has a scale or scales (for
the minor keys) and short pieces called patterns to reinforce the
scales. A worthwhile supplementary book. |
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C196: Petite Pieces for Clarinet by Randall Cunningham. Woodwindiana, 2001, SS, 37 pages. This book of pieces was designed for advanced high school and beginning college level students. It contains 21 pieces in alternating major and minor keys through four sharps and four flats and ends with three dances in C major. There are brief descriptions of each piece giving the form, style, articulation, and playing suggestions. | |
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C039: Polychromatic Diversions for Clarinet by Ronald L. Caravan. Ethos Publications, SS, 20 pages. Subtitled: 10 Graded Compositions Using Non-Traditional Techniques. These etudes provide material for the further practice of extended techniques. The book includes notes on each piece, a guide to the fingering diagrams, and an explanation of the markings and symbols used. | |
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C188: Practical Study of the Scales for Clarinet by Émile Stiévenard. G. Schirmer Inc., 1909, SS, 49 pages. Scale based exercises for all major and minor keys. | |
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C040: Preliminary Exercises & Etudes in Contemporary Techniques for Clarinet by Ronald L. Caravan. Ethos Publications, SS, 44 pages. Dr. Caravan has been a member of the faculty of Syracuse University School of Music since 1980 teaching applied clarinet and saxophone. His Eastman School of Music doctoral dissertation was Extensions of Technique for Clarinet and Saxophone (1974). This book provides a solid introduction to extended clarinet techniques for the advanced student and can be used as material for lessons or self study. This book covers the areas of Timbre Variation, Quarter Tones, and Multiphonics. Each section includes an explanation of the technique, examples, fingering charts (when appropriate), and etudes. | |
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C351: Preliminary Studies to "The Accomplished
Clarinettist" Book 1 by
Rudolf Jettel. Josef Weinberger, 1959, SS, 38 pages. This series of
books is intended to come before The
Accomplished Clarinettist
to prepare the student to more easily assimilate the difficult material
in that set of studies. Book 1 contains 15 etudes at what would
probably be the early college level for most students. C352: Preliminary Studies to "The Accomplished Clarinettist" Book 2 by Rudolf Jettel. Josef Weinberger, 1959, SS, 39 pages. Book 2 contains 14 etudes at somewhat more difficult than Book 1. C353: Preliminary Studies to "The Accomplished Clarinettist" Book 3 by Rudolf Jettel. Josef Weinberger, 1960, SS, 36 pages. Book 3 contains 15 more advanced etudes. |
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C122: The Progressing Clarinetist by Leon Lester. Carl Fischer, SS, 32 pages. Thirty etudes based on the works of Sigmund Hering. Suitable for second/third year students. | |
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C151: Selected Studies for Clarinet by Himie Voxman. Rubank, 1942, SS, 76 pages. Etudes (Rose level) drawn from many composers in all major and minor keys, plus scales, scales in thirds, and arpeggios. | |
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C1075: Supplementary Studies
Clarinet
by R.M. Endressen. Rubank, 1934, SS, 24 pages. This book is suggested
to be used once a student can play in the upper register. It provides
37 progressive etudes in keys up to three sharps and
three flats. It will be useful through the third or fourth year for
many students. |
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C361: Studies for Playing Avant-Garde Music (Studien zum Spielen Neuer Musik) for Clarinet by Beate Zelinsky and David Smeyers. Breitkopf, 1996, 48+ pages. The book provides detailed instruction in English and German for playing 11 works for clarinet which use extended technique. Works by Edison Denissow, Georg Kröll, Iannis Xenakis, and 8 more composers are included. Full clarinet parts are included and for the Kröll work, multiphonic fingerings for both the Boehm and Germany system clarinets. There is also a bibliography and a list of recommended compositions. Click on the cover image to view the Table of Contents for a full list of composers and works. Use your browser's Back button to return. | |
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C848: Studies in Lyricism compiled and edited by Larry Clark. Carl Fischer, 2005, SS, 48 pages. This relatively new book contains studies for advancing students from the vocalizes of Concone, Marchesi and Panofka and are organized in a progressive order for advancing students (from late first year through most of the intermediate level). A variety of keys and rhythmic values have been selected, starting with the easiest and progressing to more complex selections throughout the book. These etudes will prove to be essential for improving flexibility and the ability to develop a beautiful sound. | |
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C148: Studio Progressivo by Gaetano Labanchi edited by Jean and David Hite. Southern Music Company, 2002, SS, 100 pages. This book contains 36 progressive studies by Gaetano Labanchi (1829-1908) from Part 2 of his Metodo Progressivo per Clarinetto which was published in 1886. These studies are representative of the Italiante "bel canto" vocal style. Highly florid, ornate and lyric they require the student to develop a superior, easy command of the instrument. Covering all keys, major and minor, the studies employ the full range of the instrument. | |
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C426: Study for Clarinet (Studie für Klarinette)
by Gaetano Donizetti
edited by Raymond Meylan. C.F. Peters, 1970, SS, 6 pages. Donizetti
apparently wrote a number of etudes for clarinet all of which, except
for this one, have been lost. While only a single etude, it is a rather
substantial five pages. Intermediate level (about fourth year of study). (Except other items with free shipping.) |
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C101: Style Etudes and Technical Exercises by Harry Gee. Southern Music Company, SS, 44 pages. Contains etudes edited by the author from the works of Rose, Ferling, Klose and others, a transcription of the Sonata IV for flute by Bach, and some original exercises by the author. | |
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C1044:
Style Workout for Solo Clarinet
by James Rae. Universal Edition, 2005, 48 pages. Subtitled: Studies in
Classical, Jazz, Rock, and Latin Styles. This book has 10 pieces in
each of the styles. In each section, they start out at the beginner
level and progress to an intermediate+ level. For this reason it would
supplement lessons for several years. Brief performance instructions
accompany each piece. In English, German, and French. |
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C604: Systematic Approach to Clarinet Finger Technique by Jost Michaels, adapted for the Boehm clarinet by Allan Ware. Zmmermann, 2001, PB, 197 pages. This massive book contains thousands of individual exercises. The exercises begin with the basic position of each finger then cover virtually every possible fingering combination that a clarinetist might face. It includes many combinations with altissimo fingerings as many of these are more complicated. This book is organized in 18 chapters and includes introductions in German and English to each section. | |
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C073: Tone, Technique & Staccato by Avrahm Galper. Mel Bay, 2001, SB, 96 pages. This book provides a number of useful exercises along with comments and fingering recommendations by the author. The exercises are presented in a wide variety of keys. Included are low register exercises, transition to the upper register, technique studies using 165 Kroepsch exercises and Klose mechanisms, and staccato exercises. | |
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C289: Thurston Passage Studies Book 1 Frederick Thurston. Boosey & Hawkes, 1947, SS, 24 pages. The volume is marked "Easy Studies" and is suitable for second and third year students. Click on the cover image to view the Table of Contents. Use your browser's Back button to return. | |
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C290: Thurston Passage Studies Book 2 Frederick Thurston. Boosey & Hawkes, 1947, SS, 27 pages. The volume is marked "Moderately Difficult Studies" and is suitable for fourth year and beyond. Click on the cover image to view the Table of Contents. Use your browser's Back button to return. | |
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C876: Thurston
Passage Studies Book 3 Frederick Thurston. Boosey &
Hawkes, 1947, SS, 28 pages. This volume is "Difficult Studies." It
wasn't available for a number of years but has now reappeared as a
print on demand volume. Click on the cover
image to view the
Table
of Contents. Use your browser's Back button to
return. |
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C240: Upbeat Scales & Arpeggios by Avrahm Galper. Mel Bay, 2004, SS, 72 pages. The scales in this book are based on the Baermann scale studies in Book 3 of the Baermann Method. The scales and arpeggios are arranged by key. The author starts each scale on the upbeat for impetus and melodic direction. Of particular value are the suggested fingerings for many notes, especially in the altissimo. | |
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C610: "Vade-Mecum" of the Clarinet-player by Paul Jeanjean. Alphonse Leduc, 1927, SS, 21 pages. Subtitled: 6 Special Studies, the forward of this books says it is intended to prepare busy instrumentalists in 1/2 hour per day to execute difficult passages, from the standpoint of lips, tongue, and fingers. The exercises include rapid close intervals (called Trills but notated as 16th notes), special work for the left hand, special work for the right hand, articulation, all the scales and some arpeggios in one exercises, and finally an exercise that features a very wide variety of techniques ("To restore the mouth and improve sonority"). | |
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C650: The
Vandoren Etude and Exercise Book for Clarinet, The Secrets
of Ten Master Clarinetists.
Carl Fischer, 2005, PB, 109 pages. Celebrating the 100th anniversary of
the Vandoren Company, Carl Fischer Music has teamed up with ten of the
world's finest clarinetists (Eddie Daniels, Paquito D'Rivera, Mitchell
Estrin, Gary Foster, Ginger Kroft Barnetson, Greg Raden, Teresa Reilly,
Harry Skoler, David Weber, and John Bruce Yeh), to produce a
one-of-a-kind etude and exercise book in honor of this special
anniversary. Each of these clarinet masters shares his and her inner
secrets on how to play the clarinet. This eclectic collection covers
Classical, Jazz, and Latin styles as well as etudes to develop tone,
technique, lyricism and overall musicianship on the clarinet. |
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C124: Velocity Studies - Elementary by Kalman Opperman. Carl Fischer, SS, 39 pages. C125: Velocity Studies - Intermediate by Kalman
Opperman. Carl Fischer, SS, 45 pages. This volume now includes a CD of
all 33 techincal studies played by clarinetist Adam Ebert (a former
Opperman student). |
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C126: Velocity Studies - Advanced by Kalman
Opperman. Carl Fischer, SS, 48 pages.
C127: Velocity Studies - Virtuoso by Kalman Opperman. Carl Fischer, SS, 48 pages. |
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