Clarinet/Bass Clarinetist Michael Drapkin is known
throughout the orchestral bass clarinet world through his series of
orchestral excerpt books, Symphonic Repertoire for the Bass
Clarinet, Volumes One, Two and the recently released Volume
Three. His books have become standard literature for bass clarinet
orchestral study worldwide for the last 28 years, and are now
referenced as a source for many bass clarinet orchestra auditions. Michael Drapkin was a member of the Honolulu Symphony Orchestra, as Associate Principal and Bass Clarinet and the New York City Opera Touring Company and Lake George Opera Festival, as Principal Clarinet. He has spent summers playing at Aspen and at Tanglewood as a Berkshire Music Center fellow, and is an active chamber musician and performer. Michael Drapkin is a Selmer Performing Artist. |
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Mr. Drapkin is a graduate of the Eastman
School of Music where he studied with acclaimed master clarinet teacher
D.
Stanley Hasty, toured Japan with the Eastman Wind Ensemble under Donald
Hunsberger, and played Principal Clarinet in
the Eastman Philharmonia under David Effron. He also studied clarinet
with Gary Gray, Charles Bay and Harold Wright. He has also performed with the New Jersey Symphony, the Rochester Philharmonic, the Portland Symphony, the Long Island Philharmonic, the Brooklyn Philharmonic and with conductors Leonard Bernstein, Seiji Ozawa, Michael Tilson Thomas, Neville Marriner, Leonard Slatkin, Lucas Foss, Christopher Keene, Klaus Tennstedt, Frederick Fennell, and many more celebrated orchestras and maestros. In addition to his career as a symphony orchestra clarinetist and bass clarinetist, he has published numerous books and articles spanning three fields, was Chair of eCommerce Management at Columbia University, held positions as a Chief Information Officer and leadership positions with firms ranging from startup to multinational firms and the Fortune 500. He has been commissioned to write for the New York Times, interviewed in numerous articles, and has been a frequent public speaker on subjects ranging from marketing to future trends in the economy, and has appeared on the radio on CBS Marketwatch and on television on CNBC, where he discussed the future of music on the Internet. He is the Executive Director of the Brevard Conference on Music Entrepreneurship, an organization dedicated to restructuring the fine arts world by balancing the oversupply of artists and lack of demand for their skills by teaching artists to become entrepreneurs for the arts and boosting demand. |
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C1065:
Tempest
Hora for Clarinet and Piano
by Grigoras Dinicu arranged by
Michael Drapkin.
Roncorp, 2004, SS, 8 + 4 pages. Grigoras Dinicu (1889-1949) was a
Romanian Romani composer and violinist. This is a fast moving Eastern
European dance. College level with a duration of about 3:30. You can
watch and listen as Michael Drapkin plays it on YouTube. |
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C1066:
Introduction
and Rondo Capriccioso Op. 28 for
Clarinet in A and Piano
(originally
for violin and orchestra) by Camille Saint-Saëns arranged by
Michael Drapkin.
Roncorp, 2002, SS, 16 + 8 pages. This piece was written for violinist
Pablo de Sarasate in 1863. It works very well on clarinet and may be
played with the original orchestral parts (which are available in the Orchestral
Musician's CD-ROM Library Vol. 2). An alternate part for Clarinet 1
is included for this purpose. This edition was premiered by John Bruce
Yeh and the Glenbrook Symphony Orchestra in 2002. |
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WW155: Verdi Three Arias for Two Clarinets and Bassoon by Giuseppe Verdi arranged by Michael Drapkin. Roncorp, 1983. Arrangements of "La donna è mobile" from Rigoletto, "Un di felice, etera" from La Traviata, and "Parigi, o cara" also from La Traviata. The parts are a neat manuscript and include portions of the other parts when they are helpful to ensure a good ensemble. |
Bindings: HB: Hard Bound, PB: Perfect Bound (paperback with square spine), SS: Saddle Stitch (paper, folded and stapled), SB: Spiral Bound (plastic or metal, comb or spiral).